On March 28, 2015 TheOneRing.net livestreamed an interview with animation pioneer Ralph Bakshi to discuss the first-ever “The Lord of the Rings” film (1978), and to parse the differences between homage and rip-off (and the not-so-nebulous chains of inspiration from one artist to another).
Bakshi revealed to us that his Studio’s “LOTR” character designs and artwork were sent down to Three Foot Six in New Zealand; elevating the conversation of his impact on the live-action epic.
The subversive director has lived through numerous controversies, yet remains undervalued by Ringer fans and feels personally slighted by Jackson. He carries on vigorously at 77 years old with a new crowdfunded animated work, “The Last Days of Coney Island” and his intent to direct a “Wizards 2” follow-up to his 1977 cult hit. Continue reading “The Bakshi Interview: Uncloaking a Legacy”
Posted in:
Share:
With “The Hobbit” movies before our eyes, either from home or at the movies, here is a fascinating look back at Peter Jackson’s “The Lord of the Rings,” films. This clever edit of the films might have been what King Theoden was yelling “Death! Death! Death!” about from his horse because this version features all the on-screening killing from the whole trilogy – extended edition.
It might bring differences between the two trilogies to mind, or it might not, but whatever it is, the folks at Digg have done themselves proud. ENJOY!
Posted in:
Share:
Sir Ian McKellen starts this video introduction to announce the World Premiere date for the final chapter of Peter Jackson’s cinematic Middle-earth films. We now know for sure that the cast and crew from all six films will be walking through Leicester Square on December 1, 2014 in London. Sir Ian was joined by Richard Armitage, Luke Evans, Orlando Bloom and Bilbo Baggins himself, Martin Freeman. Check out the video below for more details and start making your plans accordingly. There is mention of a contest, so good luck to anyone who chooses to enter.
Posted in:
Share:
Catching up with some of our friends from New Zealand, we learned about a project that involves the efforts of a lot of Kiwis, including Sylvester McCoy of Hobbit fame and Lord of the Rings’ Alex Funke. For good measure New Zealand’s Grammy winner Kimbra (Somebody That I Used To Know) is supporting the project with her voice.
In the age of computer generated effects, the film “Birds” is a throwback. A friend to TORn, Horst Sarubin, who worked on visual effects for the three Hobbit films, is behind the project that uses puppets, shot one frame at a time with incremental movements between frames to create a motion picture. The film, about the struggles of George the bird in the primordial forests of Zealandia (pre-historic New Zealand) to carry on.
McCoy is well known for his bird whistles and humor, which Hobbit director Peter Jackson definitely brought through the former Dr. Who’s Radagast into cinematic Middle-earth. In the film’s kickstarter campaign McCoy presents those whistles and gets a little bird treat in return. In the same video Funke, who is best know for helping make the LOTR bigatures look amazing on screen, explains his role is to make the cinematography great.
The stop-motion technique is being employed to give the filmmakers a hands-on experience and a final project they claim will be alive and organic. Tying closely with the passions of Peter Jackson, these are the same techniques used by Ray Harryhausen and Willis H. O’Brien. The original King Kong movie was made in this fashion, inspiring a generation of filmmakers.
With a team of grass-roots talent with a Middle-earth cinematic legacy efforting the film and a universal appealing story, but set in the ancient human-free land that would eventually become New Zealand, TORn readers may want to know further information is available at georgethebird.com. The grass-roots effort is seeking fan support via the kickstarter campaign above.
Posted in:
Share:
One of the big visual secrets of the final Middle-earth movie from Peter Jackson, “The Hobbit: The Battle of the Five Armies,” is Dain Ironfoot. Played by Billy Connoly, Dain is a character that is essential to the story but isn’t incredibly fleshed out in J.R.R. Tolkien source material that was originally intended for children.
Our own Demosthenes has this excellent analysis of Connolly as Dain complete with quotes and descriptions of the character. It has long been reported that Dain will arrive on the scene riding a war boar but clearly Jackson’s team has been careful not to reveal this in any teaser trailers so far, and, lets hope it stays that way.
But, visuals of the character have started to seep into the public eye. With giant franchise films like The Hobbit, it’s impossible to put a lid on too much because merchandise and toys need to start selling before the film hits theaters (and before it is finished!) and that means that at the very least, clues are out in the wild.
The image at the top of this story, for example, clearly displays Lego Dain and it jives with the descriptions that are out there including this one from Connolly via Yahoo Australia:
“They’re basically broadening me, making me wider. But let me say, this guy will terrify the life out of you. I have a Mohawk and tattoos on my head. You’ve got to see it.”
The Lego character appears to be a ginger and is wearing a red chest piece as part of his armor, giving him a distinct look that will visually set him apart in cinemas so viewers will know instantly that he isn’t like the dwarves we have spent so much time with so far. He is a new element with a distinct mount, armor and will be immediately recognizable and unique.
The Lego Dain even evokes a little bit of Connolly to me visually, although it could be a previous bias.
The concept art here seems to really compliment the Lego image as something close to Dain’s final design. The helms certainly seem similar in shape and color and the beards seem the same in shape and color. There are differences however in the color of the breastplate, although details on a Lego toy are only meant to be a representation and not a literal translation. In fact the looking and speculation from still images of a toy and a concept art is fun because of how different the motion picture experience is from a still image. In the day of CGI, what is filmed may or may not even resemble what ends up on screen.
UPDATE EDIT: Readers have correctly pointed out the below image is of Dwalin. The writer has been sacked.
Posted in:
Share:
We finally know Billy Boyd (Pippin from The Lord of the Rings trilogy) will be performing the end credits song for the final film set in Peter Jackson’s cinematic Middle-earth. Warner Bros. have posted their ‘For Your Consideration’ list for “The Hobbit: The Battle of Five Armies” listing all the people and categories they want Hollywood to pay attention to come Awards Season. On that list for ‘Best Original Song’ is “The Last Goodbye” written by Billy Boyd, Philippa Boyens and Fran Walsh, and performed by Billy Boyd. It now seems that the use of Pippin’s song “The Edge of Night” in the recently released teaser for the film was a bit of foreshadowing. That song, with the lyrics coming from the last stanza of Tolkien’s ‘A Walking Song’ and the melody written by Billy Boyd himself, demonstrates a great level of empathy on the part of Billy for the melancholic feeling at that point of “The Return of the King”. It seems almost too perfect that Billy should be called upon again to deliver what promises to be a very emotional and fitting ending to all things Middle-earth. And because it’s fun to speculate, you will notice 15 other categories listed ‘For Your Consideration’ on that list, many names familiar to us all. Who do you think might get a nomination this Awards Season?
Posted in:
Share:
On March 28, 2015 TheOneRing.net livestreamed an interview with animation pioneer Ralph Bakshi to discuss the first-ever “The Lord of the Rings” film (1978), and to parse the differences between homage and rip-off (and the not-so-nebulous chains of inspiration from one artist to another).
