We got to ask Wizards of the Coast artist and art director Ovidio Cartagena about the new officially licensed The Lord of the Rings expansion cards for Magic: The Gathering.
Was there any particular aspect, creature, or perhaps landmark of Middle-earth that you haven’t seen from other artists, and have always wanted to bring to life through your own art? The Scouring of the Shire and the Battle of Bywater were very interesting to me. The whole plot involving Old Toby, and the discovery of trade between Saruman and the Shire, always caught my attention.
Naturally, the destruction of something so warm and innocent like the Shire appears to be, and the corruption of many hobbits, is something that I wanted to show in detail in Magic’s adaptation of the books.
Has Tolkien’s own artistic style been an influence for you in your work? Oh yes. We looked at Tolkien’s artwork during the development of The Lord of the Rings. I was very lucky to work with artists who were also influenced by these works. Tolkien’s work is incredibly clear and has a definitive shape language that is unmissable: you’ll know whose hand made it if you look at the work.
What other Tolkien artists inspire you? The Hildebrandts were very influential for me growing up. Their talent seemed endless, and I was a big fan of their work on the LoTR calendar and the Marvel Masterpieces cards from the ’90s. It’s incredible that I get to say that I’ve worked in a set that also features the art of the Hildebrandts. I remember making illustrations for a Lord of the Rings calendar of my own, back when I was 18, a college art project, so it’s fair to say that LoTR and many of the Tolkien artists were a pretty big influence to what I do.
How much freedom were you all given to work on these characters? We had a fair amount of freedom at the beginning. Interestingly, we didn’t have limitations placed before working on concept art. We had a lot of freedom to develop characters, environments, motifs and so on. At the end of the concept art process, we put together a guide that would help artists illustrate our vision for The Lord of the Rings, and Middle-earth Enterprises reviewed the guide and gave us their feedback. I was very nervous at first, but their reaction was positive and that began a great creative partnership between us. Most of the art you see in cards was based on that guide.
What was the process for the artist to submit work, to get to work on these cards? Artists were selected on their capacity to deliver on one or all of the four parameters I set for the set’s visual direction: Epic (scale and scope), Legendary (attention to lore), Storytelling (attention to characters and their relationships), Pastoral (what our heroes are fighting to protect). Ekaterina Burmak, Magali Villeneuve, Tyler Jacobson, Jesper Ejsing, and many other greats lent their enormous talents and unique styles to create Magic: The Gathering’s Lord of the Rings.
What pressures are there to depict Bilbo in a world where two actors defined the character so thoroughly? Bilbo is a very interesting character. And eccentric, too! I remember reading the Council of Elrond, and Bilbo initially volunteers to take the ring to Mount Doom… this is a true adventurer (who also happens to be attached to “his” ring) even after all these years. The design for the character was done in a card illustration by Anna Pavleeva, and we tried to put in his years of lived experiences, a bit of mischief and, of course, the confidence of a daring adventurer who wouldn’t shy away from an epic quest at 111!
How exciting is it to be in this new phase of Middle-earth adaptations? How do you consider your work alongside spheres of TV and new films? It is hard for me to speak of a “revival” of The Lord of the Rings, because it seems like something that has had relevance for most of my life. But it is fair to say we’re seeing an increased focus on LoTR in the mainstream. I am, however, very excited about seeing different takes in media for The Lord of the Rings. There are so many things to explore in Middle-earth! The work we did for the Magic: The Gathering set was an epic endeavor in itself, and I’m very proud of how it holds up to the literature and the adaptations done in other media. I got to live in the time and place of the War of the Ring for a while as I directed the set, and the project gave me a chance to keep coming back to the books I love so much.
We paid attention to a lot of details and there are more than a few easter eggs to consider! The whole team pitched in with lore knowledge, and the passion we poured into the project will definitely show in the card set!
How do you apply more modernized styles of art/composition to illustrate the works of a writer like Tolkien, who dealt mainly with antiquities? I think Tolkien’s work will endure a lot of cultural changes, way beyond our lifetimes. There have been modern crane shots and dutch angles in the interest of dramatizing the events in the War of the Ring. We’ve used the skills and tricks of illustration to bring ourselves inside Tolkien’s rich world, as if we had been there. One of my conceits at the beginning of this massive project was that every illustration was a frame or painting commissioned right after the War, to document the events therein. Since culture hasn’t stopped, and techniques have evolved along with widespread visual language resources, our approach is to let the worldbuilding draw the viewer in.
Who is your favorite Middle-earth character, and why? It is between Boromir and Denethor. It is easy to dislike these characters, but it is often missed that these were strong and great men with a great deal of knowledge. They’d been fighting and witnessing the rise of Sauron’s power, and were desperate to regain the greatness that Númenor once had. Denethor gave almost the air of a wizard due to his sharp intelligence, and wore chain mail under his elegant robe which meant he knew the importance of strength. It is interesting to speculate what Boromir would have achieved in better times – but he did not choose to be born at the edge of a Great War.
What’s your favorite piece for this new collection? It is very difficult for me to pick a favorite piece because every artist gave us great work. I’ll just give a couple of shoutouts to folks who added personal greats to their portfolios:
Gray Highsmith, who was one of the concept artists – they helped design the costuming and motifs of hobbits.
Tyler Jacobson, whose epic ambition and incredible abilities gave the world a Battle of the Pelennor Fields painting worthy of a castle wall. He was also the designer of our Sauron, a truly unique take!
Magali Villeneuve, whose massive talent embodied the soul of The Lord of the Rings, and her vision brought these awesome characters to life.
Alexander Mokhov, who really came into his own as a Magic illustrator with his work in this set.
About the new The Lord of the Rings: Tales of Middle-earth™ arriving June 23, 2023
The Lord of the Rings has come to Magic: The Gathering, and it’s time to take familiar favorites on a whole new journey there and back again. In the upcoming set The Lord of the Rings: Tales of Middle-earth™, players have the chance to join the Fellowship in adventures filled with valor, courage, and second breakfast. Play your favorite moments of the third age or turn Middle-earth on its head and surrender to the temptation of the Precious. Either way; Middle-earth is in your hands.
The set has two primary launch windows—June 2023 and a holiday launch in November 2023—and is the first full set release as part of Universes Beyond, bringing the iconic world of J.R.R. Tolkien to life within the Magic frame. The Lord of the Rings: Tales of Middle-earth is modern legal and comprised of Draft, Set, Collector, and Jumpstart Boosters, four Commander decks, a Starter Kit, a Bundle and Gift Bundle, Scene Boxes, and Secret Lair drops. For more information on which specific products are coming in June 2023, check out this article on DailyMTG.
The Lord of the Rings: Tales of Middle-earth will also come to Magic: The Gathering Arena with all of the same cards as the tabletop release. The set will be legal in Alchemy and Historic formats and receive the same support as a full release, including a preorder, Mastery Pass, and cosmetics.
Just unveiled at MagicCon Minneapolis is the new multi-card panorama artwork of Bilbo’s birthday party for The Lord of the Rings: Tales of Middle-earth, a new card game from the makers of Magic: The Gathering.
Created by artist Livia Prima, the series of 6 randomly-packed cards can be collected to reveal a whole party diorama. Details of the character cards include in-game stats and play actions.
Above: Birthday party cards available in random pack card sets.
The Lord of the Rings: Tales of Middle-earth™ Arrives June 23, 2023
The Lord of the Rings has come to Magic: The Gathering, and it’s time to take familiar favorites on a whole new journey there and back again. In the upcoming set The Lord of the Rings: Tales of Middle-earth™, players have the chance to join the Fellowship in adventures filled with valor, courage, and second breakfast. Play your favorite moments of the third age or turn Middle-earth on its head and surrender to the temptation of the Precious. Either way; Middle-earth is in your hands.
The set has two primary launch windows—June 2023 and a holiday launch in November 2023—and is the first full set release as part of Universes Beyond, bringing the iconic world of J.R.R. Tolkien to life within the Magic frame. The Lord of the Rings: Tales of Middle-earth is modern legal and comprised of Draft, Set, Collector, and Jumpstart Boosters, four Commander decks, a Starter Kit, a Bundle and Gift Bundle, Scene Boxes, and Secret Lair drops. For more information on which specific products are coming in June 2023, check out this article on DailyMTG.
The Lord of the Rings: Tales of Middle-earth will also come to Magic: The Gathering Arena with all of the same cards as the tabletop release. The set will be legal in Alchemy and Historic formats and receive the same support as a full release, including a preorder, Mastery Pass, and cosmetics.
Witches and werewolves and vampires, oh, my! J.R.R. Tolkien was not one to shy away from creatures of the night. Just the opposite–he seemed to relish writing horror stories.
When we think of “The Hobbit” and “The Lord of the Rings”, Elves, Wizards, Hobbits, and quests come first to mind. But the Professor’s long quest to create an encompassing mythology for Britain led him to conjure stories within stories. Middle-earth feels real because Tolkien fleshed out its history in-depth. Though they are often only hinted at in the main stories, Tolkien wrote many of these historical references in detail.
In honor of the best holiday of the year (subjectively), let’s explore a few tales of terror written by Tolkien fit for All Hallows’ Eve. These are by no means the only ones. The Silmarillion is filled with stories that invoke a sense of horror in us, such as the story of Húrin and his family. Just thinking about Frodo and Sam’s encounter with Shelob in her lair is enough to make skin crawl. Dig deep, and you’ll find bones aplenty in Tolkien’s work.
Milwaukee magazine has a great little background story on how an enormous cache of J.R.R. Tolkien’s personal notes and papers ended up at Marquette University in Wisconsin.
It started with Marquette’s Library Director William Ready (1914-81), who actively sought out Catholic authors. Ready approached Tolkien through an intermediary in 1956 and negotiated the purchase of his manuscripts for The Hobbit and the three volumes of his magnum opus, The Lord of the Rings (as well as lesser-known works), just a year after the last of those books were published.
“Ready was in the right place at the right time and had the good sense to pursue those manuscripts,” says William Fliss, an archivist in the department of special collections at Marquette
The exhibit will feature original manuscripts created by J.R.R. Tolkien for his The Hobbit, The Lord of the Rings and other works. It will consider Tolkien’s work through the lens of manuscripts, in terms of both the materials that he studied as a medieval philologist and the manuscripts that he created while developing his legendarium.
The museum will also be hosting three seminars by prominent Tolkien scholars. are free to attend. In-person tickets are already all sold. However, the presentations will also be streamed for audiences who wish to attend virtually (great for people not in the USA!).
Special Note: even if you only want to attend virtually, you must still pre-register your interest through the Eventbrite.
Watch a walkthrough of the exhibit courtesy of Die Deutsche Tolkien Gesellschaft e.V.
Can’t make it to Milwaukee? Me neither. Watch this 30-minute walkthrough that Die Deutsche Tolkien Gesellschaft e.V. has put together. It’s great!
https://www.youtube.com/watch?v=PZE2U5_JOQw
The speical lecture schedule
Thursday, Sept. 22, 5 p.m.: “Editing the Tolkienian Manuscript,” presented by Carl Hostetter
Carl Hostetter is a computer scientist at NASA who has earned a reputation as one of the leading experts on J.R.R. Tolkien’s invented languages. He is a key member of the Elvish Linguistic Fellowship, an elite group of four Tolkien scholars whom the Tolkien Estate has entrusted with special access to the author’s unpublished linguistic manuscripts. These linguists have published extensively on Tolkien’s invented languages, including in “Vinyar Tengwar,” a peer-reviewed journal that Hostetter edits.
Hostetter is one of the most experienced students of Tolkien’s manuscripts. His ability to read and interpret Tolkien’s notoriously difficult handwriting is second to none. Christopher Tolkien (1924-2020) entrusted Hostetter with editing his father’s last volume of published writings, released in 2021 under the title, “The Nature of Middle-earth.” Hostetter’s work is highly regarded by Tolkien scholars. His volume “Tolkien’s Legendarium”—co-edited with Verlyn Flieger—is considered one of the best collections of essays on the history of Tolkien’s secondary world.
Thursday, Oct. 13, 5 p.m.: “Tolkien’s Faith and the Foundations of Middle-earth,” presented by Holly Ordway
Holly Ordway is a rising star among Tolkien scholars. Her 2021 book “Tolkien’s Modern Reading” is a tour de force destined to become a classic in Tolkien studies. Ordway demonstrated that Tolkien, usually pigeonholed as a medievalist, was remarkably well read in modern literature.
Her work shows how many modern works affected Tolkien’s creative output. Currently on faculty at Houston Baptist University, Ordway has taught English at the University of North Carolina-Chapel Hill and MiraCosta College. She specializes in J.R.R. Tolkien and, more generally, in mythopoeic literature. Ordway’s current research project is a book-length treatment of Tolkien’s Catholicism, fitting for a Catholic, Jesuit university such as Marquette.
Thursday, Nov. 17, 5 p.m.: “Whispering Leaves: How Tolkien’s Manuscripts Reveal the Secrets of His Creativity,” presented by John Garth
Trained as a journalist, John Garth has gained an international reputation as a leading writer about J.R.R. Tolkien and a popular commentator on Tolkien’s works and life. His published works include the recent “The Worlds of J.R.R. Tolkien” (2020). His earlier masterpiece, “Tolkien and the Great War” (2003), is universally acknowledged as a classic in the field of Tolkien Studies.
Garth, who has made a special study of Tolkien’s manuscripts, will focus his lecture on a manuscript that is part of Marquette’s collection and has never previously been exhibited or published. He will demonstrate his renowned historical research skills by analyzing the manuscript and using it to tease out insights about Tolkien’s experiences during the Second World War.
Tickets for the “J.R.R. Tolkien: The Art of the Manuscript” exhibition are on sale now. Tickets are $10 for general admission and $8 for senior citizen and active military (with I.D.). Friends of the Haggerty Museum of Art members, K-12 educators, children aged 17 and under, and Marquette University students, faculty members, and staff members are free with advance reservations and a valid I.D. The exhibition will be open until 8 p.m. on the night of each lecture.
About the Haggerty Museum of Art
The Haggerty Museum of Art at Marquette University is an innovative nexus of interdisciplinary learning where creativity, intellect and social justice intersect. Located in the heart of the Near West Side, adjacent to downtown Milwaukee, and open daily, the museum is one of the most accessible arts venues in the city.
The Haggerty Museum of Art and Raynor Memorial Libraries at Marquette University will be presenting a a lecture series in September in conjunction with the collaborative exhibition “J.R.R. Tolkien: The Art of the Manuscript.”
The exhibition — which opens on August 19 — will feature original manuscripts created by J.R.R. Tolkien for his The Hobbit, The Lord of the Rings and other works. It will consider Tolkien’s work through the lens of manuscripts, in terms of both the materials that he studied as a medieval philologist and the manuscripts that he created while developing his legendarium.
All lectures will be held at the Haggerty Museum of Art and are free to attend. They will also be streamed online for audiences who wish to attend virtually (great for people not in the USA!). The museum states that — due to limited capacity — reservations are required. You can reserve a place to attend the lectures here.
Thursday, Sept. 22, 5 p.m.: “Editing the Tolkienian Manuscript,” presented by Carl Hostetter
Carl Hostetter is a computer scientist at NASA who has earned a reputation as one of the leading experts on J.R.R. Tolkien’s invented languages. He is a key member of the Elvish Linguistic Fellowship, an elite group of four Tolkien scholars whom the Tolkien Estate has entrusted with special access to the author’s unpublished linguistic manuscripts. These linguists have published extensively on Tolkien’s invented languages, including in “Vinyar Tengwar,” a peer-reviewed journal that Hostetter edits.
Hostetter is one of the most experienced students of Tolkien’s manuscripts. His ability to read and interpret Tolkien’s notoriously difficult handwriting is second to none. Christopher Tolkien (1924-2020) entrusted Hostetter with editing his father’s last volume of published writings, released in 2021 under the title, “The Nature of Middle-earth.” Hostetter’s work is highly regarded by Tolkien scholars. His volume “Tolkien’s Legendarium”—co-edited with Verlyn Flieger—is considered one of the best collections of essays on the history of Tolkien’s secondary world.
Thursday, Oct. 13, 5 p.m.: “Tolkien’s Faith and the Foundations of Middle-earth,” presented by Holly Ordway
Holly Ordway is a rising star among Tolkien scholars. Her 2021 book “Tolkien’s Modern Reading” is a tour de force destined to become a classic in Tolkien studies. Ordway demonstrated that Tolkien, usually pigeonholed as a medievalist, was remarkably well read in modern literature.
Her work shows how many modern works affected Tolkien’s creative output. Currently on faculty at Houston Baptist University, Ordway has taught English at the University of North Carolina-Chapel Hill and MiraCosta College. She specializes in J.R.R. Tolkien and, more generally, in mythopoeic literature. Ordway’s current research project is a book-length treatment of Tolkien’s Catholicism, fitting for a Catholic, Jesuit university such as Marquette.
Thursday, Nov. 17, 5 p.m.: “Whispering Leaves: How Tolkien’s Manuscripts Reveal the Secrets of His Creativity,” presented by John Garth
Trained as a journalist, John Garth has gained an international reputation as a leading writer about J.R.R. Tolkien and a popular commentator on Tolkien’s works and life. His published works include the recent “The Worlds of J.R.R. Tolkien” (2020). His earlier masterpiece, “Tolkien and the Great War” (2003), is universally acknowledged as a classic in the field of Tolkien Studies.
Garth, who has made a special study of Tolkien’s manuscripts, will focus his lecture on a manuscript that is part of Marquette’s collection and has never previously been exhibited or published. He will demonstrate his renowned historical research skills by analyzing the manuscript and using it to tease out insights about Tolkien’s experiences during the Second World War.
Tickets for the “J.R.R. Tolkien: The Art of the Manuscript” exhibition are on sale now. Tickets are $10 for general admission and $8 for senior citizen and active military (with I.D.). Friends of the Haggerty Museum of Art members, K-12 educators, children aged 17 and under, and Marquette University students, faculty members, and staff members are free with advance reservations and a valid I.D. The exhibition will be open until 8 p.m. on the night of each lecture.
About the Haggerty Museum of Art
The Haggerty Museum of Art at Marquette University is an innovative nexus of interdisciplinary learning where creativity, intellect and social justice intersect. Located in the heart of the Near West Side, adjacent to downtown Milwaukee, and open daily, the museum is one of the most accessible arts venues in the city.
Over on Wraith Land, Thomas Kelley has just published the first part of an extended interview with noted Tolkien artist Jay Johnstone.
Jay’s artwork employs techniques from religious manuscripts, icon and fresco illustrations from the medieval period, and uses a variety of mediums — oils, watercolors, acrylics, egg tempera with gold powder and leaf. Striking detail and traditional techniques give the impression of artwork that could have been produced in the real Middle-earth.
Kelley delves into the goals underpinning Johnstone’s unique approach, and some of the insights into Tolkien’s worksthat Johnstone himself has gained out of it. If the interesection of Tolkien, art, psychology and spirituality is your thing, you’ll find this a very interesting read indeed.
An excerpt:
Johnstone dreams in Tolkien. And through him and his artwork we can perceive anew what it would mean to live in Middle-earth and to create art inside it. While Tolkien himself made “sub-creation” the purview of his own characters, from the creation of the Silmarils by Fëanor to the writing of the Red Book of Westmarch by the hobbits, Johnstone imagines what it would be like to be a painter inside Tolkien’s world, and then paints that world and its history. Reminiscent of the religious medieval icon paintings by Duccio di Buoninsegna and Fra Angelico, Johnstone’s paintings work not just like time portals but dream portals.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
