In this episode, the gang gets back together to chat about how our guesses from the last episode…
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In this episode, the gang gets back together to chat about how our guesses from the last episode went, what we thought of the awesome stuff announced, and what we hope to see the rest of the year. We hope you enjoy watching and listening to our thoughts as the episode plays out.
Continue reading “Listen now! Collecting The Precious Podcast Ep 9: Comic-Con 2023 Review”
This year, instead of a booth tour, we’re going to go on a tour of the things you could see at Comic-Con 2023 that were Middle-earth related. During this video, we stop at Jerry Vanderstelt’s booth to see the unveiling of Weta Workshop’s Master Collection piece as well as Jerry’s print that can be paired with it. We also stopped by the Diamond Select Booths to see the goodies both they and Weta Workshop had at this year’s show. We hope you enjoy the tour!
Continue reading “Collecting The Precious – SDCC 2023 Middle-earth video tour”
San Diego Comic Con is upon us yet again. After a huge return last year where The Lord of the Rings: The Rings of Power dominated the show with badges, parties, and a Hall H concert, the fans are in the driver seat this year to celebrate all things fandom.
TheOneRing.net, Weta Workshop, Diamond Select Collectibles, Nerd of the Rings and more are teaming up for a party of hobbit magnificence featuring food, drinks, libations, goodie baggins, artwork by Jerry Vanderstelt and a cosplay contest hosted by Weta Workshop’s Richard Taylor and Daniel Falconer!
Tickets go on sale tomorrow, Thursday July 13 at 12pm Noon PT. Last year’s party sold out in 3 minutes. Link will be published on all our socials, and its highly suggested you join the TORn Discord for earliest access.
Find us again in the book publishers area of the show floor with new Exclusive Merch and Shirts! Limited quantities have been produced and will not be sold online. Shirt sizes available from XS – 3XL
Shire Post Mint returns to TheOneRing.net booth with officially licensed coinage and pins. We will have a selection of the most popular products.
EXCLUSIVE new secret Weta Workshop Mini Epic will be unveiled Thursday morning and we will have limited quantities available each morning of Comic-con, while supplies last.
SIGNING at the booth Thursday July 20 from 12pm noon – 2pm is Weta Workshop’s Richard Taylor and Daniel Falconer! Bring your favorite treasure (like Middle-earth Script to Screen) or rush to purchase the exclusive new Mini Epics and get them signed free.
The man of many faces in Middle-earth returns to celebrate 20 years and counting of performing in LOTR adaptations. Pick up signed headshot from one of his many memorable characters, or just shake his hand and share a smile! He’ll be around all weekend.
Also hanging at the booth all weekend is the friendly volunteer staff from your favorite Tolkien community plus friends like Matt from Nerd of the Rings, Kaitlyn from Tea with Tolkien, and author K.M. Rice.
Here’s a list of panels LOTR fans may be interested in. Things have been in flux due to Hollywood union negotiations and strikes, but these panels are confirmed:
Looking forward to seeing all the Ringers there at San Diego Comic Con 2023. While many anticipated a preview of new movies or TV shows from The Lord of the Rings, many fans understand and support the efforts of WGA writers and SAG actors to get the best deal that allows the best work. Future adaptations of Tolkien depend on the very best! See you in San Diego!
In our newest episode of the Collecting The Precious Podcast we sit down with Ben and new guest Ryan aka The Cyber Hobbit to talk about Comic-Con 2023. We chat about some recent releases and things we’d like to see come out during Comic-Con. As always, we hope you enjoy the episode!
Continue reading “Collecting The Precious Podcast Episode 8 – Comic-Con 2023 Preview and More”
Note: The following is an opinion piece written by volunteer staff member Kellie, also known as “Kili” from the YouTube series Happy Hobbit.
In an effort to clear up some misconceptions, I want to tell you my story.
On February 13th, I was invited to participate in a livestream hosted by both TheOneRing.net and Amazon Prime Video to watch and analyze the very first teaser trailer for Amazon’s new series, The Lord of the Rings: The Rings of Power. It was my sister’s birthday, so while I was excited for the end of the “Middle-earth dearth,” I only committed to participating for an hour, and I was relieved I had an excuse to slip away after said time, for the initial teaser trailer failed to impress. In fact, it was even worse; it left me confused, worried, and underwhelmed. The visuals were dazzling, but I felt no connection to the imagery on the screen. I was far from alone.
I am a fiction author (under my pen name K.M. Rice) and a screenwriter with a Master of Fine Arts, so workshopping creative material is second nature, as is finding ways to express what is not working in an articulate manner. “I am not getting the mythic tone I look for in Tolkien,” I remember saying (which is a paraphrase).
A few months later in May, I was invited by Prime Video to a special press event in London, England, as the representative for my sister and my webshow, Happy Hobbit (which strives to bring a dose of Middle-earth to our viewers’ daily lives), and as the co-author of Middle-earth from Script to Screen: Building the World of the Lord of the Rings and The Hobbit, which I helped write with Daniel Falconer at Weta Workshop in New Zealand. My fellow Tolkien content creators and I, along with traditional press, were taken on a field trip to Oxford University where we had the pleasure of wandering Tolkien’s old stomping grounds both as a student and as a professor. You can check out what we did and saw by watching the video here.
The following day, we were treated to footage and costumes from Rings of Power (ROP) and a Q&A with the showrunners, John Howe (concept artist), Leith McPherson (dialect coach), and Ramsey Avery (production designer), along with the showrunners J.D. Payne and Patrick McKay, and producer Lindsey Weber.
I once more was not impressed with the footage I saw, for while there was nothing wrong with it, there was no context. I had no idea what had just happened before the scene we were shown, where in the story it fell, and in fact, what the story was at all. It looked and sounded lovely, but there was no beating heart. My own heart sank as I realized I was going to have to just accept that this show wasn’t going to fulfill my expectations.
What I saw in London didn’t raise my excitement level, but hearing from the showrunners and knowing that such a capable team was producing the series did leave me with a sense of cautious optimism.
To reiterate, none of us Tolkien content creators have seen the show. We were not paid or bribed in any way, but rather have been treated as “Tolkien press.” We have no idea if ROP will be good, bad, or somewhere in between. Our opinions are our own, as they should be, and this is just my story.
While attending San Diego Comic-Con International at the end of July to speak on one of TheOneRing.net’s two panels, Prime Video invited me to a luncheon with many of the cast members from ROP. Before sitting down to eat, we were treated to viewing the first official trailer, which finally had some heart and showed a hint of the plot. I am no Tolkien lore expert, but many in the room with me were. They could name things on screen that I couldn’t, nevertheless, I felt excited. In fact, I shed a few tears and I don’t cry easily, especially in public. But being in that room and feeling so much unbridled excitement and joy was deeply moving, especially after having missed that human connection and communitas for so long during the pandemic. When we came out to meet the cast after, I felt a level of energy and anticipation that many of us had not yet felt over the show.
Everyone we met at the lunch was incredibly kind, down-to-earth, and passionate about Tolkien and storytelling. No one had an ego that prevented them from addressing gritty topics with strangers they had just met, and several of our conversations grew deep quickly. I later had an opportunity to converse with Patrick McKay, one of the two showrunners, who shared that they were given complete creative freedom. As such, whether the show does well or poorly, he feels he and his fellow showrunner are to blame. Talk about accountability!
I have a healthy skepticism about Amazon and most major corporations. I am not here to defend a company or TV show that I have yet to see, but I am here to share what I have learned:
One thing that limited them was the rights. They could not touch The Silmarillion or The Unfinished Tales. The rights are only for The Hobbit and The Lord of the Rings. As such, the inclination is naturally to turn to the appendices of Return of the King, but even that is a gray area.
Knowing this, engage with me in a thought experiment for a moment:
Imagine you, as a Tolkien fan, just heard that this up-and-coming film studio out of New Zealand, the UK, or Colorado received a billion dollars to produce a Tolkien TV show set in the second age using partially original material and that to do so, they not only brought the Tolkien Estate on board, but hired showrunners, writers, and a cast that cared deeply for the source material to ensure fidelity. That sounds pretty exciting, doesn’t it?
In many ways, Amazon is fighting against the public image of its own brand. Remove the name “Amazon” from the equation and suddenly many are more forgiving. I know I am. That so many of us have knee-jerk reactions to corporations’ names is worth noting, but the subject of a different conversation.
It all comes down to trust, and anyone who wants to involve our fandom needs to earn it. Some of us are more open than others. Some of us love the Peter Jackson films, while others didn’t enjoy them at all. But remember this: no one is touching the books. They will always be there. Tolkien’s texts are sacred for many, and no one is here to dispute that. But a book is a book. A film is a film. A TV show is TV show. None of these forms of storytelling are the same. And the existence of one does not threaten the other. If anything, they can be a boon. I would never have read Tolkien if not for Jackson’s Lord of the Rings films.
No artist considers their art “finished.” There is always room to expand and change as the artist grows and ages as a person. Tolkien himself was a revisionist to the point that his heirs have gone to a great deal of trouble trying to decide which version of a story or piece of Arda’s history should be seen as “canon.” His Middle-earth writing often also contradicted itself. Importantly, he intentionally left bits open to interpretation.
When writing to publisher Wilton Waldman in 1951 about the scope of his literary aspirations to create a body of “more or less connected legend,” Tolkien shared:
I would draw some of the great tales in fullness, and leave many only placed in the scheme, and sketched. The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama.
J.R.R. Tolkien, 1951
The Professor’s dream has been fulfilled. His work has inspired artists of all genres and arguably established the Fantasy genre of literature.
We have been through some trying times of late. A global pandemic, economic hardship, war, and loss, to say nothing of our more personal struggles. We look to tales like those told by Tolkien to make some sense of it all. I long to return to Middle-earth: a place where, even in the darkest of times, there is still a star shining. Love, hope, courage, and a love of the simple pleasures in life prevail in some form, as does the deep goodness that ties us all together. We don’t all have to agree and entertainment is highly subjective at the best of times, but even the most butchered adaptations cannot shake how at home I feel in the aged pages of my books, nor should they.
We all walk different roads on this Middle-earth, and in times of stress, it is easy to begrudge others their happiness. But life is short, opportunities are rare, and I for one am excited to revisit Tolkien’s world on screen.
Our friends at Weta Workshop were not at Comic-Con in San Diego last week, but that didn’t stop them from showing off some really cool stuff down in New Zealand, coinciding with the timing of SDCC. The items from the Collectibles Unleashed event ranged from their amazing Masters Collection series to those very fun Mini Epics. This year’s Masters Collection piece captures Frodo’s journey to destroy the Ring as he, Sam, and Gollum make it through the Dead Marshes. This stunning piece is a 25-inch tall multi-layer collectible that gives you a full view of what each character was going through during this moment. It is currently in low stock and I’m sure with only 550 pieces available it will be gone quite soon. Not due to ship until the first quarter of next year, fans have plenty of time to save up the $2599USD required; or you can use Weta’s awesome payment plans to help break it down.
