In a spy report for the ages, we’re excited to reveal Amazon is already planning an animated spin off from their Rings of Power series.
THE LORD OF THE RINGS (1978)
Anticipating the success of the show, premiering September 2nd on Prime Video, the creative team at Amazon are working on a children’s cartoon series. Here’s what our inside source told us:
The inspiration for the show came from the opening of The Hobbit, when Bilbo first encounters Gandalf. He remarks that the wizard ‘was responsible for so many quiet lads and lasses going off into the Blue for mad adventures. Anything from climbing trees to visiting Elves or sailing in ships, sailing to other shores!’ We thought it would be great to hear the stories of the other Hobbits, who had been on adventures with Gandalf in the past.
With this new series, we’re hoping to make ‘Saturday Morning Cartoons’ exciting, educational and fun again, with wholesome entertainment that is both silly, yet meaningful for the whole family. We’re delighted that Sir Lenny Henry, an actor with a well-known pedigree in comedy and family entertainment, has agreed to voice one of the main characters of the show. With such a distinguished performer already on board, we’re hoping to persuade Sir Ian McKellen to voice Gandalf for us. You really can’t have Gandalf without Sir Ian.
There hasn’t been a final title decision yet. ‘Adventure Hobbits’ was our first thought, but because The Rings of Power is set in the Second Age of Middle-earth, we’re featuring Harfoots in that series. So then we wanted to go with ‘Adventure Harfoots’; but of course the Istari didn’t arrive in Middle-earth until early in the Third Age – so can we blur the lines and have Gandalf and Harfoots together? Then of course there is the additional dilemma about whether it should be ‘Adventure Harfoots’ or ‘Adventure Harfeet’… It’s still a work in progress.
Here at TORn we’re speculating that Amazon may also have wanted to create something to go up against Warner Bros.’ animated Middle-earth tale, The War of the Rohirrim, which is slated for release in April 2024. Now Amazon will have their own animated adventure from Arda. There hasn’t been a cartoon Hobbit since the days of the Rankin/Bass movies; we can’t wait to see the first images from this upcoming show.
Bilbo as he appeared in the Rankin/Bass ‘The Hobbit’ animated film (1977)
Staff from TheOneRing.net will be at Wondercon this weekend in Anaheim and this project is one of many we will be discussing in our Middle-earth! Coming to your TV this Fall presentation. Look for us tonight in room North 200A at 4:30 pm, tickets are still available online and at the door.
Today (depending on where in the world you are) fans of The Hobbit, The Lord of the Rings, and the works of J.R.R. Tolkien join together in a worldwide celebration of the late author’s works for Tolkien Reading Day.
The theme for this year’s event is Love and Friendship in Tolkien’s works.
Tolkien Reading Day takes place every year on March 25, and commemorates the date on which Frodo and the Fellowship were successful in destroying the One Ring and defeating Sauron. It’s a communal and international act of fellowship in recognition of the achievements of John Ronald Reuel Tolkien. Anybody with a copy of his works can take part (it’s also a great opportunity to introduce for children to Tolkien’s works).
And if you happen to be in need of a copy of a particular Tolkien book, we understand that Amazon’s digital “Deal of the Day” (in conjunction with publisher HarperCollins) will be will offer up to 80% off select Tolkien books. So now might be a good time to go hunting.
Reading events are occurring today all round the globe.
For example, Tolkien Guide will be hosting a number of excellent guests for discussions of Tolkien’s life and works throughout the day (including TORn staffer Cliff “Quickbeam” Broadway). You can also always pop by our new Discord server at discord.gg/theonering if you feel like participate in some fine talk with fellow Tolkien fans.
What are you up for Tolkien Reading Day? (Or if, like me, you live in “Futureland” in the Eastern hemisphere, what did you do for TRD?)
It’s long been known that the recordings of the 1950s BBC radio drama adaptation of The Lord of the Rings are (barring some unforeseen miracle) forever lost to time. But, lately there’s been a renewed interest in searching the BBC archives to see what actually remains.
This effort has primarily been lead by Oxford academic Stuart Lee.
The Guardian now reports that Lee has been able to uncover the original scripts for the 12-episode radio show that was broadcast in 1955 and 1956. It was the first adaptation of the Lord of the Rings in any medium, and (aside from Swedish musician Bo Hansson’s Sagan om ringen) the only one published during Tolkien’s lifetime.
Lee’s research revealed that Tolkien rewrote material for the BBC drama, working with producer Terence Tiller to adjust narration and dialogue for the production.
One script page shows Tolkien’s redraft of the Weathertop scene:
Frodo: What has happened? Where is the pale King?
Sam: We lost you, Mr Frodo. Where did you get to?
Frodo: Didn’t you see them?– the wraiths, and the King?
Aragorn: No, only their shadows…
Tolkien gave a description of the wraiths to the narrator, who linked the scenes: “At once the shapes became terribly clear. He could see under their black mantles. In their white faces burned merciless eyes…”
Lee said: “Without the freedom allowed to him in the novel, he considered the best way to convey a description of the wraiths, first rather clumsily getting Frodo Baggins to say ‘I… I put the ring on. Then the shapes became terribly clear, and I could see under their black cloaks. Their faces were white with cruel bright eyes…’ But he rejected this, favouring instead the use of the narrator.”
Tolkien’s handwritten suggestions in red for amendments to the BBC’s 1950s radio dramatisation. Photograph: BBC Written Archives Centre / The Tolkien Estate Limited.
Excerpts from Tolkien’s own correspondence — first published in 1981 by Humphrey Carpenter — reveal both frustrations with the result, and empathy with the task set before the production crew. In Letter #175 he states: “I think the book quite unsuitable for ‘dramatization’, and have not enjoyed the broadcasts—though they have improved”. In another letter (#194), he tells Tiller in his commentary on the first three episodes aired in 1956 that “here is a book very unsuitable for dramatic or semi-dramatic representation. If that is attempted, it needs more space, a lot of space.” He concludes by acknowledging that he felt Tiller “had a very hard task”.
A single sound excerpt from the 1955 radio series — the opening music — also survives in the BBC archives. It lasts about 25 seconds and can be heard starting about 4 minutes into a BBC Sounds production (which Lee was also involved in) called Tolkien: The Lost Recordings.
Lee’s research is set to appear as an essay (titled “A milestone in BBC history? The 1955–56 radio dramatization of The Lord of the Rings”) in The Great Tales Never End: Essays in Memory of Christopher Tolkien. The compendium of essays will be published by Bodleian Library Publishing in June 2022.
It appears that the appearance of Mûmakil in the recent Warner Bros. concept art has sparked dire thoughts that the production is already going off-track and that the apocalypse is nigh.
Fear not: I think people are misremembering the contents of Appendix A of The Lord of the Rings. That’s okay — I forget things all the time only to be reminded of something really obvious like “Oh, Finrod is a blonde, duh”.
The good news is that we don’t have to dig far here to get at the substance of the argument. First, Appendix A: II: The House of Eorl. Second, we want to look at the corresponding entries for the Stewards of Gondor. That is, anything mentioned during the stewardship of Beren.
This comprises the core of our knowledge about this period of the history of Gondor and Rohan.
Looking more closely at the histories, two passages stand out.
First, turning to the House of Eorl, we find this passage describing events in the years after Helm Hammerhand killed the Dunlending, Freca, with a blow from his fist at Edoras:
Four years later (2758) great troubles came to Rohan, and no help could be sent from Gondor, for three fleets of the Corsairs attacked it and there was war on all its coasts. At the same time Rohan was again invaded from the East [my emphasis], and the Dunlendings seeing their chance came over the Isen and down from Isengard. It was soon known that Wulf was their leader. The were in great force, for they were joined by enemies of Gondor that landed in the mouths of Lefnui and Isen.
Appendix A, The Lord of the Rings
Now, I’ll agree from the east is vague. Do the Balcoth, who assaulted Gondor during Cirion’s stewardship, still exist as a threat? Could that be referring to them? Or folk out of Rhûn? Not impossible. That the folk of Harad would circle all the way around Mordor in order to cross the Brown Lands and cross the Anduin at The Undeeps seems … less than likely.
But I don’t think it actually matters.
Because more details emerge from the Appendix A section that discusses events during the lifetime of the Steward of Gondor, Beren.
In the days of Beren, the nineteenth Steward, an even greater peril came upon Gondor. Three great fleets, long prepared, came up from Umbar and the Harad [my emphasis], and assailed the coasts of Gondor in great force; and the enemy made many landings, even as far north as the mouth of the Isen.
Appendix A, The Lord of the Rings
Joining these two together, I believe, solidifies an argument for the presence of Haradrim (and thus, potentially Mûmakil at Edoras when it’s taken by Freca’s son Wulf).
Because as Appendix A also states:
The Rohirrim were defeated and their land was overrun; and those who were not slain or enslaved fled to the dales of the mountains. Helm was driven back with great loss from the Crossings of Isen and took refuge in the Hornburg and the ravine behind (which was after known as Helm’s Deep). There he was besieged. Wulf took Edoras and sat in Meduseld and called himself king. There Haleth Helm’s son fell, last of all, defending the doors.
Appendix A, The Lord of the Rings
Thus, what the concept art shows is Wulf’s final assault on Edoras with the assistance of Haradrim allies. Haradrim allies who were part of those three fleets (along with the Corsairs of Umbar). Haradrim allies who landed at the mouths of the Lenfui and the Isen. And Haradrim allies who travelled all the way up from the south coasts to support Wulf in his invasion. His invasion of, first, Westfold, and subsequently the rest of Rohan.
If they happen to bring Mûmakil in tow, well is not that lore-accurate, too?
The Haradrim need not have invaded from the east at all. In fact, the invasion from the east is probably another, different folk. Rather, the Haradrim were with Wulf all along. And the Mûmakil? Well, what better weapon to overthrow the horselords? As we see in the Battle of the Pelennor Fields…
But wherever the mûmakil came there the horses would not go, but blenched and swerved away; and the great monsters were unfought, and stood like towers of defence, and the Haradrim rallied about them.
The Battle of the Pelennor Fields, The Lord of the Rings
The Battle of the Pelennor Fields by Alan Lee.
About the author: Staffer Demosthenes has been involved with TheOneRing.net since 2001, serving first as an Associate News Editor, then as Chief News Editor during the making of the Hobbit films. Now he focuses on features and analysis.The opinions in this article are his own and do not necessarily represent those of TheOnering.net and other staff.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
One of the continual questions that has come up since the first announcement of The War of the Rohirrim is whether the Kenji Kamiyama-directed effort will be 2D or 3D.
(To say that many anime aficionados have mixed feelings about the use of full 3D would be somewhat of an understatement.)
Last year, WOTR producer (and now Senior Vice President of Anime and Action Series at Warner Bros.) Jason DeMarco answered on his personal twitter that the film would be in 2D. Yesterday he re-confirmed that the feature-length animation would be 2D — there has been no change of direction.
Some of the confusion (and concern) seems to arise from the involvement of Sola Entertainment. Sola Ent. is the parent company of Sola Digital Arts. It was Sola Digital Arts that animated full-3D works such as Ghost in the Shell: SAC_2045, Ultraman, and Bladerunner: Black Lotus.
But as one of the editors of longtime anime news source Anime News Network points out on their forums: The War of the Rohirrim “may be being made by a different division of Sola Entertainment, or by a studio outsourced from it. Notably, [the] production studio is listed on Sola’s own website as ‘Sola Entertainment/TBC.'”
DeMarco also reinforced that several alumni from the Peter Jackson films are involved in the production:
Do we have Weta on board? YUP Do we have Philippa Boyens on board? YUP Do we have John Howe on board? YUP DO WE HAVE ALAN FUCKING LEE ON BOARD?? HELL YEAH WE DO
Writer Joanna Robinson sure has been busy. Over on The Ringer (not actually a Tolkien site, believe it or not), she writes cogently on the commonalities and differences between the “Harfoots” we’ll see in Amazon’s The Rings of Power series, and the Hobbits we know rather better from The Lords of the Rings and The Hobbit.
She muses on how hobbits function as a crucial mediating influence into Tolkien’s milieu — and how that probably serves double for wider audiences outside core Tolkien fandom, a wider audience whose emotional attachment is mostly via Peter Jackson’s films.
And she explores the applicability of Hobbits to the WWI and WWII experiences of J.R.R. and Christopher Tolkien, and of the British folk in general.
Hobbits can be seen as the proxies for Tolkien’s children, but as with all things with the author, there’s also something much darker at play here. Tolkien abhorred any attempts to turn his Middle Earth books into simple allegories for the two world wars he lived and wrote through. Still it’s very hard not to see his hobbits as the “everyman” analogues for the pastoral Brits who were drawn into the horrors of the First World War and then the even greater terrors of WWII, as Tolkien and his sons were, respectively. In that way, Bilbo of The Hobbit—who is press-ganged into leaving his cozy hobbit hole by a wizard and a pack of dwarves—reminds us of the young J.R.R. Tolkien, who was so reluctant to go off to war at the tender age of 22 he used an academic deferral to delay enlisting.
In a 1941 letter to his son Michael, Tolkien recalled: “In those days chaps joined up, or were scorned publicly. It was a nasty cleft to be in for a young man with too much imagination and little physical courage.” A few years later Tolkien did, reluctantly, go to war. He wrote: “Junior officers were being killed off, a dozen a minute. Parting from my wife then … it was like a death.”
DON’T FORGET! Joanna Robinson will be joining TORn Tuesday tomorrow from 5pm PT, 8pm ET to discuss her Rings of Power experience with Staffers Quickbeam and Justin. Join us then, and be sure to bring your own burning questions!
