The Lord of the Rings: A Musical Tale has opened in Australia – and staffer Eorl the Young was there for the premiere. Here’s his review of the experience:

As reported previously on TheOneRing.net, the phenomenal production of The Lord of the Rings — A Musical Tale, that had been playing in the USA and New Zealand in 2024, finally made its debut in Australia this month.

The State Theatre, Sydney

I had the privilege of attending the Sydney premiere, and it was an unforgettable experience.

Held at the iconic State Theatre, with its ornate ceilings, art deco charm, and grand ambience, the venue felt perfectly suited for a tale as epic and timeless as Tolkien’s.

From the moment I walked up the street to the venue, it was clear this wasn’t just another night at the theatre — the excitement in the air was palpable even outside the theatre where fans queued up several hours before the show began.

Many dressed as characters from Middle-earth and were in high spirits as they milled about the entrance; Boromir, several Elves (including two Arwens), a remarkably creative “sexy Shelob”, and an Eye of Sauron, all made an appearance.

The evening started on an unexpectedly warm and interactive note.

Before the performance began, the cast embraced the audience, singing impromptu Hobbit-themed songs accompanied by various musical instruments, and playing Shire-themed games like ring toss (the hilarious symbolism dawns on me as I write this).

When the cast were all assembled on stage, they invited everyone to join in a spirited rendition of Happy Birthday to Bilbo. We thought it was part of the pre-show fun and games, but the Happy Birthday song that we were invited to sing was in fact the beginning (and a very innovative one at that) of the musical itself, with the ending segueing perfectly into the beginning of Act I.

This playful, Hobbity opening instantly set the mood, drawing the audience into Middle-earth with a sense of camaraderie.

THE CAST

Unsurprisingly, the performances were nothing short of extraordinary, as the musical starred some of Australia’s acclaimed musical theatre performers and actor-musicians, including Jemma Rix as Galadriel, Ian Stenlake as Saruman, Rob Mallett as Strider, and Rarmian Newton as Frodo Baggins.

Bilbo (Laurence Coy) was adorable, both on and off-stage, to the point you wanted to talk with him for hours on end, and invite him to breakfast, and second breakfast, like an old friend.

Bilbo (Laurence Coy) mingling with his Birthday Party guests
while Hobbits dance the Springle-ring on stage

Gandalf (Terence Crawford) commanded the stage with a voice and presence that perfectly captured his wisdom and gravitas.

Frodo and Sam’s portrayal was heartfelt and deeply moving throughout, their friendship anchoring the emotional core of the production. They were the leads after all, and their casting was as close to perfect as one might hope to expect.

Merry and Pippin brought energy and humor throughout, providing much-needed levity in darker moments.

And Galadriel! Galadriel was a true standout. Jemma Rix’s voice was constantly powerful and haunting, her every performance resonating throughout the theatre. Her solos were an absolute highlight, commanding the room every single time with their sheer vocal power. It isn’t a stretch to presume she left the audience spellbound each time she ended with a rousing crescendo, as I noted that there was always a momentary stunned silence before the audience applauded her performance.

Aragorn and Arwen’s unexpected duets brought tender moments of longing and love (yes, they kissed!)

Boromir (Rohan Campbell)

Boromir’s character brought intensity and humanity to his arc.

Fans will appreciate his performance knowing the fate that befalls him. That scene was a high point of the production, deeply emotional and handled with care.

After the show, the actor (Rohan Campbell) mentioned how much it meant to him to do justice to Boromir’s redemption. You could tell.

Extra special mention must go to Smeagol / Gollum, who was an absolute marvel from his first appearance until his final moment of moments. His physicality, rasping voice, and duality were all executed to perfection – yes, perfection, and perhaps beyond perfection.

This a role that will undoubtedly invite comparisons to Andy Serkis’s Gollum for an entire generation of LOTR fans, and yet the actor (Laurence Boxhall) delivered something fresh while staying true to the essence of Gollum. Chilling, silly, hilarious, menacing, pitiful… I could go on.

MUSIC AND SONGS

The musical took a bold step by introducing original songs rather than adapting Tolkien’s verses. While this might disappoint purists, the new music more than justified its inclusion.

“Forever and Always”, a poignant duet between Frodo and Sam, was my favourite. It brought a particularly memorable tone to the entire show, blending heartfelt emotion with an absolutely surprising, bone-chilling interruption from Gollum that sent shivers down my spine several times (without exaggeration). The actor is absolutely amazing in this role. This song, and the three-way performance, was one of the biggest highlights of the show for me.

Overall, the music wasn’t just functional; it added layers to the story. Each song — whether it was an intimate love ballad between Man and Elf, a melancholic duet between Hobbit mates, a sweeping chorus of Elves, or a raucous Orcish battle-song — felt deliberate and evocative.

While I missed Tolkien’s lyrics at times, the original compositions stood firmly on their own, supported by stellar performances.

I would actually hope the producers are able to record one of the live performances and release in some form of media at least the music, if not the entire live production, so fans who don’t have the ability to experience this performance in person can also have the opportunity to hear these songs.

STAGECRAFT AND VISUALS

The production’s technical achievements were nothing short of spectacular.

Bilbo’s disappearance at his Eleventy-first Birthday Party was executed with dazzling effects — light, fire, and smoke combining to create a truly magical moment.

The Nazgûl’s entrance was one of the most chilling sequences, with the actors weaving through the aisles as eerie lights and sounds amplified their menace. Seeing them so close in the darkened theatre was a spine-tingling experience.

Other standout moments included the Balrog in Khazad-dûm, brought to life through a clever interplay of light and fabric that evoked its fearsome presence without overloading the stage.

And then there was Shelob! A massive spider puppet emerged from the darkness, literally taking up the entire stage, its movements so lifelike and creepy that the entire audience gasped audibly. It was a jaw-dropping moment of stagecraft that has to be seen to be believed.

The show also excelled at juxtaposition. The Battle of the Pelennor Fields was brilliantly interwoven with Frodo and Sam’s climb up Mount Doom, keeping the tension high across both storylines at the same time. Magical!

Even quieter moments, like Frodo slipping into the “shadow world” when wearing the Ring, were handled with inventive lighting, sound, and acting that heightened the drama and left the audience in silence enough to hear a pin drop.

ADAPTATION AND STORYTELLING

Adapting The Lord of the Rings for the stage is no easy task, and compressing such a vast narrative inevitably means sacrifices.

Some scenes leaned heavily on exposition, which felt a little overexplained at times; but these moments helped orient audience members less familiar with the story. On the whole, the streamlined approach worked, focusing on the most essential arcs without losing the heart of Tolkien’s tale. For example, Theoden was the only character from Rohan featured in the Helm’s Deep sequence — a choice that made sense, given the constraints of time and complexity.

What stood out most was the creativity in how the production handled certain moments.

Treebeard was represented through voice acting alone, with Merry and Pippin reacting to an unseen presence in a way that felt natural and compelling. Kudos to both actors for bringing believability and upholding what could have been one of the weaker points of the production.

Likewise, Bree’s doorkeeper was conveyed entirely through sound effects and timing. The actor’s timing, paired with perfectly synced sound effects of the creaking gate, brought the scene to life despite its simplicity. It was a small but memorable moment, with the actor fully committing to the role and adding a touch of humor and authenticity that stayed with me.

These small, clever touches added unexpected charm and ingenuity to the storytelling.

HIGHLIGHTS AND FINAL THOUGHTS

The emotional resonance of the musical was undeniable.

The Grey Havens finale left many in tears, myself included, echoing the bittersweet beauty of Tolkien’s original ending. So many performances and moments lingered with me long after the curtain fell.

The cast bows out after a stellar performance

One thing that did stand out to me though was how understandable the production was. I spoke to a couple of people who had never read the books or seen the movies, and they loved it as a standalone work. It drew them into the story enough that they came away wanting to know more about Tolkien’s world. That’s a testament to how well the production works, as an adaptation, as a piece of theatre, and as a tribute to Tolkien.

Of course, no adaptation can please everyone.

Purists may find things to criticise — whether it’s the absence of Tolkien’s original songs, or the inevitable omissions in the story. But I don’t believe the aim of this production is to recreate The Lord of the Rings exactly as it exists in the books. That would be an impossible task anyway. Instead, the musical offers a fresh, deeply creative interpretation that stands as a testament to the power of theatre and the enduring relevance of Tolkien’s work.

Inside the theatre, I spoke to some of the wonderful designers behind the show’s many costumes, and as I was leaving, I spoke with a lovely couple whose daughter happened to have worked as a dresser for the show. They all shared how hard the cast and crew had worked in the lead-up to the premiere, with 13+ hour days to perfect every minute detail. It’s a testament to their dedication that the result feels so polished, from the acting and music, to the stunning technical effects.

I certainly plan to attend again before the musical completes its Sydney run. There’s so much to take in, and so many blink-and-you-miss-it moments, that it’s worth a second (or third) viewing.

For fans of Middle-earth — or anyone who loves epic, immersive theatre — this is an experience you won’t want to miss. Tickets are available – for Sydney, other locations in Australia, and for the UK and Singapore – here.

As Tolkien fandom enjoys a period of riches, with Prime Video’s The Rings of Power series, Kenji Kamiyama’s The Lord of the Rings: The War of the Rohirrim coming out in just a few weeks, and Andy Serkis heading back to Middle-earth, there are also many fabulous new collectibles coming on to the market. Here at TORn we’re always delighted to showcase what our fellow fans of the Professor are creating. (Look out for our Gift Guide, coming next week!)

Recently we had the great pleasure of getting to know the folks behind Syzygy Forge. Their tag line is ‘Forging Superior Collectibles’ – and that they certainly do! Unusually, though, these collectibles contain alcohol… The folks at Syzygy Forge create spirits in beautiful bottles. The first of their Middle-earth collection, available to order now, is the gorgeous Green Dragon Wheated Whisky.

About Syzygy Forge, in their own words:

Syzygy Forge is a leading collectible company specializing in premium licensed merchandise. With a passion for storytelling and craftsmanship, Syzygy Forge creates unique products known for innovative and accurate design. The team strives to push the boundaries of creativity while honoring the rich legacies of iconic films, video games, and more.

A bit about Jordan Costner:

Jordan Costner entered the licensed collectible industry in 2019 and has since collaborated with major film and video game companies, delivering highly successful products that resonate with fans. Known for his attention to detail, Jordan takes pride in creating items that authentically represent the worlds they are based on.

In 2023, Jordan founded Syzygy Forge and is eagerly anticipating the launch of products inspired by his all-time favorite films, The Lord of the Rings.

“Peter Jackson, Richard Taylor and the other wizards at Weta Workshop were my childhood heroes,” says Jordan. “Growing up, I watched the bonus content on the extended editions countless times. What they achieve in the creation of their films is pure magic—and the biggest inspiration for what I do today.”

The Lord of the Rings The Green Dragon Wheated Whiskey

Step into the world of Middle-earth with The Green Dragon Wheated Whiskey, a meticulously crafted spirit inspired by the legendary inn of the Shire. This officially licensed special edition whiskey brings the warmth and charm of The Green Dragon to your glass.

Aged to perfection over four years, this wheated whiskey is artfully blended with the finest grains to create a smooth, rich, and full-bodied character. It also delivers a delicate balance of sweetness and spice, reminiscent of the lively gatherings at The Green Dragon. Every sip transports you to a cozy evening by the fire, surrounded by good friends and tales of adventure.

These carefully recreated details evoke the craftsmanship of the Shire, making The Green Dragon Wheated Whiskey not just a drink, but a collectible piece of Middle-earth lore.

Whether you’re a connoisseur of fine spirits or a devoted fan of the films, The Green Dragon Wheated Whiskey offers a unique opportunity to celebrate the brave and true. Pour a glass, raise a toast, and embark on your own unexpected journey with every sip.

© New Line Productions Inc. All rights reserved. THE LORD OF THE RINGS TRILOGY and all names of the characters, items, events, and places therein are ™ of Middle-earth Enterprises, LLC under license to New Line Productions, Inc. (s24)

The pre-order link is live here.

Look out for Syzygy’s next collectible spirit, which will come in a bottle depicting the epic duel between Gandalf and the Balrog. Can’t wait for that one!

If you’re in the UK, this is for you! On Friday November 29 at 14:00 GMT, you can be present for a conversation with Philippa.

Other Minds and Hands: A conversation with Philippa Boyens is free to attend and will take place at Merton College, University of Oxford. Phillipa will be interviewed by Grace Khuri and other other members of the Oxford Tolkien Network: Giuseppe Pezzini, Mark Atherton, Stuart Lee, Catherine McIlwaine.

Continue reading “A Fantastic Opportunity to Attend a Live Conversation with Philippa Boyens”

On Tuesday December 3, London’s iconic Leicester Square will host the World Premiere of the feature-length anime The Lord of the Rings: The War of the Rohirrim ahead of the general film’s release on December 13 (note: some locations, such as Japan, are actually getting it a little later).

There will be a slew of cast and crew from the film in attendance: Brian Cox, Gaia Wise, and Laurence Ubong Williams, as well as director Kenji Kamiyama, producers Philippa Boyens, Jason DeMarco, and Joseph Chou, and singer Paris Paloma. Carlos Laloli, Peter Jackson, Ken Kamis, Sam Register, Phoebe Gittins and Arty Papageorgiou will also be there.

Warner Bros. says it will be setting setting up a an area for a “limited number of fans to watch the red carpet arrivals”. Warner Bros. also say they are setting up a ballot, and are taking applications for double passes.

Applications will close at 23:59 GMT Wednesday 20th November and winners will be drawn at random.

  • Click here to apply for access to the GENERAL ACCESS FAN AREA
  • Click here to apply for access to the ACCESSIBLE FAN AREA

In addition, there will be a live stream of the red carpet with details to be announced soon. Stay tuned, I guess!

Source: Warner Bros.

The Regal North Hollywood is holding a showing of the new feature-length anime The Lord of the Rings: The War of the Rohirrim from 1.00pm on this Saturday (November 9) open to children aged nine to 14, and their parents. It’s not entirely clear whether adult-without-kids can also attend, but I took a few moments to run through their pre-booking survey and it does seem that you get screened out if you state you’re attending without kids.

T&Cs also state that no-one under the age of nine will be admitted (presumably because of MPAA ratings).

If this tickles your fancy (and you have kids 9 to 14), you can reserve (free!) your tickets here.

If you’re unaware of the story, The War of the Rohirrim is set many years before the events of The Lord of the Rings and follows a historic event described by J.R.R. Tolkien in Appendix A of the book. As the filmmakers describe it, “…a sudden attack by Wulf, a clever and ruthless Dunlending lord seeking vengeance for the death of his father, forces Helm Hammerhand, the King of Rohan, and his people to make a daring last stand in the ancient stronghold of the Hornburg.”

The anime debuts worldwide (in most locations) on December 13.

Early free screening details

Saturday, November 9th, 2024
Regal North Hollywood
6150 Laurel Canyon Blvd # 200, North Hollywood, CA 91606

1:00 pm. Open to children 9-14 and their parents
No one under 9 will be admitted.
Check-in will begin 60 minutes before the start of the show.

RESERVE YOUR TICKETS

War of the Rohirrim official poster

Greetings, Ringers! New York Comic Con 2024 is in full swing, and TheOneRing.net is excited to be part of the Middle-earth magic once again. With the revitalized interest in our favorite author’s legendarium, this year’s convention is shaping up to be an unforgettable experience for Tolkien fans – and we’ve got a lot to share!

First, if you are at NYCC, get yourself to Geek Orthodox, Booth 1570. You won’t want to miss the incredible stained glass art and t-shirts on sale there. AND that’s where you can pick up TheOneRing.net’s Gollum/Smeagol 2024 T-shirt. This original TORn design features everyone’s favorite dual-natured (former) Hobbit, with the slogan: “We Wantsss Your Vote, Precious”. It’s the perfect tongue-in-cheek nod to this year’s presidential race – show your allegiance! And here’s the thing: this shirt is leaving now and never coming back… That’s right— NYCC is your last chance to get your hands on it! Once the convention ends, this exclusive edition disappears forever. (Sorry, we are not selling the shirt online).

Beyond the merch, we’re excited for everyone to experience Warner Brothers’ showcase of The Lord of the Rings: The War of the Rohirrim, the epic animated movie releasing in the US on December 13th. The good news is that the Friday 11 am panel will will be live-streamed! Make sure to tune into YouTube and official channels to watch along.

And speaking of The War of the Rohirrim, our party celebrating the movie is sold out! We can’t wait to see those lucky Ringers who snagged a ticket for tonight. We’ve got some great swag for attendees, and some exclusive opportunities to walk away with great stuff from MetalBird, Oscha, Syzyrgy Forge, Shire Post Mint, Sideshow, and The Lord of the Rings in Concert.

Whether you’re at the convention or following along online, keep an eye out for all the LOTR fun. And don’t forget to stop by Booth 1570 to grab your exclusive shirt—you’ll wantsss it!

See you at NYCC, preciousss!