As some of you may have noticed, my March madness really was spent in Middle-earth! In the month…
Continue ReadingAs some of you may have noticed, my March madness really was spent in Middle-earth! In the month I spent in New Zealand, I had the immense pleasure of visiting the Hobbiton Movie Set in Matamata. Journey with me now to the Shire to experience your own adventure in Hobbiton!
And please feel free to peruse the photos below!
MIRAMAR, New Zealand — The director’s tent.
Inside a sound stage, or outside on location, it is a constant and central fixture on a movie shoot. It is home base for Peter Jackson and his team.
It is sacred ground — more or less.
The decisions made inside it, by the team, under Jackson’s direction, are crucial to the project where it is determined what will later happen in front of the camera.
So every day, whatever happens to a set or a sound stage overnight, the tent is there set up and waiting for the core of the shooting unit.
Editor Jabez Olssen, Script Supervisor Victoria Sullivan and First Assistant Director Carolynne Cunningham call it home during the shoot. Cunningham is outside of the director’s tent a lot, Olssen and Sullivan less so and Producer Zane Weiner is always near. Jackson’s assistant Sebastian Meek is in and out at all times, bringing badly needed tea and watching the door from outside to eliminate distractions inside.
Jackson lives on tea and Meek has a talent for having it handy at the perfect moment.
SETTING THE SCENE
In April, 2012, as a representative of fandom via TheOneRing.net, I was invited to be on set during five weeks of the filming of the Hobbit films. At the time, it was still scheduled to be two movies and the production had just settled in to shoot in studio instead of on location. Much was unknown then, that now is completely familiar to fans.
When I first arrived at Stone Street Studios, the publicity team took me to set, showed me the ropes and left me to my own devices during the rest of my stay to meet folks and get interviews, which was great — no time and no need for babysitting.
I was there to be a good guest and to observe. Two weeks later I was definitely convinced I had no chance of talking to Peter Jackson, except for an occasional, “Hello, how are you getting on?” from him during my time there.
Fans world-wide know from production diaries, how exhausted Jackson gets during the shooting phase of filmmaking. It is important to really understand why.
Peter Jackson is a busy guy. Particularly when he is shooting, there is a lot to do in a day and a lot of people that need to understand his vision in order to do their jobs well; he is the hub of the great spinning wheel.
He is the director, a writer and a producer — each a big job on its own. Many films have one of each of those, or several of some, all working together. But Jackson was all of them at once and combining titles didn’t mean there was less work to be done. Just because he was reviewing shots didn’t mean the script didn’t need his touch or that the art department didn’t need his input or the next day’s schedule didn’t need approval. Others were partners on all of these roles but they also required Jackson.
In a day he might need to meet with the effects supervisor, set designers, concept designers, costume designers, the composer or see actual costumes for approval, or changes, to name just a few of the many things that require his time. He will confirm the schedule with his Assistant Director, producers and spend time with the Second Unit Director Andy Serkis, to make sure all is to his liking. They need sets built, greens grown, existing sets decorated, concept guys working ahead, materials guys building everything, maximizing actors’ time, feeding all of those people, screening extras, bringing in the right number of prosthetic artists for the day’s schedule of actors and extras and on and on. In short, there is never a shortage of people who need Jackson’s input to work on his vision and it takes the logistics of — dare I say — planning a battle with five armies.
In short, everything goes through Peter Jackson.
Those are the reasons “The Hobbit: The Desolation of Smaug,” and his other Hobbit movies are genuinely Peter Jackson movies. It also means he is booked.
Solid.
THE FINAL HOURS
And so it was, the last day of my time on The Hobbit set, after several assurances that my interview with Peter Jackson would happen — it did.
Lunch happened and on the location set of Dale, up on a hill overlooking Evans Bay to Wellington, I was invited to that nearly sacred director’s tent to sit and talk with PJ — just the two of us alone. (One editor asked me if we ate together in the tent but I don’t think so, but why many memories are crystal clear of that meeting, anything we ate or didn’t eat isn’t clear. I just have no idea.)
I had been inside before, but not often. The day I shadowed him, I spent several hours, trying to melt into the background. This was his sanctuary and office.
Here’s the transcript of an interview with Dan Hennah conducted with TheOneRing.net and a handful of other reporters during a set visit to The Hobbit: The Battle of the Five Armies.
Continue reading “Dan Hennah talks about the designs for “The Battle of the Five Armies””
The winners of last month’s Hobbit Fan Contest that got to go to New Zealand and watch an in-progress cut of “The Hobbit: The Battle of the Five Armies,” and experience the beautiful scenes of the north and south islands and the hospitality of Air New Zealand and Tourism New Zealand, won their spots by producing short films.
As reports from the experience suggest, there was a great bonding of the 75 winners and their guests during the week-long tour of Middle-earth. These bonds are on display in a “thank you” video that the group organized to give to Peter Jackson and all the many folks who helped make the trip amazing. There is even a nod to TheOneRing.net which honestly touches us.
Turns out that crew can make a pretty great video with parts from all around the world. Their sincerity and appreciation really comes through and will make all fans proud. Enjoy! #HobbitFanContest
Brisbane tabloid The Sunday Mail sent writer Neala Johsnon across the pond to New Zealand in June 2013 for a stint on the set of The Hobbit during pick-ups. This article finally popped up in the paper’s mag last weekend.
As The Sunday Mail — especially its longer, feature-style magazine articles — doesn’t really make its way online at all, here’s the article re-typed in full for TORn readers. Beware minor movie spoilers, there are a couple of new lines of movie dialogue below and more information about the situation in the ruins of Dale in the lead up to the final battle. Continue reading “Hobbit’s road comes to an end”
Our French friends Tolkiendrim today revealed a brand-new still of Gandalf and Bard conferring urgently within the ruins of Dale.
They also teased that they’ll be debuting a long set report (50 pages long, apparently?) on Monday with inside details and interviews from their staffer Benjamin’s time on set in 2013. We’ll be endeavouring to bring you translations of all inside goss. Continue reading “French site Tolkiendrim reveals new Hobbit still of Gandalf and Bard and teases set reports”