Desolation of Smaug standard edition soundtrackBeginning tomorrow (or in just under 30 minutes, for those of you on the
East Coast in the U.S.), you will be able to purchase Howard Shore’s Original Score for The Hobbit: The Desolation of Smaug on CD, either in Regular or Special Edition form. But for those of you who just can’t wait
to get your hands on the music, both albums are now available on iTunes (in the U.S., at least). Continue reading “The Hobbit: The Desolation of Smaug Soundtracks now available on iTunes!”

Peter Jackson Production Diary Premiere coverage, clips, and Q&As not enough for you? Well, you’re in luck. Peter Jackson has updated his Facebook page with the latest Production Diary — picking up from where the last one left off, with pick-up shoots and post production. This time around, we get a great look at Smaug’s lair (look out for a new teasing shot of the great dragon himself!) and Lake-town (including Stephen Fry’s The Master). Continue reading “The Hobbit: The Desolation of Smaug premiere week continues with Production Diary #13!”

Desolation of Smaug standard edition soundtrack Six notes transform Howard Shore’s Desolation of Smaug soundtrack from adequate to awesome. That might sound a big call, but they could just form the tensest, eeriest leitmotif that you’ll hear this year.

A lot of folks noted (or if you prefer, complained about) the lack of new motifs in An Unexpected Journey. “Give us a hook, just something new to whistle!”, the people seemed to cry. Continue reading “First review: Howard Shore’s soundtrack for The Hobbit: The Desolation of Smaug”

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Thorin_Oakenshield Ringer Antonio has taken the sneak peek trailer (that’s trailer #3), and combined it with some snippets that we’ve heard so far of Howard Shore’s score. It’s not always a seamless experience, but it’s an interesting one that, perhaps, provides a better indication of how the finished product might look, sound and feel next month.

Check it out for yourself! Continue reading “Fan vid: the sneak peek trailer combined with snippets of Howard Shore’s score”