Guillermo del Toro and Peter JacksonFrodo Franchise‘ author, Kristin Thompson, points us to Variety.com today with further official word that our favorite scribes have all signed on the dotted line, so to speak:

Peter Jackson, Fran Walsh and Philippa Boyens have officially signed on to collaborate on “The Hobbit” and its sequel with director Guillermo del Toro. The announcement, from exec producers Jackson and Walsh and New Line president Toby Emmerich, came four months after del Toro confirmed he had signed on to direct both pics.

Read the full article at Variety.com and strap on your seatbelts – the funs is just getting started! [Variety.com]

PJ Thumbs UpDecember 18, 2007

ACADEMY AWARD-WINNER PETER JACKSON AND NEW LINE CINEMA JOIN WITH MGM TO PRODUCE “THE HOBBIT,” EAGERLY-ANTICIPATED FANTASY ADVENTURE EPIC

NEW LINE AND MGM TO CO-PRODUCE AND SHARE WORLDWIDE DISTRIBUTION RIGHTS

PETER JACKSON AND FRAN WALSH TO EXECUTIVE PRODUCE TWO FILMS BASED ON “THE HOBBIT”

Los Angeles, CA (Tuesday, December 18, 2007) Academy Award-winning filmmaker Peter Jackson; Harry Sloan, Chairman and CEO, Metro-Goldwyn-Mayer Studios Inc. (MGM); Bob Shaye and Michael Lynne, Co-Chairmen and Co-CEOs of New Line Cinema have jointly announced today that they have entered into the following series of agreements:

* MGM and New Line will co-finance and co-distribute two films, “The Hobbit” and a sequel to “The Hobbit.” New Line will distribute in North America and MGM will distribute internationally.

* Peter Jackson and Fran Walsh will serve as Executive Producers of two films based on “The Hobbit.” New Line will manage the production of the films, which will be shot simultaneously.

* Peter Jackson and New Line have settled all litigation relating to the “Lord of the Rings” (LOTR) Trilogy.

Continue reading “PETER JACKSON AND NEW LINE CINEMA JOIN WITH MGM TO PRODUCE “THE HOBBIT” Movie”

Hollywood heavyweights Peter Jackson and Fran Walsh have joined the fight to protect a historic Seatoun chapel from demolition. It is understood the film-making pair are even considering buying the Our Lady of the Star of the Sea Chapel, estimated to be worth $10 million, to save it for the community. They have been joined by other Seatoun residents, including Dame Pat Evison, concerned that a large residential development would replace the chapel. [More]

Committing at least $65 million, DreamWorks in association with Film 4 has won the bidding for Jackson’s bigscreen adaptation of Alice Sebold’s best-selling 2002 tome “The Lovely Bones.” Announcement came early Friday evening, capping a weeklong auction that had three other majors vying for Jackson’s project as well-Warner Bros. Pictures, Universal and Sony. Jackson is set to begin lensing in October in Pennsylvania and New Zealand from a script he co-wrote with “Lord of the Rings” collaborators Philippa Boyens and Fran Walsh. Paramount, which owns DreamWorks, will distribute “Bones” worldwide, with Jackson promising to deliver the film by the fourth quarter 2008. [More]

Moments ago we received this email from Peter Jackson and his crew down in New Zealand, take a look…

Dear One Ringers,

As you know, there’s been a lot of speculation about The Hobbit. We are often asked about when or if this film will ever be made. We have always responded that we would be very interested in making the film – if it were offered to us to make.

You may also be aware that Wingnut Films has bought a lawsuit against New Line, which resulted from an audit we undertook on part of the income of The Fellowship of the Ring. Our attitude with the lawsuit has always been that since it’s largely based on differences of opinion about certain accounting practices, we would like an independent body – whether it be a judge, a jury, or a mediator, to look at the issues and make an unbiased ruling. We are happy to accept whatever that ruling is. In our minds, it’s not much more complex than that and that’s exactly why film contracts include right-to-audit clauses.

However, we have always said that we do not want to discuss The Hobbit with New Line until the lawsuit over New Line’s accounting practices is resolved. This is simple common sense – you cannot be in a relationship with a film studio, making a complex, expensive movie and dealing with all the pressures and responsibilities that come with the job, while an unresolved lawsuit exists.

We have also said that we do not want to tie settlement of the lawsuit to making a film of The Hobbit. In other words, we would have to agree to make The Hobbit as a condition of New Line settling our lawsuit. In our minds this is not the right reason to make a film and if a film of The Hobbit went ahead on this basis, it would be doomed. Deciding to make a movie should come from the heart – it’s not a matter of business convenience. When you agree to make a film, you’re taking on a massive commitment and you need to be driven by an absolute passion to want to get the story on screen. It’s that passion, and passion alone, that gives the movie its imagination and heart. To us it is not a cold-blooded business decision.

A couple of months ago there was a flurry of Hobbit news in the media. MGM, who own a portion of the film rights in The Hobbit, publicly stated they wanted to make the film with us. It was a little weird at the time because nobody from New Line had ever spoken to us about making a film of The Hobbit and the media had some fun with that. Within a week or two of those stories, our Manager Ken Kamins got a call from the co-president of New Line Cinema, Michael Lynne, who in essence told Ken that the way to settle the lawsuit was to get a commitment from us to make the Hobbit, because “that’s how these things are done”. Michael Lynne said we would stand to make much more money if we tied the lawsuit and the movie deal together and this may well be true, but it’s still the worst reason in the world to agree to make a film.

Several years ago, Mark Ordesky told us that New Line have rights to make not just The Hobbit but a second “LOTR prequel”, covering the events leading up to those depicted in LOTR. Since then, we’ve always assumed that we would be asked to make The Hobbit and possibly this second film, back to back, as we did the original movies. We assumed that our lawsuit with the studio would come to a natural conclusion and we would then be free to discuss our ideas with the studio, get excited and jump on board. We’ve assumed that we would possibly get started on development and design next year, whilst filming The Lovely Bones. We even had a meeting planned with MGM executives to talk through our schedule.

However last week, Mark Ordesky called Ken and told him that New Line would no longer be requiring our services on the Hobbit and the LOTR ‘prequel’. This was a courtesy call to let us know that the studio was now actively looking to hire another filmmaker for both projects.

Ordesky said that New Line has a limited time option on the film rights they have obtained from Saul Zaentz (this has never been conveyed to us before), and because we won’t discuss making the movies until the lawsuit is resolved, the studio is going to have to hire another director.

Given that New Line are committed to this course of action, we felt at the very least, we owed you, the fans, a straightforward account of events as they have unfolded for us.

We have always had the greatest support from The Ringers and we are very sorry our involvement with The Hobbit has been ended in this way. Our journey into Tolkien’s world started with a phone call from Ken Kamins to Harvey Weinstein in Nov 1995 and ended with a phone call from Mark Ordesky to Ken in Nov 2006. It has been a great 11 years.

This outcome is not what we anticipated or wanted, but neither do we see any positive value in bitterness and rancor. We now have no choice but to let the idea of a film of The Hobbit go and move forward with other projects.

We send our very best wishes to whomever has the privilege of making The Hobbit and look forward to seeing the film on the big screen.

Warmest regards to you all, and thanks for your incredible support over the years.

We got to go there – but not back again …

Peter Jackson and Fran Walsh

Xoanon here, this is a big blow to the LOTR community. I feel like there has been a death in the family…there are a LOT of questions that will remain unanswered for the time being. Why couldn’t New Line come to an agreement with PJ? Is there really a time option on the film rights for New Line? Who will they get to direct? Those are some massive shoes to fill if you ask me. I hope that whoever they get to direct will not try something ‘new’ with the look and feel of PJ’s Middle-earth…and what is this LOTR ‘prequel’ project?

There have been rumors about The Hobbit being split into two films, will this prequel project then become the third film in another trilogy? Who knows…

I’m sure Peter and Fran aren’t going to want to talk more about this, but that doesn’t mean we won’t be begging for a sitdown and chat! Stay tuned for more…

Update: Demosthenes here. Like yourselves, many of us here have been getting more and more excited by the news that the Hobbit, whether via one or two movies, seems to be gradually drawing closer to production. The news that Jackson and MGM studios were in close talks and that production could begin as soon as 2008 or 2009 was particularly promising.

The news of New Line’s apparent veto is quite cutting. What does it mean for the viability of the production? Will anyone back two films if Jackson is not directing? Who are the alternatives anyway? Will WETA still do the FX, and will the production be based in New Zealand? And will actors such as Ian McKellen still want to come on board? A few of us are discussing these things in TheOneRing.net’s IRC channel. If you to care to join us, simply drop in and join us through our java chat using your browser. Alternatively, point your favourite IRC client to our server:irc.theonering.net and join #theonering.net. Come along and vent and discuss. All we request is that you do so politely!