Howard Shore’s score for ‘The Hobbit: An Unexpected Journey‘ is out today! If you pre-ordered via Amazon or iTunes, you should be getting your shipping or availability notices right now. If you have not placed your order…what are you waiting for?!? The soundtrack is available both digitally and as a 2 CD set. The Special Edition of the soundtrack features six exclusive bonus tracks, seven extended score cues, and deluxe liner notes. Click on one of the links here to place your order today. After the break you can view the official release from Nov 1st outlining the tracks and detailse. [itunes: Special Edition or Standard] [Amazon.com: Special Edition or Standard]
How did Peter Jackson turn one small book into another massive film trilogy? Simple: all it took was some imagination and a bit of help from the author of The Hobbit himself.
The director has taken heat for turning what was intended to be a two-part prequel to his Lord of the Rings series into a three-part saga, especially given that the first Hobbit film clocks in at nearly three hours. Unlike the LOTR books, The Hobbit is a thin volume written for children, leading some to accuse him of stretching out narrative and milking the franchise. Instead, Jackson contends that the brevity of the book actually helped make it possible.
“The book is written in a very brisk pace, so pretty major events in the story are covered in only two or three pages,” Jackson told reporters on Wednesday. “So once you start to develop the scenes and plus you wanted to do a little bit more character development, plus the fact that we could also adapt the appendices of Return of the King, which is 100-odd pages of material that sort of takes place around the time of The Hobbit, so we wanted to expand the story of The Hobbit a little bit more, as did Tolkien himself. So all those factors combined gave us the material to do it.”
The appendices, which were tacked onto the final book of the Lord of the Rings series, fill in many blanks that were left in The Hobbit, which co-screenwriter Philippa Boyens pointed out.
“If we hadn’t done The Lord of the Rings, we wouldn’t have had done this. But we did,” she said. “We know where Gandalf was. So as soon as we knew we were going to that part of the tale, what happens in those years, because we knows what happens because Tolkien kept writing, you start to draw in and make a mythology.”
Series newcomer Richard Armitage, who plays the lead dwarf Thorin, chalked it up to the entire saga’s deep subtext.
Ever wondered exactly what they do at Weta Workshop and Weta Digital? Richard Taylor talks about their work in this neat little clip. Plus there’s some footage and red carpet interviews from the Wellington premiere of The Hobbit: An Unexpected Journey that you may not have sen previously. Continue reading “Richard Taylor talks about Weta’s work”
Courtesy of Warner Bros Belgium, here is an amazing 13-minute look into The Hobbit: An Unexpected Journey. It features behind-the-scenes footage, interviews with Philippa Boyens, Peter Jackson, Martin Freeman, Richard Armitage and many, many other key cast and crew members where they discuss the inspiration for, and direction of, the story the first film reveals. Plus there’s plenty of new, previously unseen (at least by me!) sneak previews of what you’ll see on the big screen! So I guess I’ll add: spoilers! Continue reading “The Hobbit: An Unexpected Journey – 13-minute TV special!”
In amongst all the excitement and celebration of the new Hobbit movie, tonight the very sad news has broken that Eileen Moran, an Executive Producer at Weta Digital, died in New Zealand on Monday this week. Moran worked extensively with Peter Jackson and the Weta team, including on The Lord of the Rings movies and The Hobbit movies. She missed the Hobbit premiere last week because she was in hospital. You can read more here. Everyone in the TORn community would like to extend deepest sympathies to her family, her loved ones, her friends and her colleagues.
Will Gollum appear at the end of the third film?Although the wait is nearly over for the familiar goblins and mystical forests of The Hobbit: An Unexpected Journey, senior visual-effects supervisor Joe Letteri says the only thing that remains the same for this iteration of Peter Jackson’s fantasy films is on the surface. The digital tools that brought countless Orcs to life and gave Gollum his distinctive distorted face are virtually unrecognizable from those used a decade ago for the The Lord of the Rings trilogy.
“It’s changed almost completely,” Letteri says. “On the outside, you want Gollum to look like the same character, but he’s completely different” underneath.
The biggest change from the first set of films is the way that actor Andy Serkis’ performance is captured and analyzed in order to create the digital character, according to visual-effects supervisor Eric Saindon. “Our facial capture has progressed leaps and bounds,” he says. “Now we actually capture all of Andy’s performance, when he’s acting with Martin (Freeman) in Gollum’s cage on set. We have a small camera attached in front of his face that captures his exact facial performance. Rather than an animator going in and doing it frame-by-frame, the computer analyzes Andy’s performance and then fires Gollum’s muscles to do the exact same thing. So the first half of the animation, which is the raw mo-cap data, is really Andy.”
“We know so much more about how the face works,” Letteri adds. “When people communicate face to face there are so many things that are going on that you really have to study now and put into the characters. We hope that people recognize that there’s this extra layer of depth.”