Yesterday Peter Jackson and team unveiled Neil Finn’s song from The Hobbit: An Unexpected Journey. Today, Empire has the full soundtrack for your listening pleasure. Listen, enjoy and get a taste of what we’re in for come December 13 when the film hits screens. Note: this stream is working — we have confirmations from readers in both the USA and the UK. It does seem to be finnicky though, and we’re not sure why. We can only wish you the best of luck when you click to listen! Continue reading “Listen to the full Hobbit soundtrack on Empire!”
Category: Crew News
All news about the LOTR Crew.
It appears that at least for the next few weeks, all advance purchases of The Hobbit: An Unexpected Journey movie tickets on Fandango will earn purchasers a free song download. The song will be Howard Shore’s “The Adventure Begins” and once you make your purchase, they will be sending you an electronic coupon to download the song. Every transaction will trigger this free download, until November 30. So buy early, and collect your song. And make sure you jump on our Message boards (TORn Moots) to talk about what theater you will be going to and what format you will be seeing, and most importantly, will you be in costume. Scan our Line Party pages, find one to join, or create one of your own.
If you haven’t heard Howard Shore’s ‘Radagast The Brown’ yet, you’re missing out. I can only urge you to go and have a listen. Some people have described the leitmotif (I spelled it right this time) as Slavic in nature, or rustic. Others discern hints Hans Zimmer’s work on the TV series Sherlock. Here at TORn, a few of us have been listening to the track pretty closely, and deciphering what makes it tick. Continue reading “More thoughts on ‘Radagast The Brown’”
In my opinion, this is the single-coolest thing related to the Hobbit all year. It’s a preview of the track Radagast the Brown from the soundtrack of The Hobbit: An Unexpected Journey. Straight up: it’s fantastic.
The lietmotif is a lurching thing of strings and gearlike percussion that could almost be the work of rock auteurs Nick Cave and Warren Ellis and some of Ellis’s work with The Dirty Three. Throughout the piece, this lietmotif repeats several times, one of the variations adding a piercing choir. Gripping stuff, and really puts me in mind of Radagast working in his digs in Rhosgobel. It’s an unbelievable improvement on the bland canned music that was underneath the second trailer (which incidentally was not the work of Shore). Since, as we all know, writing about music is like dancing about architecture, I’ll just stop at this point and say: go listen to it yourself.
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Back in July I posted the first in this series of memoirs about my work on my book, “Researching THE FRODO FRANCHISE: Part I, Off to Wellington without a Handkerchief.” I’ve been all too long in following it up, but lots of travel, including attending the “Return of the Ring” event in England in August, has interfered. I’ve got at least a dozen of these entries planned, so despite the fact that so much attention is focused on The Hobbit, I’d better get going!
This entry begins my recollections about the places where The Return of the King was still being worked on when I showed up at the end of September, 2003. They are scattered mostly around the Miramar peninsula, which was and is sometimes referred to as “Wellywood.” I gradually visited all of them to interview filmmakers or to get tours to familiarize me with the facilities that Peter Jackson and his colleagues had built up. That process had happened during the 1990s, but it accelerated to a breathless pace as the infrastructure for accomplishing the three parts of The Lord of the Rings were built and expanded.
Those facilities have grown even further as King Kong, Avatar, and now The Hobbit have been made. This is the story of how I discovered them in 2003 and 2004. Continue reading “Researching THE FRODO FRANCHISE: Part 2, Arriving in Wellywood”