In the USA, from March 24th, the last in Peter Jackson’s Middle-earth movies will be available for you to take home. (It’s been available in digital version in many countries since March 3rd; but from Tuesday you can get your hands on a ‘hard’ copy.)
Many fans, of course, like to wait for the Extended Edition release before purchasing a copy; but speaking personally, my collection isn’t complete unless I have the theatrical cut as well. I was thrilled to get my hands on a review copy of the Blu-ray Combo pack, which includes copies of the movie on Blu-ray, on DVD and a Digital HD copy – as well as various extras. Continue reading “The Hobbit: The Battle of the Five Armies DVD/Blu-ray review – RELEASE DATE MARCH 24”
More than two weeks have passed since our celebrations in Hollywood – how time flies! During those two weeks we’ve still been working hard – updating records, and making sure we know who collected their perks, and to whom we still need to send things!
All remaining perks should ship towards the end of this week; if you haven’t received something by the END OF MARCH, then please let us know!
We’re also busy working on the ‘Red Book’ – the thank you which we will send to Peter Jackson, including the names of all who supported The One Last Party Indiegogo campaign. Those names can now all be seen on our Roll of Honor – click here to see this splendid Fellowship of Fans!
We at TheOneRing.net want you all to join us in saying a proper ‘Fond Farewell’ and heartfelt ‘Thank You’ to all the hard working Cast and Crew of all six of the Middle-earth films. There will be a giant ‘Thank You’ card at our planned “The One Last party: There and Back Again” event on February 21, 2015 in Hollywood. We’ve done this before, back at the Return of the One Party in 2004, so we know how to do big cards.
Now we know that not everyone can join us at ‘The One Last Party” so we have a special Perk on our Indiegogo campaign just for you. In fact, every single Perk level includes your name on the card, but we did create the lowest level Perk just for those who can’t attend, but would like to be included in this special ‘one of a kind’ Thank you greeting. The images here are from 2004, but they give you an idea of what to expect from this year’s Epic card. And for those who do attend the party, you will have the opportunity to personalize your greeting a little bit more at the party. This ‘Thank You’ card will either be given to, or sent down to New Zealand to be delivered to Peter Jackson.
For the past decade and a half, Peter Jackson, his amazing cast and the equally amazing crew have handcrafted these magnificent cinematic representations of Middle-earth for all of us to enjoy. Along the way, we have created a vibrant fan community where we can be found chatting on the message boards, meeting up at theater Line Parties, attending conventions together, making pilgrimages to New Zealand, and attending Oscar parties. We are a very social fandom who celebrates both the creative and academic side of Middle-earth, where you can find people displaying amazing costume designs right next to people who can recite and translate all of Tolkien’s Elvish poetry, and each can call the other ‘friend’. So while we want to thank Peter and the rest of the cast and crew for making films we can all enjoy, we especially want to thank them for the much more important Fan Community that has been thriving in big cities and tiny little towns all around the world since 2001.
Please join us in sending out our thanks by supporting our campaign for The One Last Party: There and Back Again, or sharing it far and wide with all your friends and family. Let’s all enjoy each other’s company #OneLastTime.
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Join us in Los Angeles in February at The One Last Party
We’re hosting a Party of Special Magnificence next February — a toast to all SIX movies, both LOTR trilogy and The Hobbit.
Inside a sound stage, or outside on location, it is a constant and central fixture on a movie shoot. It is home base for Peter Jackson and his team.
It is sacred ground — more or less.
The decisions made inside it, by the team, under Jackson’s direction, are crucial to the project where it is determined what will later happen in front of the camera.
So every day, whatever happens to a set or a sound stage overnight, the tent is there set up and waiting for the core of the shooting unit.
Editor Jabez Olssen, Script Supervisor Victoria Sullivan and First Assistant Director Carolynne Cunningham call it home during the shoot. Cunningham is outside of the director’s tent a lot, Olssen and Sullivan less so and Producer Zane Weiner is always near. Jackson’s assistant Sebastian Meek is in and out at all times, bringing badly needed tea and watching the door from outside to eliminate distractions inside.
Jackson lives on tea and Meek has a talent for having it handy at the perfect moment.
SETTING THE SCENE
In April, 2012, as a representative of fandom via TheOneRing.net, I was invited to be on set during five weeks of the filming of the Hobbit films. At the time, it was still scheduled to be two movies and the production had just settled in to shoot in studio instead of on location. Much was unknown then, that now is completely familiar to fans.
When I first arrived at Stone Street Studios, the publicity team took me to set, showed me the ropes and left me to my own devices during the rest of my stay to meet folks and get interviews, which was great — no time and no need for babysitting.
I was there to be a good guest and to observe. Two weeks later I was definitely convinced I had no chance of talking to Peter Jackson, except for an occasional, “Hello, how are you getting on?” from him during my time there.
Fans world-wide know from production diaries, how exhausted Jackson gets during the shooting phase of filmmaking. It is important to really understand why.
Peter Jackson is a busy guy. Particularly when he is shooting, there is a lot to do in a day and a lot of people that need to understand his vision in order to do their jobs well; he is the hub of the great spinning wheel.
He is the director, a writer and a producer — each a big job on its own. Many films have one of each of those, or several of some, all working together. But Jackson was all of them at once and combining titles didn’t mean there was less work to be done. Just because he was reviewing shots didn’t mean the script didn’t need his touch or that the art department didn’t need his input or the next day’s schedule didn’t need approval. Others were partners on all of these roles but they also required Jackson.
In a day he might need to meet with the effects supervisor, set designers, concept designers, costume designers, the composer or see actual costumes for approval, or changes, to name just a few of the many things that require his time. He will confirm the schedule with his Assistant Director, producers and spend time with the Second Unit Director Andy Serkis, to make sure all is to his liking. They need sets built, greens grown, existing sets decorated, concept guys working ahead, materials guys building everything, maximizing actors’ time, feeding all of those people, screening extras, bringing in the right number of prosthetic artists for the day’s schedule of actors and extras and on and on. In short, there is never a shortage of people who need Jackson’s input to work on his vision and it takes the logistics of — dare I say — planning a battle with five armies.
In short, everything goes through Peter Jackson.
Those are the reasons “The Hobbit: The Desolation of Smaug,” and his other Hobbit movies are genuinely Peter Jackson movies. It also means he is booked.
Solid.
THE FINAL HOURS
And so it was, the last day of my time on The Hobbit set, after several assurances that my interview with Peter Jackson would happen — it did.
Lunch happened and on the location set of Dale, up on a hill overlooking Evans Bay to Wellington, I was invited to that nearly sacred director’s tent to sit and talk with PJ — just the two of us alone. (One editor asked me if we ate together in the tent but I don’t think so, but why many memories are crystal clear of that meeting, anything we ate or didn’t eat isn’t clear. I just have no idea.)
I had been inside before, but not often. The day I shadowed him, I spent several hours, trying to melt into the background. This was his sanctuary and office.
On an hour-long episode of Trip Flip, host Bert Kreischer surprises an adrenaline-loving couple with the trip of a lifetime to the adventure capital of the world, New Zealand.