Over at HFRmovies.com a talented fellow named Michael Sanders has used some nifty video trickery to interpolate what the Desolation of Smaug trailer might look like at 48 frames per second. It’s a very interesting experiment.
Several TORn staff have compared the Sanders’ 48fps interpolation and the 24fps rendition initially released by Warner Bros. side-by-side — and we feel that even Sanders’ “amateur” (and that word seems unfair for something that looks so good) interpolation reduces picture blurring blurring from camera panning and fast movement. Continue reading “Compare The Desolation of Smaug trailer: 48 fps v 24fps!”
Peter Jackson’s grand experiment with 48-frames-per-second digital footage is just the latest in a long line of filmmakers pushing the technological envelope in Hollywood.
There’s been plenty of buzz about the upcoming film The Hobbit: An Unexpected Journey, but it’s not just about the movie itself. It’s also about the format the director Peter Jackson has decided to use, which he just defended in detail in a Facebook post yesterday. Normally, films are shot at 24 frames per second (fps), and have been for roughly 80 years. American television is broadcast at 29.97 fps, while European television is broadcast at 25 fps. Each of these have a unique look to which we’ve all grown accustomed. Continue reading “PCmag explains what 48fps means and how it works”
