Welcome to The Great Hall of Poets, our poetry feature showcasing the talent of Middle-earth fans. So come and join us by the hearth, and enjoy!
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
“To Save a Friend”
by Caroline Flynn
Two red eyes, gleaming in the dark: Two eyes, filled with fiendish lust and desire. Not the light they hoped to pierce their prison stark! Not this end in torture and hellish fire.
Another gone, one more companion dead, In the dark dungeons of that accursed isle; Another werewolf cruelly fed While their master sits above with his triumphant smile.
At last, only two are left alive: Together, Beren and Felagund wait – Wait for the teeth and claws, sharper than knives. How can they escape their terrible fate?
Two red eyes appear in the night. To Felagund they rove, but on Beren they land. But lo! The evil dark is pierced by light As Finrod takes against evil a last stand.
Black blood mingling with the red, Black fur and golden hair, A terrible price Finrod pays in Beren’s stead, There in Tol-in-Gaurhoth, in evil’s lair.
The chains are rent, the dark wizardry spent, And league of love and trust unbroken Unto the Elven-king great strength lent So that in the darkness hope was awoken.
But no! Defeat seems all their prize! The Oath’s doom strikes the Oath-bound. And mortally wounded, Finrod slowly dies, His breath and Beren’s tears the only sounds.
Then Finrod speaks as he in torment lies, And he touches the ring upon Beren’s hand; The golden flowers, the serpents with emerald eyes Such a heavy weight, that small band!
“Namarie!” I go now to the halls beyond Valinor. Alas, that I could do no more upon this quest; But remember me, when I am no more. Namarie! I go now to my rest!”
Beren mourned, and called his name, Finrod Felagund – fair, beloved, and brave. But his last stand was not in vain: Blood for blood was rendered, a friend to save.
~~ * ~~
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
I learned something important from my daughter’s first-grade teacher that has stayed with me: “Don’t yuk someone else’s yum.” Our moms might have said it differently: “If you can’t say something nice, don’t say anything at all.” It’s simple, but there’s wisdom in it that the online, and particularly social media, world of fandom could use. Just because you don’t love something doesn’t mean someone else can’t find joy in it. Even worse, your ‘yuk’ hot take may stifle content creators’ ability to bring out content you might end up loving.
(Let’s address the elephant in the room: Yes, I know this is my hot take—but hey, mine’s aimed at you, the fan, not the content creators.)
After what seems like a lifetime at TheOneRing.net (Has it really been 25 years?!), I’ve seen every possible reaction to new Tolkien content. From diehard fans reveling in every second of a new adaptation to those who can’t wait to point out what went “wrong.” It’s predictable and, frankly, exhausting. Every time something new comes out, it’s like clockwork: a flurry of love, a tidal wave of hate, and everyone shouting into the social void.
The truth is, not every story needs to be made for you, and that’s okay. I promise. 🤗
Critique? Sure, it has its place. But what’s happened is we’ve confused having an opinion with needing to broadcast it. Tolkien’s world is vast. It can hold different visions and interpretations from both filmmakers and fans. We don’t need to take sides in an imaginary battle over what’s “right.”
But why even bring this up? Because the casual social user, or even the casual internet participant, sees that ‘yuk’ always rises to the top. Algorithms are designed to push controversy and conflict into our feeds, knowing that our human condition tends to lean toward drama over harmony. Negative opinions and arguments get engagement, and platforms thrive on that. But here’s the problem: content creators use those negative metrics to gauge the success or failure of their work. And often, they make decisions—like canceling a show—based on the loudest, angriest voices, even when there’s a quiet following that genuinely enjoys it. Yes, these entities might be large corporations with teams of data scientists, but don’t assume that they are fully exploring the data to avoid simplistic conclusions.
Don’t yuk someone else’s yum – Annonymous
And there’s another side to this. Fans who do love something often hesitate to share their enthusiasm. Why? Because they don’t want to deal with the trolls. The loudest voices—the bullies of fandom—are quick to tear down anything that doesn’t meet their personal standards. And just like in politics, where the conversation is dominated by those with the loudest, harshest opinions, fandom is too often steered by negativity. The result? Studios and creators miss out on hearing from those who love the content, because those voices are drowned out.
Take the trailer for Star Wars: Skeleton Crew as an example. When it dropped, my fellow over-40 male demographic flooded my feed with waves of negativity. But here’s the thing: I’m secretly loving the idea of mixing Star Wars with The Goonies and Stranger Things. I want creators to take those kinds of risks with our beloved franchises. And if it turns out to be something I don’t enjoy, I’ll just quietly move on; no need to let folks know I wasn’t into it.
The beauty of all fictional universes and our beloved Middle-earth is that they can mean different things to different people. If someone’s finding joy in a version of the story that isn’t your cup of tea, do you really need to jump in and let them know? Let them have their moment. There’s a quiet strength in stepping back and allowing others to enjoy what they enjoy.
At the end of the day, fandom is supposed to bring people together, not force everyone into corners based on whether they loved or hated the latest installment. Maybe, just maybe, we don’t need to weigh in on every adaptation. If you’re not feeling it, maybe scroll past, or better yet, log off and reread The Silmarillion. The stories aren’t going anywhere. There will always be space for your favorites and your least favorites in Tolkien’s world.
The next time you’re tempted to post your hot take, think back to my daughter’s first-grade lesson. It’s okay to stay quiet and let someone else have their yum.
In fact, it might be the best thing you can do—not just for them, but for the creators who need to hear the whole story, and for fandoms to enjoy a new risk here and there.
So, remember: Too much yuk, and the content you love might never get made.
The views expressed in this article are those of just me, but maybe a few other TORn staffers agree. 🤷🏻♂️
P.S. If you’ve got thoughtful critiques or just want to discuss all things Tolkien in a more welcoming, troll-free zone, there are safer places for that. Check out TheOneRing.net’s Discord or message boards, where you can share your thoughts without drowning in negativity. Let’s keep the conversation lively, but respectful—Middle-earth deserves nothing less. Feel free to email me as well
P.P.S.Hey Amazon – I couldn’t end this article without sharing some of my yum. I am LOVING Season 2 of ‘Rings of Power!’ Don’t let anyone yuk my yum! 😋
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Last week Rings of Power returned to our tv screens, when the first three episodes were released on Thursday 29th of August. Once again it has attracted its share of responses from those who love the show and those who don’t. Perhaps the most surprising result of ROP’s return has been the reaction to one, quick, scene showing an Orc holding a baby.
While Tolkien never fully resolved the origin of the Orcs, owing to his own theological beliefs that nothing is entirely evil, he did provide ideas on their origins. Their creation story changes from Orcs being created from stone, and being soulless, to them being corrupted elves or men, containing souls. However, in every iteration he always speaks of them being “bred”.
The very first idea of the Orcs, as mentioned in The Book of Lost Tales, had them created by Melko,
“all that race were bred by Melko of the subterranean heats and slime.”
This text also speaks of members of the Noldoli (Noldor elves) being twisted by Melko and combined with the Orcs, until they believed themselves to be one kindred.
This idea was later expanded upon in Morgoth’s Ring, with the Orcs being corrupted Eldar, captured by Melkor after their first awakening. These Eldar were taken to Utumno and
“broken… and by slow arts of cruelty and wickedness were corrupted and enslaved. Thus did Melkor breed the hideous race of the Orkor in envy and mockery of the Eldar”.
Similarly, Morgoth’s Ring also discusses the creation of the larger Uruk-hai, stating that the Men who were under Morgoths rule would be made to mate with Orcs to produce the larger more cunning Uruks. It also states that this was rediscovered by Saruman who inter-bred Orcs and Men, to create Men-orcs, who were large and cunning, and Orc-men, who were treacherous and vile. Which is quite different to how their creation was depicted in the Peter Jackson films.
It is quite horrifying to us to envisage such inter-breeding, but Tolkien did, repeatedly. The showing of an Orc baby is merely acknowledging Tolkien’s own words that Orcs breed, they mate and produce young.
There have been arguments online that this is trying to make us more sympathetic towards the Orcs, as the existence of Orc babies implies that Orcs have gentle feelings. Why? Because they breed? There are humans who have children who don’t have any gentle or “maternal” feelings towards them. Yet they raise these children, not well, but they do raise them. While not all children raised by parents like this will go on to emulate their parents behaviour, sadly, many of them will, which leads to this learned parenting behaviour becoming the norm. When the brutish nature of Orcs is considered, it is quite likely that their children are raised in a similar manner. Provide food, shelter, and clothing, and not much else. Those that survive would go on to continue their brutish and vile natures, which increases with each successive generation, until we arrive at the Orcs of the Third Age in Lord of the Rings.
The fact that Orcs produce young in no way implies that the Orcs are not horrific. None of their acts of atrocity are played down. All that it shows is this is how more Orcs are created, they breed. They don’t just spring fully formed out of a sac in the ground.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
In January I was reading a skeet on Bluesky about how people feel after every re-reading of The Lord of the Rings. Do they still feel the same emotions, have the same reactions as they did when they first read it?
Some of the responses reflected that you can never feel or react the same way as you did during your first reading, as everything you were reading was new and fresh to you, which is very true. A much-shared readers lament is that you can never feel the way you did the first time you read a well-loved story.
Several responses went onto clarify that every re-read still affects them, though in different ways. Could this be due to being older? Having a greater understanding of world-issues? Being able to comprehend more nuances from Tolkien’s writing?
For myself it’s probably a combination of all of these, after all, I was only 8 years old when I first read LOTR. The complexities of the world-building have grown on me as I’ve gotten older, and I’m far more appreciative of these now than I was as a precocious 8-year-old. My main reason for reading LOTR back then was to join in with the discussions my mother and older brothers were having about LOTR. My mother tried to get me to read The Hobbit, but I just wasn’t interested: Mum and the boys were discussing LOTR, and I wanted to join in with that. I did say I was precocious 😉
This led to a life-long love of Tolkien’s work. Many of my fondest memories are related to LOTR. My brothers and I saved up to buy our mum a box set of Tolkien’s books when The Silmarillion was published, those books now live on my bookshelf, along with all my other copies. Many of my responses when re-reading LOTR reflect where I was at that time in my life. Re-reading the books my brothers and I bought our mum reminds me strongly of when I first read LOTR and how much I enjoyed discussing them with my mum and brothers. They also remind me of the wonder she introduced us to when she first shared her love of LOTR with us, and how excited we all were to buy her the box set, so she finally had her own copies.
Now, every time I re-read them; I’m constantly finding new insights. I’ve mentioned the world-building, something that all fans of Tolkien’s work love, the themes of friendship, fellowship, enduring love, and simple joys are what resound with me and lead me back to read these books over and over again.
I’ve mainly mentioned LOTR, as since that was the work that the fans over on Bluesky were discussing, but I also regularly re-read Tolkien’s other Middle-earth books. My favourite is The Silmarillion, probably because I’ve always been a bit of a history geek too, so I really love the deeper insight into Middle-earth that The Silmarillion provides. I’ve honestly lost count how many times I’ve read it, and LOTR. At one point I could quote whole sections of it from memory, but that was a few years ago, before children and other RL interests came along. Still, I can remember quite a bit of its lore. Every time I re-read The Sil I uncover deeper meaning, beauty, and sorrow and it draws me firmly into Middle-earth.
I must admit that I appreciate The Hobbit much more now I’m an adult, than I did as a child. Being a quite advanced reader from a very young age, I absolutely hated anything that I felt was “talking down” to children. As an 8-year-old, that’s how it struck me, I disliked the narrator talking directly to me and skipping things they felt I was too young to witness or understand. Now it just seems a quaint way of telling the story and doesn’t distract me from the tale. I find I can more fully enjoy Bilbo’s travels “there and back again” a lot more from an adult perspective, and I notice and enjoy the nuances far more than I did as a child. Maybe that’s just me.
I know many fans that have come to Tolkien’s works via Peter Jackson’s movies, and, more recently, via Amazon Studios’ The Rings of Power TV. One of the first questions I was asked when I finally crept out of Lurkwood and joined our Message boards was if I was a “book-firster or a movie-firster”. The question wasn’t asked to belittle me, it was asked out of genuine interest as to how I discovered Tolkien, and led to a truly enjoyable discussion about Tolkien’s work and how wonderful it was that more people were discovering his work due to the release of the films. That, while I enjoy the films, the books will always hold the number one spot in my heart, and it’s this first love that draws me back to Middle-earth over and over again.
We’re seeing this again with the TV series, with people finding out about Middle-earth for the first time and wanting to know more. We regularly have new members join our Discord chat, wanting to know about Tolkien’s books, which order they should read them in. Then they share their joy with us all as they read the stories. I have no doubt that we will see another influx after The War of the Rohirrim is released in December.
We are so lucky today to have so many more adaptations set in Middle-earth. As a child the only film I ever saw was the Bakshi Lord of the Rings. While I left the cinema with many questions for my mother, over changes and omissions, it didn’t rob me of my original love: the books. I did immediately re-read the books, and was surprised at how Bakshi’s film, while not perfect, led me to a greater appreciation of the written work.
It’s wonderful, and a privilege, watching others begin their journey into the wonder that is Middle-earth, and having new memories added to my own ongoing journey. As I, and others, have found, I am sure that those who have come to discover, and love, Middle-earth through the recent adaptations will discover the greater realm that awaits them within the written works. At least, this remains my belief and hope.
I wish them well as they embark on their own journey of discovery, of deeper understanding and wonder of the amazing world that we’ve been gifted by J.R.R. Tolkien. This wonderful Middle-earth. I envy their new discoveries, their first steps into this immense literary world, but rejoice that they are joining our Fellowship. Welcome!
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
TORn Discord Moderator DrNosy has the lowdown on what it all could mean.
———-
April showers bring May flowers and, with it, the much-awaited return of the second season of Amazon Prime’s The Rings of Power (TROP). The official marketing has kicked-off with an enticing teaser and a captivating behind-the-scenes look. Brace yourselves, as the series is set to return on August 29th of this year.
Stealing the spotlight and the most intriguing development is the return of our Lord-and-not-Savior, Sauron, portrayed by the talented Charlie Vickers. Sauron’s appearance in this teaser unveils Vickers in a dual role, as both Halbrand (Sauron disguised as a Man) and a character that die-hard Tolkien fans have long yearned for, the Annatar, where Sauron takes the form of an Elf and infiltrates Eregion.
The arrival of Annatar and his relationship to Celebrimbor is one of Tolkien’s greatest stories, but it was never entirely penned as a literary epic. The little we know of Annatar comes from the Letters of Tolkien, Unfinished Tales, and a short essay in The Silmarillion, “Of the Rings of Power.”
From today’s teaser, the Annatar makes his appearance after the events of “Alloyed” (S1.E8), where Sauron as Halbrand reveals himself to Galadriel. Though this encounter momentarily stifles Galadriel, she and the others proceed with the creation of the three Elven rings: Vilya, Nenya, and Narya.
Following the TROP storyline, Celebrimbor (Charles Edwards), the genius and talented maker of the Elven rings and the others (lesser) that followed, has now become Lord Sauron’s prime target. The threat he faces from Sauron is imminent. Unbeknownst to Celebrimbor, when Sauron comes knocking on your door, he always comes bearing gifts.
Knock, knock. Who’s there? Annatar. Annatar, who? Annatar. I am an emissary of the Valar. I have come bearing gifts.
(If you were expecting a knock-knock joke, I have deceived you. The Annatar on your doorstep is not a laughing matter.)
The siege of Eregion, led by Adar (Sam Hazeldine) and his army of Orcs, will be catastrophic to the city and its vast forests. Will Galadriel, Elrond (Robert Aramayo), and the other Elven warriors be able to defend this Elven kingdom? Will King Durin (Peter Mullan) and the Dwarven warriors of Khazad-dûm come to their aid? Well, those answers probably depend on whether or not the ring the Dwarves have received is already tainted with Sauron’s evil influence. Compared to what I expected the last season, there are now more rings to keep track of than ever before.
What I find pretty delightful to observe is the three Elven rings that have made their way onto the hands of the first-ever Ring-bearers: the High King of the Elves, Gil-galad (Benjamin Walker), Galadriel as the Commander of the Northern Armies, and the wisest Elf that ever Elfed and his lovely beard we have yet to witness, Círdan (who will be portrayed by Ben Daniels).
We also witness other moments with rings, particularly with King Durin caressing a massive blue-crystal jeweled gold ring that might rival the Arkenstone. Also, what appears to be a consequence of the siege’s mayhem, we are teased with a moment where Celebrimbor seems to be destroying rings in a furnace. We also see him missing a hand. (That probably has many Silmarillion fans wondering if this is something to do with the Silmaril-mithril connection (S1.E5), how Beren lost his hand, and… Alright, alright, I won’t go there!)
With these rings and the return of Sauron, now comes all the things I find myself scratching my head over. As a horror genre fan, I could not ignore the highly spooky vibes of this teaser. I’ve often said that to understand the eucatastrophe described by Tolkien, you must also (sometimes) recontextualize what he wrote in the framework of existential nihilism. For a Tolkien-inspired television series, this recontextualization can translate to the screen as (seemingly) unrelated horror moments. As far as this teaser goes, I have no Tolkienian clue what is happening with the tar creature, the Rhûn moth witch, the creeping vines, and the horrifying Cthulhu-shark. All I can say is that I’m disturbed, unnerved, and distressed, and this is precisely the feeling I want when Sauron comes to visit.
The image of an Orc-licking a blood-soaked dagger… BRING IT ON, HERUMOR! DEAAAAAAATTTTHHHH!
Finally, I would like to make a statement. Fans of fantasy television can debate ad nauseam about which show is better, The Rings of Power or The House of Dragon. Regardless, I would like it settled once and for all that there is only one Lord (of the Wigs), and he does not share fashion power!
An addendum. For the few who know me and my fondness for Númenor and Pharazôn (Trystan Gravelle). There is much I can speculate about Númenor, but I will not do so. (I’m still sore about Season 1.) What I do offer, however, is one hypothesis that Pharazôn will most definitely be riding an eagle this season. He absolutely has no ill intentions toward any of Manwë’s beloved creatures. Given his beard, I’m sure that makes him look ultra-friendly to the giant birds, who have always loved helping out other bearded dudes in the Third Age.
The artist behind Pharazôn Rides An Eagle is Stickybeebae. You can follow (and tip) her on Instagram.
About the author:
DrNosy is a scientist (physical science), scholar, and Tolkien enthusiast. Her primary interests lie in review and analysis of The Lord of the Rings: The Rings of Power. She is an active contributor and Moderator on TheOneRing.net Discord where she also hosts live open-forum panel discussions on The Rings of Power, The Silmarillion, and a variety of Tolkien-related topics. You can reach her on Instagram.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Some secrets are better kept quiet (according to that famous Gandalf quote, the one about anticipating a good meal): “Many folk like to know beforehand what is to be set on the table; but those who have laboured to prepare the feast like to keep their secret; for wonder makes the words of praise louder.” That little gem does not apply here, as TheOneRing.net continues its decades-long quest to separate truth from nonsense behind any Tolkien adaptation coming our way.
For you see–a wild bombshell appeared on 4chan on Jan. 15, 2024, claiming knowledge of fully-detailed plot points and episodes that was quickly regurgitated on our Discord server (now deleted). The contents of this post caused shockwaves on our TORn Discord; as it shocked and dismayed me. But also much of its contents have been corroborated fully by someone close to the Producers who shared more information. Better fasten your seatbelts, dear Ringers, it’s gonna be a bumpy night.
[MASSIVE SPOILERS AHEAD FOR “TROP” SEASON 2 THROUGHOUT, NO HOLDS BARRED, NOTHING WITHHELD, PROCEED WITH CAUTION]
As the Production Calendar continues apace on Season 2 of Prime Video’s “The Lord of the Rings: The Rings of Power,” (rumor has it Season 3’s halfway written!) certain enigmatic details are clearer while other things remain deeply shrouded. It’s like scrying in the Mirror of Galadriel without any guidance.
Nonetheless, it is now being discussed openly that Amazon secretly acquired the rights to “The Silmarillion” for use in this 2nd Season! This is seismic news! It is even more insane to think something so significant has happened and the Studio has said nothing about it at the time of this article’s publication.
Let’s start with the Big Bad Wolf-Maia himself, the “Halbrand of your dreams” (ooof), that guy who would deign to be THE Lord of the Rings:
SAURON / HALBRAND
TROP Director Charlotte Brändström has said in interviews that the 1st Ep. of the new Season will be a “Standalone episode.” We have been reporting for 15 months on our TORn Tuesday Livestream show that this “Season Opener” will dedicate itself entirely to Sauron, his backstory, and his misadventures prior to what we saw mystery-boxed as the Halbrand storyline of Season 1. We may ultimately find out how and why Sauron took the form of that particular human and how he managed to be in the middle of the ocean at exactly the right time to start his lengthy charade with Galadriel. It goes without saying that Season 1 would have been dramatically different if the Showrunners had used the literary device of Dramatic Irony instead of employing this lamentable mystery-boxing approach.
Why was there such trenchant animosity between Adar and Sauron? Newly leaked info says the conflict between them is fueled by a tragic death: Sauron evidently had a SON — and Adar evidently killed him in cold blood prior to the events of Season 1. Nothing close to this appears in Tolkien’s stories.
Further spoilers: in Season 2 Adar (well-played by actor Joseph Mawle, now replaced by Sam Hazeldine) will surrender to Sauron and become one of his generals, only to betray him again later on. Also, at some point Sauron presents himself to the Dwarves and straight up tells them he “apprenticed under Aulë,” at which point he is immediately accepted in their midst.
Season 2 will conclude with this final shot: the forging of the One Ring by Sauron’s hand, leading one to necessarily assume the other Seven and the Nine will be forged at some point by this Season’s end (unless the Showrunners deem it necessary to keep changing the historical order of things).
RIGHTS TO “THE SILMARILLION” ACQUIRED?!
Most significantly, according to verifiable spy reports Prime Video has secretly acquired the rights to “The Silmarillion” — unbeknownst to us. We are hearing that Season 2 opens with a genesis story more fitting the Ainulindalë! After many years of speculation and hundreds of hours of discussion about this very thing, it comes as a deep shock to me (as a Tolkien fan and generally speaking as an observer of Popular Culture) that the Tolkien Estate has, at long last, allowed the gates to finally be opened and nobody has said a word about it! Ladies and gentlemen, could it be true that “The Silmarillion” has now become an officially licensed property for adaptation?! If so, the hugest of caveats must be stated: this is a singular case for now. Perhaps unique.
THE MUSIC OF THE AINUR (quoting from the original post): “The opening scene of Ep. 1 is Eru [Ilúvatar] using the Secret Flame to create Melkor, and Melkor watching as Eru creates all the Valar and the Maiar. Eru is a disembodied voice vaguely human shaped but no characteristics can be made out. The Secret Flame is golden, as are all the Valar and the Maiar. The Valar are larger than the Maiar, but they are bathed in a golden light and completely naked. The actor playing Mairon in this realm is NOT Charlie Vickers or Gavi Singh Chera–it is a third actor. Gave Singh Chera will play Sauron in his battle form and his Annatar form.” We can now fully confirm that a grand total of three actors shall play Sauron in different forms. Additionally, the two actors playing Melkor and Ungoliant in the Ainulindalë shall appear LATER in Season 2 as different incarnations.
I mean — just wow!
Further details are exposed: “A whole episode is dedicated to Sauron’s backstory leading up to the breaking of the First Silence. After the Fourth interruption of the song [Theme], several Maiar meet and discuss Melkor’s discord. Mairon/Sauron alone speaks: ‘The One has blessed me more so than all of you to see the potential of His creations, and what better way to forge their mettle than by allowing them to face Melkor’s discord and grow beyond what they think capable!’ You will see Mithrandir [Olórin] in this scene. Mairon almost converts him. Almost.”
Four Themes? There were only Three, as we all know, so perhaps this is a typo. Or perhaps the most obvious thing that would happen to “The Silmarillion” being adapted is that it would be unnecessarily changed.
Seasoned readers of Tolkien will probably be agape at this ambitious retelling of “The Music of the Ainur” but newcomers who have never read a speck of the original book may be mystified. It seems clear now that the intention of this show is to explore the earliest mythological roots of these immortal characters: a narrative consideration never previously afforded to any Valar / Maiar characters.
This still doesn’t explain the “meteor man” thingy that suddenly brought Gandalf / Olórin / The Stranger into the Second Age, but why quibble?
The further impact of this reality should be weighed carefully, for it represents a point of no return with those tales. The Quenta Silmarillion, the tragedy of Beren and Luthien, the Fall of Gondolin: all of which may now be adapted for T.V. or Film or other media if the Estate allows and arrangements are made. What a tremendous thing. It opens up a whole new era of possibilities.
GALADRIEL & CELEBORN
The fact that Celeborn has been kept offstage in Season 1 as a red herring (you know, that bit about him being supposedly dead yet Galadriel doesn’t know a thing about it) simply does not ring true to Tolkien’s original works. The Professor re-wrote and revised the story of G&C many times, but never do we see a hint leaning towards this in the Appendices, nor in “Unfinished Tales.” Beyond this fumble in the narrative of Season 1, we have now confirmed that our “dearly departed” Celeborn IS INDEED NOT DEAD (as readers of Tolkien already knew) but will show up in Season 2 being impersonated by Sauron.
Indeed, one of Sauron’s disguises to return to Eregion (how many can there be, beyond Annatar?) is the form of Celeborn. We assume this plan is to dupe Elrond, Celebrimbor, and Galadriel at the same time.
More subterfuge! The chicanery at Galadriel’s expense continues apace. This portrayal of the Lady of Light as one who keeps getting duped over and over by Sauron–when Tolkien never once allowed that to happen in his accounts– is certainly a choice, and one that has drawn much criticism. Personally it is one of the first things that comes up in friendly conversation about TROP: I am forced to explain that Galadriel was never fooled like that!
I wonder where they will go with that, ultimately. How long will Galadriel continue to withhold the truth of her Season 1 relationship with Halbrand, and why did the Writers put her in such an untenable position with the other Elves? One assumes it is a ploy wherein Sauron might return and blackmail her if she has not been forthcoming about it. Remember that look Elrond gave her after he saw the parchment of Southland genealogy? “There’s no basement in the Alamo!” And there’s no Halbrand! Some ugly business lies ahead with Celeborn being impersonated by Sauron.
Spy reports indicate the REAL Celeborn will appear in the Season 2 Finale and be reunited with Galadriel. He shall be played by Calam Lynch, as reported by Fellowship of Fans and corroborated by others. Thank God for simple truths–because the lad is a dead ringer for a younger Marton Czokas.
THE FATE OF CELEBRIMBOR
Poor Brimby. Everyone loves Brimby. He’s the avuncular surprise (certainly as portrayed by Charlie Edwards) in Fëanor’s genealogical line of stupendously serious Elves. As fond as we may be of his green-robed gentle nature, we confirm now that in Season 2 Celebrimbor’s head gets lopped off and stuck up on a pike. Womp womp! We are getting closer to what Tolkien wrote here, as this is Brimby’s closest proximity to being the Ned Stark of Middle-earth.
I don’t quite get this episode structure–but it seems the final two episodes of TROP Season 2 will be centered on The War of the Elves and Sauron, wherein Eregion is sacked.
TOM BOMBADIL & GOLDBERRY
This is where stuff gets potentially ugly. I don’t like using such words. As previously mentioned, there will be separate standalone episodes presented throughout Season 2; including Sauron’s backstory uniquely told from his first-person point-of-view. All of this is likely to change before the final edit is broadcast. But if this holds true, Tom Bombadil and his love affair with the River-Daughter will be front-and-center in their own episode (there’s even an episode on Felaróf and the origin of Shadowfax)!
Ringers have often opined that bringing Tom Bombadil into TROP would be super cool — and I have personally championed the notion. But at the heart of this matter is how Tolkien utilized the character in “The Fellowship of the Ring,” an approach for others to heed carefully. Tom should have a cameo or a brief encounter with some of our traveling heroes. Admittedly Tom’s presence is superfluous to the real story of the Great Rings of Power. Now imagine this character’s narrative purpose going a big step further and just wildly breaking from the Lore. In the words of our Spy Report:
“Tom Bombadil and Goldberry are in an episode. They are played by the same actor and actress as Melkor/Morgoth and Ungoliant. The show will confirm the long-held fan theory that Tom and Goldberry are Melkor and Ungoliant serving out their punishment bestowed on them by Mandos.“
Excuse me? There has never been such a “Fan Theory,” not one that I have seen–and if I had heard of this cockamamie idea I would have laughed at the absurdity. To quote the pique and anger of a well-known Tolkien historian who heard this: “This is not a fan theory, this is just Fan Fiction; and it’s really GARBAGE Fan Fiction at that!”
Personally, I would love to see Tom Bombadil show up — if only in the blink of an eye he would be on his merry way. I mean, come on, there is no need to ignore The Professor’s explanation in his “Letters” about Bombadil’s context in his Legendarium. No need to make up stuff about Morgoth and Ungoliant seeking atonement within the Circles of the World.
Pragmatically speaking, adaptations can and will change things from the Lore. This is mostly fine, and expected, within reason. It becomes unreasonable when you play that fast and loose with Tolkien’s original concerns regarding raw story elements. This kind of stuff will, predictably, divide the Fan audience.
… FELARÓF & SHADOWFAX?!
If you were not mystified yet by some of these storytelling choices, TROP Season 2 will have a full episode about the great line of Horses, the Mearas, and how Gandalf “The Stranger” met Shadowfax! Although these characters/animals did not exist in the Second Age, evidently we are getting the story of Felaróf the “Very Valiant,” if not also the story of the father of Eorl, a Man by the name of Léod.
Here we have a wide range of secrets exposed and an earth-shaking reveal about the licensing of “The Silmarillion.”
Strangely, the Studio behind this billion-dollar T.V. show remains stoic and silent; their social accounts barren since last July, not a single bit of marketing nor a press release has been forthcoming. Tellingly, a huge Amazon Prime commercial aired in the U.S. during the Prime Time Emmy Awards broadcast, without any mention of TROP. Not. A. Single. Word. TROP has also been removed from Prime Video’s FYC awards website.
Make of that what you will.
IN CONCLUSION — TOLKIEN BOOKS VS. ADAPTATIONS
As is the reality with a huge T.V. production, there are further moves to be made, pickups to shoot, tons of post production and editing yet to complete. However, these Spy Reports may or MAY NOT be reliable but we have already known (through our own secret channels) about 40% of this stuff before the big leak on January 15, 2024. With enough of this verified we are at least eager to throw the doors wide open and have some robust discussion. Time for Ringer fans everywhere to discuss, make hay, extrapolate, and poke with a stick.
Do you like what you are hearing? Are you excited or dismayed? Are you wondering as I am why there is stone-cold silence from the Studio after such wildly big moves behind closed doors? What will future horizons look like with “The Silmarillion” now that THAT huge epic is on the table? Or is it just some odd bits of “The Silmarillion” they can use here and there? Time will tell.
This series was always gonna be a mixed bag of familiar lore and newly minted ideas, methinks. TROP ostensibly benefits from being a somewhat separate (albeit huge) piece of Second Age story from the books’ Appendices that can be centered around particular characters and events. There is ample room to breathe within the narrative of the Appendices and yet it is wholly unnecessary to wildly diverge from the source material. What J.R.R. Tolkien intended and what the current Tolkien Estate (headed by Simon Tolkien) has allowed for this streaming program is, shall we say, quite divergent from one another.
It is for Ringers, with their undying love for the original books, to decide if Prime Video executed this effort reasonably and within the spirit of Tolkien’s original. It is also apparent they had a 36% completion rate on Season 1. Speaking for myself, the series started off just fine. I quite enjoyed the atmosphere, production design, a thrilling cast of talented actors, and especially the gargantuan score by Bear McCreary. Lots of stuff to admire there. Indeed there are those who will argue for either side, but in this writer’s opinion, these Spy Reports (combined with further research and reveals from inside the Production) betray significant departures from the Lore of Tolkien’s Legendarium and put the show at risk to be rejected rather than embraced by that less-forgiving portion of our fandom.
*EDITOR’S NOTE: Clifford Broadway is one of the earliest writers/contributors to TheOneRing.net from the beginning, authoring material in our “Green Books” academic section and also for numerous publications including DeviantArt and Famous Monsters of Filmland. He co-wrote and produced the award-winning feature documentary “Ringers: Lord of the Fans.”
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