During Dragon Con (from now until the morning of Sept 3rd), our fabulous collaboration mug will be once again available for pre-order from our friends at Oscha.

This beautiful mug has on one side Oscha’s own ‘Doors of Durin’ design, and on the other, TORn’s special 25th Anniversary logo:

The mugs are only available as a limited edition; they were on sale during San Diego Comic Con, and we’ve brought them back for THIS WEEKEND ONLY; after September 3rd they’ll be gone forever! You can pre-order online direct from Oscha; and for those who are at DragonCon this weekend, you can also purchase in person from TORn’s fan table (Hyatt Exhibition Level, opposite the entrance to the Art Show). So don’t delay – order this mug or grab one at Dragon Con, and celebrate the 25 years we’ve had together so far. The road goes ever on….!

Greetings from Atlanta, fellow Bagginses and Boffins, Tooks and Brandybucks, wizards and elves, Rohirrim and Beornings, Men and Women of the West, Nazgúl and Uruks, and other glorious embodiments of the diverse denizens of Middle-earth! And Proudfoots! (‘Proudfeet!’) It’s Labor Day Weekend, which means Smaug is stirring in the form of the singular Con forged by fans for fans (why, just like TheOneRing!): it’s Dragon Con time!

Now in its 37th year, and much like the world of fantasy in general, Dragon Con has always leaned heavily into its Tolkienian roots, with Middle-earth inspired programming, cosplay, partying, and a global Fellowship serving to inspire many of the 70,000 or so fans who converge on downtown Atlanta every year.  And the 2024 version will be no different!  Here’s a quick rundown all the Tolkien goodness that will be happening this year, indeed when there seems to be an explosion of so much we can celebrate!

Movie Guests: The Hobbits Are Coming to Dragon Con!

It’s a long-expected celebration as we welcome three excellent and admirable hobbits back to our annual party! Billy Boyd and Elijah Wood have been here before, with 2023 serving as a Frodo first for the con. It’s great to have him back, along with an inaugural visit by Dominic Monaghan. We’ll enjoy reminiscences and revelry, past shenanigans and current updates from gentlemen who still bow to no one! Find them at various times across the weekend.

Alas they’re not bringing Orli with them to Atlanta…

Media Project Updates and an Event: So Much Happening!

International South, Hyatt, 7pm Thursday 29th – watch The Lord of the Rings: The Rings of Power

Prime Video was so courteous to schedule the opening of Season Two of The Lord of the Rings: The Rings of Power on the same day that Dragon Con kicks off! They were especially gracious to allow us to host a Release Day Watch Party in a large ballroom space in one of the host hotels where we’ll get to all three of the first episodes on a big screen with 400 or so of our closest friends. There will be swag!

L401-403, Marriott, 11.30am Monday 2nd – The Rings of Power panel

TheOneRing.net will also be hosting a panel on Monday offering an opportunity for reactions and speculations from a crackerjack panel, including our good friend Willie Jenkins aka KnewBettaDoBetta.

L601-602, Marriott, 1pm Friday 30th – The War of the Rohirrim panel

Just as exciting is the upcoming December release of The Lord of the Rings: The War of the Rohirrim, the anime collaboration between the same team that brought us both the LotR and Hobbit movies, along with director Kenji Kamiyama. We’ll have a dedicated panel to discuss the recently released trailers, and special recorded interview with producer Jason DeMarco as he digs into some details with staffer greendragon. (Also look for swag…!)

Centennial One, Hyatt, 11.30am Saturday 31st – Middle-earth Updates with TORn

We’ll even do some speculating about the recently announced next movie release coming in 2026, the PJ-produced, Serkis-directed The Hunt for Gollum. That will happen as part of a general update from TheOneRing.net staffers at Dragon Con, along with some good friends, covering a vast smorgasbord of things we have to look forward to in the Tolkienverse.

Some Scholarly Conversations: Academics Can Party?

Tolkien fans are noteworthy for also loving to dive deeply into Tolkien lore, characters, themes, and discussions as part of their experience. We’ll be scratching that itch on a number of fronts:

L401-403, Marriott, 1pm Saturday 31st – Here at the end of All Things: Tolkien’s Apocalyptic Visions

Our good friend, professor, and author, Constance Wagner, was asked recently about contributing to an upcoming publication discussing apocalyptic themes in fantasy literature. The inquirer wasn’t sure there really was much in Tolkien’s legendarium that dealt with that kind of thing. After Constance calmed down, she recruited a couple of us to join her in road-testing just how apocalyptic Tolkien can be, and across all the Ages of Middle-earth starting with the Music of the Ainur. And what better place to do that than among Dragon Con friends! We may have to hand out cookies to lighten the mood a bit, though.

L401-403, Marriott, 11.30am Sunday 1st – On Fairy Stories

Tolkien’s On Fairy Stories serves as a fundamental apologetic for the importance, depth, and suitedness of these stories in their application to the human condition. Plus they’re good reads. We’re looking forward to engaging with other fans on these foundational ideas.

L401-403, Marriott, 4pm Sunday 1st – The Collected Poems of J.R.R. Tolkien

With the publication of the massive three-volume edition of The Collected Poems of J.R.R. Tolkien mere weeks away, we take an hour to focus on what we can expect from this monumental effort from scholars Christina Scull and Wayne G. Hammond. And we’ll probably do a bit of group confession of how many of us skipped the poems during our first LotR reading or two. We may even listen to Tolkien himself reciting some of his verses.

Parades, Partying, Dancing and Singing: Always Trust an Elf! Or a Hobbit!

Grand Ballroom, Courtland Grand, 8.30pm Friday 30th – An Evening at Bree

Dragon Con (unlike many of those “CC” alternatives around the country), is especially knows for its literal 24-hour partying spirit, both informal and officially sponsored. One of those latter parties, indeed one of the longest standing parties across Dragon Con’s history, is our annual Evening at Bree. Always happening on the first full-day of the Con, this Friday evening festival combines live bands (since back in those the Emerald Rose glory days! – this year we’ll have Landloch’d, Beth Patterson, and the Brobdingnagian Bards playing), dancing that’ll bring joy to the most curmudgeonly hobbit, a costume contest showcasing jaw-dropping cosplay talent, and a mini-concert from Bree’s own Elf Choir who gather to rehearse and present iconic fantasy tunes all on the same day. It’s a great way to kick off the Con in a celebratory mood.

Elf Choir performing at Evening at Bree in a previous year – photo courtesy of Geek Behind the Lens
Grand Ballroom, Courtland Grand, 5.30pm Friday 30th – Sing with the Elf Choir

That Elf Choir, in addition to their larger contingent who perform at Bree, also has a dedicated group of master singers, garbed in elven cloaks and sporting ethereal lanterns, who make their way through the Dragon Con masses on their long and melodic journey into the West. Fortunately, the Grey Havens are proving elusive, and they’ll be back again this year.

Grand East, Hilton, 7pm Sunday 1st – Hobbit Drinking Songs

One of the most riotously reeling renditions of Shire shenanigans happens with the Brobdingnagian Bards’ annual concert (and excuse to dance spontaneously): Hobbit Drinking Songs. They’ve been at it long enough that many in the audience join in, at least on the choruses. And they have CDs!

Grand East, Hilton, 10pm Sunday 1st – High Fantasy Goblin Ball

One of the last parties we’ll be joining this weekend is one where staffer deej will be taking the lead: The High Fantasy Goblin Ball! We always like to pick a theme for these dance parties, usually picking a favorite decade where deej focuses her musical stylings. We’re back to the 80s this year, and using a Goblinesque orientation in whatever forms our attendees might choose. The mashup cosplay has gotten pretty hilarious in years past. The Eye of Sauron in shutter shades, anyone?

Home for this Tolkien-inspired programming, and for many of us Tolkien-addicted people, is one of Dragon Con’s 35 or so dedicated fan groups, or “tracks”: The High Fantasy Track. Home base is right in the center of all the action, on the lobby level of the Marriott Marquis (L401-403). Should you be attending Dragon Con this year, come by and say hi to fellow fans there!

Grab some merch – celebrate 25 years of TORn!

You should also, of course, visit staffers greendragon and deej at TheOneRing.net’s fan table in the Atlanta downtown Hyatt, down on the Exhibit Hall level just across from the Art Show (our usual spot). There you can get some fabulous merch – shirts, buttons, and more! Show your political allegiance by voting Gollum/Smeagol 2024; or show your love for TORn with our 25th anniversary shirt and mug.

We’re looking forward to seeing friends old and new! Now forgive us as we go finish up that last flourish on our cosplay!

Regular readers will know that The Lord of the Rings: A Musical Tale has been playing at the Chicago Shakespeare Theatre (quick, catch it before it closes on Sept 1!); and will then head down under, first to New Zealand and then to Australia. Staffer Madeye Gamgee went to see the show in Chicago, and was fortunate to have an opening preview conversation with Producer Kevin Wallace.

“This is all about the Hobbits telling their story.”

Pippin (Ben Mathew), Sam (Michael Kurowski), Frodo (Spencer Davis Milford), and Merry (Eileen Doan) dance as only hobbits can.

This Gandalfian counsel from The Lord of the Rings: A Musical Tale producer Kevin Wallace provides an essential lens for anyone engaging in the magic that sweeps across the Chicago stage in this re-imagined production of the epic Tolkien classic. Just as Tolkien himself discovered upon penning, “In a hole in the ground there lived a hobbit,” so too this musical seeks to transform the epic into the intimate, connecting us to joyfully humble hobbit roots through memorable songs, sparkling dance, and music from the performers themselves. “It’s a retelling of their story,” per Wallace; appropriately so given Frodo’s entrusting of the Red Book of Westmarch to Sam and his progeny. The songs go ever on and on.

Originally conceived “as a great piece of commercial art” in its mithril-financed, three-act/3.5 hour initial form for Toronto (2006) and London’s West End (2007-8), ‘The Lord of the Rings Musical’ has seen a renaissance at a much more hobbit-like scale. Now billed more simply as A Musical Tale, the 2023 revival at the Watermill Theatre in Newbury (UK) dropped an entire act, reduced the number of actors by more than 40, and compressed the run time by nearly an hour. (You can find staffer greendragon’s review of that production here.) “Compared to the earlier productions, this is ‘rough’ theater,” Wallace explained. “It’s hobbits telling their story with what’s available to them… It’s actually ‘big’ theater with the illusion of being ‘poor’. You’re allowed to see how we’re doing it.” Which is why Pippin goes to war carrying a cello, a feat which comes off surprisingly well, to the consternation of a few marauding orcs; and we’re talking some serious swordsmanship by the double bass player.

Two and three quarter hours to cover the whole book? Really?

Spencer Davis Milford as Frodo and Tom Amandes as Gandalf

The PJ extended edition movies combined run for over 12 hours of content, and listening to the unabridged audiobooks will take you at least 54 hours at regular speed. So how is it possible to pack all of this theatrical Third Age goodness into the flight time between New York and Chicago (and still in time to wrap up before all the local restaurants close)? Kevin Wallace is very familiar with the challenge: “Given the films, we must satisfy our audience’s primary expectations.” Appearances by a very shadowy and flame-flowing Balrog, a stage-filling Shelob, and an especially spot-on and athletic homage to Andy Serkis’ Gollum (by actor Tony Bozzuto) certainly fed these appetites. “The essence of the story, though, is Sam’s and Frodo’s journey. Side sections have to fall away…” So the lands of Gondor and Rohan become “the Lands of Men”, Théoden and Denethor combine to become simply the “Steward of Gondor”, and we lose storylines and characters that many find dear. All you lovers of beacon-lighting, Paths of the Dead/Dead Marshes, and “I am no man” heroics may need a post-play re-watching, particularly of the second two movies, to scratch those particular itches. But even though there’s still no Bombadil, if you’ve ever wondered what John Lithgow’s version of Treebeard would sound like, this is the production for you.

Still, this is no mere cryptic condensation – despite what some less flattering critics have dwelled on since the inaugural performances in London and Toronto. This production certainly rewards any who are already familiar with the LotR story and personalities, whether through the book and/or movies: character connections are easier, e.g., between Merry and Pippin or Frodo and Gandalf; and plot compression leaves room for personal appreciation of excluded side quests and lost details. I found that the musical’s condensed frame actually served to intensify how I experienced some core Tolkien themes: the blending of voices, musical languages, and cultures in a functioning (and whirling) Fellowship; the enchantment and providential intricacy of dance as an element of creation and connection; the longing and reassurance of beauty observable in stellar spheres, sharply contrasted with the darkness that lingers here in Middle-earth (thank you, Kevin, for continuing to defend the inclusion of “The Star of Eärendil” on the song list!); and especially the hope and heartbreak of repentance, sometimes attained as with Boromir, and sometimes approached and then rejected, as with Gollum’s tragic tale. This was beautifully portrayed (far better than anything PJ produced) in Gollum’s self-aborted restoration to a more noble, never-ending story of worthy Hobbit heroes, as sung by Frodo and Sam in the poignant “Now and for Always” as they approach Mordor and Shelob’s snares. Gollum’s plaintive lyrical mimicry, and the mirroring choreography as he and Frodo together reach for some unseen saving grace, all leverage live theater powerfully in a demonstration of their shared addiction, and diverging paths, given the power of the One Ring. We even hear a faint note of self-sacrifice from Sméagol as he falls toward the Cracks of Doom, “Master is free…”

While condensed, this Musical Tale still manages to offer worthy, and unique, moments to integrate into the ways you may have experienced the artistic and thematic power of Tolkien’s story.

The Road Keeps Going Ever On

The Red Book of Westmarch gets a new owner at the Grey Havens in this production, too!

The Lord of the Rings: A Musical Tale continues to evolve. “Our Watermill production was a beautiful, intricate Swiss watch,” said Wallace. “Now, here in Chicago, we’ve built a more highly sophisticated Swiss clock.”  Even with all the sets, puppetry, and props shipped in from last year’s UK production, the US premiere enjoys a larger venue than the Watermill, courtesy of the Chicago Shakespeare Theater’s innovative and flexible stage, The Yard. Director Paul Hart works wonders in leveraging this flexibility, from multilevel balconies built into the set, to Gollum’s gymnastic entrance from mid-audience to begin Act 2, to the lighting and mechanical magic that the set makes possible. The US cast and orchestration has also grown a bit from its Watermill roots, adding four new cast members/musicians (including that dangerous double bass). “It’s a production with Chicago ownership, reflecting the demographics and acting talent of the city,” added Wallace.

So where does the Road lead once the Chicago production wraps on September 1? The Civic Theater in Auckland has already scored a similar limited run as Chicago’s, with shows from the 5th though the 24th of November. And just announced is an Australia premiere, with performances beginning at the Sydney State Theater on January 7, 2025. And whither then? Well, wait and see!

“This production is not only a phenomenal opportunity, but also a huge responsibility. You just don’t want to take it for granted… In time, others will take the words and the music and ask, ‘How will I tell that story?’  But we’re still in our infancy with this one.”  Suffice it to say that Kevin Wallace has dreams. Big dreams. Take some jewelry to Mordor big, unsurprisingly.

The Lord of the Rings: A Musical Tale continues through September 1 at the Chicago Shakespeare Theater. You can find tickets on their website, here.

Staffer Madeye Gamgee and his wife Rosie (Emily and Jim Wert) bookend longtime TORn friend/birthday girl Prof. Constance Wagner, and our new friend Michael Kurowski post-preview. And Samwise sure sports some stylish shoes when not in hairy feet!

Look for TheOneRing.net’s annual Baggins Birthday Bash at Griffith Park just 4 weeks from today.

You can find the event at https://www.facebook.com/events/8264139026978984/ and RSVP in the discussion section with what food, beverage or picnic supplies you plan to bring. If you don’t do FB, you can RSVP to Garfeimao@TheOneRing.net with that info. Please read the About info, and open it to reveal More because there is a lot of info in there, including driving directions, the fact we are in the Mineral Wells portion of the park, and start time (11:30am).

If you are looking for ideas of what to bring, you can see from the above image, portable chairs, pop up tents, blankets, sunscreen, hats, sunglasses are all standard. Cosplay, full on or just geeky shirts, we welcome it all and often have a very robust contest.

And then there are the food items, this is a Potluck, so bring at least enough of something you and your traveling companions can eat. We always end up with too much, but that’s not a terrible thing. One you, we had lots of drinks and no cups, so supplies like cups, plates and eating utensils is also a really good idea. And some ice chests to keep those beverages cool. And finally, desserts. We moved off bringing an official birthday cake, to turning that into a competition of Cake and Cupcake makers to design their own Middle-earth themed tasty desserts, so put your creative thinking caps on.

We know little about hobbit healers, but it is safe to assume that at least some hobbits of the Shire would have grown herbs not just for delicious seasoning, but also for their many healthful properties. One of the easiest and most versatile herbs to grow is catnip (Nepeta cataria), also known as catwort. As the name suggests, the herb is beloved by many a feline, but did you know that it can also calm anxiety in hum-err, hobbits? Join Kili in this new episode of Happy Hobbit to learn more about this amazing plant and how to ingest it!

Happy Hobbit has brought Middle-earth to its viewers’ daily lives since 2012! Learn hobbity recipes, crafts, and more by watching new episodes and/or perusing the 10+ years worth of videos on their YouTube channel. 🌻 New episodes debut every other Saturday, so be sure you are subscribed to Happy Hobbit so that you don’t miss out!

For example, the sisters nicknamed Kili and Fili recently recorded their reactions to the final trailer for season 2 of The Lord of the Rings: The Rings of Power, and for the first ever trailer for The Lord of the Rings: The War of the Rohirrim! You can check out both below. Trailer reactions have become a tradition for the YouTubers after going viral for their reaction to the trailer for The Hobbit: The Desolation of Smaug many years ago!

Get even more slow-living hobbit content by following Happy Hobbit on Instagram, Facebook, Twitter, and TikTok! If watching the show has left you with an appetite for more, know that Kili (Kellie) has a podcast where Tolkien is often mentioned called Forests, Folklore & Fantasy.

In our latest episode of the Collecting The Precious Podcast, we are chatting about the amazing collectibles that we saw during San Diego Comic-Con 2024 from Weta Workshop, Vanderstelt Studio, Diamond Select Toys, Iron Studios, and Cliff Cramp Illustration. We’ll be discussing what we hope to see as we work towards next years SDCC, and we’ll also talk about Jim’s first time attending SDCC.

As always thanks for watching and taking the time to support what we do here at TheOneRing.net.

Continue reading “Collecting The Precious Podcast Episode 12: Comic-Con 2024 Review”