EXCLUSIVE – Pippin as a ruthless leader? Alfrid the woodland elf? Colour us intrigued!
Billy Boyd (LOTR) and Ryan Gage (The Hobbit) star in a new fantasy feature film called WARLORD. Gamers may recognize the rest of the cast too – Jennifer English is Shadowheart in Baldur’s Gate 3, and Aliona Baranova is in Cyberpunk 2077: The Phantom Liberty.
Director & actor Stuart Brennan jumped into our instagram comments this week to let fans know the movie trailer “will release in a few weeks time.”
FOR IMMEDIATE RELEASE First Look: Warlord Brings a Gritty Wood Elf Fantasy Thriller to Screens This May
London, UK – February 20, 2025 – The highly anticipated fantasy thriller Warlord is set to premiere on May 15, 2025, ahead of its global release on May 16th, 2025. Helmed by award-winning writer-director Stuart Brennan (Kingslayer, Assassin’s Guild), Warlord promises a dark and immersive journey into a mystical forest realm where war, rebellion, and power struggles unfold in uncompromising fashion.
Starring an ensemble cast led by Billy Boyd (The Lord of the Rings), along with Ryan Gage, known for his role as Alfrid in the The Hobbit; Warlord delivers a fresh take on medieval fantasy. With cinematography by Doug Milsome BSC, ASC (Full Metal Jacket, Robin Hood: Prince of Thieves), the film boasts a striking visual aesthetic reminiscent of classic epic filmmaking.
Set in a world rife with injustice, Warlord follows a peaceful Wood Elf leader forced to take up arms against an oppressive Sheriff and his mercenaries. As rebellion stirs, alliances are tested, and the elves’ true motives come into question, setting the stage for a thrilling battle for justice and survival.
Director Stuart Brennan shares his vision: “I grew up inspired by stories like Robin Hood, and I wanted to craft a film that explores timeless struggles—oppression, resistance, and the cost of war. Warlord is an intense, character-driven journey that I feel is timely and dealing with themes that are current real world issues. Having been a big fan of Warhammer growing up, Wood Elves were always my army of choice and so getting a chance to bring wood elves into my universe has been particularly special.”
A first-look at the poster of the film has been released today with exclusive images of Billy Boyd as The Sheriff and Ryan Gage as The Brute. Brennan was very excited about the casting; “I love Lord of the Rings, so working with Billy was very cool. He’s incredibly detail orientated and a very prepared actor. He arrived on set excited to be playing a dark and richly complex character. We’d had a few video calls to talk through the part and once he was in costume, on location it was genuinely one of the highlights of my career being able to capture him bringing this role to life. It’s very different from anything he’s done before.”
This was the third movie he had got to work with Gage; “Ryan is a superb actor, he’s also very prepared, very specific and creative with his choices. He was one of the first people I sent the script and this character really jumped out at him. He’s a lot of fun in this movie, very dark, very wicked.”
Further details will be revealed in the coming weeks.
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We were pretty sure it was coming, but today Prime Video have officially confirmed that The Lord of the Rings: The Rings of Power will return for a third season.
Of note – director Charlotte Brändström is back for more; and the show has moved its production home, remaining in the UK but heading over to Shepperton Studios. No word on any new casting as yet. Prime Video did share this on X, re plotline: Jumping forward several years from the events of Season 2, Season 3 takes place at the height of the War of the Elves and Sauron, as the Dark Lord seeks to craft the One Ring that will give him the edge he needs to win the war and conquer all Middle-earth at last.
Here’s the official press release:
Prime Video Confirms Season Three Of The Lord Of The Rings: The Rings Of Power
Acclaimed directors Charlotte Brändström, Sanaa Hamri, and Stefan Schwartz set for upcoming season
Award-winning series is currently in pre-production at new production home,Shepperton Studios
CULVER CITY, California – February 13, 2025 – Today, Prime Video confirmed Season Three of The Lord of the Rings: The Rings of Power is in pre-production and will begin filming this spring in the series’ new production home at Shepperton Studios in the UK. Additionally, we are announcing three directors, two returning and one new, Charlotte Brändström, Sanaa Hamri, and Stefan Schwartz will be a part of this season. The globally successful series, which has attracted over 170 million viewers worldwide, continues to be one of Amazon’s strongest drivers for new Prime membership sign-ups.
“The Lord of the Rings: The Rings of Power continues to captivate audiences worldwide, and we’re thrilled that a third season is underway. The creative team has an extraordinary vision of what’s to come with stories that have left us enchanted and enthralled,” said Vernon Sanders, head of television, Amazon MGM Studios. “We look forward to continuing this epic journey, for our global customers, delving even deeper into the legendary tales that shaped Middle-earth.”
Charlotte Brändström, who served as co-executive producer and directed multiple episodes in Seasons One and Two, returns as executive producer and director for the third season. She is joined by returning director Sanaa Hamri, who helmed several episodes in season two, and veteran director Stefan Schwartz, marking his first involvement with the series. Each director will oversee multiple episodes in the upcoming season.
Brändström’s extensive directing credits include Shōgun (FX), Scarpetta (Prime Video), The Outsider (HBO), The Witcher (Netflix), and The Man in the High Castle (Prime Video). Hamri, an acclaimed director known for her work on The Wheel of Time (Prime Video) and Empire (Fox), brings extensive experience spanning television, music videos, and feature films, having recently directed The Bondsman (Prime Video) pilot while continuing her creative relationship with Amazon MGM Studios through an overall deal. Schwartz, whose credits include The Boys (Prime Video), The Walking Dead (AMC), Luther (BBC), and The Americans (FX), rounds out the talented directorial team.
The Lord of the Rings: The Rings of Power has been an unprecedented success, with a broad, highly engaged, global fan base. Critics have praised the series for its epic scope and production values, and Seasons One and Two are Certified Fresh on Rotten Tomatoes. Season One remains the biggest TV premiere in the history of Prime Video and Season Two the most-watched returning season by hours watched.
The Lord of the Rings: The Rings of Power is produced by showrunners and executive producers J.D. Payne & Patrick McKay. They are joined by executive producers Lindsey Weber, Justin Doble, Kate Hazell, and executive producer-director Charlotte Brändström. Matthew Penry-Davey is producer and Ally O’Leary, Tim Keene, and Andrew Lee are co-producers.
Charlotte Brändström is an award-winning director and graduate of the directing program at the American Film Institute. Recent projects include Shōgun for FX, The Continental with Mel Gibson for Starz, the upcoming Scarpetta with Nicole Kidman and Jamie Lee Curtis for Prime Video, and a pilot for Netflix Sweden titled The Unlikely Murderer. Her other directing credits for television include The Outsider for HBO; Jupiter’s Legacy, The Witcher, and Away for Netflix; The Consultant and The Man in the High Castle for Prime Video; and Outlander and Counterpart for Starz. Brändström also directed the entirety of two European limited series: Conspiracy of Silence for Viaplay and Disparue for FR2, and has also directed over 30 feature films, miniseries, and movies-of-the-week. Additionally, Brändström is an international Emmy award nominee for Julie, Chevalier de Maupin.
Sanaa Hamri is a renowned film, television, music video, and commercial director from Tangier, Morocco. She is currently in an overall deal with Amazon MGM Studios. She recently directed the pilot and episode 2 of Prime Video’s The Bondsman starring Kevin Bacon, as well as episodes from Seasons 2 and 3 of The Lord of the Rings: The Rings of Power. Previously she was EP/Director of Season 2 of Prime Video’s The Wheel of Time. Hamri was also EP/Director of the blockbuster series Empire on Fox from 2015 to 2020. As an acclaimed music video director, Hamri’s prolific career boasts collaborations with high profile hip hop/R&B musicians including Prince, Common, Lenny Kravitz, Rihanna, Justin Bieber, Snoop Dogg, Jay Z, and Mary J. Blige. Hamri has been awarded the NAACP Image Award for India Arie’s 2003 and an MTV VMA for Nicki Minaj’s 2010 blockbuster hit “Super Bass”. Hamri also directed Mariah Carey’s sold-out live arena concert documentary, The Adventures of Mimi. Hamri’s past episodic work includes Shameless, Rectify, Nashville, Elementary, Glee, Hit The Floor, and Desperate Housewives. Some of her feature film credits include Something New, The Sisterhood of the Traveling Pants, and Just Wright.
Stefan Schwartz is an award winning British/Canadian film and television director, writer, and producer. He has directed episodes of The Boys and My Lady Jane for Amazon MGM Studios, as well as The Americans, The Walking Dead, Fear the Walking Dead, Dexter,White Collar, Those Who Kill, Black Sails, and the BBC’s Luther and Spooks. He served as executive producer and directed episodes of Apple TV’s The Mosquito Coast, the Starz series Camelot, and the pilot of the CBC Television series Fortunate Son. His feature film directing debut was Soft Top Hard Shoulder, which starred Peter Capaldi and won two BAFTA Awards in Scotland and the prestigious audience prize at the London Film Festival. He also directed the films Shooting Fish (which he also wrote), The Abduction Club, and The Best Man, starring Stuart Townsend, Amy Smart, and Seth Green.
About Prime Video
Prime Video is a first-stop entertainment destination offering customers a vast collection of premium programming in one app available across thousands of devices. On Prime Video, customers can customize their viewing experience and find their favorite movies, series, documentaries, and live sports – including Amazon MGM Studios-produced series and movies Red One, Road House, The Lord of the Rings: The Rings of Power, Fallout, Reacher, The Boys, Cross, and The Idea of You; licensed fan favorites; Prime member exclusive access to coverage of live sports including Thursday Night Football, WNBA, and NWSL, and acclaimed sports documentaries including Bye Bye Barry and Kelce; and programming from partners such as Apple TV+, Max, Crunchyroll and MGM+ via Prime Video add-on subscriptions, as well as more than 500 free ad-supported (FAST) Channels. Prime members in the U.S. can share a variety of benefits, including Prime Video, by using Amazon Household. Prime Video is one benefit among many that provides savings, convenience, and entertainment as part of the Prime membership. All customers, regardless of whether they have a Prime membership or not, can rent or buy titlesvia the Prime Video Store, and can enjoy even more content for free with ads. Customers can also go behind the scenes of their favorite movies and series with exclusive X-Ray access. For more info visit www.amazon.com/primevideo.
The Lord of the Rings: A Musical Tale has opened in Australia – and staffer Eorl the Young was there for the premiere. Here’s his review of the experience:
As reported previously on TheOneRing.net, the phenomenal production of The Lord of the Rings — A Musical Tale, that had been playing in the USA and New Zealand in 2024, finally made its debut in Australia this month.
The State Theatre, Sydney
I had the privilege of attending the Sydney premiere, and it was an unforgettable experience.
Held at the iconic State Theatre, with its ornate ceilings, art deco charm, and grand ambience, the venue felt perfectly suited for a tale as epic and timeless as Tolkien’s.
From the moment I walked up the street to the venue, it was clear this wasn’t just another night at the theatre — the excitement in the air was palpable even outside the theatre where fans queued up several hours before the show began.
Many dressed as characters from Middle-earth and were in high spirits as they milled about the entrance; Boromir, several Elves (including two Arwens), a remarkably creative “sexy Shelob”, and an Eye of Sauron, all made an appearance.
The State TheatreElves on the Red CarpetThe Two ArwensEowyn & BilboSexy Shelob & The Eye of SauronArwen & Boromir
The evening started on an unexpectedly warm and interactive note.
Before the performance began, the cast embraced the audience, singing impromptu Hobbit-themed songs accompanied by various musical instruments, and playing Shire-themed games like ring toss (the hilarious symbolism dawns on me as I write this).
Hobbits discover a magical object before the show (a mobile phone with a selfie cam!)Arwen tries her hand at Ring-toss in the Shire
When the cast were all assembled on stage, they invited everyone to join in a spirited rendition of Happy Birthday to Bilbo. We thought it was part of the pre-show fun and games, but the Happy Birthday song that we were invited to sing was in fact the beginning (and a very innovative one at that) of the musical itself, with the ending segueing perfectly into the beginning of Act I.
This playful, Hobbity opening instantly set the mood, drawing the audience into Middle-earth with a sense of camaraderie.
THE CAST
Unsurprisingly, the performances were nothing short of extraordinary, as the musical starred some of Australia’s acclaimed musical theatre performers and actor-musicians, including Jemma Rix as Galadriel, Ian Stenlake as Saruman, Rob Mallett as Strider, and Rarmian Newton as Frodo Baggins.
Bilbo (Laurence Coy) was adorable, both on and off-stage, to the point you wanted to talk with him for hours on end, and invite him to breakfast, and second breakfast, like an old friend.
Bilbo (Laurence Coy) mingling with his Birthday Party guests while Hobbits dance the Springle-ring on stage
Gandalf (Terence Crawford) commanded the stage with a voice and presence that perfectly captured his wisdom and gravitas.
Frodo and Sam’s portrayal was heartfelt and deeply moving throughout, their friendship anchoring the emotional core of the production. They were the leads after all, and their casting was as close to perfect as one might hope to expect.
Merry and Pippin brought energy and humor throughout, providing much-needed levity in darker moments.
And Galadriel! Galadriel was a true standout. Jemma Rix’s voice was constantly powerful and haunting, her every performance resonating throughout the theatre. Her solos were an absolute highlight, commanding the room every single time with their sheer vocal power. It isn’t a stretch to presume she left the audience spellbound each time she ended with a rousing crescendo, as I noted that there was always a momentary stunned silence before the audience applauded her performance.
Aragorn and Arwen’s unexpected duets brought tender moments of longing and love (yes, they kissed!)
Boromir (Rohan Campbell)
Boromir’s character brought intensity and humanity to his arc.
Fans will appreciate his performance knowing the fate that befalls him. That scene was a high point of the production, deeply emotional and handled with care.
After the show, the actor (Rohan Campbell) mentioned how much it meant to him to do justice to Boromir’s redemption. You could tell.
Extra special mention must go to Smeagol / Gollum, who was an absolute marvel from his first appearance until his final moment of moments. His physicality, rasping voice, and duality were all executed to perfection – yes, perfection, and perhaps beyond perfection.
This a role that will undoubtedly invite comparisons to Andy Serkis’s Gollum for an entire generation of LOTR fans, and yet the actor (Laurence Boxhall) delivered something fresh while staying true to the essence of Gollum. Chilling, silly, hilarious, menacing, pitiful… I could go on.
MUSIC AND SONGS
The musical took a bold step by introducing original songs rather than adapting Tolkien’s verses. While this might disappoint purists, the new music more than justified its inclusion.
“Forever and Always”, a poignant duet between Frodo and Sam, was my favourite. It brought a particularly memorable tone to the entire show, blending heartfelt emotion with an absolutely surprising, bone-chilling interruption from Gollum that sent shivers down my spine several times (without exaggeration). The actor is absolutely amazing in this role. This song, and the three-way performance, was one of the biggest highlights of the show for me.
Overall, the music wasn’t just functional; it added layers to the story. Each song — whether it was an intimate love ballad between Man and Elf, a melancholic duet between Hobbit mates, a sweeping chorus of Elves, or a raucous Orcish battle-song — felt deliberate and evocative.
While I missed Tolkien’s lyrics at times, the original compositions stood firmly on their own, supported by stellar performances.
I would actually hope the producers are able to record one of the live performances and release in some form of media at least the music, if not the entire live production, so fans who don’t have the ability to experience this performance in person can also have the opportunity to hear these songs.
STAGECRAFT AND VISUALS
The production’s technical achievements were nothing short of spectacular.
Bilbo’s disappearance at his Eleventy-first Birthday Party was executed with dazzling effects — light, fire, and smoke combining to create a truly magical moment.
The Nazgûl’s entrance was one of the most chilling sequences, with the actors weaving through the aisles as eerie lights and sounds amplified their menace. Seeing them so close in the darkened theatre was a spine-tingling experience.
Other standout moments included the Balrog in Khazad-dûm, brought to life through a clever interplay of light and fabric that evoked its fearsome presence without overloading the stage.
And then there was Shelob! A massive spider puppet emerged from the darkness, literally taking up the entire stage, its movements so lifelike and creepy that the entire audience gasped audibly. It was a jaw-dropping moment of stagecraft that has to be seen to be believed.
The show also excelled at juxtaposition. The Battle of the Pelennor Fields was brilliantly interwoven with Frodo and Sam’s climb up Mount Doom, keeping the tension high across both storylines at the same time. Magical!
Even quieter moments, like Frodo slipping into the “shadow world” when wearing the Ring, were handled with inventive lighting, sound, and acting that heightened the drama and left the audience in silence enough to hear a pin drop.
ADAPTATION AND STORYTELLING
Adapting The Lord of the Rings for the stage is no easy task, and compressing such a vast narrative inevitably means sacrifices.
Some scenes leaned heavily on exposition, which felt a little overexplained at times; but these moments helped orient audience members less familiar with the story. On the whole, the streamlined approach worked, focusing on the most essential arcs without losing the heart of Tolkien’s tale. For example, Theoden was the only character from Rohan featured in the Helm’s Deep sequence — a choice that made sense, given the constraints of time and complexity.
What stood out most was the creativity in how the production handled certain moments.
Treebeard was represented through voice acting alone, with Merry and Pippin reacting to an unseen presence in a way that felt natural and compelling. Kudos to both actors for bringing believability and upholding what could have been one of the weaker points of the production.
Likewise, Bree’s doorkeeper was conveyed entirely through sound effects and timing. The actor’s timing, paired with perfectly synced sound effects of the creaking gate, brought the scene to life despite its simplicity. It was a small but memorable moment, with the actor fully committing to the role and adding a touch of humor and authenticity that stayed with me.
These small, clever touches added unexpected charm and ingenuity to the storytelling.
HIGHLIGHTS AND FINAL THOUGHTS
The emotional resonance of the musical was undeniable.
The Grey Havens finale left many in tears, myself included, echoing the bittersweet beauty of Tolkien’s original ending. So many performances and moments lingered with me long after the curtain fell.
The cast bows out after a stellar performance
One thing that did stand out to me though was how understandable the production was. I spoke to a couple of people who had never read the books or seen the movies, and they loved it as a standalone work. It drew them into the story enough that they came away wanting to know more about Tolkien’s world. That’s a testament to how well the production works, as an adaptation, as a piece of theatre, and as a tribute to Tolkien.
Of course, no adaptation can please everyone.
Purists may find things to criticise — whether it’s the absence of Tolkien’s original songs, or the inevitable omissions in the story. But I don’t believe the aim of this production is to recreate The Lord of the Rings exactly as it exists in the books. That would be an impossible task anyway. Instead, the musical offers a fresh, deeply creative interpretation that stands as a testament to the power of theatre and the enduring relevance of Tolkien’s work.
Inside the theatre, I spoke to some of the wonderful designers behind the show’s many costumes, and as I was leaving, I spoke with a lovely couple whose daughter happened to have worked as a dresser for the show. They all shared how hard the cast and crew had worked in the lead-up to the premiere, with 13+ hour days to perfect every minute detail. It’s a testament to their dedication that the result feels so polished, from the acting and music, to the stunning technical effects.
Crew (Costume Designers)Crew (Dresser)
I certainly plan to attend again before the musical completes its Sydney run. There’s so much to take in, and so many blink-and-you-miss-it moments, that it’s worth a second (or third) viewing.
For fans of Middle-earth — or anyone who loves epic, immersive theatre — this is an experience you won’t want to miss. Tickets are available – for Sydney, other locations in Australia, and for the UK and Singapore – here.
Forth Eorlingas! The Lord of the Rings: The War of the Rohirrim is riding back into theatres in the UK from January 23rd – but this time, it’s the Japanese language version which fans can experience.
The English language voice actors are of course brilliant; and it will be fascinating to see this movie with an equally talented cast, who perhaps connect with the style of anime in a different way. It’s always thrilling to discover how different performers tackle a role, and with all the Japanese creatives involved in The War of the Rohirrim – from director Kenji Kamiyama down – and therefore the Japanese influence in many elements of the film (beyond and in addition to the anime style), it will be very interesting to see the film with this different perspective.
Here’s the official press release:
THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM TO BE RELEASED IN JAPANESE IN UK CINEMAS
FANS HAVE ANOTHER CHANCE TO WATCH THE ANIME ORIGINAL FEATURE ON THE BIG SCREEN AT PARTICIPATING CINEMAS NATIONWIDE FROM 23RD JANUARY
“The Lord of the Rings: The War of the Rohirrim” returns audiences to the epic world brought to life in “The Lord of the Rings” Trilogy, based on the revered books by J.R.R. Tolkien. For the first time, Warner Bros. Entertainment is releasing the Japanese language version of the film in UK cinemas, giving fans the opportunity to watch the film on the big screen in Japanese with English subtitles.
Set 183 years before the events chronicled in the original trilogy of films, “The Lord of the Rings: The War of the Rohirrim” tells the fate of the House of Helm Hammerhand, the legendary King of Rohan. A sudden attack by Wulf, a clever and ruthless Dunlending lord seeking vengeance for the death of his father, forces Helm and his people to make a daring last stand in the ancient stronghold of the Hornburg—a mighty fortress that will later come to be known as Helm’s Deep. Finding herself in an increasingly desperate situation, Héra, the daughter of Helm, must summon the will to lead the resistance against a deadly enemy intent on their total destruction.
Under the direction of award-winning filmmaker Kenji Kamiyama (the “Blade Runner: Black Lotus” and “Ghost in the Shell: Stand Alone Complex” TV series), the original feature is produced by Oscar winner Philippa Boyens, from the screenwriting team behind “The Lord of the Rings” and “The Hobbit” Trilogies, alongside Jason DeMarco and Joseph Chou, who, in addition to their many separate animation projects, collaborated on the “Blade Runner: Black Lotus” series. The executive producers are Fran Walsh, Peter Jackson, Sam Register, Carolyn Blackwood and Toby Emmerich. The screenplay is by Jeffrey Addiss & Will Matthews and Phoebe Gittins & Arty Papageorgiou, story by Addiss & Matthews and Boyens, based on characters createdby J.R.R. Tolkien. The team of creative collaborators returning from “The Lord of the Rings” Trilogy also includes Oscar winners Alan Lee and Richard Taylor, along with esteemed Tolkien illustrator John Howe.
The Lord of the Rings: The War of the Rohirrim (Japanese with English subtitles) is in participating UK cinemas from 23rd January
We’re thrilled to announce a new partnership between TheOneRing.net and the amazing folks at Signum Studios; and to let you know about an imminent project which you can support! Here’s our official press release:
FOR IMMEDIATE RELEASE
January 11, 2025
TheOneRing.net Partners with Signum Studios to Bring Deep-Dive Fan Content to Audiences Worldwide
For 25 years, TheOneRing.net has been a beacon for Tolkien fans — celebrating the Professor’s works with authenticity, community spirit, and a passion for well-researched stories. Today, we’re delighted to announce a new partnership with Signum Studios, known for producing in-depth, academically informed content that resonates with dedicated fandoms everywhere.
“We’re thrilled to join forces with Signum Studios,” says Chris Pirrotta, Co-Owner of TheOneRing.net. “Both of our teams share a commitment to creating thoughtful, inspiring projects that honor Tolkien’s vision and bring fans closer together. We can’t wait to see where this journey leads.”
Corey Olsen, President of Signum University (of which Signum Studios is the production branch), says, “Signum University has always admired the passion of the TORn community, and we are tremendously excited by what lies ahead!”
A Deep Dive Into Middle-earth: Rings & Realms: The War of the Rohirrim
A project that celebrates just this type of collaboration is a Kickstartercampaign for “Rings & Realms: The War of the Rohirrim.” This documentary-style production channels the beloved “appendices” spirit by exploring the anime feature film about Helm Hammerhand and the origins of Helm’s Deep. This documentary is helmed (pun intended!) by the creative minds at Signum Studios — including Dr. Corey Olsen (widely known as “The Tolkien Professor”) and Dr. Maggie Parke (Studio Director and adaptation specialist) — and will also feature TheOneRing.net’s own greendragon (Kirsten Cairns) as part of the team.
Dr Corey Olsen and Dr Maggie Parke of Signum Studios
• Thoughtful Exploration: The Rings & Realms crew merges scholarly insights with fan-oriented storytelling, aiming to offer a deeper understanding of Tolkien’s lore.
• Community Engagement: Backers gain behind-the-scenes access, Q&A sessions, and even set visits — keeping our vibrant fan community at the heart every step of the way.
• Authentic Fan Spirit: True to TORn’s legacy, this project will invite fans to explore Middle-earth in a welcoming, celebratory way.
By supporting Rings & Realms, you’ll help us continue our mission of bringing richly researched, entertaining Tolkien content to audiences around the globe. Whether you’re a long-time TORn community member or new to TheOneRing.net, we invite you to be part of this exciting new venture.
How You Can Support
Visit our Kickstarter page to learn more about Rings & Realms: The War of the Rohirrim, pledge your support, and explore the rewards we’ve lined up for you. But hurry! The Kickstarter campaign closes at 7pm ET on Monday 13th January. With your help, we can continue celebrating Tolkien’s world — together.
About TheOneRing.net
Since 1999, TheOneRing.net has been a welcoming home for Tolkien fans, uniting a global community that embraces the spirit of exploration, discussion, and fellowship inspired by J.R.R. Tolkien’s works.
About Signum Studios
Signum Studios specializes in fan-focused, academically grounded media productions. Their goal is to bring beloved fictional worlds to life through engaging storytelling and thorough research — offering a fresh perspective for fans everywhere.
Here’s a Holiday gift for us all – The Lord of the Rings: The War of the Rohirrim will be available to watch digitally from Friday December 27th! We still heartily recommend seeing it on a big screen – with amazing surround sound – but if you can’t find a cinema near you, (or if you’ve seen it and want to watch it again), from this Friday, you can stream it at home.
What’s more, there is exciting Extra Content to be seen – and we are thrilled that Warner Bros. have given us an EXCLUSIVE clip to share with you as a sneak preview. Take a look:
Here’s the official press release about the digital release:
Burbank, CA, December 23, 2024 – New Line Cinema’s original anime feature “The Lord of the Rings: The War of the Rohirrim,” which returns audiences to the epic world brought to life in “The Lord of the Rings” Trilogy, based on the revered books by J.R.R. Tolkien, debuts Digitally at home on December 27.
“The Lord of the Rings: The War of the Rohirrim” continues the legendary “The Lord of the Rings” film franchise that debuted 23 years ago. The most awarded series in cinematic history, the six films have earned $6 billion at the global box office and won 17 Academy Awards. Directed by Peter Jackson, “The Lord of the Rings” Trilogy includes 2001’s “The Lord of the Rings: The Fellowship of the Ring,” 2002’s “The Lord of the Rings: The Two Towers,” and 2003’s “The Lord of the Rings: The Return of the King,” which were produced by New Line Cinema and WingNut Films and distributed by New Line Cinema, and “The Hobbit” Trilogy, which includes 2012’s “The Hobbit: An Unexpected Journey,” 2013’s “The Hobbit: The Desolation of Smaug,” and 2013’s “The Hobbit: The Battle of the Five Armies,” which were produced by New Line Cinema, Metro-Goldwyn-Mayer Pictures, and WingNut Films and distributed by Warner Bros. Pictures.
Set 183 years before the events chronicled in the original trilogy of films, “The Lord of the Rings: The War of the Rohirrim” tells the saga of the legendary House of Helm Hammerhand, the King of Rohan. When a clever and ruthless Dunlending lord attacks seeking vengeance for the death of his father, Helm’s daughter Héra must summon the will to lead the resistance or face total destruction.
Under the direction of award-winning filmmaker Kenji Kamiyama (the “Blade Runner: Black Lotus” and “Ghost in the Shell: Stand Alone Complex” TV series), the talented voice cast is led by Brian Cox (“Succession”) as Helm Hammerhand, the mighty King of Rohan; Gaia Wise (“A Walk in the Woods”) as his daughter Héra; and Luke Pasqualino (“Snowpiercer”) as Wulf.
Miranda Otto, who delivered an unforgettable, award-winning performance in “The Lord of the Rings” Trilogy, reprises her role as Éowyn, Shieldmaiden of Rohan, who serves as the tale’s narrator. The voice ensemble also includes Lorraine Ashbourne (Netflix’s “Bridgerton”), Yazdan Qafouri (“I Came By”), Benjamin Wainwright (“World on Fire”), Laurence Ubong Williams (“Gateway”), Shaun Dooley (“The Witcher”), Michael Wildman (“Fast and Furious Presents: Hobbs & Shaw”), Jude Akuwudike (“Beasts of No Nation”), Bilal Hasna (“Sparks”) and Janine Duvitski (“Benidorm”).
On December 27, “The Lord of the Rings: The War of the Rohirrim” will be available Digitally at home on participating digital platforms including Amazon Prime Video, AppleTV, Fandango at Home, and more.
DIGITAL ELEMENTS
“The Lord of the Rings: The War of the Rohirrim” on Digital contains the following special features:
Return to Helm’s Deep: History Becomes Legend
Middle-earth and Anime: A Marriage of Creativity
Héra: A New Hero for Middle-earth
BASICS
Digital Availability: December 27, 2024 Running Time: 134 minutes Rating: PG-13
About The Lord of the Rings: The War of the Rohirrim
The original anime feature “The Lord of the Rings: The War of the Rohirrim” returns audiences to the epic world brought to life in “The Lord of the Rings” Trilogy, based on the revered books by J.R.R. Tolkien. Under the direction of award-winning filmmaker Kenji Kamiyama, the talented voice cast is led by Brian Cox as Helm Hammerhand, the mighty King of Rohan; Gaia Wise as his daughter Héra; and Luke Pasqualino as Wulf. Miranda Otto, who delivered an unforgettable, award-winning performance in “The Lord of the Rings” Trilogy, reprises her role as Éowyn, Shieldmaiden of Rohan, who serves as the tale’s narrator. The voice ensemble also includes Lorraine Ashbourne, Yazdan Qafouri, Benjamin Wainwright, Laurence Ubong Williams, Shaun Dooley, Michael Wildman, Jude Akuwudike, Bilal Hasna and Janine Duvitski. With Kamiyama at the helm, the original feature is being produced by Oscar winner Philippa Boyens, from the screenwriting team behind “The Lord of the Rings” and “The Hobbit” Trilogies, alongside Jason DeMarco and Joseph Chou, who, in addition to their many separate animation projects,collaborated on the “Blade Runner: Black Lotus” series. The executive producers are Fran Walsh, Peter Jackson, Sam Register, Ken Kamins, Carolyn Blackwood and Toby Emmerich. The screenplay is by Jeffrey Addiss & Will Matthews and Phoebe Gittins & Arty Papageorgiou, story by Addiss & Matthews and Boyens, based on characters created by J.R.R. Tolkien. The team of creative collaborators returning from “The Lord of the Rings” Trilogy also includes Oscar winners Alan Lee and Richard Taylor, along with esteemed Tolkien illustrator John Howe. The music is by Stephen Gallagher, music editor of Peter Jackson’s “The Hobbit” Trilogy.
New Line Cinema and Warner Bros. Animation Present, in Association with Wingnut Films, a Warner Bros. Animation and Sola Entertainment Production, “The Lord of the Rings: The War of the Rohirrim.” The film is distributed theatrically worldwide by Warner Bros. Pictures.
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