For those within easy travelling distance of Bradford in the UK, this weekend is going to be a good one! Bradford Literature Festival is happening; and there are several talks related to JRR Tolkien.
Tolkien taught at Leeds University from 1920 to 1925, before his teaching career at Oxford began. It was during his years at Leeds that he wrote A Middle English Vocabulary and his definitive edition of Sir Gawain and the Green Knight (with E. V. Gordon). Like many other areas of England’s ‘green and pleasant land’, there are stunning landscapes across West Yorkshire which lay claim to be (at least partly) inspiration for the Shire.
What was Tolkien’s intended ending for The Lord of the Rings? What was the audience’s response to the first ever adaptation of The Lord of the Rings – a radio dramatisation that has now been deleted forever from the BBC’s archives? The University of Oxford’s Grace Khuri will be joined by Tolkien Archivist Catherine McIlwaine and biographer John Garth to explore J.R.R. Tolkien’s mammoth legacy and his son’s tireless work in sharing it with the world.
Catherine McIlwaine, John Garth, Grace Khuri: Tolkien: The Great Tales Never End (Saturday 25th June at 10.30am). More information and tickets available here
From Norse mythology and Christian faith to his fellow fantasy writers and the very real battlegrounds of World War I, join us as we explore the varied and unlikely inspirations that shaped J.R.R. Tolkien’s much-loved fantasy worlds – including Catherine J. Blatt, John Garth, and Alaric Hall.
Catherine Batt, Alaric Hall and John Garth: Where Did Tolkien Find His Inspiration? (Saturday 25th June at 11.45am). More information and tickets available here
Author of The Worlds of J.R.R. Tolkien, John Garth will take audience on a journey through the places that inspired the Shire, Rivendell, Helms Deep and Mordor and will discuss how the West Midlands and Oxford, alongside Yorkshire, played their part in the creations.
John Garth on The Worlds of JRR Tolkien: The Places that Inspired Middle-Earth (Sunday 26th June at 11.45am). More information and tickets available here
Tolkien has inspired many writers across all genres to follow in his footsteps. Samantha Shannon, Courttia Newland and David Barnett will discuss Tolkien’s vast impact within literature, and how his writing has influenced them personally as writers.
Samantha Shannon, Courttia Newland and David Barnett: Inspired By Tolkien (Sunday 26th June at 4pm). More information and tickets available here
Timed perfectly to coincide with Prime Video’s The Lord of the Rings: The Rings of Power, which takes place in the Second Age of Middle-earth, Harper Collins have announced their next Tolkien publication. The Fall of Númenor, edited by Brian Sibley, brings together the key tales of the Second Age, in chronological order. Sure to be the perfect handbook for those who want to see exactly what Tolkien did write about this earlier period of his legendarium, it will not contain any previously unpublished text; but it does feature new art by beloved artist Alan Lee. It will be released in hardback and deluxe editions November 10th 2022, two months after the debut of The Rings of Power.
You can read comments Brian Sibley made exclusively to our friends at The Tolkien Society on their website. Further details can be found in the official press release from HarperCollins, below:
HarperCollins is proud to announce the publication in November 2022 of THE FALL OF NÚMENOR by J.R.R. Tolkien, edited by writer and Tolkien expert, Brian Sibley, and illustrated by acclaimed artist, Alan Lee. The book will be published globally by HarperCollinsPublishers and in other languages by numerous Tolkien publishers worldwide.
Presenting for the first time in one volume the events of the Second Age as written by J.R.R. Tolkien and originally and masterfully edited for publication by Christopher Tolkien, this new volume will include pencil drawings and colour paintings by Alan Lee, who also illustrated The Lord of the Rings and The Hobbit and went on to win an Academy Award for his work on The Lord of the Rings film trilogy.
J.R.R. Tolkien famously described the Second Age of Middle-earth as a ‘dark age, and not very much of its history is (or need be) told’. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices.
It was not until Christopher Tolkien presented The Silmarillion for publication in 1977 that a fuller story could be told for, though much of its content concerned the First Age of Middle-earth, there were at its close two key works that revealed the tumultuous events concerning the rise and fall of the island-kingdom of Númenor, the Forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron, and the Last Alliance of Elves and Men.
Christopher Tolkien provided even greater insight into the Second Age in Unfinished Tales of Númenor and Middle-earth in 1980, and expanded upon this in his magisterial 12-volume History of Middle-earth, in which he presented and discussed a wealth of further tales written by his father, many in draft form.
Now, using ‘The Tale of Years’ in The Lord of the Rings as a starting point, Brian Sibley has assembled from the various published texts in a way that tells for the very first time in one volume the tale of the Second Age of Middle-earth, whose events would ultimately lead to the Third Age, and the War of the Ring, as told in The Lord of the Rings.
The Hobbit was first published in 1937 and The Lord of the Rings in 1954–5. Each has since gone on to become a beloved classic of literature and an international bestseller translated into more than 70 languages, collectively selling more than 150,000,000 copies worldwide. Published in 1977, The Silmarillion sold more than one million copies in its first year of publication and has gone on to be translated into almost 40 languages.
Brian Sibley says: ‘Since the first publication of The Silmarillion forty-five years ago, I have passionately followed Christopher Tolkien’s meticulous curation and scholarship in publishing a formidable history of his father’s writings on Middle-earth. I am honoured to be adding to that authoritative library with The Fall of Númenor. I hope that, in drawing together many of the threads from the tales of the Second Age into a single work, readers will discover – or rediscover – the rich tapestry of characters and events that are a prelude to the drama of the War of the Ring as is told in The Lord of the Rings.
Alan Lee says: ‘It is a pleasure to be able to explore the Second Age in more detail, and learn more about those shadowy and ancient events, alliances and disasters that eventually led to the Third Age stories we are more familiar with. Wherever I had the opportunity when working on The Lord of the Rings and The Hobbit, I tried to imbue pictures and designs with an appropriate antiquity, an overlayering of history and of echoes of those older stories, and The Fall of Númenor has proved a perfect opportunity to dig a little deeper into the rich history of Middle-earth.’
The Fall of Númenor will be published by HarperCollins with a simultaneous global publication date of November 2022, and subsequently in translation around the world.
As September 2nd draws ever closer, we’re seeing more and more glimpses of what is in store in Prime Video’s The Lord of the Rings: The Rings of Power. Most fans will already have seen the amazing images, and read the interviews, from the latest edition of EMPIRE magazine – including artist John Howe’s incredible snow troll sketch, which features on the cover of the special subscriber’s edition.
Back in early May, when staffers Justin and greendragon were invited by Amazon to join a group in London, to see footage from The Rings of Power and to talk with showrunners JD Payne and Patrick McKay, John Howe was also part of the gathering. There were gasps of delight from many in the audience when he was introduced; all were thrilled to have a chance to talk with such a legend. It was also reassuring to hear, from his own mouth, that Howe is actively involved in the design and creation of this new Middle-earth adaptation.
That same day, Prime Video also treated us to a closer look at three costumes from the show. Stay tuned for more from greendragon on what we saw and heard that day; we’ll also share posts from other sites, YouTubers, tiktokers and fans who were there. To start us off, here are Justin’s reflections:
[Continuing the high levels of secrecy around this show, there were no phones or recording devices allowed; therefore all quotations are paraphrased from notes & recollections.]
As the lights came up from the very first sneak peek at The Rings of Power footage (some of which we expect in the first proper trailer releasing at SDCC) the nervousness in the air was thick; not only from the thirty or so fans assembled, but also from showrunners Payne and McKay. Will we like them? Are they two of us?
“We were with you all refreshing TheOneRing.net every day for the latest news on Peter Jackson’s films!” McKay told us. These lifelong fans, Ivy League Yale educated, committed to their church, might be closer in disposition to JRR Tolkien than any filmmaker that has come before. They study every book, revision, note, letter, and interview Tolkien ever shared, to understand his motivations and inspirations. It is this thorough knowledge of the context of Tolkien that has inspired confidence from so many Tolkien influencers.
As the showrunners wrapped up the open-ended Q&A, the biggest surprise of the London trip occurred – artist John Howe walked out with a sketchbook in hand. He explained how he got involved, how much work has been put toward The Rings of Power, and took questions from an awestruck group of scholars, fans and podcasters.
“They just kept asking me to sketch things they were considering. There are 40 sketchbooks full of drawings for this show.” Howe then opened up his sketchbook to the original drawing of the ice troll. I find it very curious that our very first leak from the ROP set were photos of an icy mountain set, then leaks of a snow troll (instead of a cave troll), which carried through to the Super Bowl teaser featuring the troll, and now John Howe’s sketch. Did Amazon leak the icy set pics in the first place, as part of a long marketing game? Or is Prime Video responding to uncontrollable leaks and only revealing what’s already been hinted at? Howe did not turn the page to show any more drawings.
When asked how he keeps this new work separate from the award winning (and trademark protected) work with Peter Jackson, John Howe responded with incredible awareness and insight. “We are all professionals here in the room. You all understand running your business. Whether I’m designing for movies, or book covers, or a streaming show, there are creative briefs to respond to. But the people in charge also know what they are getting from all my previous work.” Howe went on to explain that the true creative separation from Jackson’s films is actually INSPIRATION in the new locations this show visits. “We’ve never seen the oceanic areas of Middle-earth, and it is incredibly exciting for me to discover the great seas and areas that haven’t been explored. That is the true departure from what has come before.”
While John Howe had a plane to catch, showrunners Payne and McKay hung around with fans for some social conversations in the lobby, where three actual costumes were on display. The two guys held their own in deep lore conversations with several Ph.D.s, such as ‘The Tolkien Professor’ Corey Olsen and Dr. Una McCormack. At any fan event full of world-leading-expert-podcasters, there is a tendency to weed out inauthentic creators with deep lore questions. Again, Payne and McKay held their own. There is a reason the reaction a few weeks ago was unanimously supportive of the showrunners: they know their Tolkien, and they know the lore.
The Rings of Power showrunner Patrick McKay suddenly confronted me in the lobby, as his conversation circle moved to catch up. Matt (Nerd of the Rings) was shocked at some of the things we talked about – secret things I’m still hesitant to reveal. McKay wanted to know how I felt about the footage. He was extremely interested in my honest opinion. He cares what we think, what our response is to the hard-earned work over the last three years, if we feel he’s doing right by Tolkien and by fans. My direct response was the footage “looked like it should”, as I wrote a few weeks ago. It wasn’t the overwhelming enthusiasm I think he wanted, but that’s the legacy this entire show is up against: the most awarded films in entertainment history make for a high bar set by New Line Cinema.
To close, here’s one exclusive comment I will share today: McKay was adamant that this sword (below) is NOT Narsil, despite our early spy reports from people who have laid eyes on scenes featuring this sword. We will find out what’s true September 2nd; but I can’t help but remember how adamant JJ Abrams was that Cumberbatch was NOT Kahn. The only job these showrunners had in Hollywood was working for JJ Abrams, before landing this dream gig in Middle-earth…
Become a Numenorean and sail to Middle-earth with us
After a successful Cruise to Middle-earth in November of 2008, and a sequel cruise in December 2012, it is time to complete the Trilogy. This Journey to Middle earth starts on January 2, 2023, in Sydney, Australia as you board the Celebrity Eclipse, and runs 12 nights long, ending in Auckland, New Zealand on January 14, 2023. This is not a LOTR convention at Sea, but more of a Mobile Middle-earth Moot where we get to see the real-world Middle-earth while enjoying the benefits of a luxurious cruise ship.
The Celebrity Eclipse comes with a 1/2 acre of live grass called the Lawn Club
This 12-night cruise will take you to such filming locations as Hobbiton and Edoras, with the option to visit the WETA Workshop in Wellington on a private tour. Other ports visited will be Melbourne, Dunedin, and the Bay of Islands. And for those choosing to arrive in Sydney a few days early, you will be able to celebrate the New Year’s Celebration near the Sydney Opera House and the Harbor Bridge for fireworks (not included, but I can assist in securing a hotel and flights).
Departs Sydney on January 2, 2023 and ends in Auckland on January 14, 2023
Once the cruise is finished, there will be an optional 2-night post-cruise stay in Auckland so that we can experience WETA Unleashed, and have a farewell dinner in the restaurant at the top of the Sky Tower in Auckland, and have a private tour and dinner in Hobbiton. This allows folks to choose a Cultural or Geological tour option in the port of Tauranga (Rotorua) rather than Hobbiton from the ship, which will be rather short and bunched together with other cruise passengers that might not be as geeky as those in our group. If you choose this post-cruise tour, there will be an additional cost, and you will need to remain in New Zealand at least until January 16, 2023.
Garfeimao and Bella in front of Bagend in 2018
If you choose to arrive on the morning of the cruise, you will have to depart North America on December 31, 2022, to arrive by January 2, 2023, or you can depart earlier and spend a couple of days in Sydney. If you wish to be in Sydney for the actual New Year’s celebration, you will want to depart North America no later than December 29 for a December 31 arrival. For those interested parties in Europe or Down Under, the time difference will affect you differently.
I am arranging an exclusive day tour to visit with WETA in Wellington for us when the ship is in port, which will include a private workshop. There will be a motorcoach to pick us up just outside the port area in the morning and take us over to Miramar to tour the facility, taking in not just LOTR projects, but some of the many other film projects WETA has worked on over the years. This will be topped off with a hands-on workshop on crafting leather and chain maille armor before the motorcoach will take us back to the city center for a self-guided tour inside the Te Papa Museum. You will not want to miss Te Papa, besides it being a world-class museum, there is a Gallipoli exhibit created by WETA that must be seen to believe, and the museum is free. We will then make our own way back to the ship before it departs. This tour can be purchased as a customized package not included in the cruise fare. A quote will be available shortly.
The original 2008 Cruise to Middle-earth group, the 5-year-old in the center just finished his first year of college.
On the ship, there will be a few days at sea, with no port stops, so I’ll be planning a few group activities that you can choose to join or not, depending on whether you would prefer to go to the spa or partake in other Ship Hosted activities. There will be a Tolkien Toast on January 3, 2023, to commemorate the Professor’s birthday, and then there will be a few games and group discussions, and maybe singing along to some of Tolkien’s songs found in the books. And this cruise takes place just a couple of months after the Rings of Power airs, so lots to discuss and maybe an additional location or two to be seen. For those of you with Middle-earth costumes, feel free to bring them, especially if they are on the lighter side, for packing purposes. There will be a Costumed Cocktail reception, and for those without costumes, a geeky t-shirt will suffice. The bonus is that you can also wear the costume either in Edoras or Hobbiton or bring two costumes and do both.
Other cruises thought our group were performers and wanted to follow us to our show
The nitty-gritty information for this group is that it has been on sale for several months, so some room types are no longer available. The Cruise pricing fluctuates regularly, based on available discounts for persons who qualify (past passenger, Senior or military rate, etc.) and just what rooms are still open for booking. An interior room right now is starting at $2179 per person, a Balcony room starts at $2429 per person and a Concierge Balcony (more perks) starts at $2869 per person. The private tour to WETA during the ship’s port stop in Wellington will have its own price, to be finalized very soon, and the customized 2-night post-cruise tour in Auckland to Hobbiton and other activities is currently priced at $1170 per person, but that will go down with a few more people booked into the group. There is a small planning fee of $50 per person if booked by May 31, and then it goes up to $100 per person on June 1.
To make an inquiry, please contact me at Garfeimao@TheOneRing.net
The Haggerty Museum of Art and Raynor Memorial Libraries at Marquette University will be presenting a a lecture series in September in conjunction with the collaborative exhibition “J.R.R. Tolkien: The Art of the Manuscript.”
The exhibition — which opens on August 19 — will feature original manuscripts created by J.R.R. Tolkien for his The Hobbit, The Lord of the Rings and other works. It will consider Tolkien’s work through the lens of manuscripts, in terms of both the materials that he studied as a medieval philologist and the manuscripts that he created while developing his legendarium.
All lectures will be held at the Haggerty Museum of Art and are free to attend. They will also be streamed online for audiences who wish to attend virtually (great for people not in the USA!). The museum states that — due to limited capacity — reservations are required. You can reserve a place to attend the lectures here.
Thursday, Sept. 22, 5 p.m.: “Editing the Tolkienian Manuscript,” presented by Carl Hostetter
Carl Hostetter is a computer scientist at NASA who has earned a reputation as one of the leading experts on J.R.R. Tolkien’s invented languages. He is a key member of the Elvish Linguistic Fellowship, an elite group of four Tolkien scholars whom the Tolkien Estate has entrusted with special access to the author’s unpublished linguistic manuscripts. These linguists have published extensively on Tolkien’s invented languages, including in “Vinyar Tengwar,” a peer-reviewed journal that Hostetter edits.
Hostetter is one of the most experienced students of Tolkien’s manuscripts. His ability to read and interpret Tolkien’s notoriously difficult handwriting is second to none. Christopher Tolkien (1924-2020) entrusted Hostetter with editing his father’s last volume of published writings, released in 2021 under the title, “The Nature of Middle-earth.” Hostetter’s work is highly regarded by Tolkien scholars. His volume “Tolkien’s Legendarium”—co-edited with Verlyn Flieger—is considered one of the best collections of essays on the history of Tolkien’s secondary world.
Thursday, Oct. 13, 5 p.m.: “Tolkien’s Faith and the Foundations of Middle-earth,” presented by Holly Ordway
Holly Ordway is a rising star among Tolkien scholars. Her 2021 book “Tolkien’s Modern Reading” is a tour de force destined to become a classic in Tolkien studies. Ordway demonstrated that Tolkien, usually pigeonholed as a medievalist, was remarkably well read in modern literature.
Her work shows how many modern works affected Tolkien’s creative output. Currently on faculty at Houston Baptist University, Ordway has taught English at the University of North Carolina-Chapel Hill and MiraCosta College. She specializes in J.R.R. Tolkien and, more generally, in mythopoeic literature. Ordway’s current research project is a book-length treatment of Tolkien’s Catholicism, fitting for a Catholic, Jesuit university such as Marquette.
Thursday, Nov. 17, 5 p.m.: “Whispering Leaves: How Tolkien’s Manuscripts Reveal the Secrets of His Creativity,” presented by John Garth
Trained as a journalist, John Garth has gained an international reputation as a leading writer about J.R.R. Tolkien and a popular commentator on Tolkien’s works and life. His published works include the recent “The Worlds of J.R.R. Tolkien” (2020). His earlier masterpiece, “Tolkien and the Great War” (2003), is universally acknowledged as a classic in the field of Tolkien Studies.
Garth, who has made a special study of Tolkien’s manuscripts, will focus his lecture on a manuscript that is part of Marquette’s collection and has never previously been exhibited or published. He will demonstrate his renowned historical research skills by analyzing the manuscript and using it to tease out insights about Tolkien’s experiences during the Second World War.
Tickets for the “J.R.R. Tolkien: The Art of the Manuscript” exhibition are on sale now. Tickets are $10 for general admission and $8 for senior citizen and active military (with I.D.). Friends of the Haggerty Museum of Art members, K-12 educators, children aged 17 and under, and Marquette University students, faculty members, and staff members are free with advance reservations and a valid I.D. The exhibition will be open until 8 p.m. on the night of each lecture.
About the Haggerty Museum of Art
The Haggerty Museum of Art at Marquette University is an innovative nexus of interdisciplinary learning where creativity, intellect and social justice intersect. Located in the heart of the Near West Side, adjacent to downtown Milwaukee, and open daily, the museum is one of the most accessible arts venues in the city.
Over on Wraith Land, Thomas Kelley has just published the first part of an extended interview with noted Tolkien artist Jay Johnstone.
Jay’s artwork employs techniques from religious manuscripts, icon and fresco illustrations from the medieval period, and uses a variety of mediums — oils, watercolors, acrylics, egg tempera with gold powder and leaf. Striking detail and traditional techniques give the impression of artwork that could have been produced in the real Middle-earth.
Kelley delves into the goals underpinning Johnstone’s unique approach, and some of the insights into Tolkien’s worksthat Johnstone himself has gained out of it. If the interesection of Tolkien, art, psychology and spirituality is your thing, you’ll find this a very interesting read indeed.
An excerpt:
Johnstone dreams in Tolkien. And through him and his artwork we can perceive anew what it would mean to live in Middle-earth and to create art inside it. While Tolkien himself made “sub-creation” the purview of his own characters, from the creation of the Silmarils by Fëanor to the writing of the Red Book of Westmarch by the hobbits, Johnstone imagines what it would be like to be a painter inside Tolkien’s world, and then paints that world and its history. Reminiscent of the religious medieval icon paintings by Duccio di Buoninsegna and Fra Angelico, Johnstone’s paintings work not just like time portals but dream portals.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
