BREAKING NEWS: it seems that Peter Jackson, Fran Walsh, Philippa Boyens and Andy Serkis are all going there and back again, as Warner Bros. today issued an astonishing press release:
WARNER BROS. PICTURES AND NEW LINE CINEMA ARE SET TO REUNITE WITH THE OSCAR WINNING LORD OF THE RINGS AND THE HOBBIT TEAM PETER JACKSON, FRAN WALSH, AND PHILIPPA BOYENS FOR TWO NEW FEATURE FILMS FROM J. R. R. TOLKIEN’S MIDDLE EARTH, TWO-DECADES AFTER THE NEARLY $6 BILLION DOLLAR FILM FRANCHISE WAS FIRST INTRODUCED TO AUDIENCES
THE FIRST FILM LORD OF THE RINGS: THE HUNT FOR GOLLUM (*WT) WILL BE DIRECTED BY AND STAR LORD OF THE RINGS ALUMNI ANDY SERKIS
JACKSON, WALSH, AND BOYENS WILL PRODUCE LORD OF THE RINGS: THE HUNT FOR GOLLUM (*WT), WITH WALSH AND BOYENS SET TO WRITE THE SCREENPLAY
Burbank, CA — May 9, 2024 – Warner Bros. Motion Picture Group’s Michael De Luca and Pam Abdy announced today the Oscar-winning team behind the nearly $6 billion blockbuster Lord of the Rings and The Hobbit trilogies Peter Jackson, Fran Walsh and Philippa Boyensare reuniting to produce two new films from Tolkien’s Middle Earth for Warner Bros. Pictures and New Line Cinema.
The first of the two films Lord of the Rings: The Hunt for Gollum(*WT)will be directed by and star Andy Serkis (Venom: Let There Be Carnage, Mowgli: Legend of the Jungle), with Walsh and Boyens set to write the screenplay, along with Phoebe Gittins and Arty Papageorgiou (Lord of the Rings: The War of the Rohirrim). The film will be executive produced by Ken Kamins, with Serkis and The Imaginarium’s Jonathan Cavendish.
Said De Luca and Abdy, “For over two-decades, moviegoers have embraced the Lord of the Rings film trilogy because of the undeniable devotion Peter, Fran and Philippa have shown towards protecting the legacy of Tolkien’s works, and to ensure audiences could experience the incredible world he created in a way that honors his literary vision. We are honored they have agreed be our partners on these two new films. With Andy coming aboard to direct Lord of the Rings: The Hunt for Gollum(*WT), we continue an important commitment to excellence that is a true hallmark of how we all want to venture ahead and further contribute to the Lord of the Rings cinematic history.”
Said Jackson, Walsh and Boyens, “It is an honour and a privilege to travel back to Middle-earth with our good friend and collaborator, Andy Serkis, who has unfinished business with that Stinker – Gollum! As life long fans of Professor Tolkien’s vast mythology, we are proud to be working with Mike De Luca, Pam Abdy and the entire team at Warner Bros. on another epic adventure!”
Said Serkis, ““Yesssss, Precious. The time has come once more to venture into the unknown with my dear friends, the extraordinary and incomparable guardians of Middle Earth Peter, Fran and Philippa,” said Serkis. “With Mike and Pam, and the Warner Bros team on the quest as well, alongside WETA and our film making family in New Zealand, it’s just all too delicious…”.
…
The announcement of the new films follows the previously announced New Line Cinema and Warner Bros. Animation’s anime feature film Lord of the Rings: The War of the Rohirrim opening this Christmas. Directed by Award winning filmmaker Kenji Kamiyama (Blade Runner: Black Lotus and Ghost in the Shell: Stand Alone Complex series), the film is produced by Boyens, Joseph Chou (Blade Runner: Black Lotus), and Jason DeMarco.
The writing team of Phoebe Gittins and Arty Papageorgiou penned the Lord of the Rings: The War of the Rohirrim screenplay based on a script from Jeffrey Addiss & Will Matthews. The Lord of the Rings returning creative team also includes Oscar winners Alan Lee and Richard Taylor, along with esteemed Tolkien illustrator John Howe.
VICE News has published a feature-length documentary on Peter Jackson’s The Lord of the Rings movies, including new interviews with cast and crew of the epic film series. Rare new interviews with LOTR Executive Producer Barrie Osborne, Peter “Swords” King, the Tolkien Professor Corey Olsen, Variety’s Tim Gray, and fan favorite actors like Jed Brophy, all tell the story of the history of Rings adaptations from Bakshi to Jackson.
Watch the full documentary here:
https://www.youtube.com/watch?v=fvymWfqmVuE
VICE has earned a reputation for unblemished deep dives in interesting cultural moments such as the series Dark Side of the Ring about professional wrestling. The parent company VICE Media has been in the news lately shutting down its operations, and the quality of this documentary implies this was originally meant for the VICE channel on cable TV. Possibly because of changes in the marketplace, fans can also access to the full doc for free on YouTube.
Shout out to staffer Thorongil for first spotting this doc, and our friend Varking for sharing the viewing link. Be the first to know what’s going on in Tolkien by joining our Discord.
Twenty years on from the theatrical release of The Lord of the Rings: The Return of the King, fans continue to celebrate the monumental achievements of Peter Jackson and the team who brought Middle-earth to life. New Line Cinema and Warner Bros. Home Entertainment (WBHE) have shared with us a twelve-minute look at the making of LOTR: ROTK pulled from the archives featuring new 4K remastered footage.
Back when midnight openings were a thing, fans around the world lined up to be the first to watch Return of the King in cinemas with heralded hype. The runtime of 3 hours and 21 minutes did not dissuade anyone as book fans knew there was a lot of story to cover, and the DVD releases of the longer Extended Editions had primed audiences for a longer, well-told story. The finale exceeded anyone’s expectations. The Return of the King made $1.1 Billion at the box office, making it the second-highest grossing movie of all time at release. It was still #1 at the box office in its 4th week!
Above, Peter Jackson attends TheOneRing.net’s Fellowship of the Ring Oscar Party in 2002. Below, Peter Jackson returns to the 2004 fan party for Return of the King with all the Oscar trophies in hand. Return of the King matched the record for most Oscars ever won by any movie, and is the most-awarded film worldwide of all time.
In addition to the video above from WBHE recognizing Peter Jackson’s achievement, fans are celebrating together with a global watch-along on Sunday December 17 to mark the 20th anniversary of the release of Return of the King. Also look out for a new Art of Costume podcast with the award winning costume designer Ngila Dickson.
In the 20 years since its record setting award winning run, The Lord of the Rings films have become the benchmark of filmmaking with just the right balance of practical and digital effects, location and digital shooting, innovation and classical performance, and maintaining a fidelity to the source material while at the same time introducing changes benefiting the medium of film. Fans have made watching these films an annual event, and the wide use of LOTR memes are unsurpassed in quantity and relevance.
Peter Jackson is adored worldwide and fans still enjoy diving into the BTS Appendices on 4K, Bluray and DVD. Now that New Line Cinema has a fresh long-term deal to make new LOTR spinoff movies, could Jackson return to Middle-earth? His producing partner Philippa Boyens is already bringing WAR OF THE ROHIRRIM to cinemas in December 2024, telling the story of Helm Hammerhand and the history of the Rohan Shieldmaidens. Jackson doesn’t need to get back to LOTR after winning Emmy Awards with The Beatles (and directing his first ever music video for them) but, based on the daily conversations happening on our forums and discord, LOTR fans are ready for a trustworthy hand to manage the future of Tolkien’s expanding legendarium.
Before Rotten Tomatoes, TORn had RINGER REVIEWS for fans to share right after watching the film
Happy 20th anniversary to Return of the King, a film that made us all cry (multiple times) by channeling the best of J.R.R. Tolkien and the humanity of his stories. It remains the high water mark of fantasy filmmaking even today.
Unity, a game engine company famous for top-tier mobile phone graphics, purchased Wētā Digital’s name and VFX technology in 2021, but has decided to exit that business in a change of strategy.
It was originally a huge headline that minted Sir Peter Jackson a billionaire. The director of The Lord of the Rings and The Hobbit films sold the digital VFX tools business for $1.625 billion, in a deal which included dozens of award-winning visual effects plugins for 3D graphics programs like Maya and Houdini as well as the 265 computer programmers coding and maintaining that software. The original deal resulted in Jackson creating a new company, WētāFX, which he still has ownership of and still employs digital artists and studio management that went on to win another Oscar for Avatar: The Way of Water.
Wētā FX, the spinoff company of artists but not programmers, has stated they intend to re-hire the programmers that were recently let go from employment with Unity’s business change. WētāFX is currently working on Avatar 3, a film that’s expected to break new ground in visual effects and which relies heavily on the digital tools and programmers that were laid off with this move.
If you’re keeping up, it seems that Peter Jackson made a billion dollars and now gets to keep using the digital tools, keep the team together, and use the Weta Digital name again. First reported by FXGuide, Unity is returning the name Wētā Digital to Peter Jackson.
The news confused many fans, with some thinking the Oscar-winning studio had closed down.
It was also confusing when the deal first happened — many industry folk asked what was Unity buying if it didn’t include the entire award-winning studio responsible for LOTR, Avatar and Planet of the Apes. Many theorized Unity was attempting to jump into the digital filmmaking arena pioneered by The Volume StageCraft of Disney Star Wars fame, a live in-person 8K digital LED screen powered by Epic’s Unreal Engine. Both Unreal and Unity compete in the game engine business, but Unity had almost zero footprint in Hollywood movie production business. Buying Wētā Digital’s toolset seemed like a shortcut to getting world-class filmmaking tools to compete with Unreal on The Volume. VFX industry trade show SIGGRAPH hinted at big plans from Unity and Weta Digital.
Currently all Avatar and The Lord of the Rings filmmaking projects have not utilized The Volume during production, but Star Wars and The Batman have.
All of this business stuff is unrelated to Weta Workshop’s Tales of the Shire video game. That is being currently developed by Wētā Workshop in partnership with Private Division. Additionally, Wētā Workshop’s games studio is separate from Wētā FX.
What’s next for Peter Jackson and Weta Digital, Weta FX and Weta Workshop? They have been busy winning Emmy’s for The Beatles Get Back, releasing a new and final Beatles song Then & Now, winning Oscars for Avatar, and talking with WB about getting back into Middle-earth. Many fans are hoping Jackson can make a deal with Warner Bros to become the Kevin Fiege of Middle-earth: a franchise producer with total control of top-tier storytelling and filmmaking.
Emmy winner for “Get Back” involved in the final song ever from The Beatles, with a music video that will “bring a few tears to the eye.”
The Beatles – those from the group who are still with us – announced that Peter Jackson is making the music video for “Now and Then” which is to be the final new song ever produced with the foursome of John, Paul, George and Ringo. The group used the same audio technology that helped Jackson win an Emmy award to clean up the vocals of an old cassette tape recorded by John Lennon, who died in 1980. Additional vocals and guitar were added by George Harrison in 1995, but never completed. Paul and Ringo this year added their parts to the song with Giles Martin, son of longtime Beatles producer George Martin, finishing production.
In a lengthy artist’s statement posted by Peter Jackson, it is revealed that new footage has been found of The Beatles performing with original drummer Pete Best. When describing the tone of the video, Jackson says, “We wanted the short film to bring a few tears to the eye. We tried to craft something that could adequately sum up the enormity of The Beatles’ legacy – in the last few seconds of their final recording. This proved to be impossible. Their contribution to the world is too immense, and their wondrous gift of music has become part of our DNA and now defies description.
“Dhani Harrison happened to be visiting NZ at this time. I discussed the ending with him, and described one vague idea I’d been toying with. His eyes immediately filled with tears – so that is the way we went.”
Peter Jackson
Disney+ and many tv stations worldwide will have a 12 minute behind-the-scenes documentary featuring The Beatles and Peter Jackson, today, November 1. The song “Now and Then” releases on all music platforms with the Jackson directed music video this week.
Additional Spy Reports from the TORn Tuesday podcast hint at Peter Jackson following this up with a new second documentary series on the break up of The Beatles, as a sequel to his Emmy winning Get Back series. Nothing has been confirmed at this time.
Will Peter Jackson return to The Lord of the Rings under the new WB and Embracer movie deal? He’s confirmed they are talking. But when The Beatles call, priorities change! Now that the music video is done and out, perhaps he will reconsider coming back for more Middle-earth.
The Annecy Film Festival — which is hosting a “first look” at The War of the Rohirrim on June 13 — has updated its site listing to reveal that the length of Warner Bros. Animation’s (WBA) forthcoming feature anime will be 130 minutes.
That’s actually substantial for an animated film and will place it among the top 50 longest animated films of all time. Length is no indication of quality, but good animation is time and resource intensive. WBA’s committment to a long feature indicates confidence in the story they have to tell.
It also helps explain the long development — the project was first announced in June 2021, and will not premiere until April 2024. For comparison, the newest Makoto Shinkai anime Suzume, began production in March 2020 and only debuted in cinemas earlier this year.
WOTR’s director, Kenji Kamiyama, has also been busy directing other projects: Ultraman, Blade Runner: Black Lotus, and Ghost in the Shell: SAC 2045.
Animation techniques: 2D/3D blending
The other thing of note in Annecy’s overview of the presentation is the animation techniques listed.
Much, of course, has been made that The War of the Rohirrim is being animated in 2D — because everyone panics mightily as soon as the words “3D animation” are even whispered. But 2D/3D blending — typically for effects or backgrounds — has become a staple in even some of themost popularanime, and can look non-intrusive and seamless when executed with skill. Apparently even Hayao Miyazaki’s Mononoke Hime contained a small amount of 3D CG rendering — something I was not aware of until I began looking into just how prevalent the use of CG effects has become in modern anime productions.
Just so long as they avoid horrors such as Golden Kamuy’s notorious CGI bear.
Animiation techniques: rotoscoping
Rotoscoping is another surprise, although Staffer Justin tells me TORn Tuesday reported industry talk that that WETA was using the “Avatar mocap technology” for The War of the Rohirrim.
It seems that talk was on the mark.
When I saw that I instantly thought that it might be used for animating horses, because as people who know far more about the art of animating than me point out, “horses populate the nightmares of animators“. And I think it would be foolish to not expect a film about the Rohirrim to not feature a lot of horses.
I can already sense readers who have seen Ralph’s Bakshi’s animated The Lord of the Rings recoiling in terror. Yet it’s important to acknowledge the time- and money-pressures that Bakshi and his crew worked under: effectively filming then animating the same film twice in a two-year period with a budget of approximately $4 million. (That’s a touch over $18.5 million in 2023 dollars — much less than many modern Disney animations.)
By comparison, Kamiyama and his crew have three years for development and production, they won’t be rotoscoping everything, and they have the substantial benefit of digital animation methods. And, one guesses, they have a larger budget.
One of our Discord regulars also smartly suggested that rotoscoping could be employed for battles, and pointed out a rotoscoped fight sequence (warning: this clip is quite gory and not suitable for children) that popped up in a recent episode of the anime Vinland Saga. It’s impressively natural and I could see something like that in a story as grim as that of Helm.
Just to further illustrate that rotoscoping can look great in the right hands given sufficient resources, check this character acting scene from Attack on Titan. Or this stunning piece of sakugafrom Kaguya-sama: Love is War that gained both popular and critical acclaim back in 2019.
Anticipating Annecy: going behind-the-scenes for 75 minutes
Kamiyama will be joined at Annecy by executive producer Philippa Boyens and producer Joseph Chou for a 75-minute behind-the-scenes presentation into their adaptation of the Helm Hammerhand story that is found in the appendices of The Lord of the Rings. The session will be moderated by fellow producer Jason DeMarco.
Right now, WBA is being very quiet about what they’ll be showcasing.
However, here’s a quick bit of speculation/guesswork that you’re free to take with a grain of salt.
I think the length of the presentation means those attending (not yours truly, sadly) will be treated to a slab of finished animation. I couldn’t see them filling a 75-minute session with just more concept art and character designs.
That animation might be a teaser, or it could be several small segments that the presenters then discuss. I recall that Peter Jackson did this for The Desolation of Smaug and, mostly due to the choice of clips focusing on Martin Freeman’s Bilbo, it was really quite effective at raising anticipation.
I’d expect dialogue and perhaps even music. Stephen Gallagher was revealed as the composer for the score back in February and must have been appointed to the role much earlier.
If it was me, I would choose scenes from places familiar to viewers of Peter Jackson’s films — both fans and casuals — to encourage the mental connection. That suggests Edoras or Helm’s Deep. But the latter might be a bit too far along in the story and reveal too much of the story, so I lean to Edoras. You could show some dramatic scenes with all the key cast — Helm, Wulf, Freca, Héra — that are root to establishing the conflict. The initial concept art that WBA put out showed Edoras being attacked so Kamiyama might tease some of that as well to show how much progress they’ve made.
Since we’re familiar with the location, it’s also possible that we could see Isengard (although, canonically, Freca’s seat of power seems to be another location at the surce of the River Adorn). This could also help set up that there are two sides to the conflict — something that Boyens emphasised was integral to the story they were telling when we spoke this time last year.
This is in addition to more concept art, and, I expect, our first look at some character designs.
Regardless, we’ll very soon know more. It’s been a long wait to get something tangible but it’s nearly over!
About the author: Staffer Demosthenes has been involved with TheOneRing.net since 2001, serving first as an Associate News Editor, then as Chief News Editor during the making of the Hobbit films. Now he focuses on features and analysis.The opinions in this article are his own and do not necessarily represent those of TheOneRing.net and other staff.
