Moviescore, a site dedicated to tracking film music, reports that New Zealand composer and award-winning music editor Stephen Gallagher has been tapped to score the music for Kenji Kamiyama’s The Lord of the Rings: The War of the Rohirrim.
Gallagher is probably best-known to Tolkien fans for his work on The Hobbit where, as well as working as music editor on all three films, he composed the songs ‘Blunt the Knives’ and ‘The Torture Song’ for An Unexpected Journey.
Perusing IMDB reveals that Gallagher has previously composed music for a range of documentaries and short films, but arguably this is his most prominent compositional role to date.
He also has a decades-long career as music editor spanning big productions like Avatar: The Way of Water, District 9 and Wolf Warrior 2 to niche films such as Amy Berg’s West Of Memphis and Peter Jackson’s The Lovely Bones. Last year, he won an Emmy Award for his sound work on Peter Jackson’s The Beatles: Get Back.
IMDB states that he’s currently based at Park Road Post Production in Wellington — a facility that’s owned by Peter Jackson’s WingNut Films.
The War of the Rohirrim is slated to release on April 12, 2024. Director Kenji Kamiyama is also currently co-directing on the final season of Ultraman with Shinji Aramaki which will debut on Netflix sometime in 2023.
SPECULATION
A speculatory post-script.
I was idly chatting with TORn staffer Justin about the leak/confirm and he wondered if the selection of Gallagher could indicate a return to the style of music that was the hallmark of the Rankin Bass animated features. After all, Blunt the Knives in An Unexpected Journey is very much a homage to the sing-along style of the animated Hobbit of 1977.
Personally, I’m inclined to say no.
I feel that both Blunt the Knives and The Torture Song (as sung by Barry Humphries) owe more to a combination of the children’s tale-nature of Tolkien’s novel and the comedic sensibilities of Peter Jackson (Meet the Feebles, anyone?).
On the other hand, the tale of Helm Hammerhand is far grimmer. It’s also a little tempting to add that Kamiyama animes typically play the material straight, but then the quirky Tachikomas (AI spider tanks/mechs) of the Ghost in the Shell: Standalone Complex animated series are a spectacular outlier. Kamiyama leverages them in multiple ways: surreal comics, action heroes, philosophers, and ultimately as beings capable of self-sacrifice. The “cute” Tachikoma moments don’t devalue the serious ones. In fact, they make them more rounded characters (I dare say, more human — a crucial point to the story Ghost in the Shell explores).
So, if Kamiyama could see a way that a quirky, lyrically focused tune would serve the needs of the Helm story, he absolutely has the chops to pull it off.
Neverthless, I think it’s probably better to calibrate musical expectations more in line with the thoroughly grounded nature of Kamiyama’s acclaimed adapatation of the fantasy story Serei no Moribito. If nothing else, it’s still difficult to get folks to take anime as a serious artform that’s not “just for kids” without hobbling your production with a bunch of cutesy tunes. I’m surer Warner Bros. will be keenly aware of that.
All that being said, we know that Miranda Otto has a very fine singing voice. If, as Éowyn, she’s relating this tale to someone (like her grandchild Barahir) there’s certainly an opportunity for her to sing in the intro, or some lament as the outro at the end. I like that idea.
Last September we brought you the exciting news of screenings of The Fellowship of the Ring, to be performed with live orchestra at Radio City Music Hall in New York. Time has flown by, and now those special performances are NEXT WEEK!
The good news is, two extra dates have been added; the shows are now Feb 6, 7, 8 and 9. It has also been announced that the orchestra for the performances will be the Lviv National Philharmonic Orchestra of Ukraine! AND there will be a post-concert talk, with conductor Maestro Wicki, each evening. For those of you lucky enough to be able to go, there are still some tickets available; click here to get yours!
AND – if you’re hoping to meet up with fellow fans, either before or after the concert, on Monday 6th Feb we have reserved the upstairs at McCarthy’s bar (46th and 6th). Go along before or after – the kitchen stays open until 2am! – head upstairs, and find your kindred spirits! (Or just spirits at a well stocked bar…) Have fun!
Both CRIMES OF THE FUTURE and THIRTEEN LIVES featured the Aragorn actor in top fashion, yet there was no fan discussion nor viewership numbers worth reporting from any studio. Taking into consideration this was the year of the inescapable RINGS OF POWER, the most expensive TV season ever telling the story of Aragorn’s heritage, we have to ask: what happened?
Crimes of the Movie Going
Viggo Mortensen re-teaming with Howard Shore should be enough to grab any LOTR fans attention, then add in that it’s David Cronenberg returning to his shock-scifi roots. There should be an ongoing buzz about this in 2022 right? But CRIMES OF THE FUTURE came and went with barely a whisper. According to Rotten Tomatoes it is a respectable 80% Fresh, and JustWatch says it is currently streaming on Hulu.
Not only does it have a new Howard Shore score (who has worked with Cronenberg on most of his films), CRIMES OF THE FUTURE is the fourth collaboration between the director and Mortensen – who was nominated for a Best Actor Oscar for their hit EASTERN PROMISES. Yet there’s been close to zero conversation on our message boards or twitter feed, as if nobody gave this film a try.
To be clear, Cronenberg films can an acquired taste and you the viewer should be prepared for full dark, body-shock genre storytelling. This movie was never going to be a blockbuster, but with a very fervent fanbase for both LOTR and Cronenberg and Shore, it’s surprising this film didn’t find its footing in cinemas or streaming.
THIRTEEN LIVES, NO THEATERS
The other Viggo Mortensen film that should have been a huge 2022 hit is THIRTEEN LIVES, directed by Ron Howard and co-starring Colin Farrell and Joel Edgerton. Critics and audiences agree that this is a great movie! An all-star cast, story ripped from the headlines, with one of the top directors of all time. It also was the best test-scores in MGM studios history.
THIRTEEN LIVES tells the story of the cave-diving rescue of a team of kids stuck underground in a Thailand monsoon. There’s also a meta-cultural touchpoint since this is the rescue event where Elon Musk called rescuers horrible names and promised a technological solution that never materialized, and Elon is one of the most talked about persons on the internet in 2022 with his takeover of Twitter. So between cultural relevance, meme opportunities, a real human story of heroics, epic test scores, this had all the hallmarks of a huge box office hit. Plus, THIRTEEN LIVES is produced by Amazon Studios, home to RINGS OF POWER.
We can guess why this film was direct-to-streaming, as Amazon wants people to sign up for Prime Video. But this film is a perfect theatrical experience where every thrilling hold-your-breath moment would be shared with strangers in a dark cinema. Prime Video has stated it still believes in theatrical distribution with its recent acquisition of MGM studios, so why didn’t this get a summer release? Top Gun Maverick is Tom Cruise’s biggest film of his career, while WB released several blockbusters on both HBO Max and theaters simultaneously.
Why wasn’t THIRTEEN LIVES put in theaters?
Why didn’t Prime offer this movie after each episode of RINGS OF POWER?
Why did Amazon make a movie with Isildur’s heir, in a year with their show about Isildur, and not promote it?
Does this movie show up in your Prime dashboard after watching the entirety of Rings of Powers?
Viggo Mortensen is turning in some of the best performances in 2022. As the movie industry enters awards season, maybe these films will get renewed interest and some nominations. Fans of Viggo Mortensen should definitely give THIRTEEN LIVES a go on Amazon Prime, and if you can stomach a jaunt with CRIMES OF THE FUTURE on Hulu.
With many new Lord of the Rings projects on the horizon, maybe there’s room for Viggo Mortensen to direct, write, score or star in more Middle-earth. Amazon or Embracer, give him a call.
Last weekend we sat down again with our friend Daniel Falconer, to catch up on what he’s been doing, and all things Weta Workshop. We were able to steal two hours of Daniel’s time – and this conversation is a classic. I believe you all are going to love the topics we touch on. As always, thank you for the support!
Prime Video has announced that Charlotte Brändström, Sanaa Hamri, and Louise Hooper will each helm multiple episodes for Season Two of The Lord of the Rings: The Rings of Power.
Readers will, of course, recall that Brändström directed a pair of Season One’s episodes: (1X06/“UdĂ»n” and 1X07/“The Eye”).
Hamri, an acclaimed music video director who has collaborated with artists such as Mariah Carey, Prince, and Snoop Dogg, recently completed executive producing and directing The Wheel of Time’s second season. Hooper has directed episodes of The Witcher, as well the season finale of Neil Gaiman’s The Sandman.
The announcement states that Hamri and Hooper will each direct two episodes, with Brändström to oversee the remaining four and serve as co-executive producer for the eight-episode season.
Season 2 is currently in production in the UK.
The Rings of Power Season Two’s directors
Charlotte Brändström is an award-winning director and graduate of the directing program at the American Film Institute. She recently finished directing a pilot for Netflix Sweden titled The Unlikely Murder, and her other directing credits for television include The Outsider for HBO; Jupiter’s Legacy, The Witcher, and Away for Netflix; The Man in the High Castle for Prime Video; and Outlander and Counterpart for Starz. Brändström also directed the entirety of two European limited series: Conspiracy of Silence for Viaplay and Disparue for FR2, and has also directed over 30 feature films, miniseries, and movies-of-the-week. Additionally, Brändström is an international Emmy award nominee for Julie, Chevalier de Maupin.
Sanaa Hamri is a renowned film, television, music video, and commercial director from Tangier, Morocco. She recently completed executive producing and directing The Wheel of Time’s second season for Prime Video. Previously Hamri was executive producer/director for FOX’s hit series Empire, and her other episodic television directing credits include Shameless, Rectify, Nashville, Elementary, Glee, and Desperate Housewives. Hamri is also an acclaimed music video director, and has collaborated with numerous hip-hop/R&B musicians including Prince, Common, Lenny Kravitz, Rhianna, Justin Bieber, Snoop Dogg, Jay Z, and Mary J. Blige. She has also won an NAACP Image Award for India.Arie’s “Little Things” video, as well as an MTV VMA for Nicki Minaj’s “Super Bass.” In addition, Hamri directed Mariah Carey’s sold-out five arena concert documentary, The Adventures of Mimi, and has also directed the feature films Something New, The Sisterhood of the Traveling Pants 2, and Just Wright.
Louise Hooper is an acclaimed British drama director, known for the 4-part limited thriller Flesh and Blood, starring Imelda Staunton and Stephen Rea; and Cheat, the 4-part drama starring Molly Windsor. Her additional directing credits include the first season finale of Neil Gaiman’s The Sandman, The Witcher, Inside No. 9, and Treason. Hooper began her career directing BBC Arts documentaries, working with David Lynch, Helmut Newton, Arthur Miller, David Attenborough, and Björk, and has also received a BAFTA nomination for directing Our Gay Wedding: The Musical.
Our friends at Weta Workshop have a couple of really amazing environments up for pre-order. We’re in the last five days of the timed order window for the amazing Helm’s Deep which is part of The Lord of the Rings: The Two Towers 20th Anniversary. You can snag your pre-order right now for $899 USD, with shipping expected towards the end of 2023. This is going to be one of the must-have environments for any The Lord of the Rings collection.
We also get our first-ever mini-environment from the trilogy, with the new Mini-Orthanc. This version is Orthanc as seen after Saruman’s Orcs have destroyed the area around the tower. You can order this piece for $99.99 USD, with it shipping in quarter 2 of next year. This will be an open-edition piece.