First published in 1981 and now expanded with more than 150 new letters, excerpts and additional notes, this new edition of the oft-cited book, The Letters of J.R.R. Tolkien, gives fans and scholars a deeper insight into the man behind The Lord of the Rings.

Get the new updated edition at your favourite bookstore or online (Amazon).

The Letters of J.R.R. Tolkien, first edited by Humphrey Carpenter with assistance from Christopher Tolkien, is the definitive source of Tolkien’s personal writings. If you have ever seen a quotation cited from “Letter 131” it’s a reference to the numbering of this book. Some call it a biblical bibliography of Tolkien. In this new edition the numbering remains the same, with additional content added in context via a “203a… 203b…” system. Several letters have expanded, with the 8+ page Letter 131 now 40% longer from its originally edited form.

We learned on the podcast this week how these letters continue to be discovered, with some fetching over $100,000 at auction in recent years. Tolkien was prolific in his communications to fans and family over his lifetime. In one series of letters, he talks about the wonderful quality of storyboards presented in a film pitch meeting – drawings by Ron Cobb who went on to design Star Wars, Alien and Back to the Future.

The following is extracted from a much longer (and more collector-focused) review at TolkienGuide.com which also includes a PDF tracking all the changes big and small in this new 2023 edition.

From The Tolkien Collector’s Guide Review

Review by onthetrail, Mr. Underhill, Urulókë and Trotter

This edition will give fans of J.R.R. Tolkien a greater understanding of his family life, his work, and his secondary world.

We see the first change come in the June 1925 letter to the “Electors of the Rawlinson and Bosworth Professorship of Anglo-Saxon, University of Oxford” but it is not until January 1934 in a letter to his son John, at that time a 16-year-old pupil of the Oratory School in Berkshire, that we see the first new letter.

We notice very quickly that early letters are sadly not found here and Humphrey Carpenter in his introduction to the original edition says that “among the omissions is the very large body of letters he wrote between 1913 and 1918 to Edith Bratt, who was his fiancee and then his wife; these are highly personal in character, and from them I have chosen only a few passages which refer to writings in which Tolkien was engaged at the time” so omitting those early, private letters shouldn’t be too surprising, and that attitude still holds.

This new edition allows us to see the editorship of Humphrey Carpenter, with Christopher Tolkien’s assistance, in a brand-new light. Originally, the book was far more general, and generous with the inclusion of many excerpts which show J.R.R. Tolkien’s love and concern toward his sons who were either engaged in battle or training to be during WW2. With enlightening passages to Christopher Tolkien, we witness J.R.R. Tolkien talking openly about the horrors of war, and the impact on those involved. The published edition was cut down, as said already, but only with this new edition do we see how Humphrey Carpenter did not simply reduce it for size, but also for thematic purposes. If the original edition is a letters volume which focuses mostly on J.R.R. Tolkien’s imagined writing, this new edition gives us the filling, it shows us the backdrop to it all and offers more on J.R.R. Tolkien’s routines around his working and home life. We see J.R.R. Tolkien exchanging with his sons now at school and what comes across is more of the concerned father, it exemplifies (if one needed any such confirmation) the relationship he shared with his boys and the concern for their education, life choices, financial matters, and love. With open and honest assessments of the relationships his sons were beginning to experience, J.R.R. Tolkien’s role as a father is brought into sharper focus.

The more astute reader among us will read some newly published excerpts and know that they have read portions or all of the quotes previously in The J.R.R. Tolkien Companion and Guide, and this is true, not every new passage found here is truly new, but they are reunited with topically connected letters and offer us yet more glimpses into J.R.R. Tolkien’s life. There are of course still treasures to be found among the details found in The J.R.R. Tolkien Companion and Guide, and readers should use the two books side-by-side to explore further.

We learn more of the work that J.R.R. Tolkien put into The Hobbit through his letters to his publisher and being able to read what J.R.R. Tolkien was sending to George Allen & Unwin. But we also see some stories about his family life, and how his children were very much his children. For example, you will learn that Priscilla Tolkien could “take any amount of dragon, and a reasonable dose of goblin; but we recently had to change all the handles on the chest-of-drawers in her room, because the former handles ‘grinned at her’, even in the dark.”

In November 1937 we get the first bulky new letter – sent to his friend E. V. Gordon. We learn more about Gordon’s Pearl and Tolkien’s role in the creation of this book, which would not be published until long after E.V. Gordon’s untimely death.

The revisions and additions in this new edition gives a greater insight into J.R.R. Tolkien’s life and allows us to find out more about the mind and thinking of the Professor. These letters are of great use to general readers and J.R.R. Tolkien researchers when looking for answers in J.R.R. Tolkien’s works.

During the late 1930s and through the war years of the early to mid 1940s, Tolkien wrote to his sons a lot, and this volume has a healthy group of excerpts, mostly to Christopher Tolkien and we witness the closeness of the two. That Christopher Tolkien became his father’s literary executor is no accident. These letters demonstrate further how essential Christopher Tolkien was to his father’s creative endeavors.

Our first glimpse of 1951 is where the new edition really pays off. J.R.R. Tolkien’s famous letter #131 to Milton Waldman (of Collins) has always been a favorite among readers, but now, we see just how potent this letter is. The original was always known to be longer, and the portion which dealt with The Lord of the Rings was wisely not included. Now the two pieces are reunited, as we now know was Humphrey Carpenter’s original intent. But there is more! A portion which we do not believe to have been known is included at the conclusion and it is J.R.R. Tolkien’s “proposed for publication” list which is a wonderful gift to those interested in how Tolkien saw his writing, and what he believed was important for publication.

After that we learn more on proofs of The Lord of the Rings, the artwork for it and the pressures of Tolkien’s life at that time. Still a busy academic, he now faced increased demands from those interested in adapting his work and the new selections provided highlight that fact further.

For the next decade of his life, J.R.R. Tolkien would spend his time on revisions, dealing with piracy and how he will enlist fans’ help in informing people of its harm to his financial welfare, adaptations, translated editions of his work, academia, and all manner of other responsibilities which would keep him from completing his epic work on The Silmarillion. We can understand through these letters more than ever just how much J.R.R. Tolkien had on his plate. But also we can deduce that J.R.R. Tolkien would flit from one project to another. He would decide that Sir Gawain must be dealt with, only for him to delay it to complete the Silmarillion. J.R.R. Tolkien was nothing if not an expert excuse maker and those who love his excuses need not worry, there are plenty of new additions here to keep fans happy.

From Letter 131, which is 40 per cent longer in the new edition. Previously edited for space.

And this carries us through the book to its end. It gives us new details on a myriad of subjects. We learn more about J.R.R. Tolkien’s professional relationships and his family, his losses, and his achievements which make him a house-hold name. This edition shows more keenly the shifting of time and with it we see both his and Edith Tolkien’s health decline far more closely than in the original edition.

The Index at the back of the book, compiled and revised for this edition by Wayne G. Hammond and Christina Scull, is comprehensive and does allow for easy retrieval of a letter based on subject. 

The Letters of J.R.R. Tolkien: Revised and Expanded edition is a welcome addition to Tolkien studies, for both readers and researchers and it is to Humphrey Carpenter’s credit that this volume can stand on its own as a monumental work, but it also makes the original a more impressive read because we can now see how the editor shaped and crafted it into an absorbing work.

A volume like this can be a curse and a wonderful gift all at the same time, and it delivers both in equal measure, especially for those who hold J.R.R. Tolkien, Edith Tolkien, and their family in their hearts. We meet these people again through this expanded selection of letters, and it is brought home to this reader that they have all passed into the West and we are given these new memories to remember them by. The new book is an essential addition to your Tolkien library, as it supersedes the earlier edition.

Read the entire collector-focused review over at the Tolkien Guide.

More Context and Perspectives

TolkienGuide.com joined TORn Tuesday show for a 2-hour deep dive on the biggest changes and most enlightening additions to the book.

We’ve teamed up with our good friends at Oscha, who are exclusively licensed to make a range of Middle-earth™ inspired goodies, to giveaway this beautiful throw! 

Inspired by the classic illustrations of Middle-earth, this stunning pattern was hand drawn by Oscha’s designers and shows Mordor™ to The Lonely Mountain™, and from the Belegaer™ sea to Forodwaith™: the length and breadth of Middle-earth.

If you’re a regular TORn follower, you’ll have seen Oscha’s treasures before – we’re huge fans of their stunning work. We’re also very excited that their Oscha Wear range is back, including clothes for Men, Women, Children and a range of baby grows! Check out the entire collection here. Just in time for holiday shopping!

The giveaway for this gorgeous throw is open worldwide; Oscha will choose a winner a random, and will ship to that lucky person wherever in the world they may be!

To be in with a chance of winning simply sign up here.

The giveaway ends 10am ET (3pm GMT), November 3rd. The winner will be contacted by Oscha.

Good luck!

If you’re a regular reader here at TORn, you know by now about composer and sound engineer Jordan Rannells’ immersive audio soundscape of music and ambient sounds, bringing to life Middle-earth. His soundscape is designed to be listened to whilst reading The Lord of the Rings – and in fact, is timed perfectly to fit with Andy Serkis’ recording of the books.

The Hobbit and The Silmarillion

Following the success of his Long-Expected Soundscape, Rannells is at it again! This time he’s tackling two more of Tolkien’s works, in epic scale. Read on below to find out what Rannells told us about his latest projects.

A new kind of Middle-earth experience for Hobbit Day

Jordan Rannells composed an original score, designed sound FX and recorded nature ambience to match all 60+ hours of Andy Serkis’ The Lord of the Rings audiobooks. Each moment is timed exactly so that when you hear Serkis describe Grond tearing through the gates of Minas Tirith, you hear it happening; when the eucatastrophe happens, we hear its theme; when the water of Wellinghall rains down around us, we hear it come and go. It is so simple to put the Soundscape together with the audiobooks, but you can also listen without them and just escape to Middle-earth any time you need to. Listen to the wind in the grass on your way to Edoras; hear the turmoil in the score as Boromir confronts Frodo; duck as the wings of the fell beast fly over you.

Rannells uses Dolby Atmos to achieve the highest level of 3D immersion possible, using the latest technology and sound design tools used in big franchises like Marvel, Game of Thrones and more.

Now, after spending a year and a half designing his first soundscape experience, An Unexpected Soundscape and A Soundscape of Eä are on the way. The Hobbit and The Silmarillion are next on Rannells’ journey, as he seeks to complete the Legendarium in this new immersive adaptation.

Listeners will be able to hear the dwarves as their barrels crash by; catch whispers of Gollum and the spiders of Mirkwood; witness the Coming of Tuor to Ulmo, and even the creation of Arda itself. New challenges present themselves in bringing the up-close-and-personal world of The Hobbit to your ears, such as recording movement and footsteps for each of the dwarves. Then, in the opposite direction, large scale and epic abstract sound design are required for moments in The Silmarillion.

Jordan Rannells
Find out more about Rannells’ epic undertaking on his website. You can also experience the first chapter of the Long-Expected Soundscape on his YouTube channel. Celebrate those Baggins’ birthdays surrounded by the sounds of Middle-earth!

Calling all Aussie and Kiwi Tolkien Fans, Hern Ennorath is once again challenging you to fire up your Middle-earth geekery and delve deep into your “great vats” of knowledge on all things Tolkien at their annual Middle-earth Quiz.

This enjoyable evening is coming to you on Thursday 28th September 2023, and is organised and co-ordinated by Quiz-Istari Ambra. The questions will range from “dreadfully easy” to those “a bit more difficult and more unpleasant”. Some of the questions you will answer without “putting on your thinking cap”, while others will have you yelling “Give me more time!”

The quiz format is “sacred and of immense antiquity” using the Kahoot app to receive and answer questions. It is suggested that anyone planning on attending make an account and have the Kahoot app on your phone or iPad. You can find the app at https://kahoot.it

Hern Ennorath Annual Middle-earth Quiz is on Thursday 28th September 2023.

Australian and New Zealand Times

7:30pm NSW, Qld, Vic, Tas, ACT
7:00pm SA, NT
5:30pm WA
9:30pm NZ

For Zoom details contact the Melbourne Tolkien Fellowship at melbournetolkienfellowship@yahoo.com

So come along and join in the fun, they look forward to your company on Thursday 28th September.

Late last year we brought you news of the incredible artistic feat which is composer Paul Corfield Godfrey’s series of operas, telling tales from The Silmarillion. Already available at that time were Fëanor, Beren and Lúthien, The Children of Húrin and The Fall of Gondolin. Last week, the fifth and final part, The War of Wrath, was released.

These stunning and suitably epic operas all use text taken directly from Tolkien’s writing (with full permission from the Tolkien Estate). You can order your copies from Volante Opera’s website. Check out this video (really way more than a trailer!) to give you a taste of this labour of love:

Continue reading “Operatic War of Wrath now available for your listening pleasure”

In 2024, Worldcon – the World Science Fiction Convention – will be taking place in Glasgow (August 8-12). In anticipation of this exciting event, the Glasgow organisers have scheduled various online events for this summer – and we here at TORn are delighted to be joining them for an online panel!

Staffers Tookish, Madeye Gamgee and greendragon will be joined by our good friend KnewBettaDoBetta, as well as staffers from Glasgow 2024, to discuss the perennial appeal of the Professor’s works. Just what is it about Middle-earth which keeps us coming back, again and again? What is it about Tolkien’s work which inspires so many ‘subcreations’ from such a wide variety of artists, performers and readers?

Sign up at Eventbrite – free!

The panel will begin at 7pm (BST – that’s UK time!) on Thursday 8th June, and will run for an hour and a half. There will be time for questions; if you’d like to be able to ask a question, you’ll need to join the Webinar audience; you can sign up for free Eventbrite tickets here.

Or, just join the YouTube live stream on June 8th, here.

Start your countdown to Glasgow 2024 with this virtual panel – hope to see you there!