John Garth provides a sweeping, engrossing, efficient Tolkien bio, historical context, and connections to Rings of Power in Smithsonian’s October issue.
Those of you fortunate enough to get your “sticky paws” on the October issue of Smithsonian are in for a HUGE treat. John Garth, acclaimed author of The Worlds of J.R.R. Tolkien: The Places that Inspired Middle-earth, Tolkien and the Great War, and others, has penned (pixelled?) a phenomenal read for the complete Tolkien newbie as well as the Tolkien-lifers of the world.
Garth’s exposition provides the reader an important contextualization to better understand and appreciate Tolkien’s writing, and more specifically, the stories behind Prime Video’s Rings of Power. Part abbreviated biography, part history of Tolkien’s writing and publication journeys, and part Númenorian exposé, this essay covers a vast amount of ground with precision, passion, and poignant prose.
The author fused his inspirations into an alloy that he could shape freely. He also generated multiple stories from a single inspiration. What he called his “feigned history” lives on its own terms.
John Garth, Smithsonian
Coupled with Garth’s authorship are Kieran Dodd’s inspiringly rich photos. Dodd’s talents underscore and punctuate Garth’s narrative with stunning images of architecture and locations frequented by Tolkien. And yes! For those of us not fortunate to get our handses on this publication, the article is also available right here. Enjoy your read!
Radcliffe Camera in Oxford, inspirational to Tolkien’s concept of a Morgothian temple. Courtesy of Smithsonian. Photo by Kieran Dodds.
September 21, 1937: The Hobbit, or There and Back Again, is first published by Allen and Unwin with a limited run of 1,500 copies. It sold out in under three months, featuring a color dust cover and story illustrations in black and white by the Professor himself.
Wikipedia has a wonderful breakdown of more-than-you-want-to-know re: The Hobbit. Meanwhile, happy birthday! 85 years is far too short a time to spend amongst such excellent and admirable authorship. Thank you to Tolkien and his children, to Stanley and Rayner Unwin, and all who provided influence, feedback, and audience for Tolkien’s first published fantasy novel.
Roads go ever, ever on… and wither then? I cannot say.
As the co-owner of this website, having been here from the very beginning, I’ve seen my share of online Tolkien community related collective anxiety. Our massive community is not dissimilar to that of Star Wars – we have our whacko fringe segment and we have the numbers to attract a matrix style army of Russian bots.
Weeding through all … of … that … noise (if that sounds exhaustive, that’s intentional) is so hard to accomplish in 2022. Apparently with age, comes wisdom, and apparently with wisdom comes the ability to dissect myself from most of the drama in the lead up to ‘The Rings of Power.’
Sure, did I occasionally get caught up in the tasty morsels of ‘Tolkien with nudity’ or the ‘Gam(of Thrones)ification’ of Tolkien? I admit – it caught me every few months. But all in all, through most of this journey to September 2nd, I found myself more concerned about aggressively protecting the ‘good’ in our community. Protecting those of us who don’t tell you how to enjoy your Tolkien. Aggressively pursuing the bad actors, trolls and goblins of the online space. Yup, I’m looking squarely at you Twitter. Your cesspool of existence had me pretty close to closing down our official account a few times!
Calisuri & Xoanan get One Rings
Just a Casual Fan…
All that said, I decided to write my thoughts on ‘The Rings of Power’ today because I feel I may represent a segment of our community that simply is Tolkien adjacent these days. Sure, we were avid fans and very active 20 years ago, but work, families, and simply time have calmed that passion down…just a tad.
I should also mention, for the umpteenth time, that I am a ‘Hobbit’ and ‘Lord of the Rings’ reader. I tried to read the Silmarillion ages ago…not again. Nope, I didn’t read the Histories of Middle-earth or the new books that mystically appear every few years. I’m just a fan of Tolkien’s most popular works – judge me if you will.
With the multiple premiere’s happening around the globe, TORn staff were attending and reporting through the generosity of Amazon. Last week, I had actually scored a pass to the NYC Premiere, but after an enjoyable vacation I came back with a cold worthy of Sauron’s envy. I had even bought a sweet outfit for the occasion, but alas, it was not to be. (Nope, it wasn’t COVID, oddly enough.)
So like everyone else, I waited patiently until the show premiered last night on my Amazon Prime account. I should also note, that I’m such a casual fan these days, that I ended up watching the first half of the Penn State vs. Purdue American football game (PS – Penn State is where this website found its genesis), before deciding to check to see if ‘The Rings of Power’ was out a bit early. And yay…it was!
So it begins. Lights off, Apple AirPods Pro Max activated, and let’s do this!
My first thought… my first reaction… Welp… this is exactly what I wanted to see. They got me. I’m in.
I’m going to share a minor-spoiler stream of thoughts. I’m doing this for those of you who are like me – casual, Tolkien adjacent fans. Folks who may not be the most educated Tolkien scholars of the bunch – nor – *gasp* – really want to be. Folks who don’t want to participate in the drama of the community and just want to watch a good show and celebrate with the community.
So my quick review: this show nails it.
I wanted – no, needed – a thread – a connection to the films I so loved 20 years ago. ‘The Rings of Power’ delivers big time.
Just a few clear reasons why…
We get Galadriel, one of the best characters in all of Tolkien’s works, as the lead, the main focus of the series. I’m pretty sure I had not seen Morfydd Clark in any other show/movie before this show, and she is simply a gem. The strength she exudes with just a stare is mesmerizing, and her acting prowess is top notch. This series is in great hands with her in the lead role. The decision to focus on Galadriel from the very start is genius. I truly want to know her story, and I can’t wait to learn more.
We get breathtaking action and visuals. How cool is it to see battle sequences of Middle-earth in such gigantic scale. Did I really just watch a Fell Beast take out a giant eagle?!
We get amazing music from the talents of Bear McCreary. Throughout both episodes, it is clear Bear understands the musical ethos that is required for this world. So amazing. (Yes – already listening on loop while working!)
We get a taste of the innocence and simplicity of Hobbits with the whole Eleanor Brandyfoot plot. Markella Kavenagh is wonderfully cast in this role as a bright eyed mischievous Hobbit…err…Harfoot. In fact, when I look at her, I think of those quick takeaway shots of those cute Hobbits watching fireworks. (Pretty sure those were PJs kids?) And I’m pretty sure, by the end of this series, we are going to get the clear implication that Bilbo and Frodo are descendants of Eleanor. (Oh wait, my lack of Tolkien knowledge might be coming through…is that already spelled out in a genealogical chart somewhere?)
We get an Elf military that is stationed throughout areas of Middle-earth to protect her ungrateful residents? Noice! Wait – a Legolas 2.0 with Ismael Cruz Córdova’sArondir? YES. If you aren’t excited to see him kick some major arse in this series, check your pulse. BTW – he’s okay right? I mean…we did get a bit of a cliffhanger with him in Episode 2. (Obviously we do)
We get to see a whole thriving Dwarven culture. Am I really under the mountain and watching the genesis of semi-familiar names and their eventual (spoiler!) downfall? After all, I did see that Balrog in the trailer…you all are going to delve too deep…aren’t you…?
We get some REALLY impressively designed baddies. That orc/goblin that shows up in Bronwyn and Theo’s house…nightmare fuel. The ‘worm’ of the ocean – can I can get a fine art print of that in someway? That brief look right before taking out the raft…yikes!
Who the heck is this Meteor Man? How cool would that be if that’s Gandalf? Probably won’t be – but I’m game for having no clue, and finding out as the show unfolds. I do get a baddie vibe, but obviously they are trying to lead the viewer in that direction.
Hold up. I was worried this show might not be something I could watch with the family. Sure, the baddies are a bit scary, but as of right now, this is a family (10+) show. Well done, Amazon!
Two episodes in, and there is so much to love about this series.
You know you got it right when…
The biggest compliments I can give this series are twofold:
I did not look at my phone the entire time. This is pretty impressive, considering the Penn State game was very close at halftime and I had relatives and friends dinging my phone and watch. The ‘tap’ of the watch was going mad at some points during the show, but I was so engaged in the show, I didn’t bother. And also…I ALWAYS look at my phone during shows.
I usually will make myself some popcorn during shows. I’ll get up, walk away from the TV with my headphones on and watch from the kitchen. Nope – not in this case. Popcorn was only made when the first episode ended.
In summary, I’m fully in. Well done to the entire team involved in this production. Sure, it was insanely expensive, but for this Tolkien adjacent fan, you’re nailing it.
If you are a casual fan of Tolkien and Peter Jackson’s The Lord of the Rings, you are going to absolutely love ‘Rings of Power.’
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
The rollout of the Amazon’s The Lord of the Rings: The Rings of Power TV series has re-energized Middle-earth fandom, and one thing is clear, we all love to get together, online, at conventions, and at the theater and talk Tolkien.
Reading The Hobbit during the Baggins Birthday Bash
The Baggins Birthday Bash, coming to Los Angeles at 11:30am on September 24 at Griffith Park’s Mineral Wells picnic area is the perfect way for SoCal Tolkien fans to gather and party like Hobbits. There will be games, there will be food, there will be plenty of Tolkien discussion going on, and I’m sure we can fit some fun in there somewhere.
Regarding food, in the before times it was a big buffet, and last year, we decided to ask everyone to just bring enough food and drink for their own party. This year, it will probably end up being a bit of a hybrid. Some will just bring what they want to eat, and a few will bring shareable dishes, and we’ll let the food and drink sort itself out. It would be nice if some folks bring extra picnic plates and cups, maybe some paper towels, and of course, everyone should bring a portable chair or blanket and a popup if you have it.
We would like to bring back the Cake or Cupcake contest for the best Middle-earth designed desserts. We’ve had some really creative and beautiful designs in the past, so start contemplating now on how to wow your fellow fans this year. Costumes are welcome, as usual, especially any new 2nd Age costumes. If we do trivia, there is a decent chance it will include some references to the Rings of Power show, since the 5th episode will have screened just 2 days before the picnic.
Please do RSVP on our Facebook Event page, located at: https://www.facebook.com/events/1271178800320132/ and read through the About Details, including selecting ‘see more’ to access the directions for those driving from different sections of Southern California in order to get to Griffith Park and the Mineral Wells section of the park.
In 1967, Tolkien began writing a letter to his son, Michael, where he shared his perspectives on cultivating faith. Tolkien likened the character of faithfulness (‘loyalty’) to that of a full-grown tree — a living organism that must be tended to by its keepers (Letter 306).
While the reasons for this letter may be forever lost to time, the excerpt reveals a fundamental notion in Tolkien’s mind: The symbolism of great faithfulness with the thriving health of trees.
There is no resemblance between the ‘mustard-seed’ and the full-grown tree. For those living in the days of its branching growth the Tree is the thing, for the history of a living thing is pan of its life, and the history of a divine thing is sacred. The wise may know that it began with a seed, but it is vain to try and dig it up, for it no longer exists, and the virtue and powers that it had now reside in the Tree.
Very good: but in husbandry the authorities, the keepers of the Tree, must look after it, according to such wisdom as they possess, prune it, remove cankers, rid it of parasites, and so forth. […] But they will certainly do harm, if they are obsessed with the desire of going back to the seed or even to the first youth of the plant when it was (as they imagine) pretty and unafflicted by evils.
The other motive […] aggiornamento: bringing up to date: that has its own grave dangers, as has been apparent throughout history.
Letter #306, The Letters of J.R.R. Tolkien
In my previous article, we discussed clues from the trailer and images of Amazon’s The Rings of Power that directly led us to identifying Sauron’s haunting presence on Middle-earth. Here, I will discuss how The Rings of Power might be using trees to illustrate the shrinking faith of the Númenoreans (Men) and the Noldor (Elves).
We begin in the island nation of Númenor. The Númenoreans are Men descended from the line of Elros, brother of Elrond. The line of the Kings of Numenor going back to Lúthien, daughter of the Sindarin King Thingol and Melian the Maiar. Of Lúthien’s descendants, Tolkien writes that ‘her line shall never fail’ (A Knife in the Dark, The Fellowship of the Ring).
In the King’s Court at Armenelos, Númenor’s capital, a white tree blooms: Nimloth thefair (Nimloth is Sindarin for ‘White Blossom’). Descended from a tree made in the likeness of Telperion for the Noldor of Tirion (Galathilion, the’White Tree’ of Yavanna, The Silmarillion), Nimloth was gifted as a seedling by the Eldar of Tol Eressëa in Aman. Her white petals gleam with the setting Sun and her scent fills the air of King’s court. Nimloth is the symbol of friendship between Men and Elves. (Cite.) A sign of the Númenor’s faithfulness to Eru and her Elven heritage.
The Númenoreans retained the dedications and order, but altered the fourth day to Aldëa (Orgaladh) with reference to the White Tree only, of which Nimloth that grew in the King’s Court in Númenóreans [my emphasis] was believed to be a descendant.
Appendix D, The Lord of the Rings
Nimloth, the White Tree in the Courts of Armenelos
The significance of the blooming white tree is not lost to readers of Tolkien. Soon after arriving in Gondor, Aragorn discovers the sapling borne from the fruit of Nimloth. The discovery astonishes Aragorn, but Gandalf recalls the significance of the sapling:
Verily this is a sapling of the line of Nimloth the fair; and that was a seedling of Galathilion, and that a fruit of Telperion of many names, Eldest of Trees. Who shall say how it comes here in the appointed hour? But this is an ancient hallow, and ere the kings failed or the Tree withered in the court, a fruit must have been set here. For it is said that, though the fruit of the Tree comes seldom to ripeness, yet the life within may then lie sleeping through many long years, and none can foretell the time in which it will awake.
The Steward and the King, The Return of the King
In Gandalf’s words, we see the link between preservation and renewal. The line of Telperion preserved from the days of the Two Trees, and the promise of renewal to its former glory.
But, alas, our first sight of Nimloth in The Rings of Power is a solemn one. Unlike the sapling of Gondor emerging from the snow, we instead witness the opposite, the beginning stages of a fully-grown white tree beginning to wither.
Nimloth is weeping.
Her blossoms scatter onto the royal courts as Queen Regent Míriel and her advisor Pharazôn pause to make note of the moment. Míriel’s face flushes with unmistakable desperation.
Nimloth, the White Tree in the Courts of Armenelos
Is this then the first of many signs and warnings of Númenor’s descent to her watery grave?As steward-keeper of Nimloth (Faith), is Míriel’s faith in Eru and Númenor’s alliance with the Elves starting to crumble?
From what we are seeing, Nimloth is shedding her crown; Númenor is dying.
Mortality is, of course, a theme central to Tolkien’s works. Endings are inscribed to the life and stories of every creature on Middle-earth. It is this ill-fate that Tolkien has termed “fading” that the immortal Elves seek to halt. As Tolkien writes of the Second Age in a letter to Milton Waldman:
All through the twilight of the Second Age the Shadow is growing in the East of Middle-earth, spreading its sway more and more over Men — who multiply as the Elves begin to fade.
Letter #131, The Letters of J.R.R. Tolkien
Following the destruction of the Two Trees, their great Elf-king Finwë’s death at the hands of Morgoth, the theft of the Silmarils, and in defiance of Eru and the Valar, the arrival and lingering presence of the Noldor (tribe of Elves descended from Finwë) on Middle-earth resulted in their inevitable decline as a people. Yet, the hubris, ingenuity, and might of the Noldor also meant they were a great force to be reckoned with.
They are the chief artificers of devices (“rings”) that halt fading in the Second and Third Age.
In The Rings of Power, the fading of the Noldor is discreetly translated through the Tolkienian metaphor of suffering trees. Given their presence on Middle-earth is consequential to their continued defiance to the Valar, the Noldor’s faltering faith is represented in their inability to keep their beloved Mallorn trees (plural Mellyrn) from fading.
Farewell to Lorien by Ted Nasmith.
We are quite familiar with the description of the Mallorn Tree from several Tolkien texts (Letter to Minchin (1956), The Fellowship of The Ring, Unfinished Tales). It is prominently described as having a single smooth bark (“pillar”) of grey silver whose leaves turn to pale gold in the autumn, which carpeted the forest floor through spring and summer.
Its bark was silver and smooth, and its boughs somewhat upswept after the manner of the beech; but it never grew save with a single trunk. Its leaves, like those of the beech but greater, were pale green above and beneath were silver, glistering in the sun; in the autumn they did not fall, but turned to pale gold.
In the spring it bore golden blossom in clusters like a cherry, which bloomed on during the summer; and as soon as the flowers opened the leaves fell, so that through spring and summer a grove of malinorni was carpeted and roofed with gold, but its pillars were of grey silver. Its fruit was a nut with a silver shale.
A Description of the Island of Númenor, Unfinished Tales of Númenor and Middle-earth
Unlike the description of the Mallorn given by Tolkien, we instead witness a dark, crudely shaped, and twisted bark of a large, and what we presume is an ancientMallorn Tree.
From stills and footage, we can construct a working hypothesis that the Noldor are experimenting with planting a Mellyrn forest in Lindon. As Gil-galad and Elrond commune among the trees at night, our eyes are drawn to the sharp contrast of the younger Mellyrn (right) and the dark, brooding, and ancient Mallorn (left). It appears that the ancient Mallorn is fading, albeit gradually. What may have begun as a silver pillar for a bark has gradually twisted unto itself; stopping the Mallorn from growing to its magnitudinous heights. Her golden leaves also appear to be much darker compared to the younger ones.
The Lindon Mallorn forest.
Further evidence for this hypothesis is the telltale presence of a Mallorn saplinginKhazad-dûm. While we cannot confirm why a sapling might be growing in the deep underground caverns of Moria, it is curious that the Elves as keepers of the Mallorn sought the Moria Dwarves as collaborators in testing the possible thriving conditions for Mellyrn.
A simpler explanation might be that the Mallorn sapling was grown from a seed gifted to the Moria Dwarves in lieu of friendship. A possible callback to Galadriel gifting Samwise Gamgee a single Mallorn nut that was consequently planted in the Shire.
Even so, the fading of the Mallorn will be an ongoing leitmotif that will marshal the Noldor into seeking and creating the Rings of Power as a means to halt the Fading of the Elves and their realms.
The Lord of the Rings: The Rings of PowerElrond (Robert Aramayo) is pensive during a visit to Khazad-dûm.
Extra
The Mallorn of Lothlórien.
Source: The Fellowship of the Ring, New Line Cinema.
About the author: DrNosy is a scientist (physical science), scholar, and Tolkien enthusiast. Her primary interests lie in review and analysis of The Lord of the Rings: The Rings of Power. She is an active contributor and Reading Room Moderator on TheOneRing.net Discord where she also hosts live open-forum panel discussions on The Rings of Power, The Silmarillion, and a variety of Tolkien-related topics. You can reach her on Twitter.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
