Sony Pictures Classic announced last week that the Amy Berg-directed and Peter Jackson-produced film, West of Memphis will be coming to a theater near you. Several TORn readers wondered if they would be able to view the film after TORn was invited to see the film at the 2012 Sundance Film Festival. The film is powerful, important and deserving of a wide audience and the answer is officially “yes.” The film will be available in theaters to many fans.
Jackson and wife Fran Walsh have been involved with two subjects of the film who are also producers and had a chance to contribute to telling their own story. Damien Echols, who sat on death row for 18 years and his wife Lori Davis, fought to have Echols exonerated for the murder of three eight year old boys in West Memphis, Arkansas. Echols and the other two men (Jason Baldwin and Jessie Misskelley Jr.) were teens when convicted, were released late in 2011 by entering an Alford guilty plea while maintaining their innocence.
West of Memphis, takes a long look at one of the victim’s stepfathers and recently a $100,000 reward, provided by an anonymous donor, was offered for information leading to the arrest and conviction of the killer in the case. The film, especially when it hits a wide release, may force the justice system of Arkansas to take a further look into the case. Those defending the three, including Jackson and Walsh, want the West Memphi Three’s names completely cleared, now that they have gained their freedom. (Video and the official press release after the break). Continue reading “Fans will see Peter Jackson’s ‘West of Memphis’”
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Welcome to our collection of TORn’s hottest topics for the past week.
If you’ve fallen behind on what’s happening on the Message Boards, here’s a great way to catch the highlights. Or if you’re new to TORn and want to enjoy some great conversations, just follow the links to some of our most popular discussions. Watch this space as every weekend we will spotlight the most popular buzz on TORn’s Message Boards. Everyone is welcome, so come on in and join in the fun! MINOR SPOILERS FOR THOSE WHO HAVEN’T READ THE HOBBIT
Continue reading “TORn Message Boards Weekly Roundup – January 23, 2012”
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Hubbard director Peeder Jigson chats to composer Howard Shore (The Last Mimzy, Mrs Doubtfire) as he takes a first listen to some of the music for the new upcoming Hubbard movie.
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The finalists have been announced for the Kiwibank New Zealander of the Year Awards 2012. Now into its third year, the awards recognise individuals, organisations and community groups for their outstanding contributions to the nation.
The shortlist for the main award, New Zealander of the Year, includes Dame Suzie Moncrieff, Sir Richard Taylor and Dr Sharad Paul.
Nominations were whittled down by panels of judges made up of such figures as Jim Bolger, Sir Ray Avery, Michael Basset, Teresa Gattung and Peri Drysdale. More..
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Wired’s Erik Wecks makes a compelling case for Tolkien fans to not get too excited about the Hobbit.
What’s he on about? Well, he noticed something in the teaser (one that many other people did as well), but he’s gone a step further and drawn some interesting parallels to one of the most controversial and bizarre changes that Walsh and Boyens made for The Return of The King. Of course, this being the internet, your mileage may vary. Naturally, there are movie spoilers.
Read the full article on Wired.
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Shinan Govani writes: Is there any way Howard Shore is not going to the Oscars? The made-in-Toronto composer, having already score-scored with The Lord of the Rings — three golden statuettes for his work with the trilogy — is once again on the tips of awards-watchers’ tongues. The source of all this sweet clamour? His lift-off for Hugo, a collab with Martin Scorsese — his sixth! — that lushly wish-fulfills “a Paris train station into a 12-year-old’s Neverland of sparkling strings, accordions and the pure bliss of movie creation,” as one observer raved in print.
One might say that the Shore-Scorsese kinship is a simmering bromance! Although — hey! — our own David Cronenberg had him first; Howard’s additional composition this season for A Dangerous Method is the 10th time — 10th! — he’s worked with the Canadian auteur. More..
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