Part one of this spotlight on Evangeline Lilly and her character Tauriel was published yesterday. Click here to read it.
(Evangeline Lilly as Tauriel.)In the first part of this story, Evangeline Lilly discussed her childhood love for “The Hobbit,” and her decision-making process that led her to move her family to New Zealand and work with director Peter Jackson as a character not found in J.R.R. Tolkien’s 75-year-old classic. She plays an elf in the forest kingdom of Thranduil where his son Legolas also lives.
How does an actor differentiate her character in a set of films stuffed full with grand, immortal elves?
“Somebody asked me, ‘Did you study a lot of the other elves? The performances of the elves from Rings to do this role?’ I said distinctly ‘no.’ I intentionally didn’t re-watch the movies because I was afraid of trying to copy someone’s performance and I wanted it to be original.”
“All the other elves you’ve ever seen in these movies are at least twice my age, at least twice Tauriel’s age, so they are very wise and they’re very well established in their power and their understanding of the world. I’ve intentionally tried to demonstrate that she’s not there yet. She’s young, she’s only 600 years old and in elven terms, that is so young. She’s just a baby.”
Lilly is even playing some layers of the role in a way she wants those diehard fans to understand.
“I like the idea of playing with a young elf, how would they behave? How would they be different from the aged elves? And I hope that it doesn’t come across as wrong, you know what I mean? I hope it doesn’t come across to people who really know the world as she’s not quite got it down. Because that’s my goal, to not quite have it.
“She wants to be as wise, she wants to be as much of a presence as all of her elders but she’s not. She’s a kid and there’s a part of her that is always a little too excited about things or maybe a little too engaged in the world, the way kids can get. And I think that was something I wanted to tell the really diehard fans.
WELLINGTON, New Zealand — Those outside of the movie making business often don’t understand what The Producer does on a film. The quickest answer is: They get the movie made. They get things done.
In the case of Zane Weiner on “The Hobbit,” it meant getting in touch with someone nobody was meant to get in touch with.
Evangeline Lilly.
Living in Hawaii, she was a month removed from the birth of her child, email turned off, not taking calls about work and still confined to bed rest.
“So I was still in bed with the baby,” she told TheOneRing.net in full Tauriel outfit and gear during a lunch break on a full day of filming on “The Hobbit.”
This lunch tent, while perhaps not glamorous, is an essential part of Stone Street Studios and making Peter Jackson movies, designed to feed and shelter quite an enormous crowd. Breakfast was served there for anybody wanting to start the day off right. Coffee and tea were available on any sound stage but also in the tent — a first stop for many on a shoot. Continue reading “Evangeline Lilly gets personal with TORn about Tauriel and ‘The Hobbit: The Desolation of Smaug’”
(The outdoor Lake-Town wet set with extras and crew assembled for a night shoot on “The Hobbit.”)
WELLINGTON — The great cities of history have risen up around rivers, lakes and on coasts. Water holds vast and replenishing stores of food, improves transportation of people and goods, encourages trade, and of course keeps a population hydrated. Paris. London. Hong Kong. New York. Tokyo. Moscow. Boston. On and on.
Lake-town benefitted from excellent transportation and presumably a wealth of fish and food and clean, fresh water but it was built on water for a different reason.
Dragons.
One dragon in particular: Smaug The Terrible.
Tolkien’s Lake-town, like real-world Venice, was built on wooden pillars sunk into water. The lake men — with the destruction of Dale seared forever into their memory — built on water for safety. We watched it in the prolog of “The Hobbit: An Unexpected Journey,” while they had to live with the fear of dragon every day. Water-based living provided at least a chance against the great and terrible worm if he ever attacked again.
Director Peter Jackson in the gallery of the Wellington Town Hall during the New Zealand Symphony Orchestra’s recording sessions for ‘The Hobbit: The Desolation of Smaug’. Photo / Hagen Hopkins. Russell Baille from The New Zealand Herald gets the low-down on the recording process at Wellington Town Hall last month. He was present last month as the New Zealand Symphony Orchestra laboured mightily with orchestrator Conrad Pope, Peter Jackson and senior audio engineer Peter Cobbin to bring composer Howard Shore’s musical vision to life.
My favourite quote from Conrad Pope:
“It always pays to have great performers. Whenever you are in front of an orchestra you are in front of almost 2000 years of musical experience if you think about it. So you are taking that expressiveness and you are unleashing that. If you have a digital thing it is only one person. That is why it’s so remarkable to have that kind of power in this orchestra here.”
I can’t recall if this has been previously revealed, but this official synopsis — more complete than the short version currently on The Hobbit website — actually has some really interesting implications if you have a read through and examine who’s listed and (more importantly), who’s not.
As folks observed after the debut of the second Desolation of Smaug trailer, Guillermo del Toro is back in the credits for his work on the screenplay. There’s a co-producer nod for the late Eileen Moran as well. Highlight the space below to read the key omissions, and some fairly hefty spoiler analysis of what those omissions could mean for the movie.
“All the other elves you’ve ever seen in these movies are at least twice my age, at least twice Tauriel’s age, so they are very wise and they’re very well established in their power and their understanding of the world. I’ve intentionally tried to demonstrate that she’s not there yet. She’s young, she’s only 600 years old and in elven terms, that is so young. She’s just a baby.”
If you’re a bit of a vinyl fan (confession: I am), you’ll find this news about The Hobbit: The Desolation of Smaug soundtrack quite exciting. Apparently it’s going to be released on good old-fashioned vinyl on December 3. 
I can’t recall if this has been previously revealed, but this official synopsis — more complete than the short version currently on The Hobbit website — actually has some really interesting implications if you have a read through and examine who’s listed and (more importantly), who’s not.