Brian Sibley and Pauline Baynes are names which will be instantly familiar to many Tolkien fans. Author, broadcaster and screenwriter Sibley scripted a radio version of The Lord of the Rings for the BBC, and his wonderful book The Maps of Middle-earth was illustrated by John Howe. Sibley also wrote The Making of the Movie Trilogy for Peter Jackson’s The Lord of the Rings movies, and the three ‘Official Guides’ for his Hobbit trilogy.
Artist Pauline Baynes, who died in 2008, worked with Tolkien himself, creating maps and illustrations for his works. Many fans will have had her art work on their walls, as she illustrated Middle-earth posters in the early seventies. Her work adorned covers of various editions of the Professor’s works, and she first collaborated with Tolkien when she illustrated Farmer Giles of Ham back in 1949. She also illustrated all of C S Lewis’ Narnia books.
Baynes and Sibley were friends for many years, and together they created a tale of Osric the Extraordinary Owl. TORn’s good friend Jay Johnstone has finally been able to publish this wonderful work, in a limited edition of just 250 – with a foreword by none other than Tolkien scholar Wayne G. Hammond! Here’s what the official press release tell us:
Osric the Extraordinary Owl resulted from the collaboration of two friends: artist and illustrator Pauline Baynes and writer, dramatist and broadcaster Brian Sibley. It was a friendship spanning more than two-and-a-half decades, with many shared interests, among them the work of J. R. R. Tolkien and C. S. Lewis famously illustrated by Pauline and the subject of acclaimed dramatisations by Brian.
Sibley’s tale of a small grey owl in search of the courage to establish his individuality and ‘be himself’ (but which can be also be read as a ‘coming-out story’) was written in 1970 but had to wait until 2007 to find an artist at a time when Baynes was without any commissions and was wanting opportunities to keep drawing and painting. As a result she produced 22 delightful, double-page illustrations featuring not just Osric and his owl family but also an entire aviary of the most spectacular, colourful birds from black swans and peacocks to flamingos and toucans.
Baynes completed her pictures for Osric the year before her death in 2008 but ‘the extraordinary owl’ had to wait another decade to find a publisher. At the Tolkien Society’s 50th anniversary conference in 2019 noted Tolkien artist Jay Johnstone met Brian Sibley and another of Pauline’s friends, Wayne G. Hammond who, with his wife Christina Scull, is responsible for many key works of Tolkien scholarship and who, as Librarian of the Chapin Library of Rare Books at Williams College, Williamstown, Massachusetts, has curatorship of the Pauline Baynes bequest of paintings, drawings. Out of that Tolkien encounter came the decision to finally get Osric’s saga into print.
After a delay, caused by the Covid pandemic, Jay Johnstone is now pleased to announce the publication of Osric the Extraordinary Owl. This collector’s edition hardback book is written by Brian Sibley and illustrated by Pauline Baynes, with a foreword by Wayne G. Hammond. It is designed and produced by Jay Johnstone and comes in a gilded presentation box. Each book is individually numbered and comes with signed book plates by Brian, Wayne and Jay.
Fans of Bayne’s art and Sibley’s writing will not want to miss out on this very limited release. You can find out more by clicking here.
Yesterday our friends at Weta Workshop delivered something many of us long-time collectors wanted to see, but never thought we would. For years we wanted a Bilbo Baggins sitting at his desk, as you see him during the opening events of The Fellowship of the Ring. Now, fans not only have one superb piece; there are actually two amazing options, depending on how you want to go. If collectors want not just Bilbo at his desk, but also want some of Bag End as well, then you’ll want to go for the limited edition. This piece is up for PO right now through June 21st. This will determine the edition size of Bilbo, which comes with a price tag of $1,299. If you just want Bilbo at his desk, you can order the classic series version, which is an open edition piece for $349. Both versions are not shipping until the first quarter of next year. No matter what route you go, this is going to be one of those pieces that create conversations about your collection.
Hobbits are now owned by Amazon, joining all-encompassing TV rights to The Lord of the Rings book and appendices rights.
The Hobbit films were produced by Warner Bros from rights owned by MGM. img: YouTube
It’s official: Amazon has acquired MGM Studios, including the longtime film and TV rights to The Hobbit and characters related. Within hours, CEO Jeff Bezos announced he is stepping down in July and moving to Hollywood to play with his major studio, of which the crown jewel is The Lord of the Rings.
What this means is that @LOTRonPrime can put Hobbits in their Second Age show, since rights to that class of characters were held by MGM. ‘But timelines,’ you say! Time is just a construct. Amazon needs an Everyman entry point for casual viewers: Hobbits are that. There have been rumors that Harfoots are in the show, a book-sourced compromise from the troublesome Hobbit rights. Amazon can now change all the dialogue in reshoots to call them Hobbits; casual fans will want that familiarity.
Remember the crushing drama of rights issues with MGM on The Hobbit, which caused Guillermo del Toro perhaps the greatest professional loss of his career? Amazon has just resolved all that for the future.
Amazon has full TV rights to The Lord of the Rings full stop – anything mentioned in the books and appendices. Now they have all the rights MGM previously held, from its 45 year old Saul Zaentz deal. Amazon chose not to remake The Lord of the Rings, instead exploring many different options, before settling on Numenor and the Second Age.
Owning MGM means, of course, that Amazon COULD remake The Hobbit into a limited series or a cartoon; many things are possible. All kinds of round doors are now open…
Chinese The Lord of the Rings Trilogy fans were highly anticipating this past weekend as Peter Jackson’s ‘The Fellowship of the Ring‘ was due to re-release nationwide – in glorious remastered 4k.
Unfortunately, due to the last second approval by government officials, many Chinese venues did not get the print in time and screenings had to be canceled. Here’s the wrap up from The Hollywood Reporter:
It was another bizarro weekend at the Chinese box office.
The long-anticipated return of Peter Jackson’s The Fellowship of the Ring finally arrived Friday in vividly remastered 4K. But official permission for the rerelease from China’s regulators came so late — just one full day in advance — that marketing for the movie was mostly nonexistent and scores of digital prints failed to reach cinemas on time, forcing a wave of cancelations and refunds to angry customers throughout Friday and into Saturday.
The article continues…
The Fellowship of the Ring, meanwhile, limped into fifth place with just $4.1 million. The opening results for the fantasy classic are a keen disappointment compared to the recent performance of James Cameron’s Avatar, which opened to $23.7 million when it was rereleased in China in March. The perennial appeal of the Lord of the Rings franchise could help Fellowship mount a healthy hold though, much as Avatar did (Cameron’s film has climbed to $60.2 million in second-run sales). Warner Bros. also will get a do-over later this month — assuming all goes to plan (always a big “if” in China) — when Jackson’s The Two Towers re-releases on April 23. Regulators have indicated that the franchise closer The Return of the King will also get a second run in China, but the film — worryingly — still hasn’t been given an official release date.
Amazon will get an additional 5% from more New Zealand’s Screen Production Grant, Reuters reports today.
(Reuters) New Zealand said on Friday it has agreed to give Amazon (AMZN.O) extra rebates on its expenses for the filming of “The Lord of the Rings” TV series in the country, hoping to reap multi-year economic and tourism benefits.
Amazon will get an extra 5% from New Zealand’s Screen Production Grant in addition to the 20% grant the production already qualifies for, the government said in a statement.
Amazon is estimated to be spending about NZ$650 million ($465 million) filming the first season of the show, for broadcast on its Amazon Prime streaming platform, meaning it would be eligible for a rebate of about NZ$162 million ($116 million), the government said.
“The agreement with Amazon … generates local jobs and creates work for local businesses,” Economic and Regional Development Minister Stuart Nash said in a statement. “It will enable a new wave of international tourism branding and promotion for this country.”
The first season entered production in Auckland last year with more than 1,200 people employed. Approximately 700 workers are indirectly employed by providing services to the production, the government said.
U.S.-based Amazon media officials weren’t immediately available for comment outside regular U.S. business hours.
Sixty-four began the contest; in the end it came down to just two costumes, in TheOneRing.net’s March Madness 2021: the Battle of the Best Dressed in Middle-earth. Aragorn’s Strider garb took on Legolas’ ‘hero’ outfit – and the voting was fast and furious. Thousands of votes were placed – this final round saw the biggest turn out by far. The lead swung back and forth between the two costumes; but in the end, there could be only one. This year’s Grand Champion is…
