Peter Jackson’s The Hobbit: An Unexpected Journey is leading this years Saturn Awards with nine nominations announced overnight. Nominees include Peter Jackson up for Best Director, Martin Freeman for Best Actor and Ian Mckellen for Best Supporting Actor.
Complete list of nominees:
Best fantasy film:
THE AMAZING SPIDER-MAN THE HOBBIT: AN UNEXPECTED JOURNEY
LIFE OF PI
RUBY SPARKS
SNOW WHITE AND THE HUNTSMAN
TED
Best actor:
CHRISTIAN BALE, THE DARK KNIGHT RISES
DANIEL CRAIG, SKYFALL MARTIN FREEMAN, THE HOBBIT: AN UNEXPECTED JOURNEY
HUGH JACKMAN, LES MISERABLES
JOSEPH GORDON-LEVITT, LOOPER
MATTHEW MCCONAUGHEY, KILLER JOE
Best supporting actor:
JAVIER BARDEM, SKYFALL
MICHAEL FASSBENDER, PROMETHEUS
CLARK GREGG, THE AVENGERS
JOSEPH GORDON-LEVITT, THE DARK KNIGHT RISES SIR IAN MCKELLEN, THE HOBBIT: AN UNEXPECTED JOURNEY
CHRISTOPH WALTZ, DJANGO UNCHAINED
Best Director:
WILLIAM FRIEDKIN, KILLER JOE PETER JACKSON, THE HOBBIT: AN UNEXPECTED JOURNEY
RIAN JOHNSON, LOOPER
ANG LEE, LIFE OF PI
CHRISTOPHER NOLAN, THE DARK KNIGHT RISES
JOSS WHEDON, THE AVENGERS
Best Production Design:
CLOUD ATLAS
ANNA KARENINA
LIFE OF PI
DARK SHADOWS THE HOBBIT: AN UNEXPECTED JOURNEY
LES MISERABLES
Best Music:
LIFE OF PI
FRANKENWEENIE
ANNA KARENINA
SKYFALL THE HOBBIT: AN UNEXPECTED JOURNEY
THE DARK KNIGHT RISES
Best Costume Design:
ANNA KARENINA
CLOUD ATLAS
DJANGO UNCHAINED THE HOBBIT: AN UNEXPECTED JOURNEY
LES MISERABLES
SNOW WHITE AND THE HUNTSMAN
Best Makeup:
CLOUD ATLAS
HITCHCOCK THE HOBBIT: AN UNEXPECTED JOURNEY
THE IMPOSSIBLE
SKYFALL
TWILIGHT SAGA: BREAKING DAWN, PART 2
Best Visual Effects:
THE AVENGERS
BATTLESHIP THE HOBBIT: AN UNEXPECTED JOURNEY
JOHN CARTER
LIFE OF PI
SNOW WHITE AND THE HUNTSMAN
The Saturn Awards, is compiled by officials from the Academy of Science Fiction, Fantasy and Horror Films, winners will be announced at a Hollywood ceremony in June (13).
A fake DVD cover for Hobbit: An Unexpected Journey?
A cover for the DVD and Blu-ray version of “The Hobbit: An Unexpected Journey,” has been making the rounds on the internet. The design, as you can see, features Martin Freeman as Bilbo Baggins as the most prominent figure with Gandalf and Thorin Oakenshield close behind. The other dwarves sneak into the image but not prominently.
It is possible this image was leaked from the studios involved but it seems unlikely and this image isn’t a powerful “buy me” image from the movie. No word from any official channels has surfaced to say this is or isn’t fake so we advise not accepting it as the gospel truth at this point.
If any excellent photoshopping readers out there want to produce some imagined blu-ray covers it would be fun to run a collection of them here, so if you have a submission send them over to Spymaster@TheOneRing.net.
Dates for the initial offering are reported as March 19 with an Extended Edition in October but nothing official has been announced. The film will still be available in some theaters at that point. Date posted by retailers like Amazon are not reliable and have included books that haven’t been written yet previously. When official dates are released, you will find them reported here.
Philippa Boyens. Photo: KENT BLECHYNDEN/Fairfax NZ At the New York Premiere of The Hobbit: An Unexpected Journey, Vulture spoke to Philippa Boyens and Peter Jackson about the absence of Gandalf’s backstory from the film. In particular, they delved into why there’s no insight into why Gandalf assists the Dwarf company, and how he obtained the map and key of Thrain. Read on below the cut for some spoilery answers that hint at what we can anticipate for The Desolation of Smaug. Continue reading “The Hobbit and Gandalf’s backstory”
Tribute.ca brings us this behind-the-scenes special on the making of The Hobbit: An Unexpected Journey. We hear from director Peter Jackson and many of the film’s stars about their journey back to Middle-earth. It’s also a good recap of Lord of the Rings with plenty of footage and scenes that you might have forgotten! Check it out! Continue reading “Behind the scenes of An Unexpected Journey”
The danger will ramp up once the Company enters Mirkwood.
Another review from a staffer of TORN long ago, Wee Tanya brings her thoughts to you now.
Warning before you begin: Spoilers abound in this review. Read it or not, it’s up to you.
Tonight I had the extreme pleasure of watching a press screening of The Hobbit on behalf of TheOneRing.net. Not only was I ushered into the screening like an honored guest, but TheOneRing.net’s name is still renown, and I was even introduced by the night’s host to the whole crowd as “Wee from TORn”. Then he grilled me on Tolkien trivia, but don’t worry, I did us proud.
Much like Arathorn I’ve been keeping a low, spoiler-free profile for the past ten years. Life happened, and I managed to drift far enough away from the ride that when I caught up with Peter Jackson’s video diaries, I spent an entire evening watching every one. Fine, maybe I’m not totally unspoiled. But there I sat as the theater darkened, not knowing what to expect at all except for two things: first, that suddenly there were three movies instead of two; and second, that someone actually called the movie boring!
I’d like you all to know that it was not boring, not a jot. The pace is beautiful, lyrical even, and in the middle of Rivendell it slows to the stately walk of Cate Blanchett’s Galadriel. But it might seem slow at first because there is a LOT of tale to tell. Bilbo begins even before “Concerning Hobbits,” back in the dark days of the Silmarillion, and establishes the sacking of Erebor and Dale before we even know what a Hobbit is! In my opinion this was necessary, because it opens up a wider world to stare at (in awe) before the camera pulls back to the familiarity of Bag End. I wanted the camera to pause at every detail of Erebor, because it was stunning. It echoes the designs of Moria from the first movies, but amplified, because it is a Dwarven city at the height of its glory instead of one abandoned.
I admit that my eyes started leaking the second I saw Bilbo put pen to paper, and I have to applaud the larger-story continuity of the first scene. It begins on the very same day as Fellowship of the Ring, and shows Bilbo writing in the Red Book, expanding upon his story (which we all know he finishes up in retirement in Rivendell, so it’s even more touching to see this flow). Ian Holm is the first Bilbo that we see, and he’s perfect, of course. Elijah Wood’s Frodo wanders through, giving the scene even more continuity as we see Bilbo watch him leave — little does Bilbo know, Frodo is off to his own adventure. And then Gandalf shows up, and after that come dwarves and more dwarves, and the story is up and running.
But whose story? I’d like to posit that this movie is actually Gandalf’s story. Ian McKellen’s expressive eyes hold the heart of the plot, which for this movie boils down to, “Did Gandalf do well in choosing this particular burglar for the company?” McKellen must have some kind of meticulous timeline of Gandalf’s life in his head, because he can step back into the role of a younger, less secure, less shiny Gandalf with exquisite ease. Gandalf’s growth as a wizard is what’s tested here, and that stately-walking scene in Rivendel (which might be slow to some) is a fine moment in which we see Gandalf squirming in his seat, while his peers probe him: is this decision to help the dwarves really a good one? Can he back Radagast’s claim that the Necromancer is back, against the (slightly less Palantir-addled) Saruman? We’re not sure, and neither is he.
There are a few set pieces in this movie that all true fans expected, and all of them deliver. I was pleased to hear many songs meandering through Bilbo’s larder (That’s what Bilbo Baggins hates!), and while the cut was more like a fan’s extended version than Hollywood might want, in short: F*** ’em. Peter Jackson gave me the story that I would’ve bought and watched in an extended version anyway, and I’m overjoyed that a third movie gave him the space to spread out and tell the tale as it was told in the books. Did the set piece with the trolls feel the way it did in the book? Of course. And I even squinted at them to make sure they were in the same position that Frodo finds them in, in Fellowship of the Ring. (SEE, Peter Jackson? You knew we’d keep track.)
As for Smaug, we saw some beautifully filmed teasing, but the Big Bad (ok, Medium Bad; the Big Bad is the Necromancer) is being saved for the final film. In a nice visual paeon to a certain Dark Lord, the movie ends with a thinly-slit reptilian eye. Symbolism, I get it! Other beautiful moments for Tolkien fans abound. Watch for: That Moment when Bilbo stays his hand instead of slaying Gollum. Watch for: The intricately designed beauty of each and every domain, including the goblin kingdom above Gollum’s layer. Watch for: FIGWIT.
I won’t discuss Riddles in the Dark, because it’s perfectly done.
What did I dislike? Well. Radagast was saved from being cute by his Peter Jackson-grossness (is that BIRD POO ON HIS FACE? Oh God of course it is), his plot explicated neatly from the Silmarillion. Radagast was necessary for getting information about Mirkwood over to the rest of the world. It’s a fan’s retelling of how it happened, and I’ll pretend that Fran and Phillipa heard it from local lore, the kind of stories that might appear at the Prancing Pony.
In short, I loved this movie, and I want more. Two more. Fine, take my money, and show me as many movies as you want!
Rumors started days ago the Ian McKellen, who plays Gandalf in some popular movies, had been diagnosed with prostate cancer. The original source isn’t known for being especially reputable and later a spokesperson said the report was taken out of context. Then the spokesperson pointed to McKellen’s participation in the New Zealand premiere as proof of his health. Problem was, he wasn’t at the Wellington activities making the situation even more confused. Finally, McKellen himself has cleared things up on his website and that seems an authoritative source.
There have been new reports in the press of the old news that I have early prostate cancer. This was diagnosed six or seven years ago. There is no cause for alarm. I am examined regularly and the cancer is contained. I’ve not needed any treatment.