The Hobbit: An Unexpected Journey Extended Edition
The Hobbit: An Unexpected Journey Extended Edition
Fans anxious for word on the “The Hobbit: An Unexpected Journey Extended Edition,” can officially check off calendar dates, Warner Bros. has released the Kracken — or at least the dates when it will release what is expected to be a monster on home video. In the U.S. Tuesday, Nov., 5 is the street date available for the film with its 13 extra minutes of footage edited and scored directly into the film. That means customers can walk in and buy it off the shelf or, as more often is the case with big title releases, look for it from home delivery after buying it online or pick it up from the outlet where they have placed a pre-order. Those purchasing a digital download can have it much sooner, October 22nd (likely a world-wide availability date.) International street dates vary, but it is believed Nov. 4 is the date for the U.K..
U.S. consumers will have three options with different suggest retails price:
* 5-disc Blu-ray 3D set ($54.98) (includes a non-3D Blu-ray version)
* 3-disc Blu-ray ($35.99)
* 5-disc DVD ($34.99)

In a press release from Warner Bros., Peter Jackson said of the new edition:

“I’m thrilled that the Extended Edition will give fans the opportunity to experience certain key scenes in the film as they were originally shot, as well as an abundance of special features,” said Jackson. “It’s exciting to present this expanded and enriched version of ‘An Unexpected Journey’ to allow fans to fully immerse themselves in the movie, before seeing the second part of the trilogy.” 

Each of the three films in Jackson’s “Lord of the Rings,” trilogy received a deluxe Extended Edition treatment around November after a December theatrical release and for many fans those longer cuts of the films are the definitive versions. Also widely loved are the extras on those editions which stand, even for non-Tolkien / Jackson fans, as among the elite extras on any film ever released. With the deflation of the home video market, extras on film releases are definitely trending downward in quality and quantity as studios see less or no return on the investment to put added value on the discs but that does not seem to be the case here.

The Two Towers Extended Edition
The Two Towers Extended Edition
The same team behind those releases (which were ported unchanged to Blu-ray) have done the work here to tell the story behind first The Hobbit film with an announced “nearly nine hours” of content. They also shot and produced the video blogs that Jackson has posted on his personal Facebook page during the production of the films directly to fans and which served as the extras for the theatrical home video release of the films. The press release announcing the extra content on the Extended Edition of the film not only boasts nine hours of content but an audio commentary from director, producer and screenwriter Jackson and Philippa Boyens who earned a co-producer and screenwriting credit on the films. The extras are described as “The Appendices – A multi-part chronological history of the filming of The Hobbit: An Unexpected Journey.” This fits in with the LOTR discs and how they were titled, which bodes wellfor them fitting as an entire package.

The released box art of the EEs is not what many readers of TheOneRing.net hoped for. Nothing is exactly wrong with the shot of Bilbo Baggins holding his sword Sting and looking a bit worried against a generic forest background, but it feels standard and bland on a version of the film that consumers want to be special. Each of the LOTR films was a different solid color with the film’s title in gold with appropriate and subtle Tolkien-esque markings around the box. In fact, the packaging was virtually flawless for those films, matching the high standard of content. A non-staff story about this subject was posted just this week.

The-Hobbit-An-Unexpected-Journey-33795_1In fairness, those titles were a different studio’s release (part of New Line Cinema’s Platinum Series) and this is a different commercial era for home video. With a declining market it is easy to see why a studio would want any consumer, especially casual ones, to know immediately what film they are looking at on a store shelf. However, these Extended Editions may well get lost among the regular editions instead of stand out as distinct and prestigious. This writer doesn’t speak for TORn, but I am disappointed.

Still, it is a solid bet that viewers are much more concerned with what is on the inside of the box and call it a hunch, with the production video blogs setting the standard, this content will delight consumers. This is a good time for the public to demonstrate to film studios how much we do care about excellent content to go with fan-favorite films on home video releases. If sales aren’t stellar, who knows what the fate of the next two films’ extended editions might be.

TheOneRing.net will review the Extended Edition and the added content as soon as it becomes available to us. We will also keep readers updated with different added-value incentives from big retailers, if any are available. The entire press release is presented below after a clip from the extended edition.

THE HOBBIT: AN UNEXPECTED JOURNEY EXTENDED EDITION

A PRODUCTION OF NEW LINE CINEMA
AND METRO-GOLDWYN-MAYER PICTURES,
ARRIVES ON DIGITAL DOWNLOAD ON
OCTOBER 22TH AND ON BLU-RAY 3DTM,
BLU-RAY™ AND DVD NOVEMBER 5TH FROM
WARNER BROS. HOME ENTERTAINMENT

Features a 13-Minute Longer Cut and 
 Nearly Nine Hours of New Special Features
Burbank, Calif., July 31, 2013 – Fans of Middle-earth will have the opportunity to gain a broader experience of The Hobbit: An Unexpected Journey, from Academy Award®-winning filmmaker Peter Jackson, when the epic fantasy adventure is released as an Extended Edition on Digital Download October 22nd and on Blu-ray 3D, Blu-ray and DVD on November 5th from Warner Bros. Home Entertainment (WBHE). A production of New Line Cinema and Metro-Goldwyn-Mayer Pictures, this new cut includes 13 minutes of extra film footage that extends individual scenes, making this the must-see, definitive version for fans. All disc versions of the Extended Edition include nearly nine hours of new bonus features and will be available just ahead of the December 13 theatrical release of the second film of the trilogy, The Hobbit: The Desolation of Smaug.

“I’m thrilled that the Extended Edition will give fans the opportunity to experience certain key scenes in the film as they were originally shot, as well as an abundance of special features,” said Jackson. “It’s exciting to present this expanded and enriched version of ‘An Unexpected Journey’ to allow fans to fully immerse themselves in the movie, before seeing the second part of the trilogy.” 
The Hobbit: An Unexpected Journey Extended Edition will be available as a 5-disc Blu-ray 3D set ($54.98 SRP) that features the Blu-ray 3D and Blu-ray versions of the Extended Edition; a 3-disc Blu-ray ($35.99) and a 5-disc DVD ($34.99) The Blu-ray 3D, Blu-ray and DVD all include UltraVioletTM which allows consumers to download and instantly stream the Extended Edition in high definition to a wide range of devices including computers and compatible tablets, smartphones, game consoles, Internet-connected TVs and Blu-ray players.* 
The nearly nine hours of new special features boasts audio commentary with Peter Jackson, director/producer/screenwriter, and Philippa Boyens, co-producer/screenwriter, and “The Appendices,” a multi-part documentary focusing on various aspects of the film and the Trilogy. Complete special feature details are provided below.
The first of a trilogy of films adapting the enduringly popular masterpiece The Hobbit, “The Hobbit: An Unexpected Journey” was nominated for three Academy Awards®1.

SYNOPSIS

The Hobbit: An Unexpected Journey is the first in Peter Jackson’s highly anticipated trilogy adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien.
The adventure follows the journey of title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor from the fearsome Dragon Smaug. Approached out of the blue by the Wizard Gandalf the Grey, Bilbo finds himself joining a company of 13 Dwarves led by the legendary warrior, Thorin Oakenshield. Their journey will take them into the Wild, through treacherous lands swarming with Goblins, Orcs and deadly Wargs, as well as a mysterious and sinister figure known only as the Necromancer.
Although their goal lies to the East and the wastelands of the Lonely Mountain, first they must escape the Goblin tunnels, where Bilbo meets the creature that will change his life forever…Gollum.
Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths of ingenuity and courage that surprise even him; he also gains possession of Gollum’s “precious” ring that holds unexpected and useful qualities…A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to know.
The screenplay for The Hobbit: An Unexpected Journey is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Boyens and Eileen Moran serving as co-producers.

New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), Present a WingNut Films Production, The Hobbit: An Unexpected Journey. All three films in The Hobbit Trilogy, also including The Hobbit: The Desolation of Smaug, and the final film, The Hobbit: There and Back Again, are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures handled worldwide theatrical distribution, with select international territories as well as all international television distribution handled by MGM.

ALL-NEW SPECIAL FEATURES ON BLU-RAY 3D, BLU-RAY AND DVD:

Commentary with Peter Jackson, Director/Producer/Screenwriter and Philippa Boyens, Co-Producer/Screenwriter
The Appendices – A multi-part chronological history of the filming of The Hobbit: An Unexpected Journey, covering pre-production in the various departments of the film in the months leading up to the start of principal photography, the boot camp training for the main cast, the work done on set chronologically through the three shooting blocks and in the world of its digital effects.
New Zealand: Home of Middle-earth

The Hobbit: An Unexpected Journey Extended Edition
Street Date: November 5, 2013
Order Due Date: October 1, 2013
Rating: PG-13
Run Time: 184 mins.
Blu-ray 3D: $54.98 SRP
Blu-ray: $35.99 SRP
DVD: $34.99 SRP

Note: All enhanced content listed above is subject to change.

Blu-ray Disc™ and Blu-ray™ and the logos are the trademarks of Blu-ray Disc Association.
Warner Home Video Blu-ray Discs offer resolution six times higher than standard definition DVDs, as well as extraordinarily vibrant contrast and color and beautifully crisp sound. The format also provides a higher level of interactivity, with instant access to extra features via a seamless menu bar where viewers can enjoy features without leaving or interrupting the film.

ULTRAVIOLET

*UltraViolet allows you to collect watch and share movies and TV shows in a whole new way.  Available with the purchase of specially marked Blu-ray discs, DVDs and Digital Downloads, UltraViolet lets you create a digital collection of movies and TV shows.  Services such as Flixster and VUDU allow you to instantly stream and download UltraViolet content across a wide range of devices including computers and compatible tablets, smartphones, game consoles, Internet-connected TVs and Blu-ray players.  Restrictions and limitations apply.  Go to www.ultraviolet.flixster.com/info for details.  For more information on compatible devices go to wb.com/ultravioletdevices.


About Warner Bros. Home Entertainment Inc.

Warner Bros. Home Entertainment (WBHE) brings together Warner Bros. Entertainment’s home video, digital distribution and interactive entertainment businesses in order to maximize current and next-generation distribution scenarios. An industry leader since its inception, WBHE oversees the global distribution of content through packaged goods (Blu-ray Disc™ and DVD) and digital media in the form of electronic sell-through and video-on-demand via cable, satellite, online and mobile channels, and is a significant developer and publisher for console and online video game titles worldwide. WBHE distributes its product through third party retail partners and licensees, as well as directly to consumers through WBShop.com and WB Ultra.

About Metro-Goldwyn-Mayer Inc.
Metro-Goldwyn-Mayer Inc. is a leading entertainment company focused on the production and distribution of film and television content globally.  The company owns one of the world’s deepest libraries of premium film and television content.  In addition, MGM has investments in domestic and international television channels. For more information, visit www.mgm.com

Peter Jackson with Dean O'Gorman and Aiden Turner on the final day of shooting The Hobbit.
Peter Jackson with Dean O’Gorman and Aiden Turner on the final day of shooting The Hobbit.

Peter Jackson has always been pretty open with fans about his process of making films. He answered 20 questions for anybody interested way back in 1998 on Aintitcoolnews back when film fans had just climbed out of the internet’s primordial ooze. He followed this up with a series of interactions with communities definitely including TheOneRing.net (highlighted by attending our Oscar parties and allowing founder Tehanu set access) and our sister site, KongIsKing.net where he posted twice-weekly production diaries while shooting that film. The behind-the-scenes effort was as demanding as shooting a many films — done  while his team was shooting a film. Think what you want of “King Kong,” but the innovative work to share it with fans may never be equaled. You can see the old diaries running down the right side of the KiKn page. We (the all-volunteer TORn staff) would have loved to host again but by the time the three movies based on J.R.R. Tolkien’s “The Hobbit,” were shooting, social media provided Facebook for many millions around the globe and gave Jackson a direct link to fans.

He continued to release production diaries, and he was able to simply showcase them directly on his own Facebook account. With nearly a million likes, he found a way to self publish, directly to his audience, with or without the studio’s help — but likely with its blessing.

Peter Jackson and Graham McTavish on the final day of shooting The Hobbit.
Peter Jackson and Graham McTavish on the final day of shooting The Hobbit.

Today marks the final day of shooting the films in New Zealand. The day caps off a ten-week period planned from the beginning to shoot pickups for both remaining films and also capture the great Battle of Five Armies on film. For weeks now Twitter and some announcements have been signaling final shooting days for specific actors from the films. Jackson has now used Facebook again to publish many updates about how his day has progressed and what the two units are shooting as the final shots get ticked off the list in an almost Twitter-like fashion. (Except that his post are much more wordy!)

The first post is an early-morning announcement that he can’t sleep, is watching fight rehearsals and what he hopes to accomplish with the feed. view from his own house with another shot of his cat saying its goodbyes as he heads to the lot to shoot. He says,

“Ever since starting these blogs, there’s been something I thought I’d like to try one day (as well as answering the other 19 questions I owe you!) – blogging throughout a shoot day in real time. Try to give you all a feeling for what we deal with on an average day.

Today is not exactly “average”, given it’s our last day of shooting, but if I don’t do it today, I never will!”

penguinsWe go on to see a view from his home, a view from his cat into the lens and then on to work, arriving at the security gate at the studio. He continues with updates much of the day, appropriately sharing those final hours on set. There is a lot of work to be done but there is something that resonates even with fans about the moment when the cameras turn off. Film crews can work only work certain numbers of hours with a lunch and then overtime kicks in. This means everybody must be fed as the hours reach over 12 worked for the day. This seems likely on the final day and at last posting, only two set ups (getting the lights and sets and everything else ready to shoot) were left for Jackson’s unit while something close to the same number remained for the action unit. As Jackson said,

9.21pm. Getting very near the end …

Jackson also gives great insight into his own personal film process and has a great shot from his director’s tent. I have spent time in that tent and not only is the shot great, but the explanation of his tent crew are as well. They will never be recognized as widely as they deserve but they are excellent, each in their own way.

Peter Jackson's "Tent Crew," who help him make movies.
Peter Jackson’s “Tent Crew,” who help him make movies.

When the final shot ends, after several takes where he says something like, “That was great, lets do one more,” Jackson will call “cut” and despite being digital, he will tell the camera people to “check the gate,” a term for film cameras to make sure everything was captured. “Clear” will come the traditional response, “gate is clean.” After that, expect hugs and tears and cheering and probably bubbly beverages. If I don’t miss my guess, a lot of party-time too.

A lot of work will remain of course, but that will end the work of many, many hundreds of people who helped made the illusions that we see as Middle-earth on film. Sets will no longer be built, costumes and makeup and prosthetics and hair and set dressers and lighting and camera departments will all be done working on a live set.

And, for the present and perhaps long into the future, the rights for further Middle-earth stories aren’t available. That ends the process of shooting the adaptation of the works of J.R.R. Tolkien.

Fans world wide, many of whom feel part of these efforts or at least connected to them, will also celebrate and feel sad.

Those of us attending Dragon Con in Atlanta over Labor Day will be pleased to welcome Hobbit actors William Kirtcher, Graham McTavish and the Doctor / Wizard Sylvester McCoy. TheOneRing will have a fan table there and the Tolkien Track will have daily panels with parts or all three of the trio for four days of the convention.

Jackson will continue to update as the cast and crew shoot long into the New Zealand night, perhaps for the final time in Middle-earth.

 

UPDATE: The shooting did finish. Jackson went home to daughter Katie throwing a party at home. Jackson ended things like this:

.14am.

Back with Mr Smudge.

A long day. A great day. Thank you all for being part of it! Now for some sleep!

SDCC2013 TH WETAPreview night at San Diego Comic Con is just that, a 3 hour preview of the show, with the Exhibitor’s hall open, and several sneak peeks of upcoming network Pilot shows for the Fall Season of new television. There are no panels or major presentations going on, just the room screening the pilots (no guests) and the gigantic exhibit hall. Here you see an image of the side approach to the WETA booth from a bit of a distance, just look for Gandalf watching over everyone.  Continue reading “SDCC Wednesday Preview night Recap”

Howard Shore Sir Peter Jackson’s second instalment of The Hobbit movie has become music to the ears of the New Zealand Symphony Orchestra.

The NZSO will record the soundtrack to The Hobbit: The Desolation of Smaug in Wellington Town Hall, most probably in September, before the century-old venue undergoes $43.7 million of earthquake strengthening.

The orchestra will work with Oscar-winning Canadian composer Howard Shore.

“The very first music ever recorded for Howard Shore’s magnificent score for The Lord of the Rings was done here, in Wellington, back in 2001 in the town hall,” said Sir Peter. “The piece, written for the Fellowship’s journey into the Mines of Moria, was beautifully performed by the New Zealand Symphony Orchestra and showcased the exceptional acoustics of this over 100-year-old building.” Continue reading “NZSO to record Desolation of Smaug soundtrack”

Martin Freeman waves goodbye on his last day as Bilbo Baggins.
Martin Freeman waves goodbye on his last day as Bilbo Baggins.
Peter Jackson has shared on his Facebook page that Martin Freeman has finished his last shot as the film’s titular character Bilbo Baggins. The filming segment currently underway is a 10-week period that was always scheduled for pickups (shots that fill in the cracks once a rough edit of the film is assembled) and scenes for the massive Battle of Five Armies. Bilbo, as written in the book, has a relatively small part to play in the actual battle with his more significant role happening in the lead up to the massive conflict. (Knowing Peter Jackson, this will really be a spectacle!)

Jackson, who shares photos and videos on his Facebook page, captioned a photo of Bilbo waving goodbye:

“Tonight Martin Freeman finished his last shot as Bilbo Baggins. The end of an incredible two and a half years. I cannot imagine anyone else in this role – a character that Martin has nurtured and crafted with love and great skill.

We have said goodbye to our elves, humans, wizards and now the hobbit. We now enter our final 2 weeks of pick-ups, and it’s wall to wall dwarves. These pick-ups have been gruelling and intense, but I’m so happy with what we’ve been shooting. These next two movies are going to be pretty great!”

Martin Freeman as Bilbo with Benedict Cumberbatch.
Martin Freeman as Bilbo with Benedict Cumberbatch.
Soon after, Jackson followed up that post with a somewhat historical shot of Freeman as Bilbo with Benedict Cumberbatch, famously his partner in their Sherlock Holmes television series. The two also figure prominently together in the next Hobbit film as Cumberbatch performs the massive dragon Smaug from his performance capture suit and has a key exchange with Bilbo. When behind-the-scenes content rolls out after the film, there may be more of them together on the Hobbit films but little has been seen so far. With the performance capture role, there could be precious little of the two actors together in New Zealand.

All reports and word from Jackson indicates there will not be pickup shooting next year but Jackson had a period of these after ever LOTR film and it is tempting to suggest there will be more next year. But with such a large principal cast, such an effort might be impossible because of scheduling.

Still in Wellington are the Company of Dwarves which could mean a heavy dose of battle scenes as audiences will want to follow each of them in battle. The book plotting calls for ferocious and deadly action.

LukeEvansLuke Evans, playing the enigmatic Bard the Bowman in “The Hobbit: The Desolation of Smaug,” also tweeted that his last day on the film is over. Evans’ Tweet suggests he is off to work as Dracula after a summer where his “Fast & Furious 6” did big business at the box office.

Graham McTavish also tweeted his farewells to Freeman.

MiriamStockley

Man sí minna? Man ammen toltha i dann hen Amarth?
I anann darthant dam morn, si dannatha.

A little more than a decade ago, these very words drew us into the world of Middle-earth even as a woman in her deep voice began narrating the tale of its history with the unforgettable words “The world has changed. I feel it in the water, I feel it in the earth, I smell it in the air…

Voiced by Miriam Stockley, a vocalist hailing from Johannesburg, South Africa, the text entitled “The Footsteps Of Doom” speaks to the theme of Galadriel facing her ultimate temptation and her choice that would determine the eventual fate of Lothlórien, and Middle-earth:

Who enters here? Who brings to us this token of Doom?
That which has stood so long against the darkness will now fall.

 

Join us in this exclusive interview with Miriam as she takes us back to the year 2001 to talk about her time recording with The London Voice on the score for The Lord of the Rings. Continue reading “TORn ‘4th of July’ Exclusive: Interview With Miriam Stockley”