This one’s come as a bolt from the blue! Throughout this year Rhino Records has been releasing limited editions of the Complete Recordings of The Fellowship of the Ring, The Two Towers, and The Return of the Kingon coloured vinyl.
And to wrap things up, they’ve just announced that the original motion picture soundtracks (the 2001, 2002, and 2003 OSTs that accompanied the theatrical releases of the films) will be available as part of a Limited-Edition 6-LP Trilogy BoxedSet from November 30, 2018.
No details yet on the edition limit, but for the record, the FOTR vinyl set was limited to 5,000 while those for TTT and ROTK were limited to 8,000 each.
Rhino Records’ official press release and track listing follow.
Signum University and the Mythgard Institute are proud to announce LAMoot, the first annual Southern California symposium dedicated to the exploration of speculative fiction, mythology, and medieval literature and languages.
This one-day event will investigate the challenges of adapting literature to other media, including art, film, television, video games, and music. LAMoot will feature a keynote address by Signum President Corey Olsen (The Tolkien Professor), a panel of invited guests, discussion panels, and time for fellowship with like-minded professionals, academics, and enthusiasts.
LAMoot is an inclusive creative space uniting scholarship with creativity. We invite you to participate and are seeking proposals for presentations involving the adaptation of everything from science fiction to fairy tales to Norse mythology. Please visit our website for the call for proposals.
LAMoot will be held on Saturday, October 27, 2018 at the Westwood Gateway at Santa Monica and 405 in the Elite Conference Room located in Suite 150 at 11100 Santa Monica Blvd, Los Angeles, California, 90025. Visit our Website for more information
TheOneRing.net will be on hand to discuss recent past Adaptations and what we anticipate for the new Amazon series.
Just a reminder that the incredible Tolkien: Maker of Middle-earth exhibition is still on at the Bodleian Library in Oxford. You have until October 28th to see this astonishing collection of manuscripts and artefacts from Tolkien’s work and life. American fans will then have the opportunity to see most of the exhibition, together with some new additions, at the Morgan Library & Museum in New York, from January 2019; and from October 2019 to February 2020, an even bigger collection (which will include some of this current display) will be on show at the Bibliotheque nationale de France. (This will be the first time that the French national library has ever curated an exhibition about a non-French author, and will include items from their own collection, setting Tolkien’s works in the wider context of fantasy literature.)
Earlier this summer, TORn staffer greendragon had the opportunity to sit down with the Bodleian’s Tolkien archivist, Catherine McIlwaine, to find out some more about the behind-the-scenes work which went into creating this exhibition. McIlwaine was already a big fan of Middle-earth herself, so it has been the perfect job for her; as she put it herself, she was in the right place at the right time! Originally hired to create a detailed catalogue of the library’s Tolkien collection – a job which she thought would last for a couple of years – McIlwaine never expected to find herself, fifteen years later, curating such an extensive exposition of the Professor’s life and work.
The Bodleian owns a very large collection of material relating to J.R.R. Tolkien, totaling approximately 500 boxes of manuscript items! Much was donated by the Tolkien family in 1979; though manuscripts for The Hobbit, The Lord of the Rings and Farmer Giles of Ham had been sold to Marquette University by Tolkien himself in the late 1950s, the rest of his manuscripts, academic and personal papers reside with the Bodleian. The current display features over 200 items, roughly half of which have never been seen by the public before; fascinating doodles on the back of completed crossword puzzles, and scribblings such as the opening lines of Beowulf written in tengwar, are amongst the treasures.
Staffer greendragon with exhibition curator Catherine McIlwaine (left)
Marquette University have been very supportive of the exposition, and have allowed many items from their collection to be included; McIlwaine said that the highlight of planning the exhibition, for her, was the opportunity to travel to Milwaukee twice, and to get to know the staff at Marquette. The ‘Maker of Middle-earth’ show sees some of Tolkien’s manuscripts and original art works being reunited for the first time since the 1950s!
Also featured in the current display are Tolkien’s own writing desk, chair, and some of his pipes, exclusively loaned by the Tolkien family, who have been very supportive of the endeavour. Christopher, Tolkien’s son and the editor of many of his works, was unfortunately not able to travel to visit the show, but his wife attended, and was delighted by it.
This enormous exposition (which still only reveals about three-quarters of the Bodleian’s current Tolkien archive – which is still growing!) was five years in the planning, with 18 months of full-time work in the run up to opening. The release of Peter Jackson’s Hobbit movies was the chief impetus, prompting the Bodleian to think that the time was ripe for such a showing; and the Tolkien Trust were eager to support it, to give something back to the fans. (Tickets to the exhibition are free!) Much of the content on display is usually only available to researchers – and access is closely restricted. Here, fans have the opportunity (in many cases, for the first time) to peer closely at Tolkien’s tengwar scrawl on an academic paper; and to gain an insight, through personal letters, into his family relationships.
For me (greendragon), highlights of the exhibition included Tolkien’s letters from his mother. I had no idea that she had taught him his beautiful calligraphy – I always assumed it was something he dreamed up himself. When you see the letters from his mother, however, it is very clear whence that unique script originated. Another family touch I loved were the sketches Tolkien created for his son Michael, to help him deal with nightmares. There was a recurring ‘monster’ which tormented Michael, and following his description, his father drew the beast – now named ‘Owlamoo’ – to help Michael confront and defeat his fears. I love the rather cross-looking owl-creature; and this display of fatherly affection is very touching.
Throughout the run of the exhibition, there have been various lectures and events in Oxford. A self-guided walking tour of ‘Tolkien’s Oxford‘ has been very popular, and many of the evening lectures have been sold out. Some exhibition tickets, however, have deliberately been held back for each day, so that there are always some available.
For anyone who can’t make it over to Oxford, I heartily recommend the exhibition catalogue. It is the biggest catalogue the Bodleian has ever produced, and it even includes archival items not seen in the display! As the exhibition website states, the book ‘brings together the largest collection of original Tolkien material ever assembled in a single volume. Drawing on the archives of the Tolkien collections at the Bodleian Libraries, Oxford, and Marquette University, Milwaukee, as well as private collections, this exquisitely produced catalogue draws together the worlds of J.R.R. Tolkien – scholarly, literary, creative and domestic – offering a rich and detailed understanding and appreciation of this extraordinary author.’ Worth every penny; visit the exhibition shop to see some of the other goodies on offer.
The second figure review of 2018 comes from The Lord of the Rings and covers one of the most important characters in Middle-earth. Our friends at Weta Workshop absolutely nailed the statue of Isildur with some of the best detailing and paint you will see. It also features the new resin technique that Weta has started to use on their statues.
When Amazon Studios first announced their big production deal last November for a Lord of the Rings television series, there was just one thing missing, a big name attached to the project. There was no Producer, Showrunner or even a Writer or team of Writers to indicate the direction these stories might take and give confidence to fans that Middle-earth would be in good hands.
It has been confirmed that the Guillermo Del Toro has signed on with Amazon Studios, in conjunction with his Tequila Gang production company, to Executive Produce and write this iteration of Middle-earth. He brings with him his co-writer, Chuck Hogan from The Strain. Del Toro’s long time manager, Gary Ungar says that they have already begun identifying and sifting through possible stories that exist within the Appendices, separating out those that are more fleshed out in other Tolkien properties. Because the deal with the Tolkien Estate and Trust is still in flux, they are currently only looking at storylines they know won’t be a legal issue so they can get down to writing.
During that time waiting for The Hobbit project to finally get going, Guillermo Del Toro spent nearly two years breaking down The Hobbit and working with pre-production designs for the story he was helping to craft. His visual style and ability to create wild and very unique looks was one of the reasons fans came to really anticipate Del Toro’s take on Middle-earth. We wanted to see what he would do with the Elves and Dwarves and even Men, and we especially wanted to see what he would have come up with for all the monsters. When he finally had to leave the project because it was dragging on too long waiting for a green light, fans felt a sense of loss and mourned The Hobbit that could have been.
This is why Del Toro is perfect for this project. He already has a deep knowledge of the source material, including what can and can not be included legally, and he’s got designs that never got the see the light of day. Because Peter Jackson and WETA are not going to be involved in the Amazon Studios production, there is little reason to maintain strict adherence to the design motifs put in place for the various races. The only design features required are within Tolkien’s books, and beyond that, Del Toro will get to finally let loose with his own, distinct look and feel with very little constraint. What will his Numenor look like? Will we see a Northern Kingdom or meet a young Aragorn, as Thorongil, as he journey’s about Middle-earth learning the skills he will later need to become King?
Amazon has already announced that it will be developing a Lord of the Rings series set before the events of the original films. The company reportedly spent $250 million to acquire the rights alone and, according to that same report, marketing and productions costs for two seasons could raise the investment to $500 million. It is still unclear if these stories will be told in a series of anthology like episodes or story arcs, or if there will be a much wider, more epic scope to the narrative.
Amazon Studios will produce the series in cooperation with the Tolkien Estate and Trust, book publishers HarperCollins, and New Line Cinema.
This one’s come as a bolt from the blue! Throughout this year Rhino Records has been releasing limited editions of the Complete Recordings of The Fellowship of the Ring, The Two Towers, and The Return of the King on coloured vinyl.
Until I read this article the other week over on 