Back in the middle of March we began our annual tournament of Middle-earth March Madness: with this year’s theme being The Art of Middle-earth. Three weeks and thousands of votes later, the Grand Champion 2025 has been decided.
Here’s how the bracket looked this year:
Down to the last battle
The Final
Alan Lee’s Edoras faced Turner Mohan‘s Lúthien and Morgoth; a very familiar scene from a well-known artist, and a First Age scene from a lesser-known artist. Both are stunning works, filled with shadows and light; but starkly contrasting. One is a landscape with no figures; the other shows two figures with no discernible landscape.
EdorasLúthien and Morgoth
Their journeys to the final battle were also very different. The closest fight Edoras had to face was against Donato Giancola’s Walls of Moria, which claimed 45% of the vote. In the rest of the matchups, Alan Lee’s piece won by margins in the 70s and 80s percentage-wise. Mohan’s piece, on the other hand, only ever won by numbers in the 50s; in the second round, only ONE vote separated Lúthien and Morgoth from its competitor, Angelo Montanini‘s Radagast the Magician. A beautiful piece and a very worthy competitor, nonetheless Lúthien and Morgoth had to fight harder to make it to the final.
So it is perhaps not a surprise that this year’s Grand Champion of Middle-earth March Madness is:
Staffer Madeye Gamgee shares his thoughts on the winner:
It has been a steady, even overwhelming Ride of the Rohirrim finally bringing the gritty endurance of the Lúthien/Morgoth faceoff to the end of its exciting underdog run! The most serious competition that Edoras faced during the tournament came against Donato Giancola’s The Walls of Moria, a 55/45 matchup; even while Mohan’s Lúthien and Morgoth escaped from two of its matchups with a combined total of six votes. This has been by far the most competitive contest across the entire field that I can remember over many years of Middle-earth March Madness — a testament to the wide appeal and high quality of every artist featured. Here’s hoping that prints of some of their works have found new homes! I know they have in mine! Did you find a new piece to hang on your wall?
Special thanks to artists Jerry VanderStelt, Ted Nasmith and Donato Giancola, who took the time to chat with us on livestreams, and to tell us about their work and their love of Tolkien. (You can see those conversations on our YouTube channel.) And of course thanks to all of YOU, who joined the fun and voted! See you for more Middle-earth March Madness next year!
We come to it at last: the great battle of our age – or at least of Middle-earth March Madness 2025: The Art of Middle-earth. Round Six is here – the final showdown, between the last two remaining works of art. But which piece will be crowned Grand Champion? There can be only one! Voting is open now!
Down to the last battle
Let’s take a look at how the Semi-finals played out:
The Horn of Boromir vs Edoras
Both of these paintings have proved very popular throughout the contest, winning fairly convincingly at each round. The love fans have for Peter Jackson’s movies perhaps inclines them to vote for art which reminds us of those films; and in addition, there is no denying that these are both extraordinary works. In this Final Four round, however, Matthew Stewart’s Boromir could not bring much opposition to the Golden Hall; Alan Lee’s masterpiece is through to the final, with almost three quarters of the vote.
Edoras by Alan Lee
Lúthien and Morgoth vs Gandalf at Your Service
In stark contrast to the other Semi-final, this was indeed a battle for the ages! Every time we checked on the latest tally, the lead had changed. Sometimes Turner Mohan led by 1%, and sometimes David Wenzel claimed back the thinnest margin. Clearly these two very different pieces have captured the imagination of voters! Finally, as the polls closed at midnight last night, the piece edging over the line – by a margin of just five votes! – was Mohan’s dark image. (This wasn’t the first narrow escape for this finalist, having survived an earlier round by a single vote. Is it the power of Morgoth or of Lúthien which keeps just managing to secure victory?)
Lúthien and Morgoth by Turner Mohan
And so – the Championship Round of Middle-earth March Madness 2025 is between Alan Lee’s Edoras and Turner Mohan’s Lúthien and Morgoth. Which will you choose? Voting is now open!
How does it work, you ask? Simple! Click on the button below. This will take you to the voting site, where you can view the entire bracket – including looking back at all 64 individual works in all their glory (and details of the artist), should you wish! Place your votes for Round Six: Championship!
Staffer Madeye Gamgee shares his thoughts on the Championship Round:
We have our Grand Championship matchup! We have ethereal Edoras, gleaming through its foggy backlit haze with glowing promise despite a menacing and dark mountainous backdrop. This piece has the pedigree of one of the most renowned and active Tolkien artists of our time, the incomparable Alan Lee. It is both haunting and familiar, firmly set in The Lord of the Rings lore when we first see the Golden Hall in The Two Towers.
And we have lesser known Turner Mohan, a fantasy illustrator from NYC who has largely worked in pencil and pen, and is beginning to work more and more in watercolors. He also dabbles in crafting medieval armor, which might explain Morgoth’s particularly imposing form in this piece. His Lúthien and Morgoth is rooted in Tolkien’s great First Age love story from The Silmarillion, the tale of Beren and Lúthien: their hopelessly herculean quest to wrest a Silmaril from Morgoth’s crown as the bride price demanded by the elf princess’s father. Just as Lúthien overcame impossible odds through her art of song, might the strength of Mohan’s muse prove similarly compelling to our voters?
Let the Madness come to an end and our 2025 winner be crowned, whether in golden light or a dark iron crown. It’s up to the fans to decide!
You have until 6pm ET on Tuesday April 8th to vote in Round Six; that evening on TORn Tuesday we’ll look back over the whole Middle-earth March Madness contest, and reveal the winner. It’s your last chance to make your vote counts – rally the troops! Vote now!
Two weeks after Middle-earth March Madness 2025: The Art of Middle-earth began, we have reached Round Five – the Final Four. Each regional bracket has a winner; now the Semi-final will decide which two masterpieces go through to face off in the Grand Final. Voting is open now!
Final Four – how the bracket looks
Let’s take a look at each bracket winner:
Landscapes
Donato Giancola’s Walls of Moria went toe to toe with Alan Lee’s Edoras. These are two incredible paintings of landmark locations in Middle-earth – how to choose between them? In the end, the Golden Hall was the one which drew the most votes: Edoras is through with three-fifths of the vote.
Edoras by Alan Lee
Story Moments
This was another close battle, as Matthew Stewart’s The Horn of Boromir took on Ted Nasmith’s The Kinslaying at Alqualondë. That’s a familiar scene from The Lord of the Rings (and with strong echoes of Peter Jackson’s movie) vs a First Age scene – perhaps a less familiar tale to many? Or a dark, gritty battle scene vs a beautiful, starlit, ethereal, but on close inspection equally (or even more) gruesome depiction of slaughter. How did you vote? Ultimately, The Horn of Boromir claimed 54% of the vote; so two familiar sights (and sites!) for movie lovers will meet in the first Semi-final pairing: The Horn of Boromir vs Edoras.
The Horn of Boromir by Matthew Stewart
Portraits
Two VERY different artworks met in the final of this bracket: Anna Lee’s serene and blissful Goldberry vs Turner Mohan’s striking, dark Lúthien and Morgoth. I know which one I’d rather have on my wall! BUT there is something mesmerising and extraordinary about Mohan’s smokey black work, with a tiny, luminous Lúthien boldy facing a giant foe. It won the heart of fans, but not by much; the final vote tally was 56% to Mohan.
Lúthien and Morgoth by Turner Mohan
Groups/Montages
Once again, the closest battle was in this region, where two idyllic Shire scenes fought it out. David Wenzel’s Gandalf at Your Service features two very well-known characters – Gandalf and Bilbo; whereas in Soni Alcorn-Hender’s Little Rivers of the Shire we don’t know who the two Hobbits are. Perhaps they are Halflings we know and love; or perhaps they are peripheral characters: children who once cheered Gandalf’s fireworks, or regulars at The Green Dragon. Either way, it’s a beautiful scene which draws the viewer in. I think we’d all like to visit either of these illustrations; and it was clearly hard for voters to make a choice. The victory in the end went to David Wenzel, 52% to 48%; making our second Semi-final pairing Lúthien and Morgoth vs Gandalf at Your Service.
Gandalf at Your Service by David Wenzel
Only two of these magnificent pieces can go through to the final; how will you make your choices? Vote now!
How does it work, you ask? Simple! Click on the button below. This will take you to the voting site, where you can view the entire bracket, and also view individual works in all their glory (and details of the artist). Place your votes for Round Five: Final Four!
Staffer Madeye Gamgee shares his thoughts on the Final Four:
So, in the Final Four, we have an all Lord of the Rings semifinal, putting an epic and glowing Edoras against a gritty and highly detailed last stand from Boromir. The second match features the sharp contrast between the bright, Hobbity Shire scene featuring Bilbo being wooed toward adventure by Gandalf, versus the dark depths of Angband and Lúthien’s desperate confrontation with mighty Morgoth.
The Final Four is a study in the dark versus light contrasts that so vividly embody the breadth and depths of Tolkien’s subcreation. Think Bilbo and Gollum and their riddle game, Éowyn versus the Witch-king, Denethor’s pyre in the inner sanctum of the White City, or the beauty and horror of Alqualondë that Ted Nasmith so beautifully captured. It is fitting that these artistic tensions are so fully present with our four finalists.
You have until the end of the day Friday April 4th to vote in Round Five; on Saturday 5th we’ll start the Championship Round! So place those votes!
Here at TheOneRing.net we have a tradition of enjoying April Fools Day with some merriment. We hope you enjoyed our jokes today.
You’ll be glad to know that AI will not be creating more “Tolkien” works, nor updating the Professor’s language; at least, TORn is not aware of any such plan – yet…
Not today, Morgoth…
Alas, the more pleasant news of a Silmarillion stage show was also a joke. The Lord of the Rings – A Musical Tale IS a fabulous show (and is touring in Australia; it returns to the UK later this year). We heartily recommend seeing it if you can! AND composer Paul Corfield Godfrey HAS released recordings of his operas based on The Hobbit, The Lord of the Rings and The Silmarillion; check them out here.
We should also note that TORn’s good friends are in fact producer Kevin Wallace (not Walrus) and Middle-earth Enterprises’ Fredrica Drotos (not Doritos); thanks to them for being great sports. And we still think the wonderful Donato Giancola could create amazing sets. Maybe we’ll get a Silmarillion stage show one day. (Staffer greendragon would like to volunteer to direct it…)
We now resume our regular programming. Don’t forget to vote in Middle-earth March Madness; Final Four launches TONIGHT!
Breaking news: rights to bring The Silmarillion to life have finally been released, but it’s not to any of the media giants you might have expected.
Ever since Prime Video started work on The Lord of the Rings: The Rings of Power, there has been much speculation and anticipation as to whether the Tolkien Estate would finally sell the rights to bring The Silmarillion stories to life. In an exclusive reveal, our friends at Middle-earth Enterprises have told us that it looks like that will happen now; but it is the folks behind The Lord of the Rings – A Musical Tale who have gained the long sought-after permission.
The recent revival of the musical, which features music by A.R. Rahman, Värttinä, and Christopher Nightingale, with book and lyrics by Shaun McKenna and Matthew Warchus, has proved such a hit that it seems to have persuaded the Tolkien Estate that more live Middle-earth on stage could only be a good thing. The latest musical production began at The Watermill Theatre in the UK, in 2023; it has since played in Chicago, Auckland, and is currently touring in Australia, to great acclaim.
In addition, composer Paul Corfield Godfrey has in recent years been given permission by the Estate to release recordings of his operas based on The Hobbit, The Lord of the Rings and The Silmarillion. This indicated to some that there was a move towards allowing more performance work based on the Professor’s writings; but this most recent announcement will nonetheless no doubt take folks by surprise.
Kip Rasmussen’s Eru and the Gods singing the First Song of Creation
What we’ve been told
The same composition and libretto team who brought us The Lord of the Rings – A Musical Tale will now be creating The Silmarillion – An Adventure Three Ages in the Making (working title). It is as yet unconfirmed who the stage director and design team will be for this epic show, but we do know that producer Kevin Walrus is on board. He expressed his excitement to us, and hinted at the possibility for a series of shows:
We are thrilled to build on the global momentum that we’ve already seen in our world tour of The Lord of the Rings – A Musical Tale production, with this expanded opportunity to play in the realms that Professor Tolkien created. Our first task will be to decide how many shows these new landscapes allow us to produce!
Rumour is that the production will open in New Zealand, sometime in late 2027. Middle-earth Enterprises’ Fredrica Doritos told us:
We know that the epic stories of the early ages of Middle-earth, found in The Silmarillion, are beloved by fans. The great drama, romance, peril and poetry of these tales makes them perfect for the stage; and the track record of the team who created The Lord of the Rings – A Musical Tale means that we know these sagas are in safe hands. We can’t wait to see Eru Ilúvatar and Manwë brought to life on stage. What song of Lúthien Tinúviel was powerful enough to lull Morgoth to sleep? Perhaps we’ll hear such a song in this stage show. We hope the fans will be as excited as we are, to see Fëanor forge his gems on stage.
We’ve also heard that artists already known for their Tolkien-inspired paintings may be brought in to be part of the design team. Could some of the folks whose masterpieces we’ve been enjoying in Middle-earth March Madness be part of these future shows? Certainly TORn friend Donato Giancola would make epic scenery designs; and Kip Rasmussen’s ‘Eru and the Gods singing the First Song of Creation’ would make a wonderful show poster.
Donato Giancola’s Beren and Lúthien in the Court of Thingol and Melian
We here at TheOneRing.net are very excited by the news of this forthcoming stage production (or productions!), and staffers have started speculating as to exactly which stories will appear on ‘the boards’. Look for more content to explore our thoughts; and of course we’ll bring you updates as we receive them.
In an ambitious endeavor combining classic literature with modern technology, Middle-earth Enterprises today unveiled Bridging the Ages, an innovative initiative that employs a cutting-edge AI system—codenamed Silmadur—to compose new narratives and expand upon the works of J.R.R. Tolkien.
Drawing on decades of fan curiosity and meticulously sourced Tolkien archives, Silmadur’s mission is to fill the long-surmised gaps in Middle-earth lore, while offering subtle, modernized readings of the original texts.
To create Silmadur, a specialized team of Tolkien scholars, archivists—including staff from TheOneRing.net—and AI experts spent two years assembling a comprehensive digital library of source materials. The dataset encompasses The Hobbit, The Lord of the Rings, and The Silmarillion, as well as early drafts, marginalia, personal letters, lecture notes, and lesser-known writings. Previously unreleased texts, once locked away in private collections, were added alongside appendices, genealogical charts, and decades’ worth of fan analyses. By drawing on this extensive treasury, the developers aimed to ensure that Silmadur faithfully mirrors the depth and tone of Tolkien’s original vision when crafting new passages.
EXCERPT 1: “At sunrise, a solitary figure stood at the borders of Fangorn, holding a single bloom of yellow niphredil. Some say it was Quickbeam himself, tending a secret garden of the Entwives—at last discovered across the river.” – Silmadur’s ‘lost chapter’ on the fate of the Entwives
“Our hope is to illuminate corners of the legendarium that Tolkien left tantalizingly unexplored,” says Thomas Cressman, a representative for Middle-earth Enterprises. “From the lost lineages of Elven lords to passing mentions of vanished cities, there are countless threads, begging to be woven into a fuller tapestry.”
The Bridging the Ages initiative also involves creating “light-touch” revisions to Tolkien’s original texts—expanding genealogies, clarifying linguistic nuances, and elaborating on references left intentionally vague. The team insists that all of this respects Tolkien’s style while carefully modernizing certain language choices.
EXCERPT 2: “In a letter addressed to Aragorn, just days after the coronation, Éowyn recounted how dreams of the Witch-king’s final shriek still haunted her… until Faramir reminded her that courage can live on beyond fear, lighting a path through any darkness.” – Silmadur’s exploration of Éowyn and Faramir’s early marriage
“Far too often, fans get locked into gatekeeping over what can and can’t be done with these stories,” reflects Calisuri, co-owner and co-founder of TheOneRing.net. “We live in an age of creativity and technology—why not use an advanced AI trained on the entire Tolkien corpus to bring hidden narratives to light? It’s not about replacing the original texts – nothing will ever do that – but about enriching them for a new generation of readers.”
While Bridging the Ages and Silmadur remain in early development, those involved hinted that future plans include an AI-generated supplement to The Silmarillion—complete with newly “unearthed” letters between legendary Elven figures—and additional chapters that reach beyond the conclusion of The Lord of the Rings. Middle-earth Enterprises will share select previews of these expansions exclusively on TheOneRing.net in the months ahead.
For more details on this evolving project, and for a first look at Silmadur’s creations, stay tuned to TheOneRing.net. Additional updates, including genealogical diagrams and in-depth explorations of minor characters, are expected soon.
