It will come as a surprise to no one that as the Amazon Rings of Power program approaches, publishers and manufacturers of Tolkien-related products have been busy, preparing for a new wave of Lord of the Rings ‘buzz’ or awareness that must be the inevitable result of the Amazon release—regardless of its critical reception among Tolkien fans.
In the specific area of tabletop gaming, we have seen two large announcements in the last few weeks.
Ares Games
Ares Games has been producing tabletop games for some years now, including popular games like Battlestar Galactica or the Wings of Glory dogfighting miniatures game. Tolkien fans surely know them best for War of the Ring (2004; Second Edition, 2011), a massive board game for two players that pits the Free Peoples against the Shadow Armies.
While many find the game intimidatingly large and complex, it has gathered a large and enthusiastic following among board gamers. At the major gaming convention Gen Con (August 4–7), Ares demonstrated a new game to be released in November, [War of the Ring: The Card Game].
War of the Ring: The Card Game from Ares Games.
Unlike the Fantasy Flight Lord of the Rings: Journeys in Middle-earth or Lord of the Rings: The Card Game (recently revised and republished), which are fully co-operative or solo games, in the War of the Ring card game:
Up to 4 players compete in two teams, the Shadow against the Free Peoples, each player using a specific and different card deck representing the strengths and weaknesses of the different factions involved in the war.
The Free Peoples desperately try to complete their quest to destroy the One Ring, while at the same time defending their homelands from the encroaching hordes of Sauron and from his evil allies.
The Shadow players must strike quickly and decisively, before the Ring-bearers can complete their quest; or try to slowly corrupt Frodo, burdening him with wounds, toil, and the sorrow for the loss of his Companions.
The game should play in one or two hours (compared to the four hours or more required for the War of the Ring board game). The box contains about 165 cards (with 100 original illustrations by artists including John Howe) and 45 tokens, and should sell for $45. By comparison, the Fantasy Flight Lord of the Rings card game Core set contains about 300 cards and 150 tokens (plus four Threat Dials), but retails for about $70.
Ares Games does have the rulebook available now for downloading for those who are interested in more details.
Games Workshop
On August 7, Games Workshop, Ltd., had a big announcement event for new products in their Middle-earth line of tabletop miniatures games.
The biggest news from this was the forthcoming release of The Battle for Osgiliath, a new starter set for their Middle-earth Strategy Battle Game that will replace the Battle of Pelennor Fields starter set released in 2018 (see my August 2018 article); people interested in the older product should buy it soon.
This new starter set will include a slightly revised rulebook (224 pages); 12 Warriors of Minas Tirith and 12 Rangers of Gondor, plus new sculpts for their leaders: Faramir, Madril, and Damrod; 24 Mordor orcs and a Mordor Troll, led by Gothmog, in two new sculpts—mounted and unmounted; four modular terrain pieces for the ruins of Osgiliath; a Scenario book, dice, range ruler, and some game tokens. Note that this adds up to 54 unpainted miniatures, compared to the 84 miniatures in the older product, reflecting the economics of our time.
On the other hand, this may be a slightly more “accessible” game for new players, lacking the more complex game play associated with the Witch-king in the earlier set.
No price has been announced: Games Workshop will have an unusual two-week pre-order window between September 10 and 26, 2022.
Also announced were four new “battlehost boxes”. These seem to be intended as a convenient way for the new players who have purchased the starter box to expand their armies, which has been a problem for GW customers in the past. The boxes—Mordor, Isengard, Minas Tirith, and Rohan—contain 32–48 (for Isengard) miniatures including leaders like Gandalf and Saruman. None of these are new sculpts, and so will be of less interest to longtime player/collectors.
Finally, there will be individual “mighty elven heroes” products: Glorfindel (mounted and unmounted), Rumil, Orophin, and Galadhrim guards. And there will be an Elrond product: on horse, on foot, and (tying into the Second Age at last), Elrond as the Herald of Gil-galad, bearing his banner.
Is The Rings of Power drawing inspiration from Tolkien’s incomplete Fourth Age work, The New Shadow?
Upfront: I’m a big believer in Betteridge’s law of headlines. This maxim states that: any headline that ends in a question mark can be answered by the word “no”. There’s every chance that “no” is the right answer to this lede.
Yet, the idea that Rings of Power — in its use of cults — could be cribbing ideas from Tolkien’s fragmentary Fourth Age story remains an alluring one that my mind keeps circling back to.
In part, it’s because of the creepy and unsettling power of that exchange between the as-yet-unidentified wild-eyed fellow and Theo in the trailer: “Have you heard of him, boy? Have you heard of Sauron?”
“Have you heard of him, boy? Have you heard of Sauron?” SDCC Season 1 trailer.
What is The New Shadow?
The New Shadow is found in the final volume of The History of Middle-earth amongst a number of essays that Chris Tolkien classified as “Late Writings”. It’s actually quite slim, totalling only 13 pages in my edition — including CJRT’s page-and-a-half introduction and footnotes.
Much of it is a slow-moving philosophical meditation as the two characters — the aging but steadfast Borlas, and the youthful, but seemingly embittered and restless, Saelon — trade barbs about the “roots of Evil”.
Then, in the final few pages this key exchange occurs:
‘You have heard then the name?’ With hardly more than breath he formed it. ‘Of Herumor?’
Borlas looked at him with amazement and fear. His mouth made tremulous motions of speech, but no sound came from it.
‘I see that you have,’ said Saelon. ‘And you seem astonished to learn that I have heard it also. But you are not more astonished than I was to see that this name has reached you. For, as I say, I have keen eyes and ears, but yours are now dim even for daily use, and the matter has been kept as secret as cunning could contrive.’
The New Shadow, The Peoples of Middle-earth
Perhaps it’s mere coincidence. Yet the similarity to the dialogue from the teaser with what Tolkien wrote is startling. There’s also a strong parallel in the visual reaction of Theo and the written one of Borlas: surprise, trepidation, fear.
Who is recruiting whom?
Is Saelon recruiting to a dark cause? Is the wild-eyed crazy fellow in the trailer doing likewise?
While we shall eventually find out the answer to the latter, we’ll never know the answer to the first question for certain.
Saelon certainly seems fishy — and his later invitation to Borlas to attend a shady, night-time rendezvous to learn more about the mysterious Herumor contains the scent of deceit.
But Tolkien never continued the story.
Within his reasons for abandoning the tale are some illuminating nuggets — nuggets that are, I think, relevant to the reasons for Númenor’s ultimate fall, and what Rings of Power may be trying to achieve with its own Sauron cult(s).
Since we are dealing with Men it is inevitable that we should be concerned with the most regrettable feature of their nature: their quick satiety with good. So that the people of Gondor in times of peace, justice and prosperity, would become discontented and restless…
[and]
I found that even so early [after the death of Aragorn] there was an outcrop of revolutionary plots, about a centre of secret Satanistic religion; while Gondorian boys were playing at being Orcs and going round doing damage.
Letter #256, Letters of J.R.R. Tolkien
Discontented and restless: when enough is still not enough
This is the very essence of the Akallabêth tale.
The Dúnedain of Númenor want for nothing, and live long lives in peace and prosperity, yet it’s not enough. They grow increasingly unsatisfied with all that they already have. Then, by gradual steps, they “fall”: transforming from helpers in Middle-earth to colonial conquerors and ultimately embarking on a doomed rebellion against the powers of Valinor in a vain quest for immortality.
Sauron’s presence merely hastens a process that was already occurring. Remember that the White Tree in Armenelos — a metaphor for the spiritual well-being of Númenor — was already in decline during the reign of Ar-Pharazôn’s grandfather.
Restless folk “playing at orcs”
One wonders if that’s exactly what we’re looking at with the trio of dissatisfied-looking folk in white robes in the trailer: “discontented and restless” folk “playing at being Orcs”. Or as Tolkien further outlines in Letter #338: “owing to the (it seems) inevitable boredom of Men with the good: there would be secret societies practising dark cults, and ‘orc-cults’ among adolescents.”
The cultists are watching. SDCC Season 1 trailer.
If it looks like a cult…
Can we even be sure these people are part of a cult?
First there’s the implication from the dialogue that, more or less, accompanies those frames: “Evil does not sleep. It waits.”
Consider how that parallels the thrust of the very opening of The New Shadow:
‘Deep indeed run the roots of Evil,’ said Borlas, ‘and the black sap is strong in them. That tree will never be slain. Let men hew it as often as they may, it will thrust up shoots again as soon as they turn aside. Not even at the Feast of Felling should the axe be hung up on the wall!’
The New Shadow, The Peoples of Middle-earth
At a surface level, visual tropes further reinforce that assessment.
Hooded robes. Because every cult needs robes.
The staff and mirror. Every cult also needs its own hermetic symbology and gear.
Scene composition. This suggests both insularity (and groupthink), and an unobserved surveillance of events (ie: panopticon-style powers).
None of these is individually conclusive; together, they are highly suggestive.
Yet there are aspects that depart from the stereotypical visuals that we might expect from a Sauron cult.
Visual oddities: white robes
In particular, Sauron’s minions never use white. In the Lord of the Rings, the Eye is always said to be red. The hand is referred to as the black hand.
‘S is for Sauron,’ said Gimli. ‘That is easy to read.’
‘Sauron does not use the Elf-runes.’
‘Neither does he use his right name, nor permit it to be spelt or spoken,’ said Aragorn. ‘And he does not use white. The Orcs in the service of Barad-dûr use the sign of the Red Eye.’
The Departure of Boromir, the Lord of the Rings
And:
He [Mouth of Sauron] it was that now rode out, and with him came only a small company of black-harnessed soldiery, and a single banner, black but bearing on it in red the Evil Eye [my emphasis].
The Black Gate Opens, The Lord of the Rings
And, in The New Shadow, Saelon suggests that Borlas should wear black robes when he extends an invitation to join one of Herumor’s secret meetings.
One might argue that these are all post-Akallabêth developments — after Sauron loses any ability to assume a fair-hue. In fact, Unfinished Tales describes how in Lindon “Gil-galad shut out Sauron’s emissaries and even Sauron himself”, indicating that Sauron used others to further his long deception of being an emissary of the Valar sent to aid the elves.
Those others would have to appear just as innocent as their master regardless of who they were approaching.
Still, white-robed cultists are a visual contradiction to our textual knowledge. Depending on your attitude to the production, that’s either puzzling or concerning.
Visual oddities: the sigil on the staff
The second conundrum is the design of the staff of the apparent leader of our trio of cultists. This design seems to employ the symbolism of an eye.
Peter Jackson’s iconic Eye of Sauron atop the highest spire of Barad-dûr.
Parallels with Peter Jackson’s “The Eye of Sauron” atop the two spires of Barad-dûr are obvious.
The Rings of Power series designated “Sauron rune” in a long-disused anvil. SDCC Season 1 trailer.
One could refer back to Aragorn’s statement that “neither does he use his right name, nor permit it to be spelt or spoken”. But that’s trying to have it both ways: the rune barred to his minions, but white being okay.
Right now, I can’t readily reconcile this.
Cults and “magics” in Middle-earth
Still, between our wild-eyed fellow and Theo and the various appearances of white-robed and hooded individuals, the SDCC trailer feels determined to suggest a dangerous cult with nefarious purposes and uncanny powers.
A glance through the Legendarium reveals fertile ground for cults in Middle-earth.
The very beginning of Akallabêth states:
Men came into the world in the time of the Shadow of Morgoth, and they fell swiftly under his dominion; for he sent his emissaries among them, and they listened to his evil and cunning words, and they worshipped the Darkness and yet feared it.
Akallabêth, the Silmarillion
In The Lord of the Rings, Aragorn tells how the folk of Erech refused the summons of Isildur because they had “worshipped Sauron in the Dark Years”.
And, in outlining the origins of the Mouth of Sauron, The Lord of the Rings tells us of Black Númenoreans who “established their dwellings in Middle-earth during the years of Sauron’s domination, and they worshipped him, being enamoured of evil knowledge.”
A Rings of Power cult need not even be inspired by Sauron. In a 1958 letter Tolkien wrote of the Blue Wizards, guessing that they “were founders or beginners of secret cults and ‘magic’ traditions [my emphasis] that outlasted the fall of Sauron.” Something similar could explain the white robes — although such an explanation raises equivalent problems with the “cult leader’s” staff.
Plus, some of those followers are practitioners of dark art.
Mouth of Sauron is said to have learned “great sorcery” as he gained favour. Gandalf describes the Witch King of Angmar as a “great king and sorcerer… of old”, while The Peoples of Middle-Earth briefly describes not only that Sauron enslaved the spirits of some elves to his will, but that he taught the same necromancies to his followers.
Sauron’s black hand burns like fire. What of his minions? SDCC Season 1 trailer.
Now, this might not seem much like necromancy, but also recall that Sauron’s nature is one of fire and that, until he was seduced by Morgoth, he was a student and follower of Aule.
A final parallel with The New shadow
Returning to The New Shadow, there’s one final — if slight — parallel with Rings of Power. In one of the recent interviews at San Diego Comic-con, Tyroe Muhafidin observes about his character:
“We find Theo — he’s not the most happy-going guy; he’s not living in the greatest circumstances. He’s living in what you could call the slums. So he’s a bit angsty towards the world.
He finds something in the bottom of a barn, and there’s lot of secrets to it – and he’s dying to find out [them].”
Now, that’s not a life of prosperity. Theo is not driven by “boredom of Men with the good”.
But it does sound as though there’s a chip on Theo’s shoulder — and that’s something that is characteristic of Tolkien’s Saelon — embittered as he remains over being accused by Borlas of “Orcs’ work” after stealing fruit as a young child.
That may prove fertile ground for the creepy old guy in the trailer. Theo might not have previously been attracted, as Tolkien describes it in The New Shadow, to “tales of the Orcs and their doings”.
“I had not been interested till then. You turned my mind to them.”
BOOTNOTE
There is one other comparison with these cultists that I simply cannot overlook. But it’s not a Tolkien-based one — it’s one with Mervyn Peake, the famed author of the gothic masterwork, Gormenghast.
One of Mervyn Peake’s Steerpike sketches alongside a certain brodding Rings of Power cultist.
Peake was also an impressively talented sketch artist, and a friend pointed out that one of Peake’s sketches of his arch-villain Steerpike bears an uncanny resemblance to a certain cultist. Now, having seen it, I can’t get it out of my head.
Acknowledgements: Many thanks to all the Discord Reading Room mods for their feedback on this piece and especially DrNosy for the structural critique. GIF courtesy of the ever-talented WheatBix.
About the author:Staffer Demosthenes has been involved with TheOneRing.net since 2001, serving first as an Associate News Editor, then as Chief News Editor during the making of the Hobbit films. Now he focuses on features and analysis. The opinions in this article are his own and do not necessarily represent those of TheOneRing.net and other staff.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
September 2nd draws ever closer; and Prime Video is getting ready with special event screenings of The Lord of the Rings: The Rings of Power in various cities. The Big Apple gets its turn on Tues 23rd August – and TORn has tickets to give away!
The event will be in the evening on Tuesday 23rd, in Manhattan. If you’d like to claim a ticket for you (and up to one friend), then you need to head on over, without delay, to this Eventbrite link. When they’re gone, they’re gone!
Some details of the event, from our friends at Prime Video:
The Lord of the Rings: The Rings of Power – Special Screening, In collaboration with Film at Lincoln Center
Tues Aug 23, 2022
6pm Cocktail Reception
7:30 Screening
Alice Tully Hall
1941 Broadway at W 65th St, New York
Panel discussion with cast and showrunners immediately following screening
Proof of Vaccination required for Entry
Masks required inside theater
Dress code: Business Attire
Additional details to be shared upon confirmation of attendance.
To be in with a chance to claim one of these tickets, simply sign up at this link. You’ll need to give first and last name (as shown on ID you’ll bring to gain access to the party), and an email address. You’ll also have the option to fill in details for ONE other person; be sure to use their name. Do not sign up for two tickets in the same name!
Please note – there is no wait list for this event. ONLY people confirmed via Eventbrite will be admitted (with the appropriate ID and Covid information – see the Eventbrite for details on that). So please don’t be the half of the Shire who show up anyway; sadly, you won’t be let in. Hope to see you in Manhattan!
Ringers are good people indeed. I have learned via many interactions that Tolkien fans have a rather keen emotional wisdom. Let’s be honest, you don’t get through 1200 pages of LOTR and upon finishing “The Grey Havens” not feel deeply, terribly moved. Your heart hurts but you don’t know why at first. The mastery of Tolkien is right there: how he moves your very spirit is ephemeral, yet undeniable. Within this fandom people intrinsically understand that they are in good company. When strangers meet, Tolkien is an immediate touchstone of commonality. We love sharing that love, especially at Comic-Con.
In my career as a wedding officiant I have joined many couples together whose first date was solidified over Tolkien. It’s kind of delicious when I add his poetry to their sacred vows. How unique is it, then, that a tweedy, conservative Oxford don inventing his own languages could have such an aspirational effect on Humanity? I’d like to examine this ephemeral quality, for it is worth seeing with fresh eyes, and it always leans into kindness. Saying that J.R.R. Tolkien has made us better humans is to understate it. This is his grace, given to us, his readers.
We are a thoughtful, global group of people from various cultures and backgrounds who easily identify with this altruism and pay it forward by sharing love of Tolkien’s works.
It’s why we built this site.
If you draw a straight line from the 1937 publication of Bilbo’s story to where we stand now in 2022 on the cusp of a massive new TV series The Rings of Power you will find us — the fans. We are everyday people who sank deep into the books, enraptured by J.R.R. Tolkien’s words, re-reading everything ad nauseam. For generations we shared his words with our little ones at story time (a profound engine of furthering literacy, lest we minimize it).
Not content to stay within boundaries of academia or late 50’s coterie intellectual circles, Tolkien fandom erupted as a popular juggernaut during a 60’s counterculture movement and a college campus craze. Young people came to Tolkien in droves. A “Fantasy” section appeared in retail bookstores. A couple of generations further on and the Internet would give rise to new ways of sharing our enthusiasm. Moving from small-press newsletters printed in a garage to massive online message boards was key to the burgeoning fandom. We were keeping the fires lit: TheOneRing.net was born.
It is no small thing to have a community – this is truly a family to us. Being in the arms of this fandom is very real. Unwavering hours of work by an all-volunteer staff have made this happen. We don’t make money off any algorithm that leads viewers to an ecosystem of negativity. Our Discord is a guaranteed good time; and that’s the way we like it. Why approach it this way, cultivating community above all else? Easy! It’s all for the inexhaustible fun we have sharing Tolkien – and no kinder group of souls could one hope to meet.
That one time we drove across-country from Los Angeles to Atlanta? It was fueled by donated coffee and a 24/7 livestream we called “The Road to Dragon*Con”. We were embraced by many strangers who would meet to break bread with us, ready to laugh and discuss the Professor’s legendarium. Fans guided us to new places we had never seen; and town-by-town we mapped a constellation of generosity across the land.
Now, I admit to being the Lisa Simpson of my family; raised Methodist but later embracing a mild form of Buddhism. Conversant in theology, I soaked myself in the deep-rooted Catholicism that Tolkien lived by. I read the Humphrey Carpenter Biography and explored his published Letters. There was no theological take I wanted to miss in his writings. So during this jolly Road Trip we chatted with a minister somewhere in the forests of Georgia and detoured for a Second Breakfast. Tolkien was the mortar between the bricks of that egalitarian conversation, believe me. We talked about the triangulation of Frodo, Sam and Sméagol; and how Tolkien crafted this narrative as a demonstrable extrapolation of The Lord’s Prayer. The quiet Southern Baptist and the talkative gay man who had just met one another were suddenly busy discussing aspects of forgiveness. It was amazing. Two people who were miles apart on political sensibilities, reductively speaking, yet there we were; breaking bread together in true Fellowship. What did we achieve? A small moment of enlightenment. What did we not do? Tweet clown emojis at each other.
This experience galvanized my views. I knew Tolkien’s spirit can and truly does bring people together; and we nurture that environment here, ongoingly.
I also loved spending time with Anex Wilson (@AnexWilson) and the irrepressible Don Marshall (@DonMarshall) among many others like cosplay light-bringer Lauren (@LDoesCosplay) and Elven letter-smith extraordinaire WizardWayKris.
You should have been in that room. The conversation was unfiltered, passionate, and quite clarifying. We needed those clarifying statements and it was great to hit on a lot of BIG THEMES and LORE DETAILS, too.
The audience was with us every step of the way: no newbie was left behind. Somehow I feel the wisdom of those next to me elevated the conversation and offered a refreshing tonic. Here is the entire Panel Presentation (panel starting at 19:11):
Full 2022 Comic-Con Panel Presentation: What is the 2nd Age of LOTR?
You hear it in Anna Maria’s voice when she says of the Professor (at 1:10:33) “Let’s look at thematically ‘What is the macro of what Tolkien stood for?’ He stood for Love. … Let’s look at his actual texts, his works were about Fellowship: his works were about what happens when there is discord between differing peoples. This man is laid to rest next to his wife with the names BEREN and LÚTHIEN inscribed upon the tombstone – I’ve been there, I’ve seen it – this man stood for Love. And if you read any of his works with the openness and kindness that we know he valued; that’s what you take away from it. And I think that would be really lovely for us all to keep in mind going forward.”
Willie Jenkins “KnewBettaDoBetta” had a genius way of putting a button on that. He will suffer no fools. And when Matt “Nerd of the Rings” offered his closing thought on how disparate people so easily set aside their differences for Tolkien – I knew the ongoing threads of altruism would weave us closer together.
I met many cast members of the upcoming show. It was not just an opportunity to ask them questions as a reporter or a documentarian. I sat before an array of hardworking, genuine people who have their own enthusiasm for Tolkien. They were ebullient. They want fans to enjoy this creative experience on its own terms. I was perhaps a bit clumsy in relating to Markella Kavenagh and Maxim Baldry how the TORn community is different. I wanted to underscore our open-minded approach and methods of moderating, yet as my sentences faltered Ismael Cruz Cordova was keen to reach across the table: “I think I know something about that, brother, and I appreciate you.” Sophia Nomvete was a revelation. Her heart is overflowing with sharply drawn wisdom. Telling her how we felt about protecting the actors from unwanted toxicity, Kellie Rice calmly said: “Don’t worry, we’ve got your back,” and Sophia gently wept at the reassurance.
Look, we are at the intersection of a literary legacy and a pop culture behemoth with this new show, The Rings of Power. There will be much invigorating discussion for the next few years and we will keep it healthy and egalitarian. We will be watching ROP with no small amount of excitement. I look forward to comparing notes with other lore-masters to parse what works (and what does not).
This new adaptation, at the very least, promises to offer a richly mounted artistic interpretation of Middle-earth. Let’s see if they play it unironically. Let’s see if they adapt it with all the seriousness and clear regard for the metaphysics it deserves.
At a delightful accidental meeting on the train, Rings of Power showrunner Patrick McKay came up and asked me what I would most like to see in their series. I immediately pulled a quote from Letter No. 203 where Tolkien states: “But I should say, if asked, the tale is not really about Power and Dominion: that only sets the wheels going; it is about Death and the desire for deathlessness.” I leaned in on that final phrase. Patrick knew exactly what I was getting at. He looked up thoughtfully for a moment and said: “I think we’ve got you covered.”
If the prevailing headwinds are any indication they might just pull off something magical. Or at least we can enjoy the ride and flog the keyboard when necessary. Seriously, we have been bitching and moaning about Faramir dragging those two hobbits to Osgiliath all these bloody years now. We enjoyed PJ’s gargantuan adaptations but had plenty to criticize. Likewise we will have ample time to praise/gripe/puzzle over Amazon’s time compression, 3rd Age characters showing up too soon; and much more. We will debate but never denigrate.
Twenty-odd years later, as an observer of pop culture and especially Tolkien’s considerable legacy, I say unequivocally we have something special in this fandom.
Let’s keep it going. And my warmest regards to all who help maintain this community. Well done.
Note: The following is an opinion piece written by volunteer staff member Kellie, also known as “Kili” from the YouTube series Happy Hobbit.
In an effort to clear up some misconceptions, I want to tell you my story.
Kellie Rice at San Diego Comic Con’s Rings of Power party venue, 2022. Photo by Kaitlyn of Tea with Tolkien.
On February 13th, I was invited to participate in a livestream hosted by both TheOneRing.net and Amazon Prime Video to watch and analyze the very first teaser trailer for Amazon’s new series, The Lord of the Rings: The Rings of Power. It was my sister’s birthday, so while I was excited for the end of the “Middle-earth dearth,” I only committed to participating for an hour, and I was relieved I had an excuse to slip away after said time, for the initial teaser trailer failed to impress. In fact, it was even worse; it left me confused, worried, and underwhelmed. The visuals were dazzling, but I felt no connection to the imagery on the screen. I was far from alone.
Like many, I feared Amazon was producing the most expensive TV show in history (allegedly around 1 billion) because they saw Tolkien’s work as a cash cow and were going to milk it for all they could.
I am a fiction author (under my pen name K.M. Rice) and a screenwriter with a Master of Fine Arts, so workshopping creative material is second nature, as is finding ways to express what is not working in an articulate manner. “I am not getting the mythic tone I look for in Tolkien,” I remember saying (which is a paraphrase).
A few months later in May, I was invited by Prime Video to a special press event in London, England, as the representative for my sister and my webshow, Happy Hobbit (which strives to bring a dose of Middle-earth to our viewers’ daily lives), and as the co-author ofMiddle-earth from Script to Screen: Building the World of the Lord of the Rings and The Hobbit, which I helped write with Daniel Falconer at Weta Workshop in New Zealand. My fellow Tolkien content creators and I, along with traditional press, were taken on a field trip to Oxford University where we had the pleasure of wandering Tolkien’s old stomping grounds both as a student and as a professor. You can check out what we did and saw by watching the video here.
Kellie Rice, or “Kili” in Oxford in May of 2022. Photo by Kaitlyn of Tea with Tolkien.
The following day, we were treated to footage and costumes from Rings of Power (ROP) and a Q&A with the showrunners, John Howe (concept artist), Leith McPherson (dialect coach), and Ramsey Avery (production designer), along with the showrunners J.D. Payne and Patrick McKay, and producer Lindsey Weber.
I once more was not impressed with the footage I saw, for while there was nothing wrong with it, there was no context. I had no idea what had just happened before the scene we were shown, where in the story it fell, and in fact, what the story was at all. It looked and sounded lovely, but there was no beating heart. My own heart sank as I realized I was going to have to just accept that this show wasn’t going to fulfill my expectations.
Once the showrunners spoke, however, I was left with the juxtaposition of hearing from two people intensely passionate about Tolkien (to the point that they opened every day of shooting with a Tolkien quote and discussion) and the marketing that didn’t convey that love and respect.
What I saw in London didn’t raise my excitement level, but hearing from the showrunners and knowing that such a capable team was producing the series did leave me with a sense of cautious optimism.
To reiterate, none of us Tolkien content creators have seen the show. We were not paid or bribed in any way, but rather have been treated as “Tolkien press.” We have no idea if ROP will be good, bad, or somewhere in between. Our opinions are our own, as they should be, and this is just my story.
While attending San Diego Comic-Con International at the end of July to speak on one of TheOneRing.net’s two panels, Prime Video invited me to a luncheon with many of the cast members from ROP. Before sitting down to eat, we were treated to viewing the first official trailer, which finally had some heart and showed a hint of the plot. I am no Tolkien lore expert, but many in the room with me were. They could name things on screen that I couldn’t, nevertheless, I felt excited. In fact, I shed a few tears and I don’t cry easily, especially in public. But being in that room and feeling so much unbridled excitement and joy was deeply moving, especially after having missed that human connection and communitas for so long during the pandemic. When we came out to meet the cast after, I felt a level of energy and anticipation that many of us had not yet felt over the show.
Sophia Nomvete (Disa)Benjamin Walker (Gil-galad)Morfydd Clark (Galadriel)Maxim Baldry (Isildur)Owain Arthur (Durin IV)Ismael Cruz Cordova (Arondir)
Everyone we met at the lunch was incredibly kind, down-to-earth, and passionate about Tolkien and storytelling. No one had an ego that prevented them from addressing gritty topics with strangers they had just met, and several of our conversations grew deep quickly. I later had an opportunity to converse with Patrick McKay, one of the two showrunners, who shared that they were given complete creative freedom. As such, whether the show does well or poorly, he feels he and his fellow showrunner are to blame. Talk about accountability!
Fellow Tolkien content creators Matt (Nerd of the Rings), Justin (TORn Tuesdays), and Willie (KnewBettaDoBetta), with actor Jed Brophy and showrunner J.D. Payne at San Diego Comic-Con 2022. Photo by Chris Saint.
I have a healthy skepticism about Amazon and most major corporations. I am not here to defend a company or TV show that I have yet to see, but I am here to share what I have learned:
Amazon never approached the Tolkien Estate to ask for the rights to make the show. Rather, the Tolkien Estate approached both Amazon and Netflix (and possibly other streaming platforms, as well), asking them if they would be interested. Amazon was.
Christopher Tolkien (the Professor’s son) was in charge of the Estate at the time the deal was made in 2017. He passed away three years later in 2020 after production on the show had already begun, and the directorship was passed on to his son, Simon Tolkien.
What’s more, the production invited Simon Tolkien, the grandson of the late Professor who has a love of cinematic storytelling and is the current director of the Estate, to be involved. For context, no other production has ever given the Tolkien Estate a seat at the table.
Amazon, as a corporation, is also not strapped for cash, which means they could invest whatever was needed to bring the vision of the Second Age to life.
Jeff Bezos is a big Tolkien fan.
One thing that limited them was the rights. They could not touch The Silmarillion or The Unfinished Tales. The rights are only for The Hobbit and The Lord of the Rings. As such, the inclination is naturally to turn to the appendices of Return of the King, but even that is a gray area.
If a plotline smelled too much like it was getting into Silmarillion territory, the Estate didn’t permit it in a script. The production was then pushed into the difficult situation of having to originate their own material.
Knowing this, engage with me in a thought experiment for a moment:
Imagine you, as a Tolkien fan, just heard that this up-and-coming film studio out of New Zealand, the UK, or Colorado received a billion dollars to produce a Tolkien TV show set in the second age using partially original material and that to do so, they not only brought the Tolkien Estate on board, but hired showrunners, writers, and a cast that cared deeply for the source material to ensure fidelity. That sounds pretty exciting, doesn’t it?
In many ways, Amazon is fighting against the public image of its own brand. Remove the name “Amazon” from the equation and suddenly many are more forgiving. I know I am. That so many of us have knee-jerk reactions to corporations’ names is worth noting, but the subject of a different conversation.
Amazon’s Prime Video logo.
It all comes down to trust, and anyone who wants to involve our fandom needs to earn it. Some of us are more open than others. Some of us love the Peter Jackson films, while others didn’t enjoy them at all. But remember this: no one is touching the books. They will always be there. Tolkien’s texts are sacred for many, and no one is here to dispute that. But a book is a book. A film is a film. A TV show is TV show. None of these forms of storytelling are the same. And the existence of one does not threaten the other. If anything, they can be a boon. I would never have read Tolkien if not for Jackson’s Lord of the Rings films.
No artist considers their art “finished.” There is always room to expand and change as the artist grows and ages as a person. Tolkien himself was a revisionist to the point that his heirs have gone to a great deal of trouble trying to decide which version of a story or piece of Arda’s history should be seen as “canon.” His Middle-earth writing often also contradicted itself. Importantly, he intentionally left bits open to interpretation.
J.R.R. Tolkien in 1925
When writing to publisher Wilton Waldman in 1951 about the scope of his literary aspirations to create a body of “more or less connected legend,” Tolkien shared:
I would draw some of the great tales in fullness, and leave many only placed in the scheme, and sketched. The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama.
J.R.R. Tolkien, 1951
The Professor’s dream has been fulfilled. His work has inspired artists of all genres and arguably established the Fantasy genre of literature.
Not only are other minds and hands interpreting his work, but adapting it and expanding upon it, thus fleshing out the ideas he left merely “sketched.” Tolkien did not want his life’s work to fade. He wanted it to live and breathe with the generations, even if that meant it arrived with a new twinkle or twist every now and again to suit the era, just as myths have done since the dawn of the human experience.
We have been through some trying times of late. A global pandemic, economic hardship, war, and loss, to say nothing of our more personal struggles. We look to tales like those told by Tolkien to make some sense of it all. I long to return to Middle-earth: a place where, even in the darkest of times, there is still a star shining. Love, hope, courage, and a love of the simple pleasures in life prevail in some form, as does the deep goodness that ties us all together. We don’t all have to agree and entertainment is highly subjective at the best of times, but even the most butchered adaptations cannot shake how at home I feel in the aged pages of my books, nor should they.
We all walk different roads on this Middle-earth, and in times of stress, it is easy to begrudge others their happiness. But life is short, opportunities are rare, and I for one am excited to revisit Tolkien’s world on screen.
Optimism is a choice, a more difficult one than pessimism, and I am choosing to go forth on this journey with an open heart and welcome any and all joy along the way. The same choice is also yours.
Happy Hobbit by Kili (Kellie) and Fili (Alex) can be found on YouTube
Welcome to The Great Hall of Poets, our regular feature showcasing the talent of Middle-earth fans. Each month we will feature a small selection of the poems submitted, but we hope you will read all of the poems that we have received here in our Great Hall of Poets.
So come and join us by the hearth, and enjoy!
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Winter Kings
In the heart of lonely winter, beneath branches bare, wearing thorny crowns, they dash through frosty air. Kings of the woodlands, royal with noble grace, among dark trees they run, finding sport in the chase. Over tall hills they travel, winding through misty glens, these wild stags of the forest, racing in the winter winds.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
If you draw a straight line from the 1937 publication of Bilbo’s story to where we stand now in 2022 on the cusp of a massive new TV series The Rings of Power you will find us — the fans. We are everyday people who sank deep into the books, enraptured by J.R.R. Tolkien’s words, re-reading everything ad nauseam. For generations we shared his words with our little ones at story time (a profound engine of furthering literacy, lest we minimize it). 
Now, I admit to being the Lisa Simpson of my family; raised Methodist but later embracing a mild form of Buddhism. Conversant in theology, I soaked myself in the deep-rooted Catholicism that Tolkien lived by. I read the Humphrey Carpenter Biography and explored his published Letters. There was no theological take I wanted to miss in his writings. So during this jolly Road Trip we chatted with a minister somewhere in the forests of Georgia and detoured for a Second Breakfast. Tolkien was the mortar between the bricks of that egalitarian conversation, believe me. We talked about the triangulation of Frodo, Sam and Sméagol; and how Tolkien crafted this narrative as a demonstrable extrapolation of The Lord’s Prayer. The quiet Southern Baptist and the talkative gay man who had just met one another were suddenly busy discussing aspects of forgiveness. It was amazing. Two people who were miles apart on political sensibilities, reductively speaking, yet there we were; breaking bread together in true Fellowship. What did we achieve? A small moment of enlightenment. What did we not do? Tweet clown emojis at each other. 
I met many cast members of the upcoming show. It was not just an opportunity to ask them questions as a reporter or a documentarian. I sat before an array of hardworking, genuine people who have their own enthusiasm for Tolkien. They were ebullient. They want fans to enjoy this creative experience on its own terms. I was perhaps a bit clumsy in relating to Markella Kavenagh and Maxim Baldry how the TORn community is different. I wanted to underscore our open-minded approach and methods of moderating, yet as my sentences faltered Ismael Cruz Cordova was keen to reach across the table: “I think I know something about that, brother, and I appreciate you.” Sophia Nomvete was a revelation. Her heart is overflowing with sharply drawn wisdom. Telling her how we felt about protecting the actors from unwanted toxicity, Kellie Rice calmly said: “Don’t worry, we’ve got your back,” and Sophia gently wept at the reassurance. 
This new adaptation, at the very least, promises to offer a richly mounted artistic interpretation of Middle-earth. Let’s see if they play it unironically. Let’s see if they adapt it with all the seriousness and clear regard for the metaphysics it deserves. 
