We’ve made it to Episode 10 of this very fun podcast; and for our tenth episode, we have a super special guest. I’ve had the chance to chat with him over the years at Comic-Con, but having the amazing Sir Richard Taylor sit down for almost 90 minutes to talk about collectibles was beyond anything for Jim and me. We had a blast chatting; and in the episode, there is even a tease for a new collectible coming. We hope you have as much fun watching this episode as the two of us had filming it.
This year marks the 50th anniversary of Oxonmoot, an annual event hosted by The Tolkien Society in Oxford, UK. The event will be available to stream live from Thursday, August 31 through Sunday, September 3.
Bear McCreary
Bear McCreary will join Oxonmoot for an exclusive chat on Friday, September 1st at 4:40pm UK-time (8:40am PDT / 11:40am EDT / 5:40pm CET), and the session will be available live to online attendees.
McCreary, a lifelong Tolkien fan, composed the 37 tracks that make up the score for Prime’s Lord of the Rings: Rings of Power. His work for the show received acclaim from fans and critics alike. The gorgeous themes he developed for the show were completely new yet still reflective of the scores that Howard Shore composed for Peter Jackson’s The Lord of the Rings. McCreary is also know for his work on Battlestar Galactica, The Walking Dead, and Outlander, among other television series. McCreary is articulate in speaking about his methodology, and he is just plain fun in an interview.
Brian Sibley
Brian Sibley will also be a guest at Oxonmoot. His session is called “‘The Fall of Númenor’: An Editor’s Journey.” As the name of the event implies, Mr. Sibley edited the volume of J.R.R. Tolkien’s writings titled The Fall of Númenor: And Other Tales from the Second Age of Middle-earth, which was illustrated by Alan Lee. Sibley will speak about the “pleasures and pitfalls” in editing the book.
Sibley has written extensively for radio dramas such as BBC Radio 4’s adaptation of Tolkien’s The Lord of the Rings and C.S. Lewis’ The Chronicles of Narnia. He is well known for authoring many “making of” books about films, including those for The Lord of the Rings and The Hobbit, as well as the Harry Potter series. He is incredibly knowledgeable about Tolkien and fascinating to listen to.
As you no doubt know by now, there is a new production of The Lord of the Rings musical currently playing at The Watermill Theatre; it opened July 25th and runs until October 15th. Last week, staffer greendragon ventured into the Berkshire countryside and found herself in the Shire. Here’s her review of the production:
Sam – Nuwan Hugh Perera – and Frodo – Louis Maskell – with Gollum – Matthew Bugg – sneaking in the background… (Photography Pamela Raith)
The Lord of the Rings restaged
When The Lord of the Rings musical first appeared, in all its (at the time) ‘most expensive musical ever’ glory, I went to see it in London. I was not convinced. The extravagant, elaborate staging could not conceal the fact that the songs were not particularly memorable, and it just seemed like Tolkien’s story wasn’t really suited to this kind of telling. It was not surprising when the show was not the hoped for success.
Rediscovering the piece, in its new, MUCH smaller and more intimate staging, I am closer to being convinced. First of all, the setting is stunning. The audience arrive in a beautiful, bucolic location, where food and drink can be enjoyed by a slowly winding river. A large ring of woven willow decorates the front lawn of the venue. As show time approaches, everyone heads to behind the building – following signs to the ‘birthday party’. So the performance begins outside – where we are all guests at a Long-expected Party. (Though for some reason, it was referred to as a ‘long awaited party’. Perhaps this was a slip of the tongue? As this production is fully licensed by Middle-earth Enterprises, they certainly have the right to use the Professor’s phrase.)
The Shire is the perfect place for music, and so the show gets off to a very strong start. We are swept up in the party atmosphere; I delighted in seeing the Sackville-Bagginses looking suitably annoyed when they learned that Bilbo was making Frodo his heir, and Bilbo’s disappearance was very well handled. As the Shire-folk rushed around, wondering where he had gone, we joined them in their search – heading inside to the rustic wooden theatre.
This very small auditorium – with just under 100 seats downstairs and about the same again upstairs – is brilliantly used in every way possible to tell the epic story. The staging is incredibly inventive, with cast moving through the auditorium – and even climbing over it. Stunning puppets create suitably terrifying Ringwraiths and an astonishing Shelob. Elrond causes the river to rise, the doors of Moria glow, even the Balrog appears; every theatrical trick and device is called into play, including impressive lighting and projections, to create Middle-earth in front of and around the audience – and those watching the night I was there were clearly loving it.
Gimli – Folarin Akinmade – sings a lament in Moria. (Photography Pamela Raith)
An outstanding cast
The cast were mostly excellent. Stand outs for me were Nuwan Hugh Perera as a funny, warm, pitch-perfect Samwise; John O’Mahony’s charming Bilbo; and Matthew Bugg, whose astonishingly athletic and aggressive Gollum managed to be fully his own embodiment of the character, rather than being trapped in an Andy Serkis impression. I loved Folarin Akinmade’s Gimli, and wished the script allowed more time for his relationship with Legolas (Yazdan Qafouri) to be played out; one very touching moment between them towards the end of the show made me want more of these characters. Peter Dukes (Boromir) and Aaron Sidwell (Aragorn) were particularly moving in Boromir’s death scene. Louis Maskell didn’t entirely convince me as Frodo, being perhaps slightly overwrought; but it’s a demanding role which carries much of the show, and overall he proved himself equal to the task. Peter Marinker as Gandalf seemed to be still finding his way into the role, in the early performance I saw.
Condensing the plot
If you’re a Tolkien purist, you’ll may find fault with this version of the story. To fit the entire plot into one evening of theatre naturally requires much pruning and condensing – poor Tom Bombadil and Celeborn don’t make the cut, again! Denethor and Theoden are blended into one, as are the battles of Helm’s Deep and the Pelennor Fields. I think the condensation of the story is skilfully handled; I was more bothered, in a picky purist sort of a way, by the Hobbits wearing sandals – though I do understand the need for safety for actors’ feet!
The costuming – with influences of Bollywood in the elven outfits – is similar to the original production, and the revolving stage is still there (albeit in much smaller form). The show looks and sounds stunning; the cast are also the band, and though it may sound like a strange idea, somehow it works seamlessly when Pippin (the charming and highly energetic Amelia Gabriel) picks up an accordion and starts to play. Certainly in the Shire and at Bree, the songs work wonderfully. I’m still not sure about the rest of the music. Retelling such an intense, literary tale in musical form is not easy; Les Miserables comes to mind as the most obvious, successful literature-to-musical transformation. The writers of The Lord of the Rings musical haven’t quite pulled off this difficult transition, for me. It just doesn’t seem entirely plausible when Arwen and Aragorn sing a (rather Disney-ish) love duet on the eve of battle; but perhaps I’m just cynical.
A climax, and a tearjerker ending
The one song which stayed with me from the original production was Now and for Always – and that is still the high point of the show, beautifully and movingly performed. As the show approached its end, and the Hobbits returned to the Shire, to clear up the damage caused by Sharkey and his ruffians, we headed back outside with them. A sail was now unfurled where once a party banner had been; and I was moved to tears as Frodo made his farewells, and left Sam to carry on the story.
The lights in the party tree… (Photography greendragon)
In spite of my few misgivings, overall this is a beautiful, moving evening of theatre, and a wonderful chance to immerse yourself in Tolkien’s great story. It’s worth the price of admission just to be transported to the Shire. I imagine the producers may be hoping this production will transfer elsewhere after its run at the Watermill Theatre; but even if it does, this is the perfect setting in which to see it. Do go, if you can.
The Lord of the Rings will play at the Watermill from Tuesday 25 July until Sunday 15 October 2023. Tickets are on sale via watermill.org.uk/The-Lord-Of-The-Rings.
August 4-6 saw LeakyCon happening in Chicago, and various cast members from Peter Jackson’s The Lord of the Rings movies were there. (LeakyCon fully supported SAG-AFTRA members appearing at the con, stating, ‘… we have removed direct reference to their projects that fall under TV/Theatrical Contracts so that they can continue to appear without promoting these projects.’) So the fun was able to go ahead – and staffer Entmaiden attended for TORn. Here’s her write up:
ELIJAH WOOD AND SEAN ASTIN AT LEAKYCON
Since 2009, LeakyCon has been a community-focused fan event that provides opportunities to celebrate magical movie franchises with creators, artists and fans. TORn staffer Entmaiden was able to attend this weekend’s event in Chicago. LeakyCon originated with a focus on the Harry Potter movie series, but recently the organizers invited cast members from The Lord of the Rings movies. Sean Astin, Elijah Wood, Miranda Otto and Kiran Shah participated this year.
Entmaiden was delighted to attend the spotlight sessions with Elijah Wood and Sean Astin on Saturday. In support of the on-going strike by members of SAG/AFTRA actors and WGA writers, Elijah and Sean did not speak specifically about their filming experiences. While we might not have been able to explore the behind-the-scenes film stories, the spotlight sessions gave the audience a chance to learn how Elijah and Sean became actors, and uncover a couple secrets about their personalities. Some elements of the journey for both Elijah and Sean are well-known: both started acting very young, and their early acting experience helped prepare them for the enormous success of LOTR films.
It’s been 20+ years since the first film was released, and both Sean and Elijah have seen changes in their lives. Sean’s youngest daughter is about to turn 21 and he is NOT READY! He reflected on his own childhood, where even as the son of famous parents (Patty Duke and John Astin), Sean was able to play Little League like the other kids. His daughters also had to navigate childhood with a famous father, with the complication of social media. Did you know that Sean is a ferocious Monopoly player? He has a thorough understanding of the rules, and applies them rigorously. Sean takes no prisoners when it comes to Monopoly, and some friends and family members avoid playing with him!
While Sean was married with children when filming in New Zealand, Elijah was single. He recently revealed he has two children with long-time partner Mette-Marie Kongsved, a Danish film producer. He didn’t speak much about his children at LeakyCon, but he frequently referenced how his life has changed now he’s a father. But some of the things long-time fans know are the same: Elijah is still a massive music lover, and a big-time foodie. He even gave the fans tips about good frozen pizza, which he confessed to eating as often as he can.
Thanks to LeakyCon for inviting TORn, and for such a fun event!
As you all know, the Magic The Gathering The Lord of the Rings cards have been a massive hit among fans. The collector booster boxes are going for a nice sum of cash on the market. Right before Comic-Con, I snagged a box and opened it. In this video, you’ll see all the cool cards I got – including a $200 Bag End Foil! I will definitely be tracking down another box.
As you saw at their booth during Comic-Con 2023, our friends at Diamond Select Toys have two new Deluxe Action figures up for pre-order. Fans can now add to their collections the loveable Samwise Gamgee, and Saruman the White. Both figures looked amazing in person! You can snag these individually for $29.99 or $59.98 as a set, with a release date of quarter 1 of next year. Check out our Middle-earth tour from Comic-Con to see all the goodies DST had at the show.
We’ve made it to Episode 10 of this very fun podcast; and for our tenth episode, we have a super special guest. I’ve had the chance to chat with him over the years at Comic-Con, but having the amazing Sir Richard Taylor sit down for almost 90 minutes to talk about collectibles was beyond anything for Jim and me. We had a blast chatting; and in the episode, there is even a tease for a new collectible coming. We hope you have as much fun watching this episode as the two of us had filming it.
As you all know, the 