It’s almost a week since the official opening in theatres of the epic animated movie The Lord of the Rings: The War of the Rohirrim. It’s definitely a film to see in the cinema; the inspiring soundtrack, rich, lush sound design, and sweeping, stunningly artistic vistas are best served by the biggest screen you can find, with an outstanding sound system.
Earlier this month, staffer greendragon joined the press junket in London, following the red carpet premiere. There she was able to chat with producer Philippa Boyens, writers Phoebe Gittins and Arty Papageorgiou, and actors Gaia Wise and Laurence Ubong Williams. They covered topics such as the challenges – and liberations! – of voice acting; being awestruck by being in a room with Peter Jackson, Fran Walsh and Andy Serkis; and the warmth and ‘family’ nature of the Tolkien fandom. You can find all these interviews on our YouTube channel.
Quickbeam has shared his thoughts on the movie in this review, calling it ‘a terrific film, hands down’. Look for more thoughts and reviews from staffers, coming soon!
Meanwhile, TORn’s friend Dr. Maggie Parke (Director of Signum Studios, Co-Presenter and Producer of Rings and Realms) was able to attend the red carpet in London on December 3rd, and she shared her thoughts with us:
Dr. Maggie Parke with actor Gaia Wise
Premiere Report – London, December 3rd
As a lecturer of film adaptation and fan engagement, it is a rare and exhilarating experience to engage directly with the people behind a project that bridges beloved source material with cinematic innovation while relishing in the energy of the fan community. At the start of December, I had the privilege of attending the red carpet event and worldwide premiere for The Lord of the Rings: The War of the Rohirrim in London, UK. This animated feature is set in J.R.R. Tolkien’s (and Peter Jackson’s) Middle-earth, directed by Kenji Kamiyama. The film, executive produced by Peter Jackson and out of Warner Bros. Studio, is a gorgeous adventure through animation into Middle-earth, 183 years before the events from the trilogy.
The premiere was at the Odeon in Leicester Square, the traditional premiere spot in London, England. The Christmas market in the middle, twinkling fairy lights, market stalls, happy shoppers and holiday-makers, created a joyful vibe walking up to the theatre. Taking my place in the media pen on the red carpet allowed my geek heart to sing! Connecting with the cast and crew whose work on the Jackson trilogy ignited my love for filmmaking, adaptation, and production, was pretty dang magical. I relished the dynamic energy surrounding this ambitious anime project that is so different from what we know, but still so familiar from the visual’s of Jackson’s Middle-earth.
The night was vibrant and the theatre decked out for the Worldwide premiere with photo backdrops, a section for cosplayers and die-hard fans, contest winners, LED screens with video and posters, basins of actual fire, and a stage for cast and crew interviews during the red carpet time, which made the event more engaging, and like a show itself.
Dominic Monaghan and Billy Boyd on the red carpet
The Red Carpet: Conversations with Cast and Crew
The red carpet event was an excellent opportunity to speak with some of the key figures involved in bringing The War of the Rohirrim to life. My geek heart rejoiced as I was able to chat with Executive Producer Peter Jackson, producer Philippa Boyens, Producer Jospeh Chou, composer Stephen Gallagher, and voice cast members including Gaia Wise (Hera), Brian Cox (Helm Hammerhand), Laurence Ubong Williams (Fréaláf), and the glorious duo of Billy Boyd and Dominic Monaghan who cameo as orcs in WoR.
Phillips Boyens was SO excited to see TORn there, and spoke with passion about their approach to the film, describing how she viewed this as an opportunity fill out what we know of Rohan, and to blend the epic scope of Tolkien’s world with the unique narrative style of Japanese animation; the challenges and techniques that anime supplies are so different from a live-action film. She mentioned nods to deep Tolkien fans and the moments that they’ll appreciate, including adding some Old English (a nod to Tolkien) in the lament for Helm, sung by Lorraine Ashbourne (who voices Olwyn, and whose husband is Andy Serkis). She felt like the story “never let up….” And that while it was a fun challenge, she knew that it would get to where they wanted it to go.
Joseph Chou, the producer, highlighted the collaborative nature of the project. He discussed how the original idea came from Phillipa, and how they asked ALL of the questions to ensure this story could stay true to the world of Tolkien, but provide an exciting space to tell the story of Helm, and explore the character of his nameless daughter, now the heroine shield-maiden, Hera. He passionately described how carefully they wanted to ensure the film stayed true to the spirit of Tolkien’s world, and also was faithful to the Peter Jackson universe, while adding new layers to the mythology.
Stephen Gallagher, Gaia Wise, and Brian Cox
Stephen Gallagher, the composer, is a familiar friend of Tolkien in Jackson’s adaptation, and he was sound editor on the Hobbit films. He’s a long-time Tolkien fan, from the age 11 he devoured the books and the video games from the 80s. He said Hera’s theme is one of his favourite elements of his work on the film. He was inspired by Eowyn’s theme, but uniquely referenced it, so Hera’s is her own, but it is familiar to the tradition of shield-maidens, the culture of the Rohirrim, and the lineage of Eowyn.
Brian Cox
Brian Cox, who voices Helm Hammerhand, felt his performance came from classic theatre training, and he shared his excitement at bringing such a legendary character to life. He also conveyed his deep respect for Tolkien’s legacy and his gratitude to Peter Jackson for providing his ‘gateway’ into Tolkien’s rich world.
Gaia Wise, the voice of Hera, said she felt in incredibly safe hands, with her ‘walking encyclopaedias of Philippa, Arty, and Phoebe’. She was grateful she was able to focus purely on developing the Hera of the script, because she knew that they had “mined all of the jewels that they could mine” from the text and world of Tolkien, so she used the script, but also them as resources for making Hera come to life.
Peter Jackson
And lastly, Peter Jackson, the ‘godfather’ of this of Middle-earth, impressed his excitement for other perspectives, styles, and artistic interpretations of Middle-earth. He said as they were returning to Middle-earth, he didn’t want it to compete with the Lord of the Rings and The Hobbit, so “handing it over to a brilliant animator and director like Kenji Kamiyama would at the very least give us an interesting result.” He said it was so exciting to sit back and fell like he was back in the world that he knew watching early cuts, and it only got stronger as the production moved ahead. He was excited to have anime come into the portfolio, although he didn’t know if there’d be another anime to follow, and he mentioned The Hunt for Gollum, Andy Serkis’s upcoming film. He referred to that film as a ‘psychological thriller,’ and was excited for exploring Middle-earth in a different way.
Peter Jackson’s version of Middle-earth in different styles? From informed, and passionate creators who aren’t afraid to take a chance on creative practices? Yes. Please.
Maggie Parke with Peter Jackson
Dr Maggie Parke has her PhD in Film Adaptation and Fan Engagement, and lectures with Signum University. She is the director of Signum Studios, and produces and co-presents on Rings & Realms.
If you haven’t yet seen The Lord of the Rings: The War of the Rohirrim, what are you waiting for? Treat yourself to a voyage back to Middle-earth, and enjoy seeing Rohan, Meduseld, and other familiar sights on the big screen once again.
If you’re curious to know more about this particular story from Tolkien, and its adaptation to the big screen, we have good news for you! TheOneRing.net is partnering with the team at Rings and Realms to create a deep dive documentary all about The Lord of the Rings: The War of the Rohirrim. Find out more about this exciting project, here.
Under Kenji Kamiyama’s taut direction, “The Lord of the Rings: The War of the Rohirrim,” skillfully blends 2D hand-drawn animation with Tolkien’s penchant for heroic fury and painful loss in an epic feature film releasing December 12th from Warner Bros. and New Line Cinema. A surprisingly brisk 2:14 runtime hits all the right notes (as does Stephen Gallagher’s gorgeous score) — where vibrant Japanese anime gives royal family drama, imminent heartbreak, and cruel warfare a rather supernatural ferocity. The result is a terrific film, hands down. Handling both fantasy and tragedy with all seriousness, this standalone Middle-earth story beckons us back as “the next big LOTR film.” Although the entire sketch of this story fits in about 2 pages of Appendix A, “The War of the Rohirrim” is a satisfying narrative piece that stands tall alongside Peter Jackson’s previous LOTR and Hobbit Trilogies, but does not outdo them.
A Fine Standalone Tale
A bit disconnected from previous stories concerning the War of the Ring, this film considers a more intimate drama. A mighty King loves his daughter to the point of being overprotective; yet no one dares cage her unbridled free spirit, never to be diminished. Echoes of Théoden and his niece Éowyn, to be sure. In fact, Miranda Otto returns to be the film’s narrator (an elegant and welcome touch). The voice actors are excellent all-around.
Helm Hammerhand (an imposing Brian Cox) will suffer no fools. His sons Haleth and Háma are always close to his side. His daughter, Héra (a stunning Gaia Wise), would rather be out feeding a shank of mutton to fledgling giant eagles. Wearing a formal dress to the royal council is NOT her bag. One cold evening Freca, a rich and powerful man (but one with Dunlendish blood), comes to Edoras. He brings an unwanted marriage proposal, desiring to wed Helm’s coltish daughter to his son Wulf. All hell breaks loose. Every good script needs an inciting incident, and boy, this one is a whopper.
After the Proposal
The tumult that follows is fully realized; as the filmmakers draw up spectacular scenes of battles both far afield and deep within the human heart. Soon bitter war and an even more biting winter rends asunder the lives of everyone in Rohan. All roads lead to the Hornburg (would have been cool to hear it called Súthburg, but what the heck); renamed “Helm’s Deep” in the near future. The night is dark and full of terrors, to borrow a phrase. But I shall spoil no more.
Thematic Essence of Tolkien
This is as much Helm’s film as it is Héra’s. He is the Dad who’s always there for his children and certainly for his people. His decisions are brash and often grim, yet his motives are precise. However often circumstances would strip Héra of her agency, she yet finds her passion and opportunity. She rises to the legendary namesake of “Shieldmaiden of Rohan” with needful determination. Tolkien excels at this kind of storytelling. His characters’ toughest edges are yet molded by compassion. The difficult choices they face truly resonate with the Professor’s sensibilities.
Fair credit to Oscar-winning producer Philippa Boyens for choosing to zero in on this particular tale in such a way that writers Jeffrey Addiss and Will Mathews (known for Netflix’s Emmy-winning “The Dark Crystal: Age of Resistance”) and Phoebe Gittens & Arty Papageorgiou could so successfully play in the sandbox to flesh out such exigencies. Special gold star for the handling of Fréaláf, one of my favorite characters.
Heightened Skill of the Animators
The character drama compels here as much as in the live-action films. This is largely due to Kamiyama’s shrewd storytelling sense and how he stages large action scenes against emotional powerhouse moments. A word of praise for the animation team: how beautifully these artists stage the sweeping vistas of Middle-earth! How gorgeously this imagery harkens back to original WETA designs of architecture, clothing, weaponry, and cultural objects! Colors and backgrounds are especially rich, going a long way to help frame distinctly Rohirric themes of unrequited love and revenge-lust. Sound design and foley work is stellar!
Howard Shore’s leitmotifs play a key part in this story as with all LOTR/Hobbit films. Composer Stephen Gallagher worked previously as the Music Editor for “The Hobbit” — here he brings a magic toolbox of material that really shines. His score (playing during the very writing of this review) makes one long for mountains, pine trees, waterfalls and the vast grasslands of Rohan. The closing credits song “The Rider,” sung with astounding dexterity by Paris Paloma, is perhaps the most evocative thing I’ve heard in years. Big Florence & the Machine energy opening the ears and the heart to this new vision of Middle-earth.
Tolkien Anime Adaptations Came First
A point of historical note: the glowing success of “The War of the Rohirrim” — in fact its very existence — brings us full circle back to the 1970’s where the earliest adaptation of “The Hobbit” was likewise created by a pan-Pacific production team. Indeed 1977 was a mighty big year for fantasy and sci-fi, seeing the publication of “The Silmarillion” and the phenomenon of the first Star Wars; and yet also the Peabody Award-winning telecast of “The Hobbit,” on CBS.
Produced by New York-based Rankin/Bass and animated in Japan by Topcraft, “The Hobbit” has stood the test of time as an early anime milestone (and ultimately glorified by South Park ridicule). Animators from Topcraft would work for a fledgling production house called Studio Ghibli; a new operation on the scene that would make a legendary name for itself. Seeing at least one or two distinct references to Hayao Miyazaki’s “Princess Mononoke” (and a nice visual composition of Helm in battle clearly going back to Ralph Bakshi’s representation of Théoden from his 1978 LOTR films) truly warms the heart.
The Advantage of Animation
A lack of appetite for anime should not detract from enjoying “The War of the Rohirrim” on its merits. Roger Ebert famously championed the medium of animation — reminding us how it frees the filmmaker from the demands of realism, gravity, even cameras. Imagination can truly fly, unfettered by the physical world, able to convey the most artful approach. It has often been said animation provides a layer of abstraction one can never find in live-action. It offers the audience a broader point of meeting the tale head-on, allowing one to appreciate the hard-won craftsmanship on display.
“The War of the Rohirrim” should fuel fan conversation for years to come. A minority may wish the team had “animated on the 1’s” instead of “on the 2’s or on the 3’s” or some other technical gripe, but that is not truly the style of Japanese anime. It is not much of a complaint considering the overt beauty that Kamiyama-san and his team have achieved. The film succeeds comfortably within its own art style.
Film Rating
I rate this a solid 8.5 out of 10 with focused praise on use of color, framing of compositions, great pacing, clarity of character motivations, lovely music, and the overall serious handling of Tolkien’s tragic tale with emotional verisimilitude.
The highly anticipated animated movie The Lord of the Rings: The War of the Rohirrim has its premiere in London tomorrow, December 3rd, ahead of release on December 13th. And the merchandise wagons are rolling!
There is MUCH coming your way! Clearly, the studio are planning for success – and a desire for collectibles. Here is what WB’s press release tells us:
Burbank, CA, December 2, 2024 — Warner Bros. Discovery Global Consumer Products invites fans to honor the legacy of the Rohirrim with new products inspired by the new original anime feature film “The Lord of the Rings: The War of the Rohirrim,” based on the characters created by J.R.R. Tolkien. Returning audiences to the epic world of “The Lord of the Rings” Trilogy, the new collection includes stunning theatrical premiums, apparel, books, accessories, drinkware and tech accessories from premiere licensees and The WB Shop. Distributed theatrically worldwide by Warner Bros. Pictures, the film will be released in theaters nationwide on December 13 and internationally beginning December 5.
“The Lord of the Rings: The War of the Rohirrim” continues the legendary “Lord of the Rings” film franchise that debuted 23 years ago. The most awarded series in cinematic history, the six films have earned $6 billion at the global box office and won 17 Academy Awards. Set 183 years before the events chronicled in the original trilogy of films, “The War of the Rohirrim” tells the saga of the legendary House of Helm Hammerhand, the King of Rohan. When a clever and ruthless Dunlending lord attacks seeking vengeance for the death of his father, Helm’s daughter Héra must summon the will to lead the resistance or face total destruction.
Stand with the Rohirrim and wield beautifully designed products that echo the spirit of bravery and resilience. Whether sipping from collectible drinkware or outfitting devices with themed accessories, fans can immerse themselves in Middle-earth with cross-category products from top global licensees and the WB Shop, including:
Toys, Games & Collectibles
McFarlane Toys, renowned for its detailed collectibles, has launched a new series of four-inch scale “Collect to Build” figures featuring Helm, Héra, Wulf and Shank. Collect all four to assemble the Snow Troll. A Gold Label 4-pack exclusive to Amazon is also available now. Visit McFarlane.com for more. Each McFarlane figure comes with a piece of Snow Troll — collect all four to build, available on Amazon.
The new Funko Pop! Collection, now found on the WB Shop, is a must-have, featuring characters inspired by Héra, Helm Hammerhand and Wulf brought to life in Funko’s signature fashion.
BANDAI SPIRITS’ latest S.H. Figuarts line introduces two exciting new action figures, Héra and Wulf, each equipped with interchangeable hands, facial expressions and props for dynamic posing and display, available at Amazon.
Step into Tolkien’s legendary world with Games Workshop’s The Lord of the Rings: The War of the Rohirrim – Battle of Edoras starter set. This comprehensive boxed set, available at Warhammer stores, Warhammer.com, and independent retailers, brings the epic conflicts of Middle-earth to life on the tabletop, providing everything needed to play out battles in the Middle-earth Strategy Battle Game. Whether you’re a seasoned strategist or a newcomer to tabletop gaming, experience the thrill of commanding armies in the heart of Rohan’s capital, Edoras.
For the Home
New blind bag foam bag clips and key chains bring fan-favorite characters like Héra, Wulf, and their animal companions to life in detailed designs by Monogram International. Bring Middle-earth into your home with the WB Shop’s “The Lord of the Rings: The War of the Rohirrim” home goods collection featuring the “You Could Rule” can-shaped glass, a striking “Still Standing” two-tone mug and tote bag and a beautifully crafted Map of Rohan Flag.
Fashion and Retail
Dive into the WB Shop’s “The Lord of the Rings: The War of the Rohirrim” apparel collection crafted for fans of Rohan’s heroic legacy. Show your allegiance with the “Shield Maiden” long sleeve shirt featuring a notable design that honors the valor of Helm’s daughter, Héra. The “Still Standing” oversized faded tee captures the courage of Helm Hammerhand and offers a relaxed fit with a vintage look. Channel your inner warrior with the collection’s “Wulf” hoodie providing warmth while standing strong against any challenge. WB Shop’s comfort colors tees—like the “You Could Rule” and “Héra” designs—offer a soft, durable feel in earthy tones, embracing the rugged spirit of Middle-earth.
Specialty retailer Hot Topic also offers an epic worthy collection of “The Lord of the Rings: The War of the Rohirrim” fashions.
Tech
Enhance your workspace with “The Lord of the Rings: The War of the Rohirrim” tech accessories featuring a detailed mouse pad, gaming mat and a sleek “Still Standing” laptop sleeve—all designed to bring the spirit of Rohan to your everyday space.
Publishing
From HarperCollins, begin a brand-new coloring adventure with The War of the Rohirrim Official Coloring Book, capturing the splendor of the Golden Hall atop Edoras, the breathtaking landscapes of Rohan and the ancient fortress of the Hornburg. The new The War of the Rohirrim Official Visual Companion is the ultimate introduction to every character, creature and location encountered in the new film. Both these titles are now available. In February 2025, HarperCollins will release The Art of The War of the Rohirrim, a comprehensive, large format hardcover offering unparalleled insight into the making of “The Lord of the Rings: The War of the Rohirrim” and the complete creative journey from concept to finished film told by the artists and filmmakers themselves. With more than 1,000 never- before-seen sketches, drawings, character studies and environment designs, this beautiful full-color book takes readers through the development of ideas, offering a rare glimpse into the artistic development of the film, including finished designs and scenes that bring Rohan’s world to life.
Theatrical Concessions
In partnership with Snapco and Golden Link, exclusive “The Lord of the Rings: The War of the Rohirrim”-inspired specialty cups and drink toppers — featuring characters Héra and Helm — bring an exciting new element to the theater experience. For extra comfort, the hooded blanket adds a cozy touch of Middle-earth garb to your movie viewing. Fans can also purchase additional collectible items such as a popcorn container shaped like a hammer and shield, plush figures and more, available at participating theaters starting this December.
About “The Lord of the Rings: The War of the Rohirrim”
The original anime feature “The Lord of the Rings: The War of the Rohirrim” returns audiences to the epic world brought to life in “The Lord of the Rings” Trilogy, based on the revered books by J.R.R. Tolkien. Under the direction of award-winning filmmaker Kenji Kamiyama, the talented voice cast is led by Brian Cox as Helm Hammerhand, the mighty King of Rohan; Gaia Wise as his daughter Héra; and Luke Pasqualino as Wulf. Miranda Otto, who delivered an unforgettable, award-winning performance in “The Lord of the Rings” Trilogy, reprises her role as Éowyn, Shieldmaiden of Rohan, who serves as the tale’s narrator. The voice ensemble also includes Lorraine Ashbourne, Yazdan Qafouri, Benjamin Wainwright, Laurence Ubong Williams, Shaun Dooley, Michael Wildman, Jude Akuwudike, Bilal Hasna and Janine Duvitski.
The original feature is being produced by Oscar winner Philippa Boyens, from the screenwriting team behind “The Lord of the Rings” and “The Hobbit” Trilogies, alongside Jason DeMarco and Joseph Chou. The executive producers are Fran Walsh, Peter Jackson, Sam Register, Ken Kamins, Carolyn Blackwood and Toby Emmerich. The screenplay is by Jeffrey Addiss & Will Matthews and Phoebe Gittins & Arty Papageorgiou, story by Addiss & Matthews and Boyens, based on characters created by J.R.R. Tolkien. The music is by Stephen Gallagher.
New Line Cinema and Warner Bros. Animation Present, in Association with Wingnut Films, a Warner Bros. Animation and Sola Entertainment Production, “The Lord of the Rings: The War of the Rohirrim.” The film will be distributed theatrically worldwide by Warner Bros. Pictures, released in cinemas nationwide on December 13, 2024, and internationally beginning 5 December 2024.
Don’t forget – we have you covered for all kinds of Middle-earth related goodies (including some of these exciting War of the Rohirrim pieces) in our Holiday Gift Guide!
If you’re in the UK, this is for you! On Friday November 29 at 14:00 GMT, you can be present for a conversation with Philippa.
Other Minds and Hands: A conversation with Philippa Boyens is free to attend and will take place at Merton College, University of Oxford. Phillipa will be interviewed by Grace Khuri and other other members of the Oxford Tolkien Network: Giuseppe Pezzini, Mark Atherton, Stuart Lee, Catherine McIlwaine.
On Tuesday December 3, London’s iconic Leicester Square will host the World Premiere of the feature-length anime The Lord of the Rings: The War of the Rohirrim ahead of the general film’s release on December 13 (note: some locations, such as Japan, are actually getting it a little later).
There will be a slew of cast and crew from the film in attendance: Brian Cox, Gaia Wise, and Laurence Ubong Williams, as well as director Kenji Kamiyama, producers Philippa Boyens, Jason DeMarco, and Joseph Chou, and singer Paris Paloma. Carlos Laloli, Peter Jackson, Ken Kamis, Sam Register, Phoebe Gittins and Arty Papageorgiou will also be there.
Warner Bros. says it will be setting setting up a an area for a “limited number of fans to watch the red carpet arrivals”. Warner Bros. also say they are setting up a ballot, and are taking applications for double passes.
Applications will close at 23:59 GMT Wednesday 20th November and winners will be drawn at random.
Click here to apply for access to the GENERAL ACCESS FAN AREA
Click here to apply for access to the ACCESSIBLE FAN AREA
In addition, there will be a live stream of the red carpet with details to be announced soon. Stay tuned, I guess!
In a new anniversary retrospective, creators of John Wick talk about how The Lord of the Rings inspired and is connected to the production of the huge action franchise.
Over at Indiewire, director Chad Stahelski talks about the Tolkien influence on John Wick:
“I’m a big Tolkien fan, and I’d always wanted to do a modern-day fantasy that scratched that itch so when this came along, it was the perfect hanger to put our coat on. I’d been trying to sell this idea of Greek mythology and underworlds but Tolkien was probably my favourite growing up [and a big influence]. I was fascinated by world creation. Add 10 years working with the Wachowskis, and I didn’t want to do a regular old action or assassin movie. I wanted something where we could have a little element of fantasy.”
The LOTR Film Connection
That’s not the only LOTR connection! Stahelski was the stunt double for Keanu Reeves on The Matrix, which was produced by Barrie Osborne before he jumped into producing the Lord of the Rings films with Peter Jackson (bringing Hugo Weaving with him).
Read the whole 10 year anniversary interview of John Wick over at Indiewire. This, naturally, prompts the question, what would a Chad Stahelski directed LOTR movie or Rings of Power episode look like? Discuss in our Discord!
