I learned something important from my daughter’s first-grade teacher that has stayed with me: “Don’t yuk someone else’s yum.” Our moms might have said it differently: “If you can’t say something nice, don’t say anything at all.” It’s simple, but there’s wisdom in it that the online, and particularly social media, world of fandom could use. Just because you don’t love something doesn’t mean someone else can’t find joy in it. Even worse, your ‘yuk’ hot take may stifle content creators’ ability to bring out content you might end up loving.
(Let’s address the elephant in the room: Yes, I know this is my hot take—but hey, mine’s aimed at you, the fan, not the content creators.)
After what seems like a lifetime at TheOneRing.net (Has it really been 25 years?!), I’ve seen every possible reaction to new Tolkien content. From diehard fans reveling in every second of a new adaptation to those who can’t wait to point out what went “wrong.” It’s predictable and, frankly, exhausting. Every time something new comes out, it’s like clockwork: a flurry of love, a tidal wave of hate, and everyone shouting into the social void.
The truth is, not every story needs to be made for you, and that’s okay. I promise. 🤗
Critique? Sure, it has its place. But what’s happened is we’ve confused having an opinion with needing to broadcast it. Tolkien’s world is vast. It can hold different visions and interpretations from both filmmakers and fans. We don’t need to take sides in an imaginary battle over what’s “right.”
But why even bring this up? Because the casual social user, or even the casual internet participant, sees that ‘yuk’ always rises to the top. Algorithms are designed to push controversy and conflict into our feeds, knowing that our human condition tends to lean toward drama over harmony. Negative opinions and arguments get engagement, and platforms thrive on that. But here’s the problem: content creators use those negative metrics to gauge the success or failure of their work. And often, they make decisions—like canceling a show—based on the loudest, angriest voices, even when there’s a quiet following that genuinely enjoys it. Yes, these entities might be large corporations with teams of data scientists, but don’t assume that they are fully exploring the data to avoid simplistic conclusions.
Don’t yuk someone else’s yum – Annonymous
And there’s another side to this. Fans who do love something often hesitate to share their enthusiasm. Why? Because they don’t want to deal with the trolls. The loudest voices—the bullies of fandom—are quick to tear down anything that doesn’t meet their personal standards. And just like in politics, where the conversation is dominated by those with the loudest, harshest opinions, fandom is too often steered by negativity. The result? Studios and creators miss out on hearing from those who love the content, because those voices are drowned out.
Take the trailer for Star Wars: Skeleton Crew as an example. When it dropped, my fellow over-40 male demographic flooded my feed with waves of negativity. But here’s the thing: I’m secretly loving the idea of mixing Star Wars with The Goonies and Stranger Things. I want creators to take those kinds of risks with our beloved franchises. And if it turns out to be something I don’t enjoy, I’ll just quietly move on; no need to let folks know I wasn’t into it.
The beauty of all fictional universes and our beloved Middle-earth is that they can mean different things to different people. If someone’s finding joy in a version of the story that isn’t your cup of tea, do you really need to jump in and let them know? Let them have their moment. There’s a quiet strength in stepping back and allowing others to enjoy what they enjoy.
At the end of the day, fandom is supposed to bring people together, not force everyone into corners based on whether they loved or hated the latest installment. Maybe, just maybe, we don’t need to weigh in on every adaptation. If you’re not feeling it, maybe scroll past, or better yet, log off and reread The Silmarillion. The stories aren’t going anywhere. There will always be space for your favorites and your least favorites in Tolkien’s world.
The next time you’re tempted to post your hot take, think back to my daughter’s first-grade lesson. It’s okay to stay quiet and let someone else have their yum.
In fact, it might be the best thing you can do—not just for them, but for the creators who need to hear the whole story, and for fandoms to enjoy a new risk here and there.
So, remember: Too much yuk, and the content you love might never get made.
The views expressed in this article are those of just me, but maybe a few other TORn staffers agree. 🤷🏻♂️
P.S. If you’ve got thoughtful critiques or just want to discuss all things Tolkien in a more welcoming, troll-free zone, there are safer places for that. Check out TheOneRing.net’s Discord or message boards, where you can share your thoughts without drowning in negativity. Let’s keep the conversation lively, but respectful—Middle-earth deserves nothing less. Feel free to email me as well
P.P.S.Hey Amazon – I couldn’t end this article without sharing some of my yum. I am LOVING Season 2 of ‘Rings of Power!’ Don’t let anyone yuk my yum! 😋
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
It’s not long at all until Episode 4 of The Lord of the Rings: The Rings of Power airs. If you’re feeling twitchy while waiting, check out this fantastic Episode 1 to Episode 3 recap from TORn Discord moderator Webcrawler.
~ Staffer Demosthenes
Recap: The Rings of Power Episodes 1 to 3
by TORn Discord moderator Webcrawler
The Lord of The Rings: The Rings of Power returned on Amazon Prime last Thursday for it’s second season with a whopping three-episode premiere. Many fans across the USA were also able to attend special screenings of the first two episodes at select theatres, including our very own TORnTuesday hosts, Cliff & Justin
The episodes premiered to some very strong reviews, some quite negative but most extremely upbeat. This highlights big improvements from Season 1: tighter, more-focused storytelling, better pacing between plotlines and episodes, and stronger dialogue. Season 2 of The Rings of Power currently sits at 84% on Rotten Tomatoes, “Certified Fresh”, with 91 Critic Reviews.
There are plenty of reviews and breakdowns already available to view online, including from friend of TORn, Tea with Tolkien; but of course, don’t forget to check out yesterday’s TORnTuesday episode where Cliff and Justin spend over three hours examining the three-episode S2 premiere in great detail!
Season 2, Episode 1
Titled “Elven Kings Under the Sky”, a direct reference to the first line of the Ring Verse.
“Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in their halls of stone…”
Synopsis
There are three plots we follow in this episode:
Sauron
A parallel prologue to that of Season 1, Episode 1 “A Shadow of the Past”, where we get answers to some important lingering questions from Season 1: What was Sauron doing after Morgoth’s defeat? Where did he get the sigil of the lost King of the Southlands? And how did Sauron get on a raft in the Sundering Seas?
After that we catch up to Sauron in the present day, where he turns himself over to Adar. Using his Halbrand form, he somehow convinces Adar to let him travel to Eregion, where he waits to speak with a reluctant Celebrimbor.
Lindon
Galadriel and Elrond return to Lindon with the Three Rings made by Celebrimbor. There, the elves, along with Gil-galad (and later Círdan) discuss the merits and dangers of using the Three Rings to heal The Great Tree of Lindon. After some time has passed, and Gil-galad tells the Elves to prepare to leave Lindon, Círdan shows up wearing Narya and convinces Gil-galad to use the rings.
Rhûn
The Stranger has a recurring dream or vision of a staff; he and Nori have been lost in their attempt to get to Rhûn, and find that they are being followed. It turns out Poppy has tracked them down and decided to join in their journey. Poppy, using some of Sadoc’s maps, helps them navigate to Rhûn.
Overall Thoughts on Episode 1
Episode 1 is a very strong start to Season 2. The main plot, following Sauron, presents a compelling journey that asks us to consider whether or not he ever truly repented. One particular scene stands out in this regard, where he talks to a Southlander (played by Nicholas Woodeson), on a ship, about overcoming an evil past; the response reminded me of Gandalf’s comment to Galadriel in The Hobbit: An Unexpected Journey:
Gandalf : I don’t know. Saruman believes that it is only great power that can hold evil in check. But that is not what I have found. I’ve found it is the small things, everyday deeds of ordinary folk that keeps the darkness at bay.
It’s telling that, immediately after this, Sauron leaves the man to die after the ship is attacked by the wyrm in the Sundering Seas (first seen in Season 1, Episode 2), but not before grabbing the sigil that hung around the Southlander’s neck.
The Lindon plot is also filled with fantastic, Tolkienian moments that show us Season 2 has risen in terms of dialogue and storytelling. Círdan’s introduction is about as close to perfection you can get for a character introduction, as we see him stare out into the seas while a variation of Bear McCreary’s “Valinor Theme” plays, indicating to lore fans that this is the elf who has long awaited the day he shall sail West to Aman.
Galadriel, Elrond, and Gil-galad debating whether to use the rings sets up new and interesting dynamics, with slight role reversals for the former two, as it is now Elrond who refuses to obey the High King. (personally, I’m glad they had Galadriel just plainly state that Halbrand is Sauron; good to see they’re not trying to drag things out for drama).
Of course, there is also the scene where The Three Rings are used and The Great Tree is healed; it’s a moment that should stand out as one of the more truly magical moments of a show. It also features a quick call back to the Peter Jackson films, when the Three are shown together in the prologue of The Fellowship of The Ring.
Lastly we come to the Rhûn plot, whose primary interesting moment was The Stranger’s vision: a staff floating and changing forms. The first form was the staff he’s been shown with in some promotional images. But the second form looks much more familiar…
Yes, it’s quite evocative of Gandalf’s staff in The Fellowship of the Ring.
The other significant development in the Rhûn plot was the return of Poppy, and a shorter rendition of “Wandering Day” from S1. This time it sets our three heroes off on a path to discovering the way into Rhûn. It’s a clever bit of storytelling that provides us with some depth to the Harfoots, and hints at future events to come.
Rating: I would give this episode an 8.5/10. The Sauron and Lindon plots were excellent ways to kick-off the story, while the Rhûn plot gives us some mysteries and some heartwarming moments.
Season 2, Episode 2
Titled “Where the Stars are Strange”, a direct reference to a quote from Aragorn…
“I have crossed many mountains and many rivers, and trodden many plains, even into the far countries of Rhûn and Harad where the stars are strange.”
The Fellowship of the Ring. The Council of Elrond
It’s interesting to note that according to Unfinished Tales, the stars were strange, not in Rhûn, but Harad.
This passage is the only evidence that survives for his having extended his travels further South. Aragorn claims to have penetrated “the far countries of Rhûn and Harad where the stars are strange” (The Fellowship of the Ring II 2). 10
10 The “strange stars” apply strictly only to the Harad, and must mean that Aragorn travelled or voyaged some distance into the southern hemisphere. [Author’s note.]
Unfinished Tales Part 4: II: The Istari
Synopsis:
There are four plots we follow in this episode:
Khazad-dûm
The evil spreading from Mount Doom after it’s eruption has sent shockwaves across Middle-earth; nowhere is that more literal than in Khazad-dûm, where an earthquake destroys the mirrors, removing the dwarves’ ability to get light into the depths of the great city’s caverns. Disa and others attempt to sing to the mountain to find passages through which to repair the damage, but the singers fail to communicate with the mountain, bringing more worry to the dwarven realm.
On a personal level, Durin IV and Disa are struggling to make ends meet, as the two Durin’s are no longer communicating, and Durin IV has been cut off from his inheritance. It all looks dire, until a mysterious letter arrives from Lord Celebrimbor of Eregion, with an invitation for the dwarves to meet with him in Eregion.
Eregion
Halbrand continues to lurk around the gates of Eregion, while Celebrimbor begins to get impatient as he awaits any news from Lindon regarding the Three Rings. As he waits, he continues his work, this time showing a young apprentice his latest creation, Ithildin, which is only visible under moonlight. Finally, Celebrimbor decides to speak with Halbrand, who informs him that the Three Rings did indeed work, and Lindon is healed, the elves are saved, and now Halbrand has returned to ask for Rings of Men.
At first Celebrimbor rejects this aspiration, until Halbrand reveals himself as Annatar, Lord of Gifts.
Lindon
Having worn her ring, Nenya, for some (indeterminate) time now, Galadriel has a vision of Celebrimbor being wrapped in vines and killed, as he recites the first three lines of the Ring Verse in Black Speech. A concerned Galadriel tells Gil-galad, who reveals ominous visions of his own.
Galadriel, convinced that Sauron must be in Eregion, requests Gil-galad’s leave to go and face Sauron herself; but Gil-galad refuses. Elrond supports Gil-galad in this decision, as he doesn’t trust Galadriel because of her role in helping return Sauron to power; nonetheless, after a conversation with the ever-wise Círdan, Elrond decides a small band of elves will attempt to travel to Eregion and speak with Celebrimbor, and he will lead the group, not Galadriel.
Rhûn
As Nori, Poppy and The Stranger make their way through Rhûn, a band of horse riders seem to be tracking them from a distance; they are revealed to be Gaudrim, and they are allied with a mysterious Dark Wizard in Rhûn who is also the leader of the Mystics. The Dark Wizard brings The Dweller, one of the Mystics who we saw in Season 1, back to life. The Dweller provides a report on Sauron’s whereabouts, which he shows keen interest in. The Dark Wizard tasks the Guadrim with capturing The Stranger.
Meanwhile, our trio in Rhûn have found the desert too taxing, and The Stranger collapses from thirst. Nori and Poppy drag him to a nearby well and fetch a pail of water. Unfortunately it has a bell which alerts the nearby Guadrim, and the trio are discovered. The Stranger however has woken up, and sees nearby the staff from his visions. Using the staff he creates a sandstorm to blow away the Gaudrim, but it goes out of control, and leads to Nori and Poppy also being pulled into it and blown away.
Overall Thoughts on Episode 2
Episode 2 was even stronger than Episode 1; it begins with an ominous look at the recently activated Mount Doom, which now continues to spew lava. Then we transition to a map and see its darkness spread, reminding us that this season, things will get worse for the free peoples of Middle-Earth.
This is reiterated with a very surprising scene of Celebrimbor reciting the Ring Verse in Black Speech to Galadriel in a vision; we know from S1 Episode 3, when Galadriel went to Númenor that she can read Black Speech, and so she was able to understand his words. Conveniently, the One Ring portion of the Ring Verse was left out. Galadriel’s connection to Sauron continues to be questioned, and this is thematically related to the question of the influence of Sauron on the Three Rings of the Elves.
This connection of Sauron is further brought up in Rhûn where we learn the Dark Wizard is keeping track of Sauron through his Mystics. Recall in S1, The Mystics thought The Stranger was Sauron, and sought to bring him to Rhûn. But their purpose remains unclear. The mysteriously masked riders are even more intriguing; one of them tells the Dark Wizard (played by Ciaran Hinds) to remove the “curse of the flesh” from them, but we do not yet learn what that curse is.
Lastly, but certainly most important, is Halbrand showing Celebrimbor his Annatar form. It’s a moment of pure maximalist fantasy; swirling lights and colors, a flowing white gown as Annatar walks toward Celebrimor and seduces him.
Rating: Overall I give this episode a 9.5/10. All the storylines are paced well, and the moment with Annatar’s reveal should go down in television history. Both Charlies did an incredible job in this scene.
Season 2, Episode 3
Titled “The Eagle and The Sceptre”, two important references to Númenorean lore.
“Thrice only in each year the King spoke, offering prayer for the coming year at the Erukyermë in the first days of spring, praise of Eru Ilúvatar at the Erulaitalë in midsummer, and thanksgiving to him at the Eruhantalë at the end of autumn. At these times the King ascended the mountain on foot followed by a great concourse of the people, clad in white and garlanded, but silent.” [Ed.: emphasis added]
The Fall of Númenor
And…
“It is written that ‘the sceptre was the chief mark of royalty in Númenor’18 from the reign of the First King to that the Twenty-Fifth King and that having survived for 3,287 years it was lost with Ar-Pharazôn at the Downfall.”
The Fall of Númenor
Synopsis:
There are six (!) plots we follow in this episode:
Southlands
Berek the horse ventures into Mordor, and after having an encounter with orcs, he finds Isildur. Unfortunately, Isildur has been webbed up by Shelob, and a fight ensues before Isildur and Berek can ride to safety. Isildur comes across an attacked caravan. As he is investigating it, he’s stabbed by a Southlander girl, Estrid, who thought he was an orc. Estrid tells Isildur that some of the Southlanders and Númenoreans had set up camp at the abandoned colony of Pelargir, and they make their way there.
Pelargir
Isildur and Estrid make their way to Pelargir, stopping to help an attacked caravan. It turns out to be a trap, and after a scuffle, Berek is stolen by these Wild Men; luckily Arondir comes in and saves Isildur and Estrid. He takes them to Pelargir, where a funeral pyre has been set up; Bronwyn has died, succumbing to poison from the arrows the orcs shot at her. Theo and Arondir are struggling to deal with this loss and maintain their father-son relationship without Bronwyn to connect them. Isildur talks to Theo about Númenor; Theo tells him he can help him get Berek back.
Estrid and Isildur talk about their mothers, we learn Isildur’s mother died while saving him, which has left him with a sense of profound guilt. After Isildur leaves, Estrid uses a hot knife to burn out a brand that has been put on her, Adar’s brand, indicating at some point she swore fealty to him. Theo and Isildur go to the camp where Berek is being held; they free Berek, but a complication arises as someone or something attacks the Wild Men’s Camp.
Númenor
Elendil is paying his respects to the deceased King at his funeral; Eärien tells him that he doesn’t need to blame himself for Isildur’s death, they can blame the Queen. Míriel shows up to her father’s funeral, and is confronted by a woman who lost her son in the expedition to Middle-earth; Miriel comforts her.
Later, Pharazôn talks to Míriel about her coronation, and hints that she should choose to move Númenor forward, and not backwards in a return to the Faithful ways as her father tried. However, she seems to refuse. Pharazôn, Kemen and Eärien are in a bar talking to Lord Belzagar, a Númenorean lord from the north who dislikes Míriel and thinks Pharazôn should rule.
Valandil confronts the table, and makes a clear threat to Kemen. Eärien tells Lord Belzagar about the Palantír. During Míriel’s coronation, Eärien reveals the Palantír to the Númenorean court, inciting the crowd against Míriel. A Great Eagle of Manwë swoops in on the open perch; Pharazôn walks up to it, and Lord Belzagar starts a Pharazôn chant, leading the crowd to join in and proclaim their desire for Pharazôn to be their new ruler.
Khazad-dûm
Durin talks to his father about Celebrimbor’s new proposal; he tells King Durin that he’s uncertain about this, and how they had talked previously about the elves trying to cheat death. King Durin brushes off Durin IV’s concerns, as the needs of Khazad-dûm are too great right now.
Eregion
Celebrimbor tells Disa and Durin about the rings, and how he can make more to help them if they provide him with mithril. Durin is a bit more skeptical and explains that he is not on speaking terms with his father, King Durin, and cannot bring a new proposal to him.
Annatar interjects, and after a failed attempt at flattering Durin, tries to convince them they need the rings. Later, Annatar tells Celebrimbor that Gil-galad did not want him to make any more and doesn’t even know that Annatar is in Eregion. Celebrimbor takes offense to this and pens a letter to Gil-galad, lying about closing up shop so that they can let the work continue. Later on, King Durin arrives with mithril, which Celebrimbor and Annatar use to make new rings.
Mordor
The orcs prepare for war, and Glûg talks to Adar about his concerns regarding this new direction; why go to war when they already have a home now? Adar assures him that there will be no peace for orcs unless they make sure Sauron is no more.
The Hill Troll known as Damrod arrives at Adar’s camp, and asks “Where is Sauron?”
Overall Thoughts on Episode 3
Episode 3 has a lot of plots to juggle and that ends up affecting the pacing. Despite this being the first episode where we see Númenor this season, there’s really only four scenes, and it jumped from the end of last season so that we don’t get to see Míriel’s initial reaction to learning her father died, nor Eärien’s reaction to the loss of Isildur. Instead we are thrown right into the politics of Númenor, which some could argue have not been thoroughly set up to warrant such jumps.
Conversely though, the Pelargir plotline was really well done. We’re introduced via an ambitious five-minute scene from Berek’s point of view, as the horse journeys to find his rider, Isildur. From there we expand to the addition of a new character and then a new location in Pelargir. As this happens we learn more about where the characters are at now, and it feels a lot more natural than Númenor.
But it benefits from having the most screen time of any plot this episode.
We don’t get much of Eregion, Khazad-dûm or Mordor, and we do not see Lindon or Rhûn in this episode. It’s still a gripping episode, particularly the end scene where the Seven Rings are made, but the sheer number of plotlines being followed makes it feel a bit more disjointed compared to the first two.
Rating: Overall I give this episode a 8.0/10. There are some interesting developments (Seven Rings, Great Eagle, Shelob battle, the hint of Ents, Damrod), but it feels a bit like too much to juggle in one episode.
The first three episodes of Season 2 are more cohesive than Season 1. S1 had a two-episode premiere, but both episodes ended with Galadriel stranded in the middle of the ocean, so it felt like we were still getting started.
Season 1 also had a lot more setup to do, whereas with the first three episodes of Season 2 we jump right into the story. Theres also less mystery: Galadriel tells Gil-galad the truth about Halbrand right away, and we follow Sauron around and see his manipulations with Adar and Celebrimbor go into effect. The pacing of the episodes are more favorable too as significant events happened in each of the first three episodes of Season 2: the Great Tree of Lindon is healed, Annatar has arrived, the seven rings are being made, and so on.
About the author: Webcrawler is a full-time data analyst and a part-time Tolkien aficionado and moderator on TheOneRing.net’s Discord Server.When he’s not working or in the discord, Webcrawler is horsing around on Twitter
Last week Rings of Power returned to our tv screens, when the first three episodes were released on Thursday 29th of August. Once again it has attracted its share of responses from those who love the show and those who don’t. Perhaps the most surprising result of ROP’s return has been the reaction to one, quick, scene showing an Orc holding a baby.
While Tolkien never fully resolved the origin of the Orcs, owing to his own theological beliefs that nothing is entirely evil, he did provide ideas on their origins. Their creation story changes from Orcs being created from stone, and being soulless, to them being corrupted elves or men, containing souls. However, in every iteration he always speaks of them being “bred”.
The very first idea of the Orcs, as mentioned in The Book of Lost Tales, had them created by Melko,
“all that race were bred by Melko of the subterranean heats and slime.”
This text also speaks of members of the Noldoli (Noldor elves) being twisted by Melko and combined with the Orcs, until they believed themselves to be one kindred.
This idea was later expanded upon in Morgoth’s Ring, with the Orcs being corrupted Eldar, captured by Melkor after their first awakening. These Eldar were taken to Utumno and
“broken… and by slow arts of cruelty and wickedness were corrupted and enslaved. Thus did Melkor breed the hideous race of the Orkor in envy and mockery of the Eldar”.
Similarly, Morgoth’s Ring also discusses the creation of the larger Uruk-hai, stating that the Men who were under Morgoths rule would be made to mate with Orcs to produce the larger more cunning Uruks. It also states that this was rediscovered by Saruman who inter-bred Orcs and Men, to create Men-orcs, who were large and cunning, and Orc-men, who were treacherous and vile. Which is quite different to how their creation was depicted in the Peter Jackson films.
It is quite horrifying to us to envisage such inter-breeding, but Tolkien did, repeatedly. The showing of an Orc baby is merely acknowledging Tolkien’s own words that Orcs breed, they mate and produce young.
There have been arguments online that this is trying to make us more sympathetic towards the Orcs, as the existence of Orc babies implies that Orcs have gentle feelings. Why? Because they breed? There are humans who have children who don’t have any gentle or “maternal” feelings towards them. Yet they raise these children, not well, but they do raise them. While not all children raised by parents like this will go on to emulate their parents behaviour, sadly, many of them will, which leads to this learned parenting behaviour becoming the norm. When the brutish nature of Orcs is considered, it is quite likely that their children are raised in a similar manner. Provide food, shelter, and clothing, and not much else. Those that survive would go on to continue their brutish and vile natures, which increases with each successive generation, until we arrive at the Orcs of the Third Age in Lord of the Rings.
The fact that Orcs produce young in no way implies that the Orcs are not horrific. None of their acts of atrocity are played down. All that it shows is this is how more Orcs are created, they breed. They don’t just spring fully formed out of a sac in the ground.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Greetings from Atlanta, fellow Bagginses and Boffins, Tooks and Brandybucks, wizards and elves, Rohirrim and Beornings, Men and Women of the West, Nazgúl and Uruks, and other glorious embodiments of the diverse denizens of Middle-earth! And Proudfoots! (‘Proudfeet!’) It’s Labor Day Weekend, which means Smaug is stirring in the form of the singular Con forged by fans for fans (why, just like TheOneRing!): it’s Dragon Con time!
Now in its 37th year, and much like the world of fantasy in general, Dragon Con has always leaned heavily into its Tolkienian roots, with Middle-earth inspired programming, cosplay, partying, and a global Fellowship serving to inspire many of the 70,000 or so fans who converge on downtown Atlanta every year. And the 2024 version will be no different! Here’s a quick rundown all the Tolkien goodness that will be happening this year, indeed when there seems to be an explosion of so much we can celebrate!
Movie Guests: The Hobbits Are Coming to Dragon Con!
It’s a long-expected celebration as we welcome three excellent and admirable hobbits back to our annual party! Billy Boyd and Elijah Wood have been here before, with 2023 serving as a Frodo first for the con. It’s great to have him back, along with an inaugural visit by Dominic Monaghan. We’ll enjoy reminiscences and revelry, past shenanigans and current updates from gentlemen who still bow to no one! Find them at various times across the weekend.
Alas they’re not bringing Orli with them to Atlanta…
Media Project Updates and an Event: So Much Happening!
International South, Hyatt, 7pm Thursday 29th – watch The Lord of the Rings: The Rings of Power
Prime Video was so courteous to schedule the opening of Season Two of The Lord of the Rings: The Rings of Power on the same day that Dragon Con kicks off! They were especially gracious to allow us to host a Release Day Watch Party in a large ballroom space in one of the host hotels where we’ll get to all three of the first episodes on a big screen with 400 or so of our closest friends. There will be swag!
L401-403, Marriott, 11.30am Monday 2nd – The Rings of Power panel
TheOneRing.net will also be hosting a panel on Monday offering an opportunity for reactions and speculations from a crackerjack panel, including our good friend Willie Jenkins aka KnewBettaDoBetta.
L601-602, Marriott, 1pm Friday 30th – The War of the Rohirrim panel
Just as exciting is the upcoming December release of The Lord of the Rings: The War of the Rohirrim, the anime collaboration between the same team that brought us both the LotR and Hobbit movies, along with director Kenji Kamiyama. We’ll have a dedicated panel to discuss the recently released trailers, and special recorded interview with producer Jason DeMarco as he digs into some details with staffer greendragon. (Also look for swag…!)
Centennial One, Hyatt, 11.30am Saturday 31st – Middle-earth Updates with TORn
We’ll even do some speculating about the recently announced next movie release coming in 2026, the PJ-produced, Serkis-directed The Hunt for Gollum. That will happen as part of a general update from TheOneRing.net staffers at Dragon Con, along with some good friends, covering a vast smorgasbord of things we have to look forward to in the Tolkienverse.
Some Scholarly Conversations: Academics Can Party?
Tolkien fans are noteworthy for also loving to dive deeply into Tolkien lore, characters, themes, and discussions as part of their experience. We’ll be scratching that itch on a number of fronts:
L401-403, Marriott, 1pm Saturday 31st – Here at the end of All Things: Tolkien’s Apocalyptic Visions
Our good friend, professor, and author, Constance Wagner, was asked recently about contributing to an upcoming publication discussing apocalyptic themes in fantasy literature. The inquirer wasn’t sure there really was much in Tolkien’s legendarium that dealt with that kind of thing. After Constance calmed down, she recruited a couple of us to join her in road-testing just how apocalyptic Tolkien can be, and across all the Ages of Middle-earth starting with the Music of the Ainur. And what better place to do that than among Dragon Con friends! We may have to hand out cookies to lighten the mood a bit, though.
L401-403, Marriott, 11.30am Sunday 1st – On Fairy Stories
Tolkien’s On Fairy Stories serves as a fundamental apologetic for the importance, depth, and suitedness of these stories in their application to the human condition. Plus they’re good reads. We’re looking forward to engaging with other fans on these foundational ideas.
L401-403, Marriott, 4pm Sunday 1st – The Collected Poems of J.R.R. Tolkien
With the publication of the massive three-volume edition of The Collected Poems of J.R.R. Tolkien mere weeks away, we take an hour to focus on what we can expect from this monumental effort from scholars Christina Scull and Wayne G. Hammond. And we’ll probably do a bit of group confession of how many of us skipped the poems during our first LotR reading or two. We may even listen to Tolkien himself reciting some of his verses.
Parades, Partying, Dancing and Singing: Always Trust an Elf! Or a Hobbit!
Grand Ballroom, Courtland Grand, 8.30pm Friday 30th – An Evening at Bree
Dragon Con (unlike many of those “CC” alternatives around the country), is especially knows for its literal 24-hour partying spirit, both informal and officially sponsored. One of those latter parties, indeed one of the longest standing parties across Dragon Con’s history, is our annual Evening at Bree. Always happening on the first full-day of the Con, this Friday evening festival combines live bands (since back in those the Emerald Rose glory days! – this year we’ll have Landloch’d, Beth Patterson, and the Brobdingnagian Bards playing), dancing that’ll bring joy to the most curmudgeonly hobbit, a costume contest showcasing jaw-dropping cosplay talent, and a mini-concert from Bree’s own Elf Choir who gather to rehearse and present iconic fantasy tunes all on the same day. It’s a great way to kick off the Con in a celebratory mood.
Elf Choir performing at Evening at Bree in a previous year – photo courtesy of Geek Behind the Lens
Grand Ballroom, Courtland Grand, 5.30pm Friday 30th – Sing with the Elf Choir
That Elf Choir, in addition to their larger contingent who perform at Bree, also has a dedicated group of master singers, garbed in elven cloaks and sporting ethereal lanterns, who make their way through the Dragon Con masses on their long and melodic journey into the West. Fortunately, the Grey Havens are proving elusive, and they’ll be back again this year.
Grand East, Hilton, 7pm Sunday 1st – Hobbit Drinking Songs
One of the most riotously reeling renditions of Shire shenanigans happens with the Brobdingnagian Bards’ annual concert (and excuse to dance spontaneously): Hobbit Drinking Songs. They’ve been at it long enough that many in the audience join in, at least on the choruses. And they have CDs!
Grand East, Hilton, 10pm Sunday 1st – High Fantasy Goblin Ball
One of the last parties we’ll be joining this weekend is one where staffer deej will be taking the lead: The High Fantasy Goblin Ball! We always like to pick a theme for these dance parties, usually picking a favorite decade where deej focuses her musical stylings. We’re back to the 80s this year, and using a Goblinesque orientation in whatever forms our attendees might choose. The mashup cosplay has gotten pretty hilarious in years past. The Eye of Sauron in shutter shades, anyone?
Home for this Tolkien-inspired programming, and for many of us Tolkien-addicted people, is one of Dragon Con’s 35 or so dedicated fan groups, or “tracks”: The High Fantasy Track. Home base is right in the center of all the action, on the lobby level of the Marriott Marquis (L401-403). Should you be attending Dragon Con this year, come by and say hi to fellow fans there!
Grab some merch – celebrate 25 years of TORn!
You should also, of course, visit staffers greendragon and deej at TheOneRing.net’s fan table in the Atlanta downtown Hyatt, down on the Exhibit Hall level just across from the Art Show (our usual spot). There you can get some fabulous merch – shirts, buttons, and more! Show your political allegiance by voting Gollum/Smeagol 2024; or show your love for TORn with our 25th anniversary shirt and mug.
We’re looking forward to seeing friends old and new! Now forgive us as we go finish up that last flourish on our cosplay!
In January I was reading a skeet on Bluesky about how people feel after every re-reading of The Lord of the Rings. Do they still feel the same emotions, have the same reactions as they did when they first read it?
Some of the responses reflected that you can never feel or react the same way as you did during your first reading, as everything you were reading was new and fresh to you, which is very true. A much-shared readers lament is that you can never feel the way you did the first time you read a well-loved story.
Several responses went onto clarify that every re-read still affects them, though in different ways. Could this be due to being older? Having a greater understanding of world-issues? Being able to comprehend more nuances from Tolkien’s writing?
For myself it’s probably a combination of all of these, after all, I was only 8 years old when I first read LOTR. The complexities of the world-building have grown on me as I’ve gotten older, and I’m far more appreciative of these now than I was as a precocious 8-year-old. My main reason for reading LOTR back then was to join in with the discussions my mother and older brothers were having about LOTR. My mother tried to get me to read The Hobbit, but I just wasn’t interested: Mum and the boys were discussing LOTR, and I wanted to join in with that. I did say I was precocious 😉
This led to a life-long love of Tolkien’s work. Many of my fondest memories are related to LOTR. My brothers and I saved up to buy our mum a box set of Tolkien’s books when The Silmarillion was published, those books now live on my bookshelf, along with all my other copies. Many of my responses when re-reading LOTR reflect where I was at that time in my life. Re-reading the books my brothers and I bought our mum reminds me strongly of when I first read LOTR and how much I enjoyed discussing them with my mum and brothers. They also remind me of the wonder she introduced us to when she first shared her love of LOTR with us, and how excited we all were to buy her the box set, so she finally had her own copies.
Now, every time I re-read them; I’m constantly finding new insights. I’ve mentioned the world-building, something that all fans of Tolkien’s work love, the themes of friendship, fellowship, enduring love, and simple joys are what resound with me and lead me back to read these books over and over again.
I’ve mainly mentioned LOTR, as since that was the work that the fans over on Bluesky were discussing, but I also regularly re-read Tolkien’s other Middle-earth books. My favourite is The Silmarillion, probably because I’ve always been a bit of a history geek too, so I really love the deeper insight into Middle-earth that The Silmarillion provides. I’ve honestly lost count how many times I’ve read it, and LOTR. At one point I could quote whole sections of it from memory, but that was a few years ago, before children and other RL interests came along. Still, I can remember quite a bit of its lore. Every time I re-read The Sil I uncover deeper meaning, beauty, and sorrow and it draws me firmly into Middle-earth.
I must admit that I appreciate The Hobbit much more now I’m an adult, than I did as a child. Being a quite advanced reader from a very young age, I absolutely hated anything that I felt was “talking down” to children. As an 8-year-old, that’s how it struck me, I disliked the narrator talking directly to me and skipping things they felt I was too young to witness or understand. Now it just seems a quaint way of telling the story and doesn’t distract me from the tale. I find I can more fully enjoy Bilbo’s travels “there and back again” a lot more from an adult perspective, and I notice and enjoy the nuances far more than I did as a child. Maybe that’s just me.
I know many fans that have come to Tolkien’s works via Peter Jackson’s movies, and, more recently, via Amazon Studios’ The Rings of Power TV. One of the first questions I was asked when I finally crept out of Lurkwood and joined our Message boards was if I was a “book-firster or a movie-firster”. The question wasn’t asked to belittle me, it was asked out of genuine interest as to how I discovered Tolkien, and led to a truly enjoyable discussion about Tolkien’s work and how wonderful it was that more people were discovering his work due to the release of the films. That, while I enjoy the films, the books will always hold the number one spot in my heart, and it’s this first love that draws me back to Middle-earth over and over again.
We’re seeing this again with the TV series, with people finding out about Middle-earth for the first time and wanting to know more. We regularly have new members join our Discord chat, wanting to know about Tolkien’s books, which order they should read them in. Then they share their joy with us all as they read the stories. I have no doubt that we will see another influx after The War of the Rohirrim is released in December.
We are so lucky today to have so many more adaptations set in Middle-earth. As a child the only film I ever saw was the Bakshi Lord of the Rings. While I left the cinema with many questions for my mother, over changes and omissions, it didn’t rob me of my original love: the books. I did immediately re-read the books, and was surprised at how Bakshi’s film, while not perfect, led me to a greater appreciation of the written work.
It’s wonderful, and a privilege, watching others begin their journey into the wonder that is Middle-earth, and having new memories added to my own ongoing journey. As I, and others, have found, I am sure that those who have come to discover, and love, Middle-earth through the recent adaptations will discover the greater realm that awaits them within the written works. At least, this remains my belief and hope.
I wish them well as they embark on their own journey of discovery, of deeper understanding and wonder of the amazing world that we’ve been gifted by J.R.R. Tolkien. This wonderful Middle-earth. I envy their new discoveries, their first steps into this immense literary world, but rejoice that they are joining our Fellowship. Welcome!
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
The Rings of Power S2 is fast approaching. To keep you thinking, TORn Discord moderator Webcrawler’s back today with some more pre-release analysis and some interesting insights into a character who will only become more important as the story unfolds: Elendil the Faithful.
The Rings of Power: analysing Elendil the Faithful
by TORn Discord moderator Webcrawler
The following analysis contains mild plot spoilers from recent news articles and trailers, so avoid if you do not wish to know. I’m going to try to talk about the thematic arc of Elendil in S2, but I’ll start with a recap of Elendil’s actions in S1.
In a S1 interview with Nerd of the Rings, Lloyd Owen mentions The Story of Job from the Bible as a source for understanding Elendil. I thought it was interesting, as Tolkien describes Elendil as a “Noachian figure” in Letter 131 (The Letters of J.R.R. Tolkien). But Job also works.
Job from the Bible (a quick primer)
Job is a righteous man who was blessed with a good life, family, wealth, etc. Job’s faith is then tested and he loses everything. Job however praises God, but is given more trials. He then curses himself for being born, but still does not rebuke God (yet).
Job is an interesting comparison, because in S1, Elendil is a Faithful. In S1, Ep. 3, he justifies bringing Galadriel to Númenor, telling Miriel “The Sea put her in his path”. Elendil has already lost his wife at this point. But he still retains some level of his faith.
However, by Episode 7, after losing Isildur, Elendil comes close to rebuking his faith: he wishes he never “pulled that Elf on board” his ship. It’s similar to Job cursing himself for being born.
The fault is still not with “The Sea”, his Faith, but rather his own actions.
So in S2, I think Elendil will continue a Job-like story arc. We’ve seen from behind-the-scenes footage and promotional material that he’s jailed. We’ve read that Eärien might turn against him to seek justice for the loss of Isildur. He likely will lose his position as Captain; more trials for Elendil.
An aside: there’s a moment in S1, Ep. 6 when he talks to Isildur about horses and Númenoreans. He mentions learning it from his wife.
I wonder if she was more Faithful of the two. I imagine her death caused strife within the family; Why Anárion became more devoutly Faithful.
The Parable of the Faithful Son
We’ve established Elendil’s Job-like story arc in S1. Indications are this will continue in S2. But how does it conclude? He can’t just suffer endlessly for no reason. So where does it take him, and why?
In an interview with Black Girl Nerds, Lloyd Owen talks about Elendil’s arc in S2. Lots of good stuff, but at around 27:00 Lloyd says, “And to take that gift with me on my horse and ride with it, super special.”
What is this gift, where does he go?
Many have guessed that the gift is Narsil, and he rides west to Andúnië, but I want to ask why and how. Here I bring up another Biblical comparison, which I believe leads to Anárion’s appearance, either at the end of S2 or in S3. And that is the Parable of the Prodigal Son.
This Parable features three characters: A father and two sons. The younger son asks the father for his inheritance, leaves the family, and goes off gallivanting. He spends all the money, becomes destitute, and returns home. And yet, the father welcomes him back with open arms.
The older brother, who stayed dutiful to the father, complains, and then the father says in Luke 15:32, roughly, “But we had to celebrate and be glad, because this brother of yours was dead and is alive again; he was lost and is found.”
The parable is about redemption.
Thje Rings of Power flips this around. You have a son (Anárion) who is Faithful, who leaves his Father and siblings, who choose to be less Faithful in order to fit into Númenorean society. In S1, Ep. 3 Elendil says: “The past is dead. We either move forward or die with it”.
He wants to leave the old ways.
In the Parable the son returns to the father, seeking forgiveness and redemption. However, here it is reversed; I think it’s the father (Elendil) who will return to the son (Anárion), seeking forgiveness and redemption.
This is why I think Elendil rides off at the end of S2.
There’s a setup for this too. In the same dinner scene, Elendil says, “There is nothing for us on our western shores”. Ironically by the end of S2, there might be nothing for Elendil in Armenelos: one son is presumed dead; Eärien hates him; he’s likely no longer Captain.
It’s unclear how things with Míriel are, but likely, she will play the role of appeasing Pharazôn and the King’s Men. In the same interview with Black Girl Nerds, Lloyd mentions that “his leadership qualities are being taught to him” by Miriel. There are also hints of unspoken love.
This scene could be a goodbye scene between them, where Míriel gives Elendil his sword. If so, it’s a variation on Elrond giving Andúril to Aragorn in The Return of the King. Elendil must set aside the Sea Captain, and become who he was born to be.
There are hints in S1 about what Elendil’s lineage might be. I’ve previously discussed how the show is doing Elendil’s lineage from the Lords of Andúnië . I think there’s reason to explore that further in S2, leading to him receiving Narsil.
So I think that all of this, Elendil’s suffering, his struggle with Faith in Armenelos, will lead him to going West. Narsil is a Quenya name that symbolically refers to the Sun and the Moon. Anárion means Son of the Sun.
To renew his Faith, Elendil must turn to the Sun.
The Lord of the Rings: The Rings of Power (Season Two: Amazon Original Series Soundtrack)
About the author: Webcrawler is a full-time data analyst and a part-time Tolkien aficionado and moderator on TheOneRing.net’s Discord Server.When he’s not working or in the discord, Webcrawler is horsing around on Twitter.
