BREAKING NEWS: it seems that Peter Jackson, Fran Walsh, Philippa Boyens and Andy Serkis are all going there and back again, as Warner Bros. today issued an astonishing press release:
WARNER BROS. PICTURES AND NEW LINE CINEMA ARE SET TO REUNITE WITH THE OSCAR WINNING LORD OF THE RINGS AND THE HOBBIT TEAM PETER JACKSON, FRAN WALSH, AND PHILIPPA BOYENS FOR TWO NEW FEATURE FILMS FROM J. R. R. TOLKIEN’S MIDDLE EARTH, TWO-DECADES AFTER THE NEARLY $6 BILLION DOLLAR FILM FRANCHISE WAS FIRST INTRODUCED TO AUDIENCES
THE FIRST FILM LORD OF THE RINGS: THE HUNT FOR GOLLUM (*WT) WILL BE DIRECTED BY AND STAR LORD OF THE RINGS ALUMNI ANDY SERKIS
JACKSON, WALSH, AND BOYENS WILL PRODUCE LORD OF THE RINGS: THE HUNT FOR GOLLUM (*WT), WITH WALSH AND BOYENS SET TO WRITE THE SCREENPLAY
Burbank, CA — May 9, 2024 – Warner Bros. Motion Picture Group’s Michael De Luca and Pam Abdy announced today the Oscar-winning team behind the nearly $6 billion blockbuster Lord of the Rings and The Hobbit trilogies Peter Jackson, Fran Walsh and Philippa Boyensare reuniting to produce two new films from Tolkien’s Middle Earth for Warner Bros. Pictures and New Line Cinema.
The first of the two films Lord of the Rings: The Hunt for Gollum(*WT)will be directed by and star Andy Serkis (Venom: Let There Be Carnage, Mowgli: Legend of the Jungle), with Walsh and Boyens set to write the screenplay, along with Phoebe Gittins and Arty Papageorgiou (Lord of the Rings: The War of the Rohirrim). The film will be executive produced by Ken Kamins, with Serkis and The Imaginarium’s Jonathan Cavendish.
Said De Luca and Abdy, “For over two-decades, moviegoers have embraced the Lord of the Rings film trilogy because of the undeniable devotion Peter, Fran and Philippa have shown towards protecting the legacy of Tolkien’s works, and to ensure audiences could experience the incredible world he created in a way that honors his literary vision. We are honored they have agreed be our partners on these two new films. With Andy coming aboard to direct Lord of the Rings: The Hunt for Gollum(*WT), we continue an important commitment to excellence that is a true hallmark of how we all want to venture ahead and further contribute to the Lord of the Rings cinematic history.”
Said Jackson, Walsh and Boyens, “It is an honour and a privilege to travel back to Middle-earth with our good friend and collaborator, Andy Serkis, who has unfinished business with that Stinker – Gollum! As life long fans of Professor Tolkien’s vast mythology, we are proud to be working with Mike De Luca, Pam Abdy and the entire team at Warner Bros. on another epic adventure!”
Said Serkis, ““Yesssss, Precious. The time has come once more to venture into the unknown with my dear friends, the extraordinary and incomparable guardians of Middle Earth Peter, Fran and Philippa,” said Serkis. “With Mike and Pam, and the Warner Bros team on the quest as well, alongside WETA and our film making family in New Zealand, it’s just all too delicious…”.
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The announcement of the new films follows the previously announced New Line Cinema and Warner Bros. Animation’s anime feature film Lord of the Rings: The War of the Rohirrim opening this Christmas. Directed by Award winning filmmaker Kenji Kamiyama (Blade Runner: Black Lotus and Ghost in the Shell: Stand Alone Complex series), the film is produced by Boyens, Joseph Chou (Blade Runner: Black Lotus), and Jason DeMarco.
The writing team of Phoebe Gittins and Arty Papageorgiou penned the Lord of the Rings: The War of the Rohirrim screenplay based on a script from Jeffrey Addiss & Will Matthews. The Lord of the Rings returning creative team also includes Oscar winners Alan Lee and Richard Taylor, along with esteemed Tolkien illustrator John Howe.
We’re delighted to share an exclusive interview from fellow Tolkien fanatic Eirik Bull – a journalist from Norway. He recently sat down with our friend, Weta Workshop’s own Daniel Falconer.
In Eirik’s interview with Daniel they cover a lot of topics, looking at Daniel’s history in working in Tolkien’s amazing world, as seen in Sir Peter Jackson’s brilliant adaptations over 20 years ago. Eirik and our friends at Weta asked us to share this interview – and you can look forward to another interview coming soon, with Sir Richard Taylor. We all hope you enjoy this amazing look at Daniel Falconer’s journey in Middle-earth.
A couple of weeks ago saw those wonderful performances at Radio City Music Hall, of The Lord of the Rings: The Two Towers, with live orchestral accompaniment. Various TORn staffers and friends were there; our friend Constance G. J. Wagner shares her thoughts about the event:
The Two Towers at Radio City Music Hall
February in New York can be wind-whipped and cold — much like the gusts one experiences when standing before the doors of Meduseld in Rohan. This is all an artsy way of describing the walk TO Radio City Music Hall In New York City on February 17th to immerse myself in the “score to screen” live music performance of Howard Shore’s powerful score for The Lord of the Rings: The Two Towers. However, as cold as it was outside on the streets of Manhattan, the fellowship felt among the audience waiting for the performance to start created warmth and energy that crackled with electric anticipation. When conductor Ludwig Wicki came onstage to begin the show, the walls of Radio City vibrated with a fan-fueled roar of expectation and excitement. It would, they felt, be a night to remember.
Hearing the score played live, seeing a choir and soloists bring both intimate and epic musical moments to life in real time, is an experience not to be missed. It deepens the depiction of character and the emotional context of the saga as a whole, particularly since this is a shared experience with all of Middle-earth spread across a 60-foot screen.
The audience cheered the arrival of each hero’s first appearance on the screen, but also gave rousing applause to soloist Kaitlyn Lusk, who dazzled with lyric, numinous vocals and a glittering golden gown to match. Equally impressive was the boy soprano soloist who captured the intensity of the battle cry of the Rohirrim with soaring, impossible notes.
At night’s end, cheers and more cheers for the soloists, the Orchestra of St. Luke’s, the Brooklyn Youth Chorus, the adult choir — MasterVoices, and the conductor rolled through the audience like a great wave with a standing ovation that lasted several minutes.
The experience was immersive and impressive and amazing – particularly for those fans whose viewing of the film may have only been on small screens. For this part of Tolkien’s tale to be presented as literally larger than life with sound to rock the soul … well, it is something for the ages.
Finally, the audience left the theatre filled with anticipation for another round in another year when Return of the King comes to the screen with its own sights, and sounds … and wonder. And so to all the musicians who brought Howard Shore’s score to an audience in such brilliant fashion, one can only offer thanks and say: Elen síla lúmenn’ omentielvo — A star shines on the hour of our meeting.
The Return of the King in 2025?
The Return of the King is the one movie of the trilogy which was not part of the original performances with orchestra at Radio City Music Hall; so, we’re very much hoping we’ll see that movie presented in 2025! Of course, we’ll let you know as soon as we hear!
The awesome folks at Diamond Select Toys have even more awesome Middle-earth collectibles for those of us who collect their sweet pieces.
If you’re like me, and are collecting the Deluxe Action Figure line, you can now pre-order Merry and Pippin. Both of these figures are priced at $29.99 for a single figure or you can grab both in a set for $59.98 with the figures due to ship in quarter 3 of this year.
If you’re a fan of their Gallery Diorama series you can now add the Cave Troll to that collection. The Cave Troll comes in with a price tag of $125 and will be shipping in quarter 2 of this year.
Last Thursday our friends at Weta Workshop revealed one of their most beautiful environments, The Grey Havens is up for order. This piece captures the beauty and emotion of the Grey Havens perfectly.
Like all previous limited edition pieces, fans have a two-week window to place their order, with pre-orders closing on February 8th at 4 PM PST. The Grey Havens piece is available via pre-order for $799, and it is expected to ship at the end of this year.
Two further pieces Weta Workshop announced are for all fans of The Return of the King coronation sequence. From Weta Workshops classic series, representing that beautiful scene from the film, fans can now pre-order the awesome-looking King Aragorn and the stunning Coronation Arwen right now for $399 each.
Unity, a game engine company famous for top-tier mobile phone graphics, purchased Wētā Digital’s name and VFX technology in 2021, but has decided to exit that business in a change of strategy.
It was originally a huge headline that minted Sir Peter Jackson a billionaire. The director of The Lord of the Rings and The Hobbit films sold the digital VFX tools business for $1.625 billion, in a deal which included dozens of award-winning visual effects plugins for 3D graphics programs like Maya and Houdini as well as the 265 computer programmers coding and maintaining that software. The original deal resulted in Jackson creating a new company, WētāFX, which he still has ownership of and still employs digital artists and studio management that went on to win another Oscar for Avatar: The Way of Water.
Wētā FX, the spinoff company of artists but not programmers, has stated they intend to re-hire the programmers that were recently let go from employment with Unity’s business change. WētāFX is currently working on Avatar 3, a film that’s expected to break new ground in visual effects and which relies heavily on the digital tools and programmers that were laid off with this move.
If you’re keeping up, it seems that Peter Jackson made a billion dollars and now gets to keep using the digital tools, keep the team together, and use the Weta Digital name again. First reported by FXGuide, Unity is returning the name Wētā Digital to Peter Jackson.
The news confused many fans, with some thinking the Oscar-winning studio had closed down.
It was also confusing when the deal first happened — many industry folk asked what was Unity buying if it didn’t include the entire award-winning studio responsible for LOTR, Avatar and Planet of the Apes. Many theorized Unity was attempting to jump into the digital filmmaking arena pioneered by The Volume StageCraft of Disney Star Wars fame, a live in-person 8K digital LED screen powered by Epic’s Unreal Engine. Both Unreal and Unity compete in the game engine business, but Unity had almost zero footprint in Hollywood movie production business. Buying Wētā Digital’s toolset seemed like a shortcut to getting world-class filmmaking tools to compete with Unreal on The Volume. VFX industry trade show SIGGRAPH hinted at big plans from Unity and Weta Digital.
Currently all Avatar and The Lord of the Rings filmmaking projects have not utilized The Volume during production, but Star Wars and The Batman have.
All of this business stuff is unrelated to Weta Workshop’s Tales of the Shire video game. That is being currently developed by Wētā Workshop in partnership with Private Division. Additionally, Wētā Workshop’s games studio is separate from Wētā FX.
What’s next for Peter Jackson and Weta Digital, Weta FX and Weta Workshop? They have been busy winning Emmy’s for The Beatles Get Back, releasing a new and final Beatles song Then & Now, winning Oscars for Avatar, and talking with WB about getting back into Middle-earth. Many fans are hoping Jackson can make a deal with Warner Bros to become the Kevin Fiege of Middle-earth: a franchise producer with total control of top-tier storytelling and filmmaking.
