If you’ve read any of staffer greendragon’s past interviews with cast (not just for The Rings of Power, but going back to PJ’s Hobbit movies) you’ll know that craft and creation of character is something she loves to explore. So Gravelle was the ideal interviewee, gladly taking a deep dive (ha, suitable for Númenor) into what motivates and drives Pharazôn, and what might be in store for the character in Season Three. He also talks about growing up in Wales, and how that land of myth may have prepared him to be a part of Tolkien’s world.
Trystan Gravelle as Pharazôn
Here’s what he had to say:
greendragon: Hi, Trystan, good morning. It’s an absolute pleasure to chat with you; thanks for taking the time this morning. How are you doing?
Trystan Gravelle: I’m good, thank you! I’ve been enjoying the series. I’ve been sitting down like everybody else and just getting blown away by some of the battle scenes and the fantastic scenes between the two Charlies [Edwards and Vickers], Sauron and Celebrimbor. I’ve absolutely been loving it.
GD: How amazing is both the writing of that battle of wills, and their playing of it? Just spectacular.
TG: Oh yeah, really fantastic. You can really empathize with Charlie [Edwards] and you sympathize with him and you feel for him, but also you can see that, like everybody else, he’s fallen for it; fallen for the charms of this master manipulator. It’s fantastically done I think.
GD: It is! If I had any complaint about Season Two, it might be that I didn’t get enough of Pharazôn, one of my favourite characters – I love the Númenor scenes and plots. But we did get that amazing moment with the eagle! That was pretty spectacular. Were you pleased when you saw that finished and brought to life, when the episode came out?
TG: Oh, yes, absolutely. Yes. You know, you’re always living the dream when you’re on set, and it’s always great when you’re in these epic scenes. It’s just fantastic, the whole experience of it; to see it brought to life like that is something else.
I also like doing the intimate scenes, with Cynthia [Addai-Robinson, who plays Míriel] and Kemen [Leon Wadham]. It’s always lovely because you’ve got two different ways of being, I guess. You’re held accountable to Queen Míriel – or have been, in the past, to the Queen Regent- and with Kemen you have free rein to be yourself. I enjoy doing those scenes with those two, because there is one where there is this glass ceiling and you have to watch what you say; there are consequences to what you say and do with Cynthia. Then with Leon there are none, and it’s interesting to see. You know, they say the true measure of a person is how he treats people he doesn’t need to be polite to. I mean, that should never be the case in any scenario in life, it’s ridiculous – but you know what I mean…
Pharazôn uses the eagle for his own political ends
Father/son relationships
GD: Yes, totally. I was actually going to ask you, how do you perceive his relationship with Kemen? Because there doesn’t seem to be much fatherly love going on there. Why is he the way he is with Kemen?
TG: It’s definitely an abusive relationship, for sure. One could argue that he is utilitarian, that he maybe doesn’t feel the same way as other people. Another argument, as well, is that he is just a little bit more old-fashioned, a bit more traditional in his approach to his own son, and demands these high standards be met. Which is very hypocritical, because Pharazôn knows where he came from. He knows his roots; whereas Kemen, as we saw in episode five, doesn’t. So there’s a kind of rootlessness to Kemen, I believe.
Whereas with Pharazôn, he is very much aware of who he is and where he comes from. So the whole thing, you know, when you have the older generation going, to the younger generation, ‘Oh, you’re too soft, you’re lazy, you’re ill-disciplined.’ And maybe the older generation just had it easier than the younger generation! Times were simple, and you knew who you were. You didn’t have all this complexity to deal with.
Or it could just be that, as we saw, that sort of sociopathic behavior is just intrinsic within him. I mean, I know the truth [of the character] – but I think there’s an argument for both there.
Climb every mountain…
GD: So what is his real goal? Season Two has very much been the tale of the two Charlies, of Celebrimbor and Annatar, and that face-off and the forging of rings. And with Númenor, although obviously key things have happened, I feel very much that it’s been setting the pieces on the board for what we’re presumably going to see in Season Three. It has set us up in a very precarious and significant place, with Elendil going west, and Pharazôn and Míriel, and all of their tension.
So what do you perceive as being his real goal? Is it just power in Númenor? Is he looking beyond that? He mentioned immortality, and obviously there’s some envy of the Elves there. What’s driving him?
TG: I think he always had this glass ceiling. We saw him in the first season, and the beginning of the second, where Chancellor is as high as it could possibly get for him; and there you have to, like I was saying, watch what you say and what you do. You’re a totally different person to when the reins are off. And there’s an argument – some might say he’s more suited to be king, than Míriel was to be queen. But there’s also another argument as well, that if it was never meant for you to be king – because it was meant to go to Míriel anyway – then are you, as a person, ready yourself; have you prepared your own mind?
And I think what we saw in episode five is that now he realizes there’s no ceiling for him. He can act with impunity. There are going to be no repercussions, whatever he does. He is the most powerful person in the most powerful kingdom in Tolkien’s earth. So what does that do to you? You start looking outwards and you go, ‘Well, what else is there?’
We’re getting to the core of him now, actually; maybe he’s been lying to himself. What it is, is: ‘I don’t want to die. I found this second wind and it’s actually better than what I used to be’ – when Pharazôn was in his prime, you know, on the high seas and everything. We haven’t seen that, with him as Chancellor. We’ve seen him in the role of Chancellor. And now we’re going to get to see this guy rediscover his past glories; and it might be better than what he had [before]. He’s never been in this position before, where he’s not accountable to anybody.
GD: It sounds a bit like whatever he attains, he’s always going to be looking for what’s over the next mountain; it’s never like, ‘Oh, good, I’ve got this!’
TG: That’s a very human thing, because everything just sometimes seems to be such a chore, you know? We don’t help ourselves sometimes; we make it harder for ourselves. I think that in the human world – in Tolkien’s realm, the world of men – everything is to be overcome. Nature is to be overcome. You’re not meant to have this incredible relationship with nature like the Elves do; and – more complex and slightly brutal, I guess l, but it’s still in sympatico – what the Dwarves have; and what the Hobbits have. The world of men, they have to really work hard to overcome it. They don’t have that time; even though Númenoreans live longer than your average man, they still don’t have that time to be at peace with the ocean and watch trees grow, and have the same relationship with mountains and everything. Everything is to be overcome. There is hardship in their world; and when they overcome that, I guess it’s just in them [to look for] what’s next. The grass is always greener; there will always be something that needs doing; and it’s fast lane till crash! I think that kind of typifies us men, you know – where we go in this world and in Tolkien’s world!
What does the Palantír reveal?
The vision in the Palantír
GD: That’s really interesting, what you’re saying – that even for the Númenoreans with their longer life, it’s still a finite amount of life. And so there’s always that sense of the sands of time running – and fear as a motivator. I’m interested in the motivator of fear for Pharazôn, with what he saw in the Palantír; what has that done to him and his outlook, or his drive?
TG: I mean, it’s really plugged something and it’s really channeled something in him: fear, desperation, anger, a loss of pride, I would say. Because I think he thinks that he’s the ultimate chess player. He is Garry Kasparov and Magnus Carlsen rolled into one, he likes to think! So the fact that somebody may have violated his mind is galling, and it’s something that he may never get over.
I think we’re going to see the repercussions from that; and everything that he does from now on is as a direct result, maybe, from that. If you’ve built yourself up to be sort of physically and psychologically impenetrable, and to have the measure of everybody, and then to get foiled – or at least there’s something may have happened which didn’t come to your attention, which you weren’t aware of; what does that make you do, how does that make you feel? I think we’re going to see somebody who is hurting from that. That really smacked hard, I think!
GD: That’s fascinating. So for you, a lot of the damage that the Palantír does for him is not necessarily what he sees in it, but the fact that he sees anything; that whoever is on the other end of that ‘call’ has the power to present things into his mind.
TG: Exactly! And also, I always say that being a King’s man is an idea, an ideology, and the Faithful is more like a religion; and all of a sudden this antiquated religion has this resource that is far beyond anything that you’ve comprehended before. But you’re down this path now; and you know it’s the right path…
And the fury that these people kept this from you – this form of sorcery, or whatever it is, has been kept from you! You’ve lived in ignorance because your uncle decided to keep you in ignorance, and so did your cousin. There’s going to be repercussions for anybody who is involved there, I think! How dare they do that? How dare they live with that knowledge and not share it?
Because you’ve got to remember, Pharazôn’s knowledge, everything that Pharazôn is, he’s worked hard for. That’s him. You could say it’s pure talent and discipline for Pharazôn, pure discipline and hard work. He’s earned that place. Whereas if Míriel has had this wisdom from looking at a crystal ball – it’s almost a cheap trick! And that’s infuriating – that you [Míriel] have just been given this privileged life, whereas I’ve had to work hard for everything to be me. I’ve had to go through everything that I’ve gone through, whereas maybe you’ve taken a shortcut. I don’t think that’s fair! And I think I’m going to let people know about that as well – things are about to change!
The Pharazôn/Annatar chess match to come
GD: Well, obviously not giving anything away for the content of future episodes, but we know – those of us who’ve read the book – that if it was the Annatar/Celebrimbor show in Season Two, it’s going to be your turn to face off with Sauron coming up. It’s very interesting, what you say about Pharazôn’s belief in his own ability to play chess; and that pride is possibly going to cost him dear when he comes up against the ultimate deceiver. But he presumably feels like, ‘No, no, I can definitely have the upper hand here!’
TG: Well, yeah, it’s funny because, you know, with the relationship between Annatar and Celebrimbor, they were going towards a goal. They were inspiring each other – even though Celebrimbor was being gaslit like you couldn’t believe, poor guy! But they had this goal that they were going towards, and they produced their best work… Whereas I think the relationship between Sauron and Pharazôn is going to be… I’m not predicting anything, but it is starting out where Pharazôn might feel sort of 1-0 down in some game.
I definitely think Pharazôn is going to be very front-footed, and try to establish dominance. I mean, that’s the way he is anyway, but especially after he’s seen what he’s seen; I think there’s definitely going to be… well, we’re not going towards some goal here.
Everything exists on Númenor – like the animals – everything exists there now for the world of men. It didn’t used to be like that; and way back when, before Pharazôn’s time, I think there was a disenchantment with everything on the island, and there was a change, wasn’t there? Even though we live longer [than ordinary men], it’s like they seem to age just a little bit quicker with their bitterness towards the Elves and stuff. I [Pharazôn] think Sauron is going to be just another a tool [he can use] to sort of, I don’t know, just unlock the meaning of life for me, I think.
GD: Or so he hopes!
TG:[laughs] Exactly!
Growing up in Wales
GD: We’ve got three fabulous Welsh lead actors in this show. There’s you, there’s Morfydd [Clark, who plays Galadriel], and there’s Owain [Arthur, who plays Durin IV]. I was reading an interview the other day with Morfydd where she was saying how great it was to be able to speak a little Welsh on set. It made me think… Obviously there are a lot of fantastic Welsh actors! But I wonder also if there’s something about mythology and this kind of high fantasy, which is sort of in the blood for the Welsh. Wales is such a land of myth, and dragon, and King Arthur and Uther Pendragon, and all of that. I wonder if that perhaps gives you guys a bent towards this kind of storytelling?
TG: I think the landscape… Definitely we are, for the most part – and definitely historically – we’re molded by our environment; as everybody is molded by their environment. I think, looking at Season Two with the Elves, when they speak Quenya, Sindarin, it does sound Welsh. It’s like, ‘Oh, that’s Welsh, but I can’t really decipher it. Oh, I kind of understood that word there.’ You know, it sounds very, very similar. It’s as if somebody is speaking Welsh, but you go, hang on a second…They’re in the next room or something!
And I think growing up in Wales… My childhood was growing up in the South Wales coalfield there. I grew up in a council estate on the edge of town with all these woods, and the beach not far. So, yeah, it was climbing trees; it could be an Elven lifestyle, if you like. It could be a Hobbit lifestyle sometimes -people going down the pub and regaling each other with tales. And rugby was a big part of the community; so it’s kind of like that very Dwarven, sort of masculine culture. Yeah, it does lend itself, definitely, to Tolkien’s world, being Welsh. I definitely saw it as an advantage for me to get into character and everything, for sure. Or – because obviously Númenor is different – at least to have a sense of it all.
I mean, seeing the films and reading the books, you know it does speak to you. You go, ‘Oh that is like my childhood: idyllic, rough and tumble and very tough at times…’ You know the boys that you grew up with, they’re all tough. Nothing comes easy; but it is idyllic at the same time.
The Rings of Power ensemble at SDCC
The wonders of San Diego Comic Con
GD: I wanted to finish by asking you, how did you enjoy San Diego Comic Con this year and Hall H? Was that your first time experiencing something on that scale?
TG: The first time I experienced it was in 2022, and that blew me away; and this time as well! I’m always blown away by it! I have such fond memories every time I go to America anyway; I have fond memories whichever city I’m in, whichever state I’m in. They’re so generous, they’re so welcoming and hospitable, and everybody just has been so friendly every time I’ve gone to America. I really have had the champagne experience of it! It’s a wonderful place; and San Diego is definitely a place I hold dear in my heart, for sure.
GD: Well I, for one, can’t wait to see how your story will unfold in Season Three. I’m a big fan of what we’ve seen in Númenor, and of all of the cast who create that world. It’s interesting that you use the chess metaphor; I feel like that chess board is just so delicately poised right now. And we’re going to plunge in there – which is perhaps unfortunate terminology to use for Númenor! – but we’re going to plunge in there for Season Three.
TG: Very apt! Yeah, it’s going to be fun to do; and fun to watch it unfold, I think.
The complete The Lord of the Rings: The Rings of Power Season 2 is now available on Prime Video. You can find the Rings and Realms Season 2 Retrospective here.
One week on from the drawing to a close of Season 2 of The Lord of the Rings: The Rings of Power, here at TORn we are enjoying the opportunity to rewatch and reflect on all eight episodes as one story arc. Scenery, design, costumes, music – all are compelling. Perhaps the greatest asset of this show, however, is the extraordinary cast. Brought together by skilled casting directors, they are an enormously talented group who rarely put a foot wrong, delivering even the occasional clunky lines of the script with style and aplomb.
Hazeldine at San Diego Comic Con
Some members of this team are experienced theatrical actors, and their stage craft is evident in their creation of character. One such is Sam Hazeldine, who had the unenviable task of stepping into the role of Adar for Season 2. Joseph Mawle’s rendition of the character was, for many, one of the highlights of Season 1. When I met Hazeldine at San Diego Comic Con, I was curious to know if he felt daunted, taking on the mantle of an already popular performance. He told me that the strength of Mawle’s performance actually made it easier to take on the role; because he enjoyed and admired the choices Mawle had made, he found it easy to run with them, whilst also finding his own way into the mind of the ‘father’ of the orcs (or as Adar would prefer, Uruks).
Actor Sam Hazeldine – and seen as Adar
Weeks later, with the final episode of Season 2 airing, I had the opportunity to chat with Hazeldine again, and see how he felt now that his Adar was out there.
Here’s what he had to say:
greendragon: The last time we met was at San Diego Comic Con. We talked then briefly about stepping in and taking on the mantle of a role that had been played by another actor in Season 1, and you seemed very calm about it. I wonder how you’re feeling now that the season is out, and what reaction you’ve picked up on from viewers?
Sam Hazeldine: It seems to be positive!
GD: Did you have any trepidation at all?
SH: You know, somebody had to take over the role. I was lucky enough it was me! Even if it was a kind of beloved performance [from Joseph Mawle], the fact of the matter is it wasn’t going to be the same actor anymore anyway. So I guess it was just incumbent upon me to try and uphold and continue in the direction that the previous actor was going, and just to do my best. And yeah, I guess I did feel comfortable about that and, as I said before, it made it easier that I really liked Joseph, and the character that he – and the showrunners, obviously – had created. So it was a pleasure, really, that’s all. It’s nice that it seems to have been responded to well.
I think Adar has a new mission in Season 2, anyway; so it is a slight divergence from what went before in those terms. But [I was] trying to keep the conflict that I felt, with Joseph’s performance, was one of the greatest things about it; and understanding why that is. I think that more of that’s been revealed in Season 2 – or it’s been alluded to: what he’s been through, and why he feels this enormous burden of responsibility for his children.
Adar’s care for the Uruks
GD: I wonder – in your interpretation of the character, how ruthless do you think he is? It’s very interesting to me that he’s been, in some ways, a very sympathetic character; surprisingly so, because for most of Season 1, he was the knowable villain that we had, and yet he’s been very sympathetic. But as Season 2 has unfolded, we have seen more ruthlessness from him, and maybe some of the care seems to be falling away, particularly in the last two episodes of the show.
SH: I think it’s a case of … it’s not even cruel to be kind. I mean, he understands the existential threat that the resurgence of Sauron imposes to the Uruk. So it’s just what has to be done, really. You know, he says at any cost, at one point – which worries Glûg immensely. But I don’t think anybody understands; I don’t think anyone else was there, when Sauron was there before. I don’t think they really, truly understand how dangerous he is, and the threat that he poses to the Uruk. It’s Adar’s responsibility to know that, to do something about that, and to try to lead them to victory against Sauron. Even if half of the Uruk are killed, then at least the rest will be free at the end of it. Otherwise it’s curtains for everyone!
And I mean, Adar certainly knows that he himself is done for, but I don’t think he really cares about himself at this point. I think he is doing it just purely to save his children.
GD: There’s that great line where you say something like that you love them so much that you cannot allow them to become slaves.
SH: Sauron’s slaves, yeah, exactly. I believe he’s telling the truth.
GD: He does seem to be a character who tells the truth, which is a contrast [with Sauron].
SH: Yeah… There’s a little bit of cunning and deception, extracting information from Galadriel in episode six. And in the stuff with Charlie [Vickers] – with Halbrand in the jail cell early on [episode one]. Adar is aware that he could be Sauron, and he’s taken the beatings in that jail cell no human could take; but it’s like there’s nothing he can physically do. He needs to know for certain that he is Sauron – and he’s giving nothing away – so we let him go. It was a contentious point at the time; while we were filming it I wanted to understand. I was like well, why would I let him go?
There is a ‘one upman’ thing there, of who can outsmart the other; who’s the smartest? It’s a really bold – slightly foolish! it’s his undoing really – move of Adar’s; but he does try to outsmart Sauron, who is the great deceiver. You know, it’s never going to go well!
Adar leads the Uruks into battle
One of the first Elves?
GD: I wonder if that sense of maybe being able to outsmart Sauron is partly because Adar is one of the most ancient characters in the show. (Forget Tom Bombadil for a minute!) He is presumably one of the Elves from the first awakening of the Elves. How much did you fill in? (I thought we might actually get a name for him when I was watching episode eight!)
SH: I know! We made up a lot of names, some of them very silly – but I won’t go into them!
GD: How much of a backstory did you have in your own mind, about the centuries that this character has been alive?
SH: I thought about it a lot. I loved that there was a line of Joseph’s in his first scene, with Ismael [Cruz Córdova] where he says, ‘I went down that river once. The banks were covered in sage blossoms…’ It had this kind of beauty and nostalgia of a life past, and a life lost, and that sort of sense… I don’t think he [Mawle] necessarily did it with regret, but it felt like there was something of that in there, for me. From then on it made me think that Adar regrets his decision to volunteer [to serve Morgoth] in order to get more power and to have children. He was duped, obviously, but I think that he must have been a very unhappy elf, you know – dissatisfied. He wanted more; I think he must have felt that he wasn’t given the respect he wanted – or felt he should have had, perhaps. And that dissatisfaction led to him wanting more – which is a very relatable thing. All humans want more, really – and that’s where the problems begin!
So I think over these centuries, for thousands of years, he feels he is responsible, in his mind anyway – or in part responsible – for the creation of the uruk as a race who are cannon fodder. He’s created lives that are going to be miserable; and it’s his fault, as far as he is concerned. So his raison d’etre is to take care of these Uruk as best he can, knowing that he is responsible for them. I think that’s all he really cares about.
Morgoth’s crown returns at the end of Season 2
To be returned via Nenya [the ring of power worn by Galadriel], being healed by Nenya [in episode eight]; to have a glimpse, a really stark reminder of his life prior to that deal with Sauron and Morgoth… I think he’s finally got to a place he’s dreamed of millions of times since then – which is that he wishes he’d just been happy with what he had, and remained an Elf, and lived – possibly died – an Elf. But it’s too late now. It’s this incredible moment for him, and I think it stops him in his tracks. And that’s why he doesn’t go on and kill Sauron. He can’t do it; he can’t face him.
You know in Superman 2, when he loses his super powers? I felt like it was like that; it’s like his armour is gone and he’s starkly reminded of his fragility – and his “humanity”, in a way, as well. And so he needs Galadriel to take the mantle and to finish the job for him, because he can’t do it.
GD: It was a breathtaking moment to see him healed whilst wearing the ring; and it felt, to me at least, like an extremely noble gesture that he gave it back. That speaks something of his character. It’s interesting what you’re saying, that he perhaps couldn’t go on and so he had to give it back; but then it shows you something about an inherent depth to his persona, that he doesn’t say, ‘Aha, now I have this ring and it’s given me power!’
SH: And to take the rings from her as well – she’s got nine rings with her! I mean he succeeds, really, ultimately, in gaining the respect of the Elves. Galadriel is a very high Elf; and I think they feel like equals at that point. And that is something that he never had before, and that is the respect that he wanted. You know, it’s like the evil step-sister at the wedding – you’re the same as them, but you just feel like you’ve been cast out. And I think it’s as simple as that, that he finally has the respect of the Elves; or of Galadriel anyway. It’s a kind of homecoming for him, in a way.
GD: Unfortunately, though, he doesn’t have the love of some of his Uruks anymore by then.
SH: Because they don’t understand that he’s doing it all for them. And I think him being in Elven form is the last straw… First of all, he’s trying to make a deal with Elves, and they [the Uruks] don’t like that, and then he is an Elf again.
GD: It’s like ‘He was never really one of us.’
SH: Exactly. Can he be trusted with our fates anymore?
GD: And so you’ve just got your feet under the table, and now (presumably) we’re not going to see Adar anymore! That’s very sad, because he’s been a very popular character. He was created with a lot of regard, I think, for Tolkien’s writing, and cleverly combines various different origin stories that Tolkien had for the orcs: in some of the stories they were made, and in some of them they were corrupted Elves, so the showrunners have kind of combined the two. You’ve got ‘made’ orcs and a corrupted Elf. But it speaks a lot for both, first of all, Joseph Mawle’s performance, and then your performance, that this character has been so loved by the viewers in spite of not being a canon Tolkien character.
SH: Yes. I’m really glad of that. You know, Joseph is the one who started that. It’s a great character.
That kiss in episode 7…
GD: I have to ask you, before we come to the end of our time: there’s been a lot of reaction to the kiss between Galadriel and Elrond.
SH: You know, we talked about that a lot at the time, obviously.
GD: I was just going to ask you how Adar perceives it. He’s the one in the room at the time. From his angle, how does he perceive it?
SH: I was going to say “awks”! [laughs] Really bad pun, sorry! But anyway…
Robert Aramayo as Elrond
I saw a video – I think it was on Instagram – of Rob Aramayo talking about it, and I agreed with him completely. Nobody thinks about things more than Rob does. He is such a massive Tolkien fan and just such a clever and thoughtful guy. And yeah, as humans, we think, ‘Oh, romantic!’ – but it isn’t romantic. It’s a dear, dear friend; they’ve been through so much together – especially within the time of these two seasons. He’s not really sacrificing her, because he’s planning to save her – but there’s a chance [she might die]. But he gives her the thing so (hopefully) she can get away. Which she does! [feigns Adar-ish dismay] Yeah, that’s another story…
I think the kiss is transcendent. It’s a moment of pure beauty, as far as I’m concerned; of tenderness and real love. And it could be… when I say brotherly, sisterly, I’m not suggesting that brothers and sisters should be kissing each other on the mouth here in our world! If my sister reads this… [laughs] But this is different. This is Middle-earth and, you know, they have millennia between them and it’s a beautiful moment.
GD: Hearing you say that makes me think for Adar there’s some pathos there; because maybe that is the respect and love and camaraderie that he would have liked to have had with another Elf.
SH: Absolutely, yes. You’re absolutely right – that’s a really good point.
GD: Now I need to go back and watch it again from that perspective!
SH: I’ve actually watched episode 7 twice, because I loved it so much. Charlotte [Brändström, the director] did such an incredible job; and I love Bear’s music at the end. Bear is just great.
GD: Well, Sam, I’d love to say I’ll see you at the next press event; but unfortunately, perhaps not! – because I think your time in this version of Middle-earth has come to an end.
SH: I know, I know. It’s so sad.
GD: It has been such a pleasure to meet you and to hear a bit of your insight. Thank you for the seriousness with which I know you and all the cast approach your characters – with absolute seriousness. We really appreciate that as viewers, that there’s a professionalism and a depth of approach that is in no way dismissive of the work, or of fantasy as a genre.
SH: Yeah, not at all. It [fantasy] is everything! And thank you as well!
The complete The Lord of the Rings: The Rings of Power Season 2 is now available on Prime Video. Look for TORn’s interview with Trystan Gravelle (Pharazôn), coming soon!
In an unexpected journey that rivals Bilbo’s own, TheOneRing.net is thrilled to announce the launch of its very own food truck, bringing the flavors of Middle-earth to the world – well, a portion of the world! Aptly named ‘Middle-earth on Wheels’, the plan is for the food truck to visit conventions and geeky gatherings across America, serving a delectable array of Tolkien-themed treats. Our truck will first appear at NYCC 2024.
The Menu
Inspired by the diverse experiences and tastes of our staff, the menu will vary, with various themes planned, including the seasons in the Shire, spicy dishes of Mordor, and the sumptuous feasts of Rivendell, offering an Elvish twist on classic flavors. The menu to appear at NYCC will include a chicken dish “Amon Hen”; “Salmon Frodo“; “Isengard Unquiched,” “One-ion Rings” (Of course!); and a variety of artisanal bread, so fans can ‘share the loaf.’
Barad-dûr croquemboucheArtisanal BreadsAmon HenSalmon FrodoIsengard UnquichedOne-ion Ring
Our very own Happy Hobbits, known for their culinary magic making (Check out their YouTube!), will bake fresh bread for each appearance.
But that’s not all – in a revelation as surprising as Gandalf’s fireworks, we can reveal that TORn co-founder Xoanon is not only a master of Middle-earth lore but also a pastry chef extraordinaire, holding the world record for the tallest croquembouche, eerily resembling Barad-dûr, complete with the Lidless Eye, and almost mirroring the height of Weta’s Minas Tirith bigature.
Special Menus and Events
But what of Second Breakfast, you ask? On select days, Middle-earth on Wheels will honor every crucial Hobbit mealtime—Breakfast, Second Breakfast, Elevenses, Luncheon, Afternoon Tea, Dinner, and Supper—throughout all-day festivals and events. Whether you crave the sweet simplicity of Seedcake for Second Breakfast or the hearty richness of a Minas Tirith Meat Pie for Supper, TORn will have you covered. Dates for these special events will be announced at a later time.
On Tuesdays when Middle-earth on Wheels is on the move, don’t miss Tolkien Taco Tuesday—every purchase of a taco gets you another one on the house!
Why a Food Truck?
Why this culinary quest, you ask? It’s all in an effort to combat the ever-mounting Google Business Apps bill! Yup, they raised their prices…again! As a not-for-profit site powered by volunteer staff, TheOneRing.net relies on the generosity of its community and, perhaps now, the proceeds from its gastronomic ventures.
Don’t miss this chance to feast like a Dwarf, snack like a Hobbit, and dine with the elegance of the Elves. The Middle-earth on Wheels food truck is coming to a location near you. Follow the journey on TheOneRing.net and our social media channels.
Because in the world of Tolkien, even the smallest meal can change the world.
Some secrets are better kept quiet (according to that famous Gandalf quote, the one about anticipating a good meal): “Many folk like to know beforehand what is to be set on the table; but those who have laboured to prepare the feast like to keep their secret; for wonder makes the words of praise louder.” That little gem does not apply here, as TheOneRing.net continues its decades-long quest to separate truth from nonsense behind any Tolkien adaptation coming our way.
For you see–a wild bombshell appeared on 4chan on Jan. 15, 2024, claiming knowledge of fully-detailed plot points and episodes that was quickly regurgitated on our Discord server (now deleted). The contents of this post caused shockwaves on our TORn Discord; as it shocked and dismayed me. But also much of its contents have been corroborated fully by someone close to the Producers who shared more information. Better fasten your seatbelts, dear Ringers, it’s gonna be a bumpy night.
[MASSIVE SPOILERS AHEAD FOR “TROP” SEASON 2 THROUGHOUT, NO HOLDS BARRED, NOTHING WITHHELD, PROCEED WITH CAUTION]
As the Production Calendar continues apace on Season 2 of Prime Video’s “The Lord of the Rings: The Rings of Power,” (rumor has it Season 3’s halfway written!) certain enigmatic details are clearer while other things remain deeply shrouded. It’s like scrying in the Mirror of Galadriel without any guidance.
Nonetheless, it is now being discussed openly that Amazon secretly acquired the rights to “The Silmarillion” for use in this 2nd Season! This is seismic news! It is even more insane to think something so significant has happened and the Studio has said nothing about it at the time of this article’s publication.
Let’s start with the Big Bad Wolf-Maia himself, the “Halbrand of your dreams” (ooof), that guy who would deign to be THE Lord of the Rings:
SAURON / HALBRAND
TROP Director Charlotte Brändström has said in interviews that the 1st Ep. of the new Season will be a “Standalone episode.” We have been reporting for 15 months on our TORn Tuesday Livestream show that this “Season Opener” will dedicate itself entirely to Sauron, his backstory, and his misadventures prior to what we saw mystery-boxed as the Halbrand storyline of Season 1. We may ultimately find out how and why Sauron took the form of that particular human and how he managed to be in the middle of the ocean at exactly the right time to start his lengthy charade with Galadriel. It goes without saying that Season 1 would have been dramatically different if the Showrunners had used the literary device of Dramatic Irony instead of employing this lamentable mystery-boxing approach.
Why was there such trenchant animosity between Adar and Sauron? Newly leaked info says the conflict between them is fueled by a tragic death: Sauron evidently had a SON — and Adar evidently killed him in cold blood prior to the events of Season 1. Nothing close to this appears in Tolkien’s stories.
Further spoilers: in Season 2 Adar (well-played by actor Joseph Mawle, now replaced by Sam Hazeldine) will surrender to Sauron and become one of his generals, only to betray him again later on. Also, at some point Sauron presents himself to the Dwarves and straight up tells them he “apprenticed under Aulë,” at which point he is immediately accepted in their midst.
Season 2 will conclude with this final shot: the forging of the One Ring by Sauron’s hand, leading one to necessarily assume the other Seven and the Nine will be forged at some point by this Season’s end (unless the Showrunners deem it necessary to keep changing the historical order of things).
RIGHTS TO “THE SILMARILLION” ACQUIRED?!
Most significantly, according to verifiable spy reports Prime Video has secretly acquired the rights to “The Silmarillion” — unbeknownst to us. We are hearing that Season 2 opens with a genesis story more fitting the Ainulindalë! After many years of speculation and hundreds of hours of discussion about this very thing, it comes as a deep shock to me (as a Tolkien fan and generally speaking as an observer of Popular Culture) that the Tolkien Estate has, at long last, allowed the gates to finally be opened and nobody has said a word about it! Ladies and gentlemen, could it be true that “The Silmarillion” has now become an officially licensed property for adaptation?! If so, the hugest of caveats must be stated: this is a singular case for now. Perhaps unique.
THE MUSIC OF THE AINUR (quoting from the original post): “The opening scene of Ep. 1 is Eru [Ilúvatar] using the Secret Flame to create Melkor, and Melkor watching as Eru creates all the Valar and the Maiar. Eru is a disembodied voice vaguely human shaped but no characteristics can be made out. The Secret Flame is golden, as are all the Valar and the Maiar. The Valar are larger than the Maiar, but they are bathed in a golden light and completely naked. The actor playing Mairon in this realm is NOT Charlie Vickers or Gavi Singh Chera–it is a third actor. Gave Singh Chera will play Sauron in his battle form and his Annatar form.” We can now fully confirm that a grand total of three actors shall play Sauron in different forms. Additionally, the two actors playing Melkor and Ungoliant in the Ainulindalë shall appear LATER in Season 2 as different incarnations.
I mean — just wow!
Further details are exposed: “A whole episode is dedicated to Sauron’s backstory leading up to the breaking of the First Silence. After the Fourth interruption of the song [Theme], several Maiar meet and discuss Melkor’s discord. Mairon/Sauron alone speaks: ‘The One has blessed me more so than all of you to see the potential of His creations, and what better way to forge their mettle than by allowing them to face Melkor’s discord and grow beyond what they think capable!’ You will see Mithrandir [Olórin] in this scene. Mairon almost converts him. Almost.”
Four Themes? There were only Three, as we all know, so perhaps this is a typo. Or perhaps the most obvious thing that would happen to “The Silmarillion” being adapted is that it would be unnecessarily changed.
Seasoned readers of Tolkien will probably be agape at this ambitious retelling of “The Music of the Ainur” but newcomers who have never read a speck of the original book may be mystified. It seems clear now that the intention of this show is to explore the earliest mythological roots of these immortal characters: a narrative consideration never previously afforded to any Valar / Maiar characters.
This still doesn’t explain the “meteor man” thingy that suddenly brought Gandalf / Olórin / The Stranger into the Second Age, but why quibble?
The further impact of this reality should be weighed carefully, for it represents a point of no return with those tales. The Quenta Silmarillion, the tragedy of Beren and Luthien, the Fall of Gondolin: all of which may now be adapted for T.V. or Film or other media if the Estate allows and arrangements are made. What a tremendous thing. It opens up a whole new era of possibilities.
GALADRIEL & CELEBORN
The fact that Celeborn has been kept offstage in Season 1 as a red herring (you know, that bit about him being supposedly dead yet Galadriel doesn’t know a thing about it) simply does not ring true to Tolkien’s original works. The Professor re-wrote and revised the story of G&C many times, but never do we see a hint leaning towards this in the Appendices, nor in “Unfinished Tales.” Beyond this fumble in the narrative of Season 1, we have now confirmed that our “dearly departed” Celeborn IS INDEED NOT DEAD (as readers of Tolkien already knew) but will show up in Season 2 being impersonated by Sauron.
Indeed, one of Sauron’s disguises to return to Eregion (how many can there be, beyond Annatar?) is the form of Celeborn. We assume this plan is to dupe Elrond, Celebrimbor, and Galadriel at the same time.
More subterfuge! The chicanery at Galadriel’s expense continues apace. This portrayal of the Lady of Light as one who keeps getting duped over and over by Sauron–when Tolkien never once allowed that to happen in his accounts– is certainly a choice, and one that has drawn much criticism. Personally it is one of the first things that comes up in friendly conversation about TROP: I am forced to explain that Galadriel was never fooled like that!
I wonder where they will go with that, ultimately. How long will Galadriel continue to withhold the truth of her Season 1 relationship with Halbrand, and why did the Writers put her in such an untenable position with the other Elves? One assumes it is a ploy wherein Sauron might return and blackmail her if she has not been forthcoming about it. Remember that look Elrond gave her after he saw the parchment of Southland genealogy? “There’s no basement in the Alamo!” And there’s no Halbrand! Some ugly business lies ahead with Celeborn being impersonated by Sauron.
Spy reports indicate the REAL Celeborn will appear in the Season 2 Finale and be reunited with Galadriel. He shall be played by Calam Lynch, as reported by Fellowship of Fans and corroborated by others. Thank God for simple truths–because the lad is a dead ringer for a younger Marton Czokas.
THE FATE OF CELEBRIMBOR
Poor Brimby. Everyone loves Brimby. He’s the avuncular surprise (certainly as portrayed by Charlie Edwards) in Fëanor’s genealogical line of stupendously serious Elves. As fond as we may be of his green-robed gentle nature, we confirm now that in Season 2 Celebrimbor’s head gets lopped off and stuck up on a pike. Womp womp! We are getting closer to what Tolkien wrote here, as this is Brimby’s closest proximity to being the Ned Stark of Middle-earth.
I don’t quite get this episode structure–but it seems the final two episodes of TROP Season 2 will be centered on The War of the Elves and Sauron, wherein Eregion is sacked.
TOM BOMBADIL & GOLDBERRY
This is where stuff gets potentially ugly. I don’t like using such words. As previously mentioned, there will be separate standalone episodes presented throughout Season 2; including Sauron’s backstory uniquely told from his first-person point-of-view. All of this is likely to change before the final edit is broadcast. But if this holds true, Tom Bombadil and his love affair with the River-Daughter will be front-and-center in their own episode (there’s even an episode on Felaróf and the origin of Shadowfax)!
Ringers have often opined that bringing Tom Bombadil into TROP would be super cool — and I have personally championed the notion. But at the heart of this matter is how Tolkien utilized the character in “The Fellowship of the Ring,” an approach for others to heed carefully. Tom should have a cameo or a brief encounter with some of our traveling heroes. Admittedly Tom’s presence is superfluous to the real story of the Great Rings of Power. Now imagine this character’s narrative purpose going a big step further and just wildly breaking from the Lore. In the words of our Spy Report:
“Tom Bombadil and Goldberry are in an episode. They are played by the same actor and actress as Melkor/Morgoth and Ungoliant. The show will confirm the long-held fan theory that Tom and Goldberry are Melkor and Ungoliant serving out their punishment bestowed on them by Mandos.“
Excuse me? There has never been such a “Fan Theory,” not one that I have seen–and if I had heard of this cockamamie idea I would have laughed at the absurdity. To quote the pique and anger of a well-known Tolkien historian who heard this: “This is not a fan theory, this is just Fan Fiction; and it’s really GARBAGE Fan Fiction at that!”
Personally, I would love to see Tom Bombadil show up — if only in the blink of an eye he would be on his merry way. I mean, come on, there is no need to ignore The Professor’s explanation in his “Letters” about Bombadil’s context in his Legendarium. No need to make up stuff about Morgoth and Ungoliant seeking atonement within the Circles of the World.
Pragmatically speaking, adaptations can and will change things from the Lore. This is mostly fine, and expected, within reason. It becomes unreasonable when you play that fast and loose with Tolkien’s original concerns regarding raw story elements. This kind of stuff will, predictably, divide the Fan audience.
… FELARÓF & SHADOWFAX?!
If you were not mystified yet by some of these storytelling choices, TROP Season 2 will have a full episode about the great line of Horses, the Mearas, and how Gandalf “The Stranger” met Shadowfax! Although these characters/animals did not exist in the Second Age, evidently we are getting the story of Felaróf the “Very Valiant,” if not also the story of the father of Eorl, a Man by the name of Léod.
Here we have a wide range of secrets exposed and an earth-shaking reveal about the licensing of “The Silmarillion.”
Strangely, the Studio behind this billion-dollar T.V. show remains stoic and silent; their social accounts barren since last July, not a single bit of marketing nor a press release has been forthcoming. Tellingly, a huge Amazon Prime commercial aired in the U.S. during the Prime Time Emmy Awards broadcast, without any mention of TROP. Not. A. Single. Word. TROP has also been removed from Prime Video’s FYC awards website.
Make of that what you will.
IN CONCLUSION — TOLKIEN BOOKS VS. ADAPTATIONS
As is the reality with a huge T.V. production, there are further moves to be made, pickups to shoot, tons of post production and editing yet to complete. However, these Spy Reports may or MAY NOT be reliable but we have already known (through our own secret channels) about 40% of this stuff before the big leak on January 15, 2024. With enough of this verified we are at least eager to throw the doors wide open and have some robust discussion. Time for Ringer fans everywhere to discuss, make hay, extrapolate, and poke with a stick.
Do you like what you are hearing? Are you excited or dismayed? Are you wondering as I am why there is stone-cold silence from the Studio after such wildly big moves behind closed doors? What will future horizons look like with “The Silmarillion” now that THAT huge epic is on the table? Or is it just some odd bits of “The Silmarillion” they can use here and there? Time will tell.
This series was always gonna be a mixed bag of familiar lore and newly minted ideas, methinks. TROP ostensibly benefits from being a somewhat separate (albeit huge) piece of Second Age story from the books’ Appendices that can be centered around particular characters and events. There is ample room to breathe within the narrative of the Appendices and yet it is wholly unnecessary to wildly diverge from the source material. What J.R.R. Tolkien intended and what the current Tolkien Estate (headed by Simon Tolkien) has allowed for this streaming program is, shall we say, quite divergent from one another.
It is for Ringers, with their undying love for the original books, to decide if Prime Video executed this effort reasonably and within the spirit of Tolkien’s original. It is also apparent they had a 36% completion rate on Season 1. Speaking for myself, the series started off just fine. I quite enjoyed the atmosphere, production design, a thrilling cast of talented actors, and especially the gargantuan score by Bear McCreary. Lots of stuff to admire there. Indeed there are those who will argue for either side, but in this writer’s opinion, these Spy Reports (combined with further research and reveals from inside the Production) betray significant departures from the Lore of Tolkien’s Legendarium and put the show at risk to be rejected rather than embraced by that less-forgiving portion of our fandom.
*EDITOR’S NOTE: Clifford Broadway is one of the earliest writers/contributors to TheOneRing.net from the beginning, authoring material in our “Green Books” academic section and also for numerous publications including DeviantArt and Famous Monsters of Filmland. He co-wrote and produced the award-winning feature documentary “Ringers: Lord of the Fans.”
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
It’s been a month since the final episode of Season 1 aired. TheOneRing.net staff have had time to reflect, to go back and binge-watch the whole thing, and to process thoughts.
As we begin the journey to Season 2 (which could be a long one!), here are some of TORn staffers’ reactions to the first season of Prime Video‘s The Lord of the Rings: The Rings of Power. As you’ll see, we’re an independent bunch with a wide variety of opinions!
Studio initiative helps the massive production – the biggest budget in TV history – find ways to recycle production-used materials.
A new report from The Guardian on the industry-wide issue of waste uses Amazon’s Rings of Power to comment on sustainability practices. Acknowledging that every Hollywood production has huge waste and debris problems, it’s the epic scale of Lord of the Rings that draws attention since it is the biggest TV production.
According to leaked production memos, “The environmental impact of this industry, and of this show, is enormous… every single person we spoke to is concerned about the environmental impact”. The Rings of Power crew overall cared about the environment – just as fans of JRR Tolkien have for over 80 years, where LOTR and Hobbit include environmental-conscious messaging as part of the core story of Middle-earth.
Fans were elated when Amazon announced Rings of Power would shoot in New Zealand. Not only has the country adopted LOTR as its homeland mythology for tourism, many production people incorporate Tolkien’s environmental concern into their daily life for sustainable island living.
“On the Rings of Power, these massive ice walls and rock wall set pieces – they get smashed into a million pieces. If anyone went and sat outside one of these big productions and saw how many skip bins are going out every day … Truckloads and truckloads and truckloads of polystyrene and timber and all the rest of it, mixed up in plastic … and really just thrown into a hole in the ground.”
Rings of power crew member
Sounds like Season 2 of Rings of Power will have sustainability considered from the start. ““As we figure out what’s going on, we can identify the issues and figure out how things might be done differently moving forward. Next season, we can do things right from the outset,” says an internal memo attained by The Guardian.
All of the water on Rings of Power was recycled to local Fire Department and industrial uses.
The article goes on to say that New Zealand film rebate programs should also tie into sustainable production practices, to get the tax rebates. Amazon had negotiated the largest tax break in NZ country history, but let it forgo when they abruptly moved production for Season 2 to the U.K. Many of the NZ sets were destroyed and trashed due to the corporate-mandated move.
Peter Jackson also shot much of The Hobbit on soundstages using polystyrene trees and forest, using high frame rate 3D cameras and digital sizing between elves and dwarves. Fans didn’t like the “soap opera” look of those films, but the environments were celebrated as much as Rings of Power’s return to Middle-earth.
