Robert Aramayo as Elrond, The Rings of Power, Amazon Prime
Examining the minutiae of Tolkien adaptations has long been a tradition at TheOneRing.net. Staff, message boarders and chatters on our site have regularly picked over scenes and images from the films and this tradition continues with The Rings of Power. Today, however, the discussions take place in multiple arenas all over the internet. Recently, on Twitter, MGCoco* shared an interesting theory about Elrond’s cloak.
Twitter post by MGCoco*. Used with permission.
Other Tolkien fans loved this theory, with some noting how the cloak is “way more worn than the rest of the clothes” he wears and speculating that we may learn more at a future date.
Others took this theory even further, speculating that Elros may have been buried in his cloak and how Elrond still wears his as a “silent vigil over his brother’s legacy”. They go on to raise an interesting point that the lore never touches on Elrond’s feelings over his twin having chosen mortality and there being no chance of them ever being reunited, not even in the Halls of Mandos.
Tweet reply to MGCoco*. Used with permission.
MGCoco* also noted how Elrond then goes on to watch over the remaining heirs of Elros in Middle-earth, helping to hide the line of Isildur. Other fans stated that:
“It paints a beautiful, if somewhat bittersweet, mental image. Really gives one a sense of the sheer depth of his character too.”
Claiomh Dubh via Twitter
Delving into a closer look of a characters costume, can lead to far more than just an appreciation of a piece of clothing.
Join us on our Discord channel to discuss this and other topics with fellow Tolkien fans.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
What is ‘The Song of the Roots of Hithaeglir’ and where does it fit into Tolkien works? Is Amazon’s The Rings Of Power making up new lore?
In this article, TORn Discord Moderator DrNosy examines the introduction of a new Elven Folklore – ‘The Song of the Roots of Hithaeglir’ – in Season One’s fifth episode as a plot device in The Rings Of Power.
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What is “The Song of the Roots of Hithaeglir”?
In the words of Elrond himself, ‘The Song of the Roots of Hithaeglir’ is “an obscure legend regarded by most to be apocryphal” [Ed note: emphasis added]. Elrond is underscoring the point that this legend is folklore.
The fantasy works of Tolkien are based in European folklore. Folklore is described as the beliefs, customs, and stories of a community, that might be passed within that community through the generations. Folklore often contains details specific to the beliefs of the community.
Now, this is what makes folklore interesting — their origins are often based in truth. Not literal truths but something akin to parables and fables that hint at a truth. After all, you may have heard it said, “the truth is [more frightening] than fiction”.
For example, in Western folklore, we are familiar with the concept of ‘werewolves’. This lore is entirely fictitious. Yet the lore itself arises from a truth, and has a purpose. That purpose was our ancestors’ way of warning us about metaphorical wolves in our midst, i.e., ‘serial killers’.
Werewolf legends derive from early Nordic folklore. Specifically, The Saga of the Volsungs tells of a tale of a father and son who discover wolf pelts with the power to turn people into wolves. Donning these pelts, the father and son duo embark on a rampage killing many. There is also have a fifteenth-century account of a vicious serial killer in Bedburg, Germany, whose actions were enshrined into local folklore as a man that turned into wolf-like creature at night before his killing spree.
Folklore and fables are essential to human survival. They function as a warning to the listener about the realities of the world without exposure to the brutality of its truths. They are a way to keep us safe.
Nobody goes off-trail and nobody walks alone
Returning to our `apocryphal` origin of mithril, ‘The Song of the Roots of Hithaeglir’ is not based in any Tolkien texts. Within The Rings of Power story, however, it functions as an Elven folklore founded on the nature of mithril and the truth of what else might lie beneath the Misty Mountains.
Note the words of Celeborn, one of the wisest of Tolkien’s Elves, who offers a pertinent reminder to not cheaply discount (their) lore.
‘Then I need say no more,’ said Celeborn. ‘But do not despise the lore that has come down from distant years; for oft it may chance that old wives keep in memory word of things that once were needful for the wise to know.’
Farewell to Lórien, The Fellowship of the Ring
Making mythril
`True creation requires sacrifice`
An Elven warrior (`with a heart as pure as Manwë`) and a Balrog (`all his hatred`) poured themselves into a tree bearing the light of Silmarils. One seeking to protect it, the other seeking to destroy it. Lighting (likely from Manwë) struck the tree which resulted in the creation of the tree’s roots… veins of mithril into the mountain.
This sacrifice made by both warrior and Balrog resulted in the subcreation of mithril — a thing of unimpeachable goodness yet also of unsurpassed peril.
`The Song of the Roots of Hithaeglir` is a cautionary fable for all the peoples of Middle-earth. While mithril will bring glory to Dwarves, salvation to the Elves, and riches to Men, it will also bring inevitable Doom upon those who seek it.
In this fashion, Gil-galad’s hope in mithril (as of Episode 5) also mirrors an aspect that Tolkien described in a letter to Milton Waldman:
[But] the problem: this frightful evil can and does arise from an apparently good root, the desire to benefit the world and others.
Letter #131, The Letters of J.R.R. Tolkien
Thus, even though mithril comes from a good root a frightful evil will arise from it.
About the author:
DrNosy is a scientist (physical science), scholar, and Tolkien enthusiast. Her primary interests lie in review and analysis of The Lord of the Rings: The Rings of Power. She is an active contributor and Moderator on TheOneRing.net Discord where she also hosts live open-forum panel discussions on The Rings of Power, The Silmarillion, and a variety of Tolkien-related topics. You can reach her on Twitter.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Those of you fortunate enough to get your “sticky paws” on the October issue of Smithsonian are in for a HUGE treat. John Garth, acclaimed author of The Worlds of J.R.R. Tolkien: The Places that Inspired Middle-earth, Tolkien and the Great War, and others, has penned (pixelled?) a phenomenal read for the complete Tolkien newbie as well as the Tolkien-lifers of the world.
Garth’s exposition provides the reader an important contextualization to better understand and appreciate Tolkien’s writing, and more specifically, the stories behind Prime Video’s Rings of Power. Part abbreviated biography, part history of Tolkien’s writing and publication journeys, and part Númenorian exposé, this essay covers a vast amount of ground with precision, passion, and poignant prose.
The author fused his inspirations into an alloy that he could shape freely. He also generated multiple stories from a single inspiration. What he called his “feigned history” lives on its own terms.
John Garth, Smithsonian
Coupled with Garth’s authorship are Kieran Dodd’s inspiringly rich photos. Dodd’s talents underscore and punctuate Garth’s narrative with stunning images of architecture and locations frequented by Tolkien. And yes! For those of us not fortunate to get our handses on this publication, the article is also available right here. Enjoy your read!
Radcliffe Camera in Oxford, inspirational to Tolkien’s concept of a Morgothian temple. Courtesy of Smithsonian. Photo by Kieran Dodds.
“You have 90 seconds or sometimes less to transport people psychologically into a place where they’re ready.”
“Rings, numbers and trees are all important symbols” Photo and quote courtesy of Variety.com
Variety’s Karen Peterson takes us on her deep dive with creatives Mark Bashore and Katrina Crawford, creators of Prime Video’s The Lord of the Rings: The Rings of Power main title sequence.
Bashore explains, “We came with the idea of a main title built from the world of sound, not built from the world of film.”
Read or listen here. Thanks to Discord Ringer RichardVII for the link! If you’d like to join the chat, we’re open 24/7 over at our Discord server. You can also find a prior article on this topic here with a link to Plains of Yonder, where no doubt you’ll find Mark and Katrina cooking up more great stuff.
A week has gone by since we gathered with fellow fans in the belly of the beast for Dragon Con 2022 – a return to pre-Covid type revelry; though with slightly reduced numbers this year.
This year’s convention was a great success – and it has to be said, the reduced numbers make a BIG difference. The event still felt crowded, but it was possible to move around without getting stuck in a crowd and coming to a complete standstill.
For Tolkien fans, there was plenty to love. On Thursday 1st September, staffers deej, Madeye Gamgee and greendragon started us off with a look at what we might expect to see in Prime Video’s The Lord of the Rings: The Rings of Power. Folks then dispersed to various room parties to watch the first two episodes, as they released that evening.
Staffers deej, greendragon and Madeye Gamgee at Thursday’s panel
Very Special Guests
Friday 2nd brought what was for many the most exciting panel of the weekend – a chat with dialect coach Leith McPherson and artist John Howe. Hosted by greendragon, this conversation could have gone on for much longer than an hour. McPherson and Howe are both passionate, insightful and charming – and had much to say! Their love for Tolkien, and their desire to respect his creation whilst bringing something new to the screen in The Rings of Power, was evident. Listening to them speak, noone could doubt the earnest desire of the showrunners to honour and cherish Middle-earth, and all that it means to people, in this new manifestation. (Whether they have succeeded or not remains a matter of opinion and personal taste; but the sincere wish not to break something beautiful, as McPherson put it, cannot be doubted.)
After the panel, DragonCon TV caught up with the two guests:
Friday – An Evening at Bree
That evening, TORn joined the High Fantasy Track to host a long-standing Dragon Con tradition – An Evening at Bree. This year we had three musical acts: The Brobdingnagian Bards, Beth Patterson, and Landloch’d. All had partygoers up on their feet, dancing and swirling. The Elf Choir sang as beautifully as ever, providing a moment of ethereal calm in the revelry.
The highlight of Bree is always the costume contest, and this year was no exception! McPherson and Howe joined us to judge the entries – and were joined by experienced cosplayer Joshua Duart, in full Thranduil regalia! They had their work cut out for them – with 30 entries of a very high standard, it was not easy to choose winners!
The judges for An Evening at Bree’s Costume Contest
In the end, decisions were made, and prizes awarded. (Big thanks to our friends at Oscha, Mythologie Candles, NZ Post, Cave Geek Art, and Into the Fire Jewelry for giving us some incredible goodies to give to the winners!) Feast your eyes on some of the winning entries:
Group costume winner: The Fellowship!
Movie/tv inspired costume winner: Galadriel from The Rings of Power
Book inspired winner: Disa, complete with light up shield
Band’s choice winner: The Sexy Eye of Sauron!
Best in Show winner: Eowyn/Dernhelm
Special guests John Howe and Leith McPherson join all the costume entries at An Evening at Bree
Around the rest of the Con
On Saturday morning, some hardy souls were up early, to march with the Arms of Middle-earth in the Dragon Con parade! Further Tolkien panels in the High Fantasy Track included a discussion of ‘Underworlds of Middle-earth’ and ‘Gandalf vs Sauron – Angels at War’. We also explored the upcoming anime film The Lord of the Rings: The War of the Rohirrim – and during that panel, we shared a special video message for fans at the con, from Philippa Boyens and Richard Taylor!
Hobbit Drinking Songs with the Brobdingnagian Bards drew the usual crowd on Sunday night; but we were back at it bright and early Monday morning, for a TORn panel discussing what we had seen in Episodes 1 and 2 of The Rings of Power – and speculating what might be to come…
There was just time for folks to stop by our table and buy a button or shirt before the con drew to a close on Monday afternoon. The Dragon has returned to its lair for another year! But Tolkien fandom is alive and well, and Middle-earth was well represented at Dragon Con 2022.
See you next year!
We must thank Amazon Prime Video for arranging for Leith McPherson and John Howe to join us this year. We hope for more exciting guests next year! Thanks of course to the High Fantasy Track, and Dragon Con in general, for continuing to invite TORn to participate. We look forward to seeing our fellow fans again next year!
Staffer WeeTanya drew to our attention this article from the folks who created the title sequence for The Lord of the Rings: The Rings of Power.
If you’d been wondering what those dancing grains, and the patterns they make, are all about, then wonder no more! Or maybe, wonder a little more; it seems there are secrets hiding in the images… ‘Plains of Yonder’ are the team behind the sequence, and they took for their inspiration nothing less than the music of the Ainur itself. The patterns and images seen on screen reflect the phenomenon of cymatics, when ‘Vibrations of fine particles on a flat surface display striking symmetrical patterns that reflect audio frequencies.’
Plains of Yonder’s team write:
The sequence conjures an ancient and invisible power, struggling to be seen. Symbols form, flow, push, and disappear as quickly as they came. The unknowable realms of sound create fleeting visions of conflict and harmony that move in lockstep with Howard Shores’ opening title score.
Over a dozen hidden symbols reflect themes and storylines in the show. Some are hidden in plain sight and others are far more subtle. Successive episodes reveal more meaning to the symbology.
What symbols have been spotted thus far? Two trees have appeared; and in the opening to Episode Three, there appeared to be something dark and perhaps sinister winding its way through the rest of the golden particles. Could this represent Melkor interweaving ‘matters of his own’? The beginning of all evil in Arda…?
