Several strongholds of elves and men are besieged while Frodo and Sam are trudging laboriously through Mordor to Mount Doom. In particular, Lothlórien repels three such assaults before Galadriel and Celeborn finally lead a counter-offensive against Dol Guldur.
“…the assaults were driven back; and when the Shadow passed, Celeborn came forth and led the host of Lórien over Anduin in many boats. They took Dol Guldur, and Galadriel threw down its walls and laid bare its pits, and the forest was cleansed.” Appendix B, Lord of the Rings.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Whether it was the photoshopped image of JRR Tolkien signing a document, many years after his passing, or the last line of this release, this was one of our 2013….
APRIL FOOLS
Global leader in high-quality family entertainment agrees to acquire world-renowned Middle-earth Enterprises, including THE LORD OF THE RINGS and THE HOBBIT franchises.
Acquisition continues Disney’s strategic focus on creating and monetizing the world’s best branded content, innovative technology and global growth to drive long-term shareholder value.
Middle-earth Enterprises to join company’s global portfolio of world class brands including Disney, ESPN, Pixar, Marvel, Star Wars and ABC.
THE LORD OF THE RINGS: RETURN TO MIDDLE-EARTH feature animated film targeted for release in 2016.
Burbank, CA and Berkeley, CA, April 1, 2013 – Continuing its strategy of delivering exceptional creative content to audiences around the world, The Walt Disney Company (NYSE: DIS) has agreed to acquire Middle-earth Enterprises in a stock and cash transaction. Middle-earth Enterprises, formerly known as Tolkien Enterprises, is a division of The Saul Zaentz Company, headquartered in Berkeley, California.
Under the terms of the agreement, the transaction value is $10 billion (US). The final consideration will be subject to customary post-closing balance sheet adjustments.
“Middle-earth Enterprises reflects the extraordinary passion, vision, and storytelling of JRR Tolkien, the greatest author of the 20th century,” said Robert A. Iger, Chairman and Chief Executive Officer of The Walt Disney Company. “This transaction combines a world-class portfolio of content, with Disney’s unique and unparalleled creativity across multiple platforms, businesses, and markets to generate sustained growth and drive significant long-term value.”
As you’re probably aware, Harper Collins is publishing J.R.R. Tolkien’s The Fall of Arthur in May 2013.
Edited by the Professor’s son, Christopher, the publication also includes “three illuminating essays that explore the literary world of King Arthur, reveal the deeper meaning of the verses and the painstaking work that his father applied to bring it to a finished form, and the intriguing links between The Fall of Arthur and his greatest creation, Middle-earth.”
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Often, when a lengthy discussion of the Hobbit films takes place, someone asks “What about the other books? What about material from The Silmarillion, or Unfinished Tales? Will these be adapted to the big screen?”
The answer to this question is a simple one. As it stands, the literary executor of J.R.R. Tolkien’s work, his son, Christopher Tolkien, has refused to consider any further licensing of his father’s work for cinematic purposes.
Many fans are quite frustrated by this state of affairs. They know there is interesting material contained in these other sources, such as the well-known “Quest for Erebor.” That one short work alone would illuminate in key ways the motivations and decisions of principal characters in the films. (For the curious, the Quest for Erebor may be found in a shortened form in “Unfinished Tales”, and in a fuller form in the revised edition of Douglas Anderson’s “Annotated Hobbit.”) Continue reading “Concerning Christopher – An Essay on Tolkien’s Son’s Decision to Not Allow Further Cinematic Licensing of His Work”
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
In the latest edition of Total Film Magazine, James McAvoy reveals he would like to play a younger Gandalf if a prequel was ever made. (Before getting too excited – or not – Christopher Tolkien is pretty adamant he would never sell the film rights to the Silmarillion.)
From TotalFilm.com:
“I’d like to play Gandalf,” he told us, laughing.
‘Gandalf: Origins’, we offer? “It’s called The Silmarillion! It’s a collection of poems and songs that chart the ancient history of Middle-earth. My true geek is coming to the fore, but they’re really, really beautiful stories.
“In part of that is the genesis of Gandalf, or Mithrandir, or Stormcrow, or any of his many, many names. Anyway, maybe that’s the one!”
Would McAvoy make a good Gandalf? Do you think the Silmarillion rights will ever be sold? Tell us what you think below! [TotalFilm.com]
For readers of The Hobbit, which became an almost overnight classic following its 1937 debut, the new movie may elicit some puzzlement. Seemingly extraneous flourishes clog up what many remember as a simple fairy tale, and random characters appear at every twist and turn throughout Middle Earth.
Yet those fans who went on to immerse themselves in J.R.R. Tolkien’s wider lore will find inspiration. For the most part, director Peter Jackson does not exercise an extra heaping of artistic license. Rather, Jackson—reportedly something of a nerd himself—borrows from the larger Tolkien literature to create a rich Hobbit tableau.
“Jackson knows the lore pretty well and wanted to bring that larger material in there wherever he could,” said Michael Drout, an English professor at Wheaton College who founded the academic journal Tolkien Studies and edited the J.R.R. Tolkien Encyclopedia. It’s this so-called textuality—or texts behind texts behind other texts—that lends Tolkien’s work the air of reality, he said, and which Jackson seeks to capture in his films.
Jackson isn’t free to tap into any detail he wants from Tolkien’s wider works, however. “He had a very difficult task in that the movie rights extend only to The Hobbit and Lord of the Rings,” said John Rateliff, an independent Tolkien scholar and author of The History of the Hobbit. “He’s well aware that there’s a great deal more material set in that world, but contractually not allowed to use that material in the movies.”
Several strongholds of elves and men are besieged while Frodo and Sam are trudging laboriously through Mordor to Mount Doom. In particular, Lothlórien repels three such assaults before Galadriel and Celeborn finally lead a counter-offensive against Dol Guldur. 
As you’re probably aware, Harper Collins is publishing J.R.R. Tolkien’s The Fall of Arthur in May 2013.
