This past week, the New Zealand Government and executives from Amazon TV held a meeting in an effort to address concerns about a lack of studio capacity in Auckland. This planned 5 season LOTR series is a big production that will require quite a lot of studio space for filming, post production facilities and local crews, so of course they want to make sure the resources exist that they need. It appears that a decision or deal may be made within the next month, so we don’t have long to wait. You can see the source of this story at Stuff.Co.NZ.
You may be wondering why Auckland and not Wellington, but that is easily explained by the fact that the Avatar trilogy of films currently in pre-production will soon be moving into full production. While the Amazon LOTR production will be big, Avatar is going to be much bigger, and there may or may not be enough room for both as far as studio and post-production facilities go.
This leads to a much bigger debate on whether or not this new series should look and feel much like the existing Middle-earth films or whether it should blaze its own path for design and locations. The appeal to any production of not having to look for too many new locations can’t be understated. Film and TV productions are always having to research and locate interesting places that fit what the production needs, so the fact that so many locations in New Zealand have already been established as feeling like Middle-earth is a boon. But then, there are hundreds of beautiful places around the world, and with chunks of filming now happening in studios, does it really matter where those studios are? Is it possible that Amazon can do location filming in New Zealand and Studio work in London, Hollywood or Vancouver? Or why not film in British Columbia, or Northern Ireland or Slovenia for that matter?
The 1978 animated adaptation of The Lord of the Rings, created by acclaimed filmmaker Ralph Bakshi, is celebrating its 40th Anniversary, and the director took time to speak at length with The Hollywood Reporter about the journey to get the film made, beginning with his love of Tolkien and how the novels influenced one of his earlier projects.
“As far as realistic adult fantasy, Tolkien certainly was the best I’d ever read,” says Bakshi, who regularly consumed sci-fi and fantasy like Robert E. Howard’s Conan the Barbarian pulp novels in the ‘50s. “There was a very big fantasy kick going on in the underground and in popular culture [in the ‘60s and ‘70s]. That kick eventually had me make the picture Wizards.”
The $1.3 million budgeted, politically acute Wizards incorporated a number of Tolkienesque characters in its post-apocalyptic setting, from fairies and elves and dwarves to the title characters themselves.
Signum University and the Mythgard Institute are proud to announce LAMoot, the first annual Southern California symposium dedicated to the exploration of speculative fiction, mythology, and medieval literature and languages.
This one-day event will investigate the challenges of adapting literature to other media, including art, film, television, video games, and music. LAMoot will feature a keynote address by Signum President Corey Olsen (The Tolkien Professor), a panel of invited guests, discussion panels, and time for fellowship with like-minded professionals, academics, and enthusiasts.
LAMoot is an inclusive creative space uniting scholarship with creativity. We invite you to participate and are seeking proposals for presentations involving the adaptation of everything from science fiction to fairy tales to Norse mythology. Please visit our website for the call for proposals.
LAMoot will be held on Saturday, October 27, 2018 at the Westwood Gateway at Santa Monica and 405 in the Elite Conference Room located in Suite 150 at 11100 Santa Monica Blvd, Los Angeles, California, 90025. Visit our Website for more information
TheOneRing.net will be on hand to discuss recent past Adaptations and what we anticipate for the new Amazon series.
J.R.R. Tolkien and Edith Bratt, soon to be Tolkien
Tolkien fandom finds itself with an embarrassment of riches in 2018. The Tolkien Biopic has wrapped principal photography and is currently in post-production. There will be a new book out featuring Gondolin, edited by Christopher Tolkien. The most recent update about the Amazon Studios’ TV series is now confirmed to be a 5 season commitment. And then word starts to filter through that there are current negotiations for an actual Middle-earth Theme Park.Continue reading “There is a cornucopia of Tolkien stories coming this year”
I’m sure it comes as no surprise that on Sunday morning, April 1st you woke up to a bunch of internet websites doing their best to fool you into thinking their words were true, and TORn is no different. We did post two separate stories that were lacking in the veracity department. One post claimed we were moving to a paid subscription business model, which on it’s own is intriguing, but because some message board members were involved, there were links to supporting messages. In fact, the bulk of the story sounded quite reasonable, until you got to the highest subscription level, ‘Mithril’ and one perk is the ability rent a Nazgul, for no more than 2 hours a year, and the reminder to book early for the Halloween timeframe and that TORn is not responsible for terror or destruction. OK, that last bit had me cackling, anyone else? No? Just me then.
The other story, believe it or not, actually fooled our own, beloved Webmaster Calisuri. He can be forgiven, it was clear a lot of people wanted the story about Guillermo Del Toro working on the Amazon Middle-earth stories to be true, which is what made this story so much more believable. There was nothing outlandish in the story, it was about a current subject that TORn had just covered the week before at Wondercon, and it fed into the deep fan desire to see the Middle-earth that could have been. And while we want to come clean with you, the readers of our little website, we especially want to reach out to Guillermo Del Toro to assure him there was no malice intended with this April Fools joke. We knew fans would fall for it, or want to fall for it, because GDT is so beloved as a storyteller and creator of amazingly detailed creative worlds, and in the end, the reach of this story just says how much GDT is appreciated in this fandom. This guy wasn’t fooled.
When Amazon Studios first announced their big production deal last November for a Lord of the Rings television series, there was just one thing missing, a big name attached to the project. There was no Producer, Showrunner or even a Writer or team of Writers to indicate the direction these stories might take and give confidence to fans that Middle-earth would be in good hands.
It has been confirmed that the Guillermo Del Toro has signed on with Amazon Studios, in conjunction with his Tequila Gang production company, to Executive Produce and write this iteration of Middle-earth. He brings with him his co-writer, Chuck Hogan from The Strain. Del Toro’s long time manager, Gary Ungar says that they have already begun identifying and sifting through possible stories that exist within the Appendices, separating out those that are more fleshed out in other Tolkien properties. Because the deal with the Tolkien Estate and Trust is still in flux, they are currently only looking at storylines they know won’t be a legal issue so they can get down to writing.
During that time waiting for The Hobbit project to finally get going, Guillermo Del Toro spent nearly two years breaking down The Hobbit and working with pre-production designs for the story he was helping to craft. His visual style and ability to create wild and very unique looks was one of the reasons fans came to really anticipate Del Toro’s take on Middle-earth. We wanted to see what he would do with the Elves and Dwarves and even Men, and we especially wanted to see what he would have come up with for all the monsters. When he finally had to leave the project because it was dragging on too long waiting for a green light, fans felt a sense of loss and mourned The Hobbit that could have been.
This is why Del Toro is perfect for this project. He already has a deep knowledge of the source material, including what can and can not be included legally, and he’s got designs that never got the see the light of day. Because Peter Jackson and WETA are not going to be involved in the Amazon Studios production, there is little reason to maintain strict adherence to the design motifs put in place for the various races. The only design features required are within Tolkien’s books, and beyond that, Del Toro will get to finally let loose with his own, distinct look and feel with very little constraint. What will his Numenor look like? Will we see a Northern Kingdom or meet a young Aragorn, as Thorongil, as he journey’s about Middle-earth learning the skills he will later need to become King?
Amazon has already announced that it will be developing a Lord of the Rings series set before the events of the original films. The company reportedly spent $250 million to acquire the rights alone and, according to that same report, marketing and productions costs for two seasons could raise the investment to $500 million. It is still unclear if these stories will be told in a series of anthology like episodes or story arcs, or if there will be a much wider, more epic scope to the narrative.
Amazon Studios will produce the series in cooperation with the Tolkien Estate and Trust, book publishers HarperCollins, and New Line Cinema.
This past week, the New Zealand Government and executives from Amazon TV held a meeting in an effort to address concerns about a lack of studio capacity in Auckland. This planned 5 season LOTR series is a big production that will require quite a lot of studio space for filming, post production facilities and local crews, so of course they want to make sure the resources exist that they need. It appears that a decision or deal may be made within the next month, so we don’t have long to wait. You can see the source of this story at Stuff.Co.NZ.
