Today in Annecy attending press were treated to glimpses of the upcoming film The Lord of the Rings: The War of the Rohirrim. TORn didn’t have anyone present there, but the good folks at Warner Bros. were kind enough to share with us some of the first movie images being revealed; and we had a chance to sit down again, before Annecy, with producer Philippa Boyens, to chat some more about this hotly anticipated movie – and other returns to Middle-earth, coming in the future.
Feast your eyes on the images! And enjoy the conversation between Boyens and staffer greendragon.
GD: Hi Philippa, thanks for taking this time – and it’s very, very exciting to see some images. We all just can’t wait to see it and are excited for what’s going to be revealed at Annecy – and these three images that we have to look at. So, I have a million questions but can we plunge straight into the images?
PB: Absolutely.
HÉRA voiced by GAIA WISE in New Line Cinema’s and Warner Bros. Animation’s epic anime adventure “THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM,” a Warner Bros. Pictures release. Photo Courtesy Warner Bros. Pictures
GD: Great. I’m looking at the first one that was sent to me, which presumably is Hera, our heroine. And the first thing I have to ask you – and I don’t know if you’re going to be able to answer this question: is that Herugrim that we see in her hand there? Is that the 500-year-old heirloom of Rohan that ends up with Theoden?
PB: Well, given some of the concept artists that were involved in this film, I would say that’s probably a pretty good guess. You know the attention to detail that those guys go into. So people like Daniel Falconer and, of course, John Howe, Alan Lee, you know. And then the brilliant Japanese concept artists, not just animators but concept artists as well, have worked on this. We’ve just been spoiled, honestly, absolutely spoiled.
GD: I can well imagine! Talk to me a little bit about this character Hera, because I’ve been fascinated by some of the things I’ve read that you’ve said in other interviews, about her being inspired somewhat by the Lady of the Mercians, Aethelflaed. And your talk of that reminded me also of Matilda, the daughter of Henry I, who was known as Lady of the English. So we’ve got these early medieval women who did not end up ruling, but who kept the country together in these powerful, strong ways. And clearly in this image, Hera is being very fierce. It looks like her sword is touching someone’s shoulder that we’re just seeing in the edge of the picture. Tell me a little bit about this strong female character that I’m very excited to see.
PB: Yes, she is a strong female character; but what I really love about her, she’s a very real female character – which I think is a strength of what Professor Tolkien did with the Rohirrim, and we’ve drawn on that. Eowyn was drawn so beautifully. I mean, you know, of course, with Galadriel and Arwen, you’re dealing with immortals, you’re dealing with the quality of, I was going to say the fae, but I won’t say that, but that otherworldly quality that is inherent in the elves. With Eowyn, I always felt that she was drawn in a very real way. And so we’ve kind of tried to continue in that tradition.
She’s not named in the books and we do point that out – I won’t tell you how! – but I do think it’s interesting that often women remain unnamed. There’s an unnamed daughter in Beowulf, for example. That was immediately intriguing; but what i do say is i don’t feel in any way that Professor Tolkien was slighting that character in not naming her. I think he hadn’t gotten around to telling that part of the story; and i do believe that if he had told that part of the story, given that he was a Mercian of sorts himself, how could he not perhaps have drawn on alfred the great’s daughter? And so she felt authentic. Although, having said that, I know he also said that the Rohirrim were not pure Anglo-Saxon derivatives, you know, there’s a lot of other facets to them – including his own imagination that he drew upon.
But I’m so glad you mentioned Matilda, because I think in the same vein, you’re absolutely right, that somehow they had the facility to hold their people together without necessarily having the title of ruler. They were leaders because they showed leadership and courage when it was needed. It’s resilience, you know, often time and time again, they show something special and save their people. , I think that that was one of the things that drew us to her.
And we wanted to make sure that she was as authentically human as she could be. So she’s not without doubts. She’s not without fears. She is constrained by the strictures of the society in which she’s been brought up. She’s beloved by her father – we know that from the very beginning of the storytelling. This is what we’ve come up with, you know; because we have known brothers. We have Haleth and Hama. And we can imagine who they are. And so when it came to Hera, we thought it would be interesting that just as Théoden had that relationship with Éowyn, that kind of the interesting thing following that thread through with Helm. First he loses Haleth, he loses Hama, he loses all his sons.
And although Hera is, you know, growing up – we killed off the mother, by the way, because she’s not named either. So we imagined her growing up, raised by a warrior king, alongside two brothers who, you know, there would be a genuinely tomboyishness to her nature, that she was allowed to have a bit of a free reign when she was younger. But when it comes down to it, especially now that she’s getting older, she comes face to face with the fact that, you know what, there are strictures in this society and there are roles for women in this society that her father still expects her to fulfill.
So, sure, he let her have a bit of a free reign and she was a bit of a wild child growing up,but never once did Helm think she would do anything other than that. and fulfill her duties and so it’s really interesting that that is part of his journey of his character to sort of suddenly discover that his daughter is stronger than he knew, which is really interesting. I love the relationship between those two characters that we’ve managed to find in there.
(L-r) HÉRA Voiced by GAIA WISE, HELM HAMMERHAND voiced by BRIAN COX, HALETH Voiced by BENJAMIN WAINWRIGHT and HAMA voiced by YAZDAN QAFOURI in New Line Cinema’s and Warner Bros. Animation’s epic anime adventure “THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM,” a Warner Bros. Pictures release. Photo Courtesy Warner Bros. Pictures
GD: And great actors voicing those two characters. [Brian Cox and Gaia Wise]
PB: Oh, my God, wonderful. Honestly, I don’t think anyone else genuinely could have played Hera, but Gaia Wise, she was perfect. She has all of the elements that you want. She’s got so much life in her, and she has that tomboyishness to her, but she also has a kind of, she’s full of curiosity. She’s very intelligent. She’s got a great sense of humor, and so she’s quick, and she’s got a ready laugh, and I can imagine a little bit of wildness about her, but she’s got a heart. You know, that was the thing that got her – she’s got a huge heart.
She fell off her bike. (I hope she doesn’t mind me telling you this!) She got, because she was biking to the ADR session to do some recording, and she actually came off. She got knocked off her bike. She had a big graze on her leg, and I was appalled. I was like, oh, my God, we’ve got to do something. It was absolutely determined to just keep going because I think she was focused. Of course. She was in the zone. She felt, no, look, it’s going to be fine. I’m not, you know, nothing’s broken. And she just got straight into it, and I was just looking at her thinking. Oh my God, you are Hera. The warrior.
GD: I’m looking at the third image we saw, of Wulf outside. He certainly looks like a Dunlending, with the dark hair. I’m looking at that sort of darkness. And you were just saying before about how the Rohirrim are people, they are humans and they have a reality to them and a human quality that, of course, we don’t get in the immortals, the Maiar, the Elves. This is a tale of men.
WULF voiced by LUKE PASQUALINO New Line Cinema’s and Warner Bros. Animation’s epic anime adventure “THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM,” a Warner Bros. Pictures release. Photo Courtesy Warner Bros. Pictures
PB: What’s fascinating is the choices that Wulf makes. There is a moment, I think, where he could have, you know, conquering Edoras, if he’d settled down and become a good and wise ruling king, none of this history would have been spoken of. You know, it would have been a challenge by one lord to a lord whose time had potentially passed.
And, given the culture, (which, again, we set up very early on), this is a people who, although he is a king, they are subservient to Gondor, that in itself creates certain levels of tensions; and that although he is a king, he rules by consent, not by right. And so Wulf, if he’d made the right choices, it would have been a different story.
He doesn’t. He makes other choices, and they’re very interesting choices – and where those choices come from is really fascinating. He’s one of my favourite characters ever that we’ve ever created. He and Hera are so strong. They’re wonderful.
And, of course, Brian Cox is just brilliant as Helm. I have to say, no surprise! Unsurprisingly brilliant, which is fantastic for us and for the fans. I think they’re just going to love him.
GD: So with Annecy coming up – which is very exciting… Of course, we’re all reeling with excitement of the news of the ‘Hunt for Gollum’ movie. And I see that Andy Serkis is going to be there to host a panel with you, at Annecy. I noticed looking back on last year’s Annecy that in an interview there, you said that this movie and this story, this animated film, would be ‘a good way back into’ the world of Middle-earth. Did you have an inkling then that this (The War of the Rohirrim) was, to quote Gandalf, the falling of small stones that would start an avalanche? Did you think there was going to be more coming?
PB: Yes, I did. I did. I myself personally felt up for it. It was one of those things where you go back to something that, I mean, you know, you can lose yourself sometimes in making a film. And you kind of lose, you know, I’ve always found that the books were my comfort read. They were the thing that I always had that I could fall into. And in a way, doing the films destroyed that to a certain level.
What was interesting is going back into this and going back into a part of the story that was so fresh to me. And I think it’s going to be fresh to the audience and yet familiar, which is also brilliant. It re-energized me. I don’t know what it was, but it made me think, you know what – I do love telling stories within this world. It feels like a natural fit.
And I love the passion of the fans. I genuinely mean that, absolutely. You can tell all the members of the Torn community of TheOneRing that they’re always sitting on my shoulder.
GD: But in a good way!
PB: In the best possible way. Because, you know, you’ve got to have such respect for the passion that’s involved there. And I think it’s entirely appropriate and we should be held to a really high standard. And I think Kenji Kamiyama has not only met that standard, he’s smashed it. He had the bar and then he smashed his way through it and set it somewhere even higher. So it’s fantastic. Can’t wait for you guys to see it.
GD: We can’t wait to see it. It’s so exciting. You know, this year, TheOneRing.net is 25 years old. It’s our silver anniversary! Who would have thought we would be not only still going, but here having the chance to talk to you about new projects. It’s the gift that keeps on giving! Our staffer Demosthenes [who chatted with PB before] asked me to just casually ask you, are we going to see Saruman?
PB: [laughs] I can neither confirm nor deny that! I really can’t. I think he’s, I have to tell you, he’s very acute and perceptive – and some of the things that he was supposing were very much on the money in terms of when he saw the mumaks and things like that. And I thought that was really interesting. But that one I’m not giving him. Tell him I’m sorry!
GD: I’ll tell him! Well, it’s so great to talk, Philippa. Have a great time in Annecy, and I hope we can connect again; and we just can’t wait for everything that’s coming up. Thank you so much.
PB: I’m always happy to talk to you guys, absolutely.
Huge thanks to Philippa Boyens, and to Warner Bros. for affording us this exclusive interview. A closer look at these first images is coming soon!
BREAKING NEWS: it seems that Peter Jackson, Fran Walsh, Philippa Boyens and Andy Serkis are all going there and back again, as Warner Bros. today issued an astonishing press release:
WARNER BROS. PICTURES AND NEW LINE CINEMA ARE SET TO REUNITE WITH THE OSCAR WINNING LORD OF THE RINGS AND THE HOBBIT TEAM PETER JACKSON, FRAN WALSH, AND PHILIPPA BOYENS FOR TWO NEW FEATURE FILMS FROM J. R. R. TOLKIEN’S MIDDLE EARTH, TWO-DECADES AFTER THE NEARLY $6 BILLION DOLLAR FILM FRANCHISE WAS FIRST INTRODUCED TO AUDIENCES
THE FIRST FILM LORD OF THE RINGS: THE HUNT FOR GOLLUM (*WT) WILL BE DIRECTED BY AND STAR LORD OF THE RINGS ALUMNI ANDY SERKIS
JACKSON, WALSH, AND BOYENS WILL PRODUCE LORD OF THE RINGS: THE HUNT FOR GOLLUM (*WT), WITH WALSH AND BOYENS SET TO WRITE THE SCREENPLAY
Burbank, CA — May 9, 2024 – Warner Bros. Motion Picture Group’s Michael De Luca and Pam Abdy announced today the Oscar-winning team behind the nearly $6 billion blockbuster Lord of the Rings and The Hobbit trilogies Peter Jackson, Fran Walsh and Philippa Boyensare reuniting to produce two new films from Tolkien’s Middle Earth for Warner Bros. Pictures and New Line Cinema.
The first of the two films Lord of the Rings: The Hunt for Gollum(*WT)will be directed by and star Andy Serkis (Venom: Let There Be Carnage, Mowgli: Legend of the Jungle), with Walsh and Boyens set to write the screenplay, along with Phoebe Gittins and Arty Papageorgiou (Lord of the Rings: The War of the Rohirrim). The film will be executive produced by Ken Kamins, with Serkis and The Imaginarium’s Jonathan Cavendish.
Said De Luca and Abdy, “For over two-decades, moviegoers have embraced the Lord of the Rings film trilogy because of the undeniable devotion Peter, Fran and Philippa have shown towards protecting the legacy of Tolkien’s works, and to ensure audiences could experience the incredible world he created in a way that honors his literary vision. We are honored they have agreed be our partners on these two new films. With Andy coming aboard to direct Lord of the Rings: The Hunt for Gollum(*WT), we continue an important commitment to excellence that is a true hallmark of how we all want to venture ahead and further contribute to the Lord of the Rings cinematic history.”
Said Jackson, Walsh and Boyens, “It is an honour and a privilege to travel back to Middle-earth with our good friend and collaborator, Andy Serkis, who has unfinished business with that Stinker – Gollum! As life long fans of Professor Tolkien’s vast mythology, we are proud to be working with Mike De Luca, Pam Abdy and the entire team at Warner Bros. on another epic adventure!”
Said Serkis, ““Yesssss, Precious. The time has come once more to venture into the unknown with my dear friends, the extraordinary and incomparable guardians of Middle Earth Peter, Fran and Philippa,” said Serkis. “With Mike and Pam, and the Warner Bros team on the quest as well, alongside WETA and our film making family in New Zealand, it’s just all too delicious…”.
…
The announcement of the new films follows the previously announced New Line Cinema and Warner Bros. Animation’s anime feature film Lord of the Rings: The War of the Rohirrim opening this Christmas. Directed by Award winning filmmaker Kenji Kamiyama (Blade Runner: Black Lotus and Ghost in the Shell: Stand Alone Complex series), the film is produced by Boyens, Joseph Chou (Blade Runner: Black Lotus), and Jason DeMarco.
The writing team of Phoebe Gittins and Arty Papageorgiou penned the Lord of the Rings: The War of the Rohirrim screenplay based on a script from Jeffrey Addiss & Will Matthews. The Lord of the Rings returning creative team also includes Oscar winners Alan Lee and Richard Taylor, along with esteemed Tolkien illustrator John Howe.
Our good friends at Volante Opera have been in touch with very exciting news! You may remember, in 2022 and 2023 we brought you news of their work with composer Paul Corfield Godfrey, to bring to life his operas of stories from The Silmarillion.
Godfrey had for many years been working on operatic excerpts from The Lord of the Rings – and during lockdown, he and the Volante Opera folks had even begun recording excerpts, ‘just in case’; but the Tolkien Estate had not granted permission for those works to be released.
We can now exclusively reveal that Godfrey and Volante Opera Productions have been granted permission to release recordings and scores of these works.
There are thirty ‘chapters’, intended to be performed over six evenings. The text is (of course) abridged, but uses as closely as possible Tolkien’s own words; and fans can even look forward to an appearance by that most elusive of characters in adaptations, Tom Bombadil!
The fifteen CD set should be available in 2025. Meanwhile, you can enjoy Volante’s previous recordings of Godfrey’s Silmarillion settings, available to purchase on their website; and here’s a trailer, with aural ‘glimpses’ of what treats we have in store.
Here’s the official press release from Volante Opera:
AT LAST – AN OPERATIC TREATMENT OF THE LORD OF THE RINGS
For many years the Tolkien Estate has refused to allow any musical treatment of the works of the author which employed his own words. Now they have agreed to make a concession in respect of the music of Paul Corfield Godfrey, whose cycle of “epic scenes from The Silmarillion” was finally completed in 2023 with the issue of a ten-CD series of recordings from Volante Opera and Prima Facie Records.
Ever since the 1960s the composer has been working on sketches, fragments and episodes of what was envisaged as a cycle of musical works based upon The Lord of the Rings. Following on from the success of the recordings of The Silmarillion Paul was persuaded to go back to these beginnings and fully explore, expand and complete the work which has now evolved as “musical chapters from The Lord of the Rings”. This fully operatic setting has now become a companion work on the same scale as The Silmarillion. This adaptation takes place over thirty “chapters” designed to be performed over six evenings – over fifteen hours of music.
This work is currently in the process of recording by Volante Opera and it is anticipated that Prima Facie will release a demo recording of the complete cycle, in the same manner as their Silmarillion recordings, in 2025.
Cast
The professional singers, some thirty in number, come mainly from Welsh National Opera. Returning artists from The Silmarillion include: Simon Crosby Buttle as Frodo, Julian Boyce as Sam, Philip Lloyd-Evans as Gandalf, Stephen Wells as Aragorn, Michael Clifton-Thompson as Gollum, Helen Jarmany as Éowyn, Huw Llywelyn as Bilbo, Emma Mary Llewellyn as Arwen, Laurence Cole as Boromir/Denethor, Martin Lloyd as Treebeard/Herb Master, Helen Greenaway as Lobelia/Ioreth, Rosie Hay as Gwaihir, Sophie Yelland as the Barrow-wight, Louise Ratcliffe as Lindir, with George Newton-Fitzgerald and Jasey Hall taking on a plethora of roles. Angharad Morgan will also be reprising her role as Galadriel from The Silmarillion. Our new cast members and their characters will be introduced as the recording process continues.
Those who have enjoyed the composer’s large-scale setting of The Silmarillion will be pleased to discover that the music inhabits the same musical world as before, with many ideas and themes continued and expanded into The Lord of the Rings. The “musical chapters” also incorporate other works by the composer such as his earlier Tolkien songs (already available on CD) which now assume greater significance in the course of the whole structure.
Although the text is inevitably abridged, it adheres without any but the most minor alterations to the author’s original words, and the original plot development remains unchanged – including such elements as Tom Bombadil, the Barrow-wight and the ‘scouring of the Shire’. And some other passages, such as the coronation and wedding of Aragorn, are given expanded musical treatment.
Further tales from Tolkien in music
Also coming early 2025, a complete recording of Paul Corfield Godfrey’s solo piano works played by renowned British concert pianist Duncan Honeybourne. This will include, amongst other works, the epic piano rondo Akallabêth, a solo piano version of the Wedding March from The Fall of Gondolin, and a new work composed specifically for Duncan and this album – ‘The Passing of Arwen’.
For more information about the work please visit: www.paulcorfieldgodfrey.co.uk For more information about the recording by Volante Opera Productions please visit: www.volanteopera.wales Updates about the recording process will be posted to our social media feeds: DISCORD: https://discord.gg/J6bQFHygr7 FACEBOOK: Volante Opera Productions, The Music of Paul Corfield Godfrey INSTAGRAM/THREADS: @volanteopera TWITTER/X: @OperaVolante, @TheCorfield Recordings and scores of Epic Scenes from The Silmarillion and Akallabêth and other Tolkien Works are available from Volante Opera Productions’ website.
Check out Volante’s website for lots more information, including more details on casting/characters, chapter breakdown, and synopsis. So much to look forward to; we can’t wait to hear these pieces in full. Now we hope they may be brought to the stage one day… Meanwhile here’s Godfrey’s ‘Lament for Boromir’ – enjoy!
Texts by J.R.R. Tolkien from The Lord of the Rings and The Adventures of Tom Bombadil by permission of the Estate of the author, HarperCollins Publishers and Middle-earth Enterprises.
In an unexpected journey that rivals Bilbo’s own, TheOneRing.net is thrilled to announce the launch of its very own food truck, bringing the flavors of Middle-earth to the world – well, a portion of the world! Aptly named ‘Middle-earth on Wheels’, the plan is for the food truck to visit conventions and geeky gatherings across America, serving a delectable array of Tolkien-themed treats. Our truck will first appear at NYCC 2024.
The Menu
Inspired by the diverse experiences and tastes of our staff, the menu will vary, with various themes planned, including the seasons in the Shire, spicy dishes of Mordor, and the sumptuous feasts of Rivendell, offering an Elvish twist on classic flavors. The menu to appear at NYCC will include a chicken dish “Amon Hen”; “Salmon Frodo“; “Isengard Unquiched,” “One-ion Rings” (Of course!); and a variety of artisanal bread, so fans can ‘share the loaf.’
Barad-dûr croquemboucheArtisanal BreadsAmon HenSalmon FrodoIsengard UnquichedOne-ion Ring
Our very own Happy Hobbits, known for their culinary magic making (Check out their YouTube!), will bake fresh bread for each appearance.
But that’s not all – in a revelation as surprising as Gandalf’s fireworks, we can reveal that TORn co-founder Xoanon is not only a master of Middle-earth lore but also a pastry chef extraordinaire, holding the world record for the tallest croquembouche, eerily resembling Barad-dûr, complete with the Lidless Eye, and almost mirroring the height of Weta’s Minas Tirith bigature.
Special Menus and Events
But what of Second Breakfast, you ask? On select days, Middle-earth on Wheels will honor every crucial Hobbit mealtime—Breakfast, Second Breakfast, Elevenses, Luncheon, Afternoon Tea, Dinner, and Supper—throughout all-day festivals and events. Whether you crave the sweet simplicity of Seedcake for Second Breakfast or the hearty richness of a Minas Tirith Meat Pie for Supper, TORn will have you covered. Dates for these special events will be announced at a later time.
On Tuesdays when Middle-earth on Wheels is on the move, don’t miss Tolkien Taco Tuesday—every purchase of a taco gets you another one on the house!
Why a Food Truck?
Why this culinary quest, you ask? It’s all in an effort to combat the ever-mounting Google Business Apps bill! Yup, they raised their prices…again! As a not-for-profit site powered by volunteer staff, TheOneRing.net relies on the generosity of its community and, perhaps now, the proceeds from its gastronomic ventures.
Don’t miss this chance to feast like a Dwarf, snack like a Hobbit, and dine with the elegance of the Elves. The Middle-earth on Wheels food truck is coming to a location near you. Follow the journey on TheOneRing.net and our social media channels.
Because in the world of Tolkien, even the smallest meal can change the world.
Publisher HarperCollins is set to release a new Tolkien book, The Collected Poems of J.R.R. Tolkien, this September. The three-volume book will gather together much of J.R.R. Tolkien’s published verse, as well as somewhere in the vicinity of 77 (see below for the editors’ explanation about the inherent difficulties of being precise) previously unreleased poems from his archives.
Editors Christina Scull and Wayne G. Hammond note that it’s a Collected Poems work, not a Complete Poems work, due to “economies of production”. However, the book will still include “most of the verses Tolkien is known to have written, and for most of these, multiple versions which show their evolution.”
There are at least 240 discrete poems, depending on how one distinguishes titles and versions, presented in 195 entries and five appendices.
When possible, we have used manuscripts and typescripts in the Bodleian Library, at Marquette University, and at the University of Leeds.
We have chosen not to include all of the one hundred or so poems contained in The Hobbit and The Lord of the Rings, but have made a representative selection – surely, no one who reads the Collected Poems will not already have at least one copy of Tolkien’s two most popular works.
They further explain that “discrete poems” depends on one’s definition.
Some of the poems morph in their evolution so much that one could either count a work as a single entity in a variety of forms, or as a variety of separate poems that are closely related. Hence our vagueness about the number: we didn’t want to overhype it.
There’s a similar issue with counting which poems have been published and which haven’t. The best we can say is that among the poems we include, 77 have not been published before in any form, or only a few lines from them have appeared, e.g. in Carpenter’s biography.
The HarperCollins press release notes that poetry was the first way in which Tolkien expressed himself creatively and through it the seeds of his literary ambition would be sown. The character Eärendil emerged from one of his earliest poems The Voyage of Éarendel the Evening Star in 1914. And from Eärendil we have world of The Silmarillion, and subsequently The Hobbit and The Lord of the Rings, each which is enriched with many poems.
Charged, at first, by Christopher Tolkien to review only his early poems, Hammond and Scull soon saw the benefits of examining his entire poetic opus across six decades and showing its evolution with comments in the manner of Christopher’s magisterial History of Middle-earth series.
Collected Poems will provide the stories behind, and analysis of, each poem, as well as revealing the extraordinary amount of work that Tolkien invested in them.
Not long before his death, Hammond and Scull were able to send Christopher Tolkien a portion of the book, which he praised as “remarkable and immensely desirable”.
They state that the 1,500-plus-page book (the numbers listed on Amazon’s description are apparently outdated and not correct) will also include “a long introduction to Tolkien as a poet, a brief chronology of his poetry, and a glossary of archaic, unusual, or unfamiliar words he used in his verse.”
According to Hammond and Scull, there are currently no plans for a deluxe edition; the aim is for an elegant trade release (hardcover). As yet there is no announcement of a U.S. edition. It looks as though like Amazon will carry a (Kindle) e-book as well.
The Collected Poems of J.R.R. Tolkien will be released on September 12.
Twenty years on from the theatrical release of The Lord of the Rings: The Return of the King, fans continue to celebrate the monumental achievements of Peter Jackson and the team who brought Middle-earth to life. New Line Cinema and Warner Bros. Home Entertainment (WBHE) have shared with us a twelve-minute look at the making of LOTR: ROTK pulled from the archives featuring new 4K remastered footage.
Back when midnight openings were a thing, fans around the world lined up to be the first to watch Return of the King in cinemas with heralded hype. The runtime of 3 hours and 21 minutes did not dissuade anyone as book fans knew there was a lot of story to cover, and the DVD releases of the longer Extended Editions had primed audiences for a longer, well-told story. The finale exceeded anyone’s expectations. The Return of the King made $1.1 Billion at the box office, making it the second-highest grossing movie of all time at release. It was still #1 at the box office in its 4th week!
Above, Peter Jackson attends TheOneRing.net’s Fellowship of the Ring Oscar Party in 2002. Below, Peter Jackson returns to the 2004 fan party for Return of the King with all the Oscar trophies in hand. Return of the King matched the record for most Oscars ever won by any movie, and is the most-awarded film worldwide of all time.
In addition to the video above from WBHE recognizing Peter Jackson’s achievement, fans are celebrating together with a global watch-along on Sunday December 17 to mark the 20th anniversary of the release of Return of the King. Also look out for a new Art of Costume podcast with the award winning costume designer Ngila Dickson.
In the 20 years since its record setting award winning run, The Lord of the Rings films have become the benchmark of filmmaking with just the right balance of practical and digital effects, location and digital shooting, innovation and classical performance, and maintaining a fidelity to the source material while at the same time introducing changes benefiting the medium of film. Fans have made watching these films an annual event, and the wide use of LOTR memes are unsurpassed in quantity and relevance.
Peter Jackson is adored worldwide and fans still enjoy diving into the BTS Appendices on 4K, Bluray and DVD. Now that New Line Cinema has a fresh long-term deal to make new LOTR spinoff movies, could Jackson return to Middle-earth? His producing partner Philippa Boyens is already bringing WAR OF THE ROHIRRIM to cinemas in December 2024, telling the story of Helm Hammerhand and the history of the Rohan Shieldmaidens. Jackson doesn’t need to get back to LOTR after winning Emmy Awards with The Beatles (and directing his first ever music video for them) but, based on the daily conversations happening on our forums and discord, LOTR fans are ready for a trustworthy hand to manage the future of Tolkien’s expanding legendarium.
Before Rotten Tomatoes, TORn had RINGER REVIEWS for fans to share right after watching the film
Happy 20th anniversary to Return of the King, a film that made us all cry (multiple times) by channeling the best of J.R.R. Tolkien and the humanity of his stories. It remains the high water mark of fantasy filmmaking even today.
