The World Soundtrack Academy has nominated Howard Shore’s “The Hobbit: An Unexpected Journey,” soundtrack in the category “Best Original Film Score of the Year.” The Academy is dedicated to the art of film scoring and the preservation of its history. Shore’s work is one of five in the category.
The rest are:
Anna Karenina by Dario Marianelli
Life of Pi by Mychael Danna
The Master by Jonny Greenwood
Skyfall by Thomas Newman
With an awards show in Belgium, there are also categories for “Film Composer of the Year,” and “Best Original Song Written Directly For a Film.” You can see the full list of nominees and learn more about the organization right here. Tickets are available on the site as well.
The New Zealand Symphony Orchestra has cancelled a tour of main centres, so that it can record music for the second Hobbit movie.
The orchestra, via its website, has apologised to those who bought tickets to the Heights of Passion tour that was scheduled to start in Wellington on September 20. Continue reading “Hobbit takes precedence over tour for orchestra”
Classic FM’s Movie Music Chart is the world’s largest survey of film music tastes. Every year they ask people to vote for their favourite film scores – and Howard Shore’s The Lord Of The Rings score was at the top in 2012 . They are asking all LOTR/Hobbit fans if we would like to get behind his music and ensure his great scores remain at the top.
Voting is now open and will remain open till 11:59pm Monday (UK time). Click here to register your vote!
Sir Peter Jackson’s second instalment of The Hobbit movie has become music to the ears of the New Zealand Symphony Orchestra.
The NZSO will record the soundtrack to The Hobbit: The Desolation of Smaug in Wellington Town Hall, most probably in September, before the century-old venue undergoes $43.7 million of earthquake strengthening.
The orchestra will work with Oscar-winning Canadian composer Howard Shore.
“The very first music ever recorded for Howard Shore’s magnificent score for The Lord of the Rings was done here, in Wellington, back in 2001 in the town hall,” said Sir Peter. “The piece, written for the Fellowship’s journey into the Mines of Moria, was beautifully performed by the New Zealand Symphony Orchestra and showcased the exceptional acoustics of this over 100-year-old building.” Continue reading “NZSO to record Desolation of Smaug soundtrack”
Man sí minna? Man ammen toltha i dann hen Amarth?
I anann darthant dam morn, si dannatha.
A little more than a decade ago, these very words drew us into the world of Middle-earth even as a woman in her deep voice began narrating the tale of its history with the unforgettable words “The world has changed. I feel it in the water, I feel it in the earth, I smell it in the air…”
Voiced by Miriam Stockley, a vocalist hailing from Johannesburg, South Africa, the text entitled “The Footsteps Of Doom” speaks to the theme of Galadriel facing her ultimate temptation and her choice that would determine the eventual fate of Lothlórien, and Middle-earth:
Who enters here? Who brings to us this token of Doom?
That which has stood so long against the darkness will now fall.
Over on Tracksounds.com, Doug Adams (author of Music of Lord of the Rings) discusses Howard Shore’s score for The Hobbit: An Unexpected Journey. Stream the Episode 54 of The Soundcast directly from the site, or download the podcast and listen later. In the episode, Adams discusses the effect of the format on film experience, how the score caused people some headscratching, and why this whole thing is just a huge “game of themes.” It does take the panel a fair chunk of time to actually get down to talking about the OST. If like me, you find that frustrating, you might want to skip the first 10 minutes or so.
Episode Highlights
00:00 Blunt the Opening and Doug Adams Intro
05:46 What we were expecting from this film
9:58 General reactions and comparing to Lord of the Rings
11:45 Reacting to the film and it’s music (spoilers)
31:21 Headscratching: Reacting to the score
49:56 A Game of Themes?
78:50 Wrapping it up
[The Soundcast]
