Ringer Simon gives us a quick heads-up that Entertainment Weekly have 30-second samples of all 29 tunes from the special edition of the soundtrack for The Desolation of Smaug.
To wrap up the week that saw an unprecedented live fan event where fans gathered in theaters around the world with cast and crew, here is a list of things that stood out for TORn staff.
During the event, fans were treated to costume displays, live Q&As, a preview of the end credit music video, and most importantly, 20 minutes of nearly complete, previously unseen footage. As stated in previous posts, this means movie spoilers are coming, so feel free to stop reading now if you wish to spend the next four weeks without knowing what’s to come. Continue reading “Thirteen things we love about The Desolation of Smaug footage”
Artwork for both the Standard and Special Edition of Howard Shore’s soundtrack for The Hobbit: The Desolation of Smaug has been out for a few days now. If you haven’t already caught it, have a look below!
Doug Adams on his website/blog has labelled the two “Burgundy” and “Dragon”, or if he’s just being descriptive. Not sure whether that means anything in particular. I do rather like the Cyan colour of the Special Edition, though.
Russell Baille from The New Zealand Herald gets the low-down on the recording process at Wellington Town Hall last month. He was present last month as the New Zealand Symphony Orchestra laboured mightily with orchestrator Conrad Pope, Peter Jackson and senior audio engineer Peter Cobbin to bring composer Howard Shore’s musical vision to life.
My favourite quote from Conrad Pope:
“It always pays to have great performers. Whenever you are in front of an orchestra you are in front of almost 2000 years of musical experience if you think about it. So you are taking that expressiveness and you are unleashing that. If you have a digital thing it is only one person. That is why it’s so remarkable to have that kind of power in this orchestra here.”
I can’t recall if this has been previously revealed, but this official synopsis — more complete than the short version currently on The Hobbit website — actually has some really interesting implications if you have a read through and examine who’s listed and (more importantly), who’s not.
As folks observed after the debut of the second Desolation of Smaug trailer, Guillermo del Toro is back in the credits for his work on the screenplay. There’s a co-producer nod for the late Eileen Moran as well. Highlight the space below to read the key omissions, and some fairly hefty spoiler analysis of what those omissions could mean for the movie.