In unrelated posts on Instagram, Evangeline Lilly and Nazanin Boniadi announced they are stepping away from acting after being in high profile, but separate, Middle-earth franchise projects.
Tauriel finds her dharma
Evangeline Lilly played Tauriel in The Hobbit trilogy of films, becoming a fan favorite and inspiring some of the best cosplay of that era. She had lines around the block for her SDCC signings at the Weta Workshop booth and became a champion for the fangirl experience.
She parlayed the success of The Hobbit into a title role as The Wasp in the MCU Marvel Cinematic Universe. But being a part of two giant franchises bears a heavy burden. Lilly was on the receiving end of much online criticisms about those movies. As the only main female character in The Hobbit – a book that does not feature any women – she stepped up into a creative situation with everything to prove. Tauriel is now generally appreciated by fandom, but it was a hard-earned.
Instead of wanting to be the people I admire, I now find myself rooting for them. Instead of wanting to compete with my peers, I now want to see them succeed. Instead of seeing little merit in the young, I want to invest in them.
Evangeline Lilly, on IG
On instagram, LOST fans found an old video from her breakout role describing where she wanted to be in 10 years – “Retired.”
Nazanin Boniadi, an accomplished Iranian actress who fans were excited about in the lead up to the debut of Prime Video’s The Lord of the Rings: The Rings of Power, posted on Instagram about her reasons for leaving the show.
To everyone’s surprise, THR broke the story that Boniadi would not be returning for Season 2 of ROP. Sources in the article claimed she was leaving acting and the show to commit full time to her activism work on behalf of Iranian women. But hours later, Boniadi posted to IG to correct the record, stating “This was unrelated to my subsequent decision to prioritize my advocacy,” and that leaving the show was intentional.
The values I have held most dear are honesty, empathy and integrity. My character Bronwyn was committed to these same ideals in striving for a fairer world, which is why I connected so deeply with her.
Nazanin Boniadi, via IG
The casting process of Prime Video’s The Rings of Power was met with celebration – and some small but loud online vitriol. It’s been no secret that actors of non-white descent received a large amount of negativity directed toward them — including death threats and phone hacking, creating an unsafe environment. There have historically been those dark corners of internet discussion, even going all the way back to Ian McKellen being accused of ruining Tolkien’s story because he was a gay actor playing Gandalf. McKellen eventually responded to the online trolls in his personal blog. But true devotees of Tolkien’s writings understand the core themes of The Lord of the Rings: there is strength in diversity of experience and variety of personhood. LOTR fans continue to embrace the ever-growing casts of these adaptations with open arms. To this blogger, Nazanin’s exit from The Rings of Power is a huge loss to the show.
Deadline reported that the role of Bronwyn has not be recast, unlike the recasting of Adar and – during filming of S1 – of Celebrimbor. Then eagle-eyed fans watching the recent ROP trailers spotted a funeral pyre and Bronwyn’s son Theo crying.
The Amazon production of its Middle-Earth stories has been ongoing, but now we are in a time when the arrival of information from them concerning this production is accelerating.
The Professor – J.R.R. Tolkien
“By and For the Fans of J.R.R. Tolkien.”
TheOneRing.net’s tagline since 1999
The One Ring staff has been fans of J.R.R. Tolkien for quite some time, and it has always seen its core mission to be defined by its tagline: “By and For the Fans of J.R.R. Tolkien.” This site tries to do many things in support of this mission: support and celebrate fandom and fan activities – from costuming, to open invite events, to the line parties during the films, to group re-reads of Tolkien’s works, to so much more. However, this site has been humbly privileged to not only be supported by fans of Tolkien, but to be given access to many people involved in the production of adaptations of Tolkien’s work. The One Ring takes this gift of access seriously, and wants to do what’s best by the fans to make the most of this access, and to represent the best interests of the fans to these productions, so that the best possible adaptations of Tolkien’s work are made.
A few things have become clear to the staff of The One Ring (TORn) over the twenty years of its existence – time spent discussing and dissecting 6 major films, a handful of stage productions, multiple audio recordings, collectible figurines, and so much more. TORn has learned that what matters most is this:
“The more an adaptation sticks to the spirit and the motivation behind Tolkien’s work, the more successful it becomes, in both the short and long term, in both critical reception, and financial return.”
Over the years, TORn has learned an important lesson: if we, as fans, wish to have any influence over adaptations, we need to follow two important rules: first, we try to avoid quibbling over tiny details, and second, we gladly support the assignment of production staff, both in front of and behind the camera.
So, in terms of offering any constructive critique (pro or con), The One Ring will focus on trying to influence the productions to stay fidelitous to Tolkien’s spirit. For example, those who adapt Tolkien’s work would do well to read his letter #246 in “The Letters of J.R.R. Tolkien” to understand some of Tolkien’s subtle thoughts concerning the concept of ‘both intent and actions have consequences.’
Without some degree of freedom, the best people will simply be uninterested in adapting Tolkien.
As it concerns details of scripting and plot, TORn recognizes that adaptations will need to modify the story in various ways. While everyone will have their opinions on each and every detail, TORn realizes that changes need to be made, and the director and production company need to have freedom in telling the story. Without some degree of freedom, the best people will simply be uninterested in adapting a work. Therefore, while TORn will report on non-spoiling plot details that it becomes aware of, TORn commentary will be focused on, as stated above, encouraging production companies to stay true to the core spirit of Tolkien’s work. This is why, a few months ago, TORn pushed hard against even the possibility of gratuitous sexuality in adaptations.
Without some degree of freedom, the best people will simply be uninterested in adapting a work.
As it concerns casting and the assignment of production staff, what TORn has seen, time and again, is that there is incredible initial fan reaction for or against newly named cast members, but that all the support or angst over an acting choice disappears once the adaptation is released. To quote a far better author than I, all of that angst is ‘sound and fury, signifying nothing.’ Therefore, at this point, TORn almost universally celebrates the announcement of new cast and production staff, and wants to use whatever influence it has with them to encourage them to create performances that are fidelitous to the spirit of Tolkien’s work.
Adding Tauriel caused a lot of anxiety in early production of The Hobbit films
For some examples of this ‘unfounded sound and fury’ go back twenty years and consider how people were asking “Who is Ian McKellen? Can he play a convincing Gandalf?” “Who is Viggo Mortensen?” Can he carry 3 films as the action hero lead?” “Why is Elijah Wood – and isn’t he too young to play Frodo?” “Do we really want Rudy as Samwise Gamgee?” “Who is Miranda Otto? Can she play a convincing Eowyn?” My goodness; what time has taught us!
Again, one point is crucial so it bears repeating: TORn celebrates – universally – when staff is added to a production – both cast and crew. TORn does this because it has found that celebrating and supporting them encourages them in ways large and small to put in their best work – and to take more seriously comments TORn may make on choices that impact the core spirit of Tolkien’s work (as the staff of TORn best understands it.) TORn does this because it wants the best possible adaptations of Tolkien’s work to be released, so it focuses on what is most important.
Again, TORn has found that almost every debate about cast choice dies down once an adaptation is released, and then, it’s all about the strength of the performance of that cast, as individuals and as an ensemble. This is not just seen in casting of Tolkien-based productions, as shown in the examples above, but in every production, everywhere. For example, there was quite a bit of debate concerning the diversity of the original cast of ‘Hamilton’ – until it was released to pretty much universal acclaim.
Hamilton Cast
Why does TORn focus on fidelity to the spirit of Tolkien? Why does it work to not get sidelined by other issues? To paraphrase a line from the Jackson adaptation of The Lord of the Rings…
“There was some good in the spirit of J.R.R. Tolkien that motivated him to create his imaginary world in just the way he did. And it’s worth fighting for.”
Editor Note: Join TheOneRing.net as we focus on the recent cast member announcements for Amazon TV’s The Lord of the Rings inspired TV series. Throughout the month, and as part of our Tolkien Advent Calendar celebration, we will posting articles and cast profiles, as well as some other fun, all relating that to the world of J.R.R. Tolkien.
Good news is never late. It arrives precisely when means to. If you’ve been following our friends from Weta then you know the last little bit has had some very cool news for collectors. One of the most popular statues from The Hobbit line came from the character of Tauriel. She sold out pretty quickly and on the secondary market can come at a pretty high price. Fans have been asking for a new statue of the character, and that wish has finally been granted. You can grab the new Tauriel for $349, which is a fair amount under the price on ebay. She comes with an edition size of only 800 pieces so she’s likely to not be around too long, and you can expect her to land in your collection in March of next year.
Easily one of the show stealing pieces last year at SDCC, Thranduil on Elk just drew you in when you visited the Weta Workshop booth. This had fans online chattering at just how amazing it looked through the pictures posted by TORn and other collectors at SDCC. Needless to say, all of us were looking forward to his arrival. There were some snags on the production version, making this a somewhat controversial piece within the fanbase. It’s still a super impressive and overall good looking piece and one that will look good in your collection. As always here are my thoughts on Thranduil on Elk. Continue reading “Collecting The Precious – Weta Workshop’s Thranduil on Elk Review”
Middle-earth Madness officially starts today! We’ve split our field of 64 characters into four divisions:
Movies Only – characters who appeared only in Peter Jackson’s The Lord of the Rings and/or The Hobbit movies Books Only – characters who didn’t make the final cut for the movies Movies and Books – characters who graced both the written page and the silver screen Wider Mythos – Middle-earth characters not in the movies from Tolkien’s works outside of The Lord of the Rings and The Hobbit
There are some very interesting match-ups in round one this year. In one of the more intense match-ups in the Movies Only division, Tauriel is up against the Warg Matriarch, Azog’s vicious white warg. A perennial TORn fav, FIGWIT (stay-tuned for the story behind the name if you don’t know it already) takes on Alfrid, and it’s anybody’s guess as to who will come out on top in the match-up between Sebastian the Hedgehog and the Goblin Scribe.
The Books Only division is chock-full of interesting matches such as Ghan-buri-Ghan vs. Quickbeam, and The Fox (who wondered at Hobbits traveling through The Shire in FOTR) vs. Prince Imrahil.
It was almost impossible to narrow down the Movies & Books division with so many amazing choices, but there are some gut-wrenchers in the contests as they stand with Beorn going up against the Balrog and Shelob battling Sauron.
Finally, some of Tolkien’s Titans go mano-a-mano in the Wider Mythos division, with two powerful dragons, Ancalagon and Glaurung battling it out, and Beren and Huan facing each other in what is sure to be a close call.
The Slaying of Glaurung, by Ted Nasmith
A note on how the bracket combatants were determined. TheOneRing.net created a document containing all combatants, sub-divided into divisions. We asked staff to cast sixteen votes per division, with the votes having a weight of 1-4. Each staffer cast four 4 votes, four 3 votes, four 2 votes and four 1 votes in each division. We then totaled all the votes from each division to determine their rank, and ultimately placed the top 16 into each bracket for seeding.
As you can imagine, our staff is diverse and the results were very interesting! Not only are there some great match-ups in this first round, the final four will pose some amazing choices between the various literary and film sources.
Our friend, artist Jerry Vanderstelt, has released the final print in his The Hobbit Trilogy series. This beautiful print covers all the fantastic points of the third Hobbit film and, like the previous prints from Jerry, comes in two sizes of Paper Giclee’s. The 18 x 24 version is priced at $65 while the epic 28 x 36 version comes in at $120. Both are in-stock and ready to ship, so you can acquire some amazing Hobbit art for Christmas. If you order before December 14th you can use this coupon code: VS-XMAS2015, to save 15% off of your purchase. Check out the Vadnerstelt Stuido Facebook page for a full list of prints that you can use this discount on. If you are awaiting the canvas edition of this print, it will be available after the new year and we will let you know when that goes up.
