This week, Vanity fair is looking at Oscar nominated films in a recurring feature called “Sketch to Still.” The series focuses on the creative process of making movies. This week they are talking to Oscar nominee Peter Swords King about his work in makeup and hair design for Peter Jackson’s The Hobbit movies.
The dwarves’ look is also influenced by their lifestyle. “They drink a lot—their manners are really bad at the table. Any person who’s drunk all their lives, their nose is going to get quite red. All they do is eat meat. It’s not a very good diet. They live outside, so they’re beaten, battered, and bruised,” says King.Once the sketches were perfected, the filmmakers began casting. At this point, the hair-and-makeup team fit the actors for wigs, as well as prosthetics.
On a day usually marked by celebrations, we are very sad to report the untimely death of our Kiwi friend, Mike Hopkins, who worked alongside American compatriot Ethan Van der Ryn as Sound Editors on the LOTR Trilogy. Mr. Hopkins (pictured on the left with Van der Ryn) would go on to win Academy Awards for Sound Editing on two of Peter Jackson’s films: The Two Towers and King Kong. He and his friends were rafting in the Tararua Range when their watercraft capsized. The complete story can be found here at Stuff.co.nz.
Ringer fans have in the past met Mr. Hopkins at public events and our own Oscar Parties held for LOTR cast & crew, where he showed extraordinary humility and appreciation for the love showed by our unique fandom. The staff of TheOneRing.net are deeply saddened at this tragic news and extend their sympathy and prayers to Mr. Hopkins’ surviving family and friends. We wish him godspeed on his new journey, certain that he can make the thunder of Heaven sound that much sweeter to the ears of the Divine.
Back in July I posted the first in this series of memoirs about my work on my book, “Researching THE FRODO FRANCHISE: Part I, Off to Wellington without a Handkerchief.” I’ve been all too long in following it up, but lots of travel, including attending the “Return of the Ring” event in England in August, has interfered. I’ve got at least a dozen of these entries planned, so despite the fact that so much attention is focused on The Hobbit, I’d better get going!
This entry begins my recollections about the places where The Return of the King was still being worked on when I showed up at the end of September, 2003. They are scattered mostly around the Miramar peninsula, which was and is sometimes referred to as “Wellywood.” I gradually visited all of them to interview filmmakers or to get tours to familiarize me with the facilities that Peter Jackson and his colleagues had built up. That process had happened during the 1990s, but it accelerated to a breathless pace as the infrastructure for accomplishing the three parts of The Lord of the Rings were built and expanded.
In this article, The New Zealand Herald’s Helen Frances speaks to Weta concept designers and illustrators Ben Wootten and Paul Tobin about how they got their starts in the industry.
Wootten joined Weta in 1996, and has worked on King Kong, The Lord of the Rings and The Lion, the Witch and the Wardrobe. His knowledge of animal anatomy and behavior (he studied zoology at university) was key to creating the dinosaurs for King Kong.
Paul Tobin began his career at Weta Workshop in 2003 when the first Narnia film and King Kong were underway. Tobin says he was “lousy at drawing dinosaurs” so he stayed with Narnian fantasy. His background in ancient history and archaeology proved the inspiration for concept designs for Peter and Edmund’s armour and weapons and Susan’s horn.
Ringers unite! A grievous wrong has been done to Dallas Poll, jeweler and prop-maker for the Lord of the Rings movies. On international Star Wars Day (May 4) thieves made off with thousands of dollars of movie memorabilia from his home in Paraparaumu, New Zeeland, including a replica sword he wielded while acting as an Aragorn double, and his precious stormtrooper outfit.
According to stuff.co.nz: Mr Poll, a jeweller, spent seven years in the police but over the past decade has worked mostly as a prop maker on The Lord of the Rings, King Kong, the Narnia films and Avatar. “We have been well and truly done over,” Mr Poll said yesterday. “They seemed to know what they were looking for.”
Please read the stuff.co.nz article and if you come across any suspicious collectibles for sale, email the New Zeeland police. Read More…
The sword-fighting trainer and choreographer passed away today, at the age of 89.
Bob Anderson was a behind-the-scenes name little known to many fans but who had a tremendous impact not only on the “Lord of the Rings” trilogy, but on cinema itself. Anderson’s many credits include: Star Wars, Pirates of the Caribbean, Princess Bride, Highlander and much more. [Read obit from AP]
From thelordoftherings.net: “Bob Anderson, the world’s top sword master who has consulted on such films as Star Wars and trained the legendary Errol Flynn, was also brought in to train the actors in different fencing techniques. An expert in medieval arms, Anderson read the novel and then developed sparring methods based on Tolkien’s descriptions of each culture.”
The story of Anderson’s career and background was captured in the documentary, “Reclaiming the Blade.” According to director Daniel McNicoll, Anderson once told him, “You know I don’t feel like I found the sword, I feel like the sword found me.” [Watch ‘Reclaiming the Blade’ on Netflix]
in a recurring feature called “Sketch to Still.” The series focuses on the creative process of making movies. This week they are talking to Oscar nominee Peter Swords King about his work in makeup and hair design for Peter Jackson’s The Hobbit movies.
