Sunday 12th February the British Academy of Film and Television Arts held their annual film awards. Our favourite citizen of Lake-town Luke Evans was there as a presenter; and even more excitingly for Middle-earth fans, Viggo Mortensen was nominated in the Leading Actor category, for Captain Fantastic. (The award went to Casey Affleck, for Manchester by the Sea.)
Mortensen was of course on the red carpet, where he was interviewed by Zoe Ball. Many of you will have seen the fabulous picture (right) of Mortensen hanging out with an elf and some hobbits, the day after the Screen Actors Guild awards. In the Bafta interview, he explained how that came about. Take a look:
It’s heartwarming to know that the bonds forged amongst the cast of The Lord of the Rings are still as strong today – just as the friendships and connections we fans have made are unbreakable. I’m told that in Finland they celebrate friendships on Valentine’s Day – seems a good time to raise a glass to Fellowship! Cheers!
Elijah Wood’s film “I don’t feel at home in this world anymore,” won the Sundance Grand Jury prize in the U.S. Dramatic competition at the just concluded 2017 festival.
It was one of 16 films in the category that included “Crown Hights” that won the Audience Award.
The film is summarized like this:
Ruth, a depressed nursing assistant, returns from work to find dog shit on her lawn and her house burglarized, the thief having made off with her silverware and laptop. Losing faith in the police (and possibly humanity as a whole), Ruth starts her own investigation, joining forces with her erratic neighbor–and dog shit culprit–Tony. Upon locating the laptop, they trace it back to a consignment store, leading them to a gang of degenerate criminals and a dangerous, bizarre underworld where they’re way out of their depth.
Macon Blair’s outstanding debut feature has an exuberant storytelling style that’s full of personality, visual inventiveness, idiosyncratic characters, and wildly unpredictable turns. Its dark tone, deadpan humor, and increasingly blood-soaked foray into a twisted moral universe evoke the Coen brothers, but most captivating is the deeply unsettling journey it takes Ruth on, through human vulnerability and escalating violence. Once brought to tears by the notion of an infinite universe, her quest isn’t for her laptop, but for a way of processing a world that no longer makes sense to her.
On the same night, last year’s big Middle-earth alumni film of Sundance 2016, “Captain Fantastic” featured Viggo Mortensen and the cast appeared at the screen actor’s guild where it was nominated but didn’t win. For that film TheOneRing was able to talk with Mortensen about the film, but despite repeated efforts, had no luck speaking with Wood for his film.
But, Wood wasn’t the only Middle-earth actor to show up in a film at this year’s Sundance. Actor Stephen Hunter, who played Bombur in the three films based on “The Hobbit,” appeared in Australian thriller “The Killing Ground.” The film received a warm reception and has a good chance to be seen in theaters. I saw it and think it’s a gripping thriller that handles its violence well. It deserves to be seen but will disturb some because of its violence.
Hunter plays a key supporting role that the Sundance festival described like this:
When young couple Sam and Ian escape the confines of urban living for a weekend getaway at a remote campsite, they arrive to find a neighboring tent set up with its inhabitants nowhere in sight. As day turns to night and then to day again, the young couple becomes increasingly concerned about the whereabouts of their unknown fellow campers. When they discover a toddler wandering alone on the campground, things go from bad to worse, thrusting them into a harrowing fight for survival in a place miles from civilization, where no one can hear them scream.
Teeming with dread and unnerving tension, the debut feature of writer/director Damien Power draws heavy inspiration from Michael Haneke’s Funny Games and Sam Peckinpah’s Straw Dogs, utilizing the film’s sparse locations to considerable effect. As jagged pieces of the puzzle are carefully revealed one by one, Killing Ground evolves into a brutally violent thriller that will force you to think twice the next time you dare venture beyond the city’s bright lights
Wood also appears in another film, this one a documentary about the classic Alfred Hitchcock “Psycho.” The film, called “78/52,” breaks down the historic and absolutely groundbreaking shower scene in the film that is credited with launching the horror genre of film in a new way. He is seated with other actors sharing his perspective, especially insightful when examining the performance of Anthony Perkins. Guillermo del Toro also is featured and is a delight.
The film has been purchased and will likely get a new or extended title and will be released in major film markets. The festival title refers to the number of set ups and film cuts the master of suspense used in the scene. For anybody interested in film, I absolutely recommend it. Actually, I recommend it for anybody who has ever watched a film.
The festival describes it:
“In 78 setups and 52 cuts, the deliriously choreographed two-minute shower sequence in Psycho ripped apart cinema’s definition of horror. With a shocking combination of exploitation and high art, Alfred Hitchcock upended his own acclaimed narrative structure by violently killing off a heroine a third of the way through his film, without explanation, justification, or higher purpose. Psycho played out like a horrific prank, forcing audiences to recognize that even the most banal domestic spaces were now fair game for unspeakable mayhem.
With black-and-white film-geek reverence, director Alexandre O. Philippe breaks down this most notorious and essential scene shot for shot, enlisting the help of film buffs and filmmakers alike—including Guillermo del Toro, Bret Easton Ellis, Karyn Kusama, Eli Roth, and Peter Bogdanovich. 78/52 examines Janet Leigh’s terrified facial expressions and the blink-and-you-miss-it camera work, not just within the context of the film but also with an eye toward America’s changing social mores—revealing how one bloody, chaotic on-screen death killed off chaste cinema and eerily predicted a decade of unprecedented violence and upheaval.”
John Hurt, famous for a number of roles but unforgettable as the voice of Aragorn in Ralph Bakshi’s “The Lord of the Rings,” has died. He was 77.
For many who love Tolkien’s works, the animated LOTR was the serious animated treatment of the masterpiece of J.R.R. Tolkien that was also frustrating because it was meant to have a sequel and was never properly finished. Hurt played Strider turned Aragorn as perhaps the most recognizable voice in the cast. Director Ralph Bakshi was left telling only part of the story but Hurt’s Aragorn, was majestic and powerful.
Hurt shines in the voice role, playing a confident Aragorn, that before the live action LOTR films were announced, was for a generation, the embodiment of the hero who would return as King.
Hurt’s career was long and plentiful with over 200 film credits to his name. He is best known for his outstanding turn as John Merrick, the title character in “The Elephant Man.” Audiences not familiar with that Oscar-nominated performance as well as his also nominated work in “Midnight Express,” will remember him for his work in the first two Harry Potter films as wandsman Garrick Ollivander. He also has an all-time iconic performance in “Alien,” where he was the first to have his chest burst, unleashing space horror on popular culture. He later did a parody of himself in “Spaceballs.”
Very sad to hear of John Hurt's passing. It was such an honor to have watched you work, sir.
He was essential as Trevor “Broom” Bruttenholm in the “Hellboy” films and was likewise great in his first major role in 1962’s “A Man For All Seasons.” Many will remember him for “V For Vendetta.”
But for Tolkien fans from before Peter Jackson took over movie screens, the voice of Hurt as Aragorn will always be a part of his legacy.
CNN put together this tribute, embedded in his honor.
On December 18, 2001, TheOneRing.net introduced a new feature on our site: Ringer Reviews – “A database of reviews from Tolkien fans all over the world, whether you loved, liked or hated the film this is where you can express your feelings in words and celebrate with your fellow fans the release of the first installment in the Lord of the Rings Trilogy.” Twenty-four hours later, fans had posted 3,000 reviews. By Christmas the count was up to 6,700 and on January 19, 2002, a month after FOTR opened, over 10,000 reviews had been submitted.
Today the count stands at 15,084 reviews. Unfortunately, the individual reviews reside on our old site and have been archived. But, we thought it might be fun to revisit some of the overall results, more of which can be found at the Ringer Reviews link above.
A number of other sites around the internet are also celebrating the 15th anniversary of the opening of The Lord of the Rings, The Fellowship of the Ring this week, and/or The Lord of the Rings movie franchise in general. For the convenience of our readers, we put together this one-stop shop for a stroll down memory lane. We’ll bring more to you during the week as we find them. Enjoy!
It’s that time of year again, when about half a million people converge on downtown Atlanta for the geekfest that is DragonCon. And TheOneRing.net will of course be there! We can’t wait to see all our friends and to enjoy Middle-earth fun together.
Some of the things which will be happening:
TheOneRing will have a ‘fan table’, as ever, where staffers deej and greendragon will be hard at work! We’ll be in our usual location in the Hyatt hotel, opposite the entrance to the Art Show. Come by and check out the new buttons and two new tshirt designs we’ll be unveiling this year!
Sunday 12th February the British Academy of Film and Television Arts held their annual film awards. Our favourite citizen of Lake-town Luke Evans was there as a presenter; and even more excitingly for Middle-earth fans, Viggo Mortensen was nominated in the Leading Actor category, for Captain Fantastic. (The award went to Casey Affleck, for Manchester by the Sea.)
