The Annecy Film Festival — which is hosting a “first look” at The War of the Rohirrim on June 13 — has updated its site listing to reveal that the length of Warner Bros. Animation’s (WBA) forthcoming feature anime will be 130 minutes.
That’s actually substantial for an animated film and will place it among the top 50 longest animated films of all time. Length is no indication of quality, but good animation is time and resource intensive. WBA’s committment to a long feature indicates confidence in the story they have to tell.
It also helps explain the long development — the project was first announced in June 2021, and will not premiere until April 2024. For comparison, the newest Makoto Shinkai anime Suzume, began production in March 2020 and only debuted in cinemas earlier this year.
WOTR’s director, Kenji Kamiyama, has also been busy directing other projects: Ultraman, Blade Runner: Black Lotus, and Ghost in the Shell: SAC 2045.
Animation techniques: 2D/3D blending
The other thing of note in Annecy’s overview of the presentation is the animation techniques listed.
Much, of course, has been made that The War of the Rohirrim is being animated in 2D — because everyone panics mightily as soon as the words “3D animation” are even whispered. But 2D/3D blending — typically for effects or backgrounds — has become a staple in even some of themost popularanime, and can look non-intrusive and seamless when executed with skill. Apparently even Hayao Miyazaki’s Mononoke Hime contained a small amount of 3D CG rendering — something I was not aware of until I began looking into just how prevalent the use of CG effects has become in modern anime productions.
Just so long as they avoid horrors such as Golden Kamuy’s notorious CGI bear.
Animiation techniques: rotoscoping
Rotoscoping is another surprise, although Staffer Justin tells me TORn Tuesday reported industry talk that that WETA was using the “Avatar mocap technology” for The War of the Rohirrim.
It seems that talk was on the mark.
When I saw that I instantly thought that it might be used for animating horses, because as people who know far more about the art of animating than me point out, “horses populate the nightmares of animators“. And I think it would be foolish to not expect a film about the Rohirrim to not feature a lot of horses.
I can already sense readers who have seen Ralph’s Bakshi’s animated The Lord of the Rings recoiling in terror. Yet it’s important to acknowledge the time- and money-pressures that Bakshi and his crew worked under: effectively filming then animating the same film twice in a two-year period with a budget of approximately $4 million. (That’s a touch over $18.5 million in 2023 dollars — much less than many modern Disney animations.)
By comparison, Kamiyama and his crew have three years for development and production, they won’t be rotoscoping everything, and they have the substantial benefit of digital animation methods. And, one guesses, they have a larger budget.
One of our Discord regulars also smartly suggested that rotoscoping could be employed for battles, and pointed out a rotoscoped fight sequence (warning: this clip is quite gory and not suitable for children) that popped up in a recent episode of the anime Vinland Saga. It’s impressively natural and I could see something like that in a story as grim as that of Helm.
Just to further illustrate that rotoscoping can look great in the right hands given sufficient resources, check this character acting scene from Attack on Titan. Or this stunning piece of sakugafrom Kaguya-sama: Love is War that gained both popular and critical acclaim back in 2019.
Anticipating Annecy: going behind-the-scenes for 75 minutes
Kamiyama will be joined at Annecy by executive producer Philippa Boyens and producer Joseph Chou for a 75-minute behind-the-scenes presentation into their adaptation of the Helm Hammerhand story that is found in the appendices of The Lord of the Rings. The session will be moderated by fellow producer Jason DeMarco.
Right now, WBA is being very quiet about what they’ll be showcasing.
However, here’s a quick bit of speculation/guesswork that you’re free to take with a grain of salt.
I think the length of the presentation means those attending (not yours truly, sadly) will be treated to a slab of finished animation. I couldn’t see them filling a 75-minute session with just more concept art and character designs.
That animation might be a teaser, or it could be several small segments that the presenters then discuss. I recall that Peter Jackson did this for The Desolation of Smaug and, mostly due to the choice of clips focusing on Martin Freeman’s Bilbo, it was really quite effective at raising anticipation.
I’d expect dialogue and perhaps even music. Stephen Gallagher was revealed as the composer for the score back in February and must have been appointed to the role much earlier.
If it was me, I would choose scenes from places familiar to viewers of Peter Jackson’s films — both fans and casuals — to encourage the mental connection. That suggests Edoras or Helm’s Deep. But the latter might be a bit too far along in the story and reveal too much of the story, so I lean to Edoras. You could show some dramatic scenes with all the key cast — Helm, Wulf, Freca, Héra — that are root to establishing the conflict. The initial concept art that WBA put out showed Edoras being attacked so Kamiyama might tease some of that as well to show how much progress they’ve made.
Since we’re familiar with the location, it’s also possible that we could see Isengard (although, canonically, Freca’s seat of power seems to be another location at the surce of the River Adorn). This could also help set up that there are two sides to the conflict — something that Boyens emphasised was integral to the story they were telling when we spoke this time last year.
This is in addition to more concept art, and, I expect, our first look at some character designs.
Regardless, we’ll very soon know more. It’s been a long wait to get something tangible but it’s nearly over!
About the author: Staffer Demosthenes has been involved with TheOneRing.net since 2001, serving first as an Associate News Editor, then as Chief News Editor during the making of the Hobbit films. Now he focuses on features and analysis.The opinions in this article are his own and do not necessarily represent those of TheOneRing.net and other staff.
We hope you enjoyed this April Fools’ Day joke for 2023. (Though wouldn’t a LEGO Lord of the Rings be fun…?)
Since it was announced in February of this year that Warner Bros. and New Line Cinema had secured a deal with Embracer Group to create more Middle-earth movies, fans have been waiting eagerly to hear what would be the first movie on the slate. (We already know, of course, about The War of the Rohirrim, due April 2024.) As it turns out, the next feature to be set in Tolkien’s realms is not what one might have expected – though it does stay in the world of animation (and of course we did just see the release of the Rivendell LEGO set). We’re thrilled that TORN has been given the exclusive to reveal: Warner Bros. and New Line Cinema have announced today that a new Lord of the Rings LEGO movie is set to be released in 2025.
Here’s the official press release:
FOR IMMEDIATE RELEASE
NEW LINE CINEMA AND WARNER BROS. ANIMATION’S “THE LORD OF THE RINGS: A LEGO ADVENTURE’ ARRIVES IN CINEMAS ON APRIL 1, 2025
The Studio behind the cinematic blockbuster “Lord of the Rings” trilogy returns with an original animated film, bringing the legends of Middle-earth into the world of LEGO
BURBANK, CA, April 1, 2023 – Warner Bros. Pictures announced today that the animated movie ‘The Lord of the Rings: A LEGO Adventure’, from New Line Cinema and in partnership with The LEGO Group, will release in theaters on April 1, 2025.
This whimsical animated adaptation of the beloved, epic tale is set to hit theaters April 2025, bringing together fans of J.R.R. Tolkien’s legendary saga and LEGO enthusiasts alike, for an unforgettable journey through Middle-earth as it’s never been seen before.
Esteemed actors Sir Ian McKellen and Andy Serkis will both return to their respective roles as Gandalf and Gollum. The all-star voice cast also includes:
Jim Broadbent as Bilbo Baggins, the eccentric and adventurous hobbit who sets the stage for Frodo’s journey
Austin Butler as Frodo Baggins, the courageous and unexpected hero on a quest to save Middle-earth
James D’Arcy as Samwise Gamgee, Frodo’s loyal gardener and self-appointed guardian
Simon Pegg as Meriadoc Brandybuck, the wisest of Frodo’s three Hobbit companions
Nick Frost as Peregrin Took, the youngest of the Hobbits on this quest, mission, thing
Chris Pine as Aragorn, the mighty and charismatic heir to the throne of Gondor
Genevieve O’Reilly as Galadriel, the fierce and fabulous Elven queen, with unmatched power and style
Michael Shannon as Denethor, the troubled steward of Gondor whose descent into madness is as captivating as it is chilling
A playful reimagining of the classic story, ‘The Lord of the Rings: A LEGO Adventure’ comes more than 22 years after the culmination of Sir Peter Jackson’s ‘Lord of the Rings’ trilogy based on the iconic books by J.R.R. Tolkien. The films are among the most successful and acclaimed of all time, winning seventeen Oscars including eleven for “The Lord of the Rings: The Return of the King,” tying the record for a single film. This new movie promises to be a blockbuster adventure that captures the heart and spirit of the original story, while adding a touch of humour and creativity that only the world of LEGO can provide.
“With Sir Ian McKellen and Andy Serkis reprising their iconic roles as Gandalf and Gollum, we wanted to sew a thread of familiarity into this particular production,” said Toby Emmerich, Chairman, Warner Bros. Pictures Group. “At the same time, we wanted to bring new and surprising voices to the other characters to give them a fresh and unique take. We’re confident that this talented group of actors will breathe new life into this classic tale, and we can’t wait for audiences to experience this new journey through Middle-earth.”
Animation work has already begun; more exciting voice casting will be announced imminently. The film will be distributed theatrically worldwide by Warner Bros. Pictures and New Line Cinema.
Last September we shared with you the beautiful stamps and pins the good folks at NZ Post released, to celebrate twenty years since Peter Jackson’s The Lord of the Rings: The Two Towers was released. Now a stunning pair of coins is available, celebrating those towers (or at least one version of what Tolkien may have meant by his ‘Two Towers’ title!) Here’s what NZ Post’s press release tells us:
After 12 long months of eagerly anticipating part two of the trilogy, in late December 2002 fans were rewarded with the release of The Lord of the Rings: The Two Towers. After the unbridled success of The Fellowship of the Ring, which was nominated for 13 Academy Awards, the second instalment had a tough act to follow. Nevertheless, the enthusiastic audiences for the sequel ensured it was not only the highest grossing film of that year but, at the time of its release, the third-highest grossing film of all time.
The principal photography for all three The Lord of the Rings films took place in New Zealand from 11 October 1999 to 22 December 2000. New Zealand’s mountains, rivers, forests, fields and plains all played a part, and vast studio sets stood in for the more fantastical environments required to build the world of Middle-earth. Weta Digital, the creator of visual effects for the trilogy, doubled its staff for the vast post-production requirements presented by The Two Towers, with challenges that included a large-scale battle scene and the digital rendering of a speaking character.
Thousands of everyday New Zealanders played a part in contributing to this film – from a stadium full of cricket spectators recording an Uruk-hai war cry, to local equestrians riding their horses as extras in the plains of Rohan. Most Kiwis will recognise at least one place as their New Zealand, whether it’s a favourite walking spot near their home or a family holiday destination. The Two Towers is part of a larger legacy left by the trilogy, which gave countless New Zealanders unique experiences, memories to cherish and stories to tell for generations to come.
Minted from 0.999 silver, this set of coins features each of the towers alluded to in the film’s title – Orthanc, the stronghold of evil wizard Saruman, and Barad-dur, where the spirit of the Dark Lord Sauron resides. The coins have a black proof finish and selective colour highlights the detail of Sacha Lees’ artwork.
Set of two silver coins Features the two towers alluded to in the film’s title The obverse of each coin acknowledges New Zealand as the home of Middle- earth Designed by New Zealand artist Sacha Lees Each coin is minted from 1oz of 0.999 silver Low worldwide mintage of 499 sets Presented in an elegant display case with a certificate of authenticity.
Set of two brilliant uncirculated coins Features the two towers alluded to in the film’s title The obverse of each coin acknowledges New Zealand as the home of Middle- earth Designed by New Zealand artist Sacha Lees Low worldwide mintage of 1,000 sets Presented in a specially designed display pack.
As ever with NZ Post, these products are beautiful, and very collectible. The coins are available now on NZ Post’s website.
Fandom has lit up again with excitement as more Middle-earth movies, games, LEGO and merch are announced. Here’s what we know about who can do what and where with new LOTR projects.
New Line Cinema continues to be the cinematic home for Middle-earth
Feb 2023 – After a year of wild moves and intense backroom conversations about the future of Lord of the Rings, New Line Cinema renews its 25-year-old license with Middle-earth Enterprises (MEE) who are now owned by Embracer Group. From the fan perspective, nothing has changed: Warner Bros & New Line are still producing THE WAR OF THE ROHIRRIM starring Miranda Otto as Eowyn and Brian Cox as Helm Hammerhand.
New projects have not been hinted at, but fans are speculating if Peter Jackson will deliver his promised Super-duper-extended “Unicorn Edition” LOTR featuring deleted scenes like Eowyn’s wedding, Frodo-Gollum nightmare, and more. Peter Jackson is a newly minted multi-billionaire after selling Weta Digital’s toolsets to Unity, and winning Emmy Awards for his Beatles documentary GET BACK.
TORn Tuesday reported over seven years ago that PJ has a secret vault with a “warts and all” documentary, featuring original Aragorn footage. With his documentary awards for GET BACK and THEY SHALL NOT GROW OLD, maybe the first new LOTR project ready to go is a doc?
Unconfirmed rumors for this new WB & LOTR movie deal have a three-year timeline in place — which would be similar to the time-restrictions put in place with Amazon’s TV deal where they had to be in development within two years and in production within five years. This puts the 25th anniversary of Peter Jackson’s LOTR into play as a way to celebrate the past and herald the future.
Prime Studios and New Line play nice, for now
During production of the billion-dollar-budget RINGS OF POWER series, a cooperation deal was put in place between Amazon and WB. All episodes of Season 1 of Amazon’s show include a full screen logo credit for New Line Cinema, with the characters and some weapons bearing a striking resemblance to the aesthetic established by Peter Jackson’s movies. There have also been rumors that Prime Video will be the streaming home of THE WAR OF THE ROHIRRIM after its global theatrical run (instead of WB owned HBOmax).
But, it seems the CEO of WB’s owner, David Zaslav, does have a competitive bone to pick with Amazon’s CEO, with The Hollywood Reporter reporting that he “even name-checked Amazon CEO Andy Jassy, almost as if to tease Amazon with the threat of new “Lord of the Rings” properties… and suggested that a move to launch new “Lord of the Rings” movies would take away some of the momentum that Amazon had enjoyed from its launch of a series based on the novels.”
Amazon is solely in the Middle-earth TV business
Jeff Bezos and his team at Prime Studios negotiated directly with the Tolkien Estate for rights the family still held outside of anything New Line, MEE or Embracer have exploited in the past: rights to TV shows. Amazon currently must stay in that lane, but can create as many TV shows as they want with a minimum of 8 episodes per season. Amazon has announced five seasons of The Rings of Power, greenlit the first three, written the first two, are filming Season 2 now in the UK. They intend to make spinoff shows.
Prime has has only licensed the same exact two books that Embracer & Warner Bros has (The Hobbit and The Lord of the Rings), crafting any spinoff from any word or phrase from prologue to appendices. They have uniquely included current figurehead of the Tolkien estate, Simon Tolkien, in the development process, and he alone can approve usage of extra material from other books — such as The Silmarillion or The History of Middle-earth — on a case-by-case basis.
As secretive as Amazon is, word got out that they nearly went with a Young Aragorn show pitched by the Russo Brothers — fresh off their $2 billion Avengers Endgame run — which begs the question, why not both? Would Amazon greenlight another LOTR TV show now that more “friendly competition” from Warner Bros. is coming to cinemas?
Will there be a reboot of The LORD OF THE RINGS?
As of now, absolutely not. Nobody in control wants to reboot the most award-winning film of all time. The Tolkien Estate have mandated that the TV rights are not allowed to remake the movies. Despite WB’s record of reboots and multiverses — last count there are seven Batmans in the cinematic zeitgeist — there seems to be an effort to keep Middle-earth as one cinematic universe to rule them all. Even the new feature film spin off THE WAR OF THE ROHIRRIM is an expansion of the Peter Jackson MeCU. There are plenty of new stories to mine from the books, and no remakes are expected in film or TV format.
Is Peter Jackson returning?
Unknown as of today. Peter Jackson put out a statement though:
“Warner Brothers and Embracer have kept us in the loop every step of the way. We look forward to speaking with them further to hear their vision for the franchise moving forward.”
Peter Jackson
Philippa Boyens, his co-producer and co-writer of LOTR who shared in Oscar glory, is currently producing THE WAR OF THE ROHIRRIM with New Line Cinema. The new film is still “in the Jackson family” with Weta Workshop, John Howe, Alan Lee, and many other Hobbit veterans involved. Could all the local commotion re-ignite Peter’s passion for Middle-earth? Would he come back in a supervisory role, similar to how Kevin Feige produces and manages all of MARVEL films? Only time will tell.
Where can I stream everything LOTR?
Many places! Netflix, Amazon Prime and HBOmax all have the LOTR trilogy Extended Editions streaming free with your account, depending on your country in the world. THE RINGS OF POWER is exclusively streaming on Prime Video and not for sale on DVD. Lord of the Rings has a fresh coat of paint in a 4K Blu-ray release from WB, which is also the version you can buy on iTunes and other digital platforms. The Hobbit movies are streaming on HBOmax, as well as the 1977 Rankin Bass classic animated Hobbit. We like to use JustWatch to see where Desolation of Smaug is currently available on any given month.
Are there really five new LOTR video games coming out?
Yes! Embracer Group, in addition to owning the LOTR rights, is a huge video game developer with tons of studios. They have announced five new LOTR games for 2023, each unrelated to the others, including:
Gollum Game
Return to Moria
Heroes of Middle-earth
Untitled Weta Workshop game
? unannounced ?
The Lord of the Rings has a long history of innovation in the video game space. LOTRO, the online MMO, is still going 15 years strong with new expansions and a larger player base than ever before. The console and PC Shadow of Mordor series introducing the Nemesis System and became one of the best of the PS4 generation games. Nearly all LOTR games are unrelated to any LOTR films — though some of us old nerds hold Return of the King fondly in memory.
Separately, Magic: The Gathering is now selling a brand new licensed LOTR card game.
Who is Embracer?
Embracer Group is the new owner of rights that JRR Tolkien himself sold off in 1968. The Swedish gaming and rights holding company purchased these rights in 2022 from Saul Zaentz Company, which was used to create the Oscar-winning LOTR films. These rights, which JRR Tolkien later regretted selling off, are perpetual rights to do anything with everything in The Hobbit and Lord of the Rings books. This includes all merch, board games, card games, movies, theme parks, toys, albums, weapons, alcohol, video games and more. Everything except make TV shows.
Because Embracer owns merchandising rights, Amazon has to go through them to make any merch for RINGS OF POWER just as all the movie merch for LOTR and The Hobbit included “licensed by Saul Zaentz” or Middle-earth Enterprises. Through Embracer, LEGO just announced a new 6,000 piece Rivendell set based on Peter Jackson’s movies that will no doubt sell out.
After a year-long negotiation to renew the rights to Lord of the Rings movies, games and merch, Warner Bros Discovery confirm a long-term deal has been reached with new owners Embracer Group that will see multiple Middle-earth theatrical movies in the future.
Today on the Warner Bros Discovery (WBD) quarterly earnings call, CEO David Zaslav announced that a new licensing deal has been signed today to allow New Line Cinema to produce more Lord of the Rings films.
The multi-year deal withrights holders Embracer Group AB allows Warners to develop features based on J.R.R. Tolkien’s Lord of the Rings books and The Hobbit. Embracer Group, the Swedish gaming company, acquired the rights to LOTR film, games, merchandise, theme parks and live productions when it purchased rights holder Middle-earth Enterprises last year from The Saul Zaentz Company. The deal is a coming not only a coming home for LOTR but also a reunion for De Luca. The executive was the president of production for New Line when the first movie, Fellowship of the Ring, began production, but was famously let go before the movie that movie was released.
There have been rumors in recent weeks that Amazon Studios, who hold only rights to make a LOTR TV series, were offering up to $1 billion to secure movie rights alongside the Hobbit rights Amazon got with their $8 billion purchase of MGM studios. But that offer is now moot — the cinematic legacy of Middle-earth continues on with New Line Cinema and WB.
Studio heads of WB confirms they will never remake the heralded trilogy, but continue to expand the Legendarium:
But for all the scope and detail lovingly packed into the two trilogies, the vast, complex and dazzling universe dreamed up by J.R.R. Tolkien remains largely unexplored on film. The opportunity to invite fans deeper into the cinematic world of Middle-earth is an honor, and we are excited to partner with Middle-earth Enterprises and Embracer on this adventure.”
Michael De Luca and Pamela Abdy
“We understand how cherished these works are and working together with our partners at New Line Cinema and Warner Bros. Pictures, we plan to honor the past, look to the future, and adhere to the strongest level of quality and production values.”
Lee Guinchard, CEO of Embracer’s Freemode
Fans can look forward to the anime feature film The War of the Rohirrim next year in 2024, which is already halfway through production, and untold new stories beyond. LOTR is staying home with the studio that gave Peter Jackson the freedom to make the most awarded films in history.
UPDATE
Deadline Hollywood just posted a brief statement from Peter Jackson, Fran Walsh and Philippa Boyens regarding the announcement.
“Warner Brothers and Embracer have kept us in the loop every step of the way,” the Oscar-winning trio said. “We look forward to speaking with them further to hear their vision for the franchise moving forward.”
It seems significant that the trio say they have been kept updated on the progress of negotiations. One wouldn’t do that for no reason. Of course, part of that might be because Boyens is currently working as Executive Producer on The War of the Rohirrim for Warner Bros. But, still one wonders…
TORn staffer ImladrisRose was in attendance at Monday night’s performance: and it reminded her of all the very best things about the Tolkien fandom, and the joy it has brought us all. Here are her thoughts on the experience.
Photograph by Ashlee Rose Scott
The Lord of the Rings: The Fellowship of the Ring 21st Anniversary Concert at Radio City Music Hall in NYC
The Lviv National Philharmonic Orchestra of Ukraine was at the helm, bringing Howard Shore’s incredible score to the packed house in Manhattan. Led by conductor Ludwig Wicki, Shore’s sweeping pieces, expertly performed by the Ukrainian ensemble, filled the concert chamber with pure magic as we were watching the film play out before us. Soloist Kaitlyn Lusk had quite the feat before her, but performed her piece with grace and ease. The Mastervoices Adult Choir sent chills through the theatre on multiple occasions, whether it be in the halls of Khazad-dum or the Departure of Boromir. The Brooklyn Youth Chorus and their shining stars brought us a deeply haunting experience through the fall of Gandalf, and with every moment they were given to shine.
The concert was a euphoric experience, one that will not soon be forgotten by anyone in attendance. Nothing compares to a live performance like this, seeing your favorite piece played out before you, feeling the synergy of the room. Uniting under one roof for a love of the arts and The Lord of the Rings…
I’ve been a part of this fandom since my mom “dragged” me to see Fellowship opening night. I was a ride or die Harry Potter fan and wasn’t willing to consider anything could impress me more. Let’s just say that I remember audibly gasping as the Fellowship rose over that mountain peak, the Fellowship theme triumphantly booming, and by that point in my first screening, I was obsessed (thanks mom!).
Twenty-one years later, my love of all things LOTR has taken me around the globe, launched my film career, given me an immense amount of opportunity and a community that I adore (looking at you, TORnSibs). I’ve seen the rise and fall, the ebb and flow of this fandom, and overall, Ringers are a group of excellent and admirable folks. With the recent release of a certain big Amazon show, I became disheartened by a lot of what I was seeing within our beloved fandom. As someone who spent many hours with my fellow staffers, moderating comments, it was causing me to lose that love and spark that I have felt for Ringers for 20 plus years. It shone a light on the underbelly of not just a fandom, but the world in general. LOTR has always been an escape from all of our societal nonsense, but this time period was a stark reminder that even within a community you love, there can be toxicity. I LOVE a good debate about anything and everything, but when things become about hate rather than discourse, your point is lost on me. In Middle-earth, all are welcome….
Monday night’s concert reminded me of why I love this fandom so much. It’s been probably ten years since I’ve been to a screening of Fellowship and this crowd was thrilled to be there! Not only would the audience erupt into cheers after hearing a favorite piece of the score performed (which, let’s be honest, is pretty much the entire score!) or after Lusk wrapped a solo, the crowd would literally go wild when a new character came onto the screen! So much so that at times you couldn’t hear the film or the orchestra!
A stand out for me was when members of the Fellowship arrived to the Council of Elrond. Aragorn received a 7/10 volume for cheers, Legolas 8/10, but Gimli received a full 10/10 in crowd reaction! My husband remarked that he was shocked Gimli got significantly more love than Legolas, to which I replied “Gimli has more substance and better dialogue!” To each their own. Fans next to my husband jumped at Bilbo lunging for the ring, and then commented that they had forgotten that part of the film. While next to me at the exact same point, a fan laughed and remarked that he always thought that part was funny. Two completely different reactions to a moment, but both existing in harmony with one another.
The majority of people there that night (I’m quite sure) have seen these films, read these books, countless times. Yet experiencing it together, as one unified group, made it seem somehow new again. The ambiance of the venue, the exquisitely performed film score, the fans reacting in utter joy and exuberance throughout… all of this made the evening a true night to remember… and I’m forever grateful.
